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Timbaland’s 7 Biggest Productions

November 21, 2023 by newhiphopnews

Timbaland has created many timeless productions over the course of his decades-long career, and it looks like some new music is on the way. His musical journey began as one half of a rap duo but from the early ’90s onward, Timbaland went into music production. Since then he has released hit after hit with an array of renowned artists: from Missy Elliott, Aaliyah, Justin Timberlake, and Madonna, to Jay-Z and even Björk.

His productions have since earned him the status of an icon, and Timbaland remains one of the most successful music producers of all time. Moreover, he boasts many chart-topping collaborations and successful solo albums like 2007’s 3x Platinum Shock Value, featuring hits like “Give It To Me,” “Apologize,” and “The Way I Are.” More recently, Timbaland gained recognition when he co-founded the influential Verzuz series with Swizz Beatz, an online Hip Hop battle that burgeoned into a cultural phenomenon during the pandemic in 2020. Nonetheless, Timbaland will always be revered for his awesome productions Here are seven of them that have withstood the test of time.

7. “Pony”- Ginuwine (1996)

Ginuwine’s debut single, “Pony” came before his album Ginuwine… The Bachelor. Nevertheless, it is by far one of the most iconic in the collection. “Pony” was also a monumental hit, both commercially and critically. It remains among the greatest R&B tracks ever recorded and is hailed as a Timbaland classic. Furthermore, this track marked a significant milestone for Timbaland, becoming one of his earliest acclaimed R&B productions. “Pony” peaked at the sixth spot on the Billboard Hot 100. Moreover, it secured the second spot on the Billboard Hot R&B Singles chart.

6. “The Way I Are”- Timbaland Ft. Keri Hilson (2007)

“The Way I Are” was a part of the successful Shock Value album. By the mid-2000s, Timbaland was already synonymous with stellar productions, and this song became a hit in no time. Keri Hilson featured on the song, which was co-written with Danja, The Clutch, and Candice Nelson. “The Way I Are” hit the third spot on the Billboard Hot 100. Moreover, it was a commercial juggernaut, selling over three million units. This track became Timbaland’s second top-five single and his second-longest-running single in the country, following “Apologize.”

5. “Cry Me A River”- Justin Timberlake (2002)

This epic ballad by Justin Timberlake was a passionate exploration of the complexities of a turbulent breakup. Co-written by Timbaland, the soulful beat and polished production led to the song being a massive hit. The track soared to number 3 on the Billboard Hot 100, securing a Grammy win for Best Male Pop Vocal Performance in 2004. Internationally, “Cry Me A River” earned a Song Of The Year nomination at the 2003 MTV Europe Music Awards. One of his biggest productions to date, Timbaland’s futuristic production contributed greatly to the song’s sexy appeal. Furthermore, his artistic collaboration with Timberlake cemented “Cry Me A River” as one of the biggest hits of the 2000s.

4. “Work It”- Missy Elliott (2002)

Timbaland’s production work for Missy Elliott has birthed Hip Hop gems, especially the iconic single “Work It.” Debuting on the US Billboard Hot 100 at number 75 on September 14, 2002, it swiftly climbed the chart, claiming the Airplay Gainer status in its second and third weeks at numbers 42 and 24, respectively. Within five weeks, it stormed into the top ten, peaking at number 8. It also held the number 2 spot for ten weeks, topping the Billboard Hot R&B/HipHop Songs chart for five weeks and earning a Grammy nod for Best Rap Song.

3. “Try Again”- Aaliyah (1996)

The futuristic productions of Timbaland broke the glass ceiling in the 2000s. Aaliyah’s “Try Again“ was originally part of the Romeo Must Die soundtrack until it emerged as a standalone hit. A major reason for that was the song’s captivating intro, which was a sample of Timbaland’s rendition of Eric B & Rakim’s “I Know You Got Soul.” Aaliyah clinched a 2001 Grammy nod for Best Female R&B Vocal Performance with the track, recognized for both critical acclaim and commercial triumph. Dominating the Billboard Hot 100, it hit a milestone, when it rose to number one solely through airplay.

2. “Promiscuous”- Nelly Furtado (2006)

Timbaland did not only produce Nelly Furtado’s “Promiscuous,” he also appeared in the music video as quite the charming figure. The song was a successful single from Furtado’s album Loose. “Promiscuous” also earned Best Pop Single of the Year at the 2006 Billboard Music Awards. Debuting at number 64 on the Billboard Hot 100 in May 2006, it reached number one on July 8, marking Furtado’s first chart-topper. Moreover the single held the peak position for six weeks. It was also certified platinum by the RIAA for over a million digital sales.

1. “Sexyback”- Justin Timberlake (2006)

Featured on the successful album FutureSex/LoveSounds, this collaboration between Timbaland and Justin Timberlake remains one of the former’s most innovative and eclectic productions to date. “SexyBack” quickly rose to the top spot on the Billboard Hot 100, reigning for an impressive seven weeks after its release. The single also won a Grammy for Best Dance Recording and earned Justin Timberlake the People’s Choice Award for Favorite R&B song. Furthermore, he earned the Male Artist of the Year award at the 2007 MTV Video Music Awards.

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Swizz Beatz Recalls The Making Of “Party Up” With DMX: “It’s The Biggest Song We Ever Made”

November 6, 2023 by newhiphopnews

When you think of the cream of the crop when it comes to hip-hop producers, who do you think of? Metro Boomin, The Alchemist, Scott Storch, Dr. Dre? There are plenty that belong in the hierarchy. One of those names that must be in the thick of it is Swizz Beatz. The Bronx, New York mainstay has given us countless classics by bringing his own flare. He has worked with the likes of Kendrick Lamar, Meek Mill, Kanye West, Lil Wayne, Drake, and other icons in the genre. With all of his experience, he knows how to bring the best out of others, including DMX.

HipHopDX reported that Swizz and up-and-coming Afrobeat artist, Rema, had a chat hosted by Rolling Stone. The Musicians on Musicians series has been producing some interesting content with older and newer generation artists. For example, Snoop Dogg and Latto have been a part of this too. Swizz spoke with Rema on the creation of one of the biggest party rap songs of all time, “Party Up” by DMX.

Rema And Swizz Beatz Have A One-On-One Conversation

Swizz mentioned how reading the room and the vibe of the artist as soon as they step into the booth is critical in making a hit. However, things were a little different with DMX. If you have heard the song, you know how rowdy the beat is. Swizz revealed what was unique about this song. “It worked for DMX one time with “Party Up.” But if you listen to [it], he does everything against the track. Like, you could tell he didn’t want to do the song. But I forced him because we was on a deadline.” Another reason for the track’s success was due to DMX wanting to prove the doubters wrong. This was from a GQ interview back in 2019. “I was the only artist in history that had their first two albums debut at No. 1, and have two platinum albums in one year! So I’m like, ‘I gotta do it again!’ Aight, like, muthaf****s think it’s a joke?! Aight, Ima show you somethin’!”

What are your initial thoughts on Swizz Beatz revealing how he made the beat for “Party Up” with DMX? Do you think Swizz is the best producer of all time? Is this the greatest beat he had ever made? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your thoughts and opinions in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Swizz Beatz and DMX, as well as everything else going on around the music world.

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Joey Bada$$ And Statik Selektah’s Best Songs

June 13, 2023 by newhiphopnews

This past Friday, Statik Selektah released his 10th studio album, Round Trip. The Massachusetts producer’s albums tend to boast impressive guest features and collaborations from both mainstream and underground hip hop’s most notable names. “Life & Times” ft. Joey Badass stands as an immediate highlight of the project. Their history together dates back to Joey’s come-up in the early 2010s. Oftentimes, Statik serves as Joey Badass’ tour DJ but their chemistry also bleeds deep into their respective catalogs. And each time Joey Badass and Statik Selektah connect, they uphold the same high standard they developed over a decade ago.

While Joey has appeared on every Statik Selektah album since 2013’s Extended Play, Statik’s also contributed production to each of Joey Bada$$’s projects from the beginning including 1999 and Summer Knights. From there, Statik also lent his talents to the Pro Era crew and later, produced multiple songs on Joey Bada$$’s landmark debut album, 2015’s B4.DA.$$. As evidenced by Round Trip and Joey Bada$$’s 2022 album, 2000, they continue to work closely with one another.

In honor of their latest collaboration, we’ve compiled a list of Joey Badass and Statik Selektah’s best songs together. Some are tracks that solely feature vocals from Joey Bada$$ while others include the assistance of other revered MCs.

7. “Beautiful Life” (2015)

2015 was a prolific year for both Joey Badass and Statik Selektah. The Brooklyn rapper released his highly-anticipated debut, B4.DA.$$, and Statik Selektah released his Lucky 7 album, which the two both worked on together. Joey Bada$$ appears on three different songs on Lucky 7, contributing a solo track and a collaboration with Big K.R.I.T. However, the album’s lead single, “Beautiful Life” is one of the most exciting moments on Statik’s 2015 opus. The song samples Chaka Khan’s “Fate” from 1981 and is more upbeat than the average Statik beat. The instrumental is perfect for Action Bronson and Joey Bada$$ to toast to their accomplishments and celebrate their successes. The song’s triumphant vibe is accurately captured in the song’s music video, shot on a boat in Croatia.

6. “Slum Villain” (2014)

“Slum Villain” is one of two strong features that Joey Bada$$ contributes to Statik Selektah’s 2014 album, What Goes Around. The album’s production leans heavily on its jazz influence, which can be heard on tracks like “Slum Villain.” Joey has the song to himself and glides over the jazzy instrumental while Statik provides his signature scratches toward the end.

5. “Carry On” (2014)

“Carry On” is the other song from What Goes Around that features Joey Bada$$. This time, Statik and Joey are joined by Freddie Gibbs. Much like “Slum Villain,” the instrumental is jazz-influenced and features a saxophone that provides the main melody. Joey sets things off with his skillful wordplay while Freddie incorporates different flows as he floats over the instrumental. Both verses are so strong that neither rapper gets outshined.

4. “Keep It Moving” (2020)

Statik Selektah’s 2020 album, The Balancing Act, featured multiple Joey Bada$$ features, both of which are arguably the album’s best moments. The album’s lead single “Keep It Moving” is a definitive highlight, featuring Joey alongside Nas and Gary Clark Jr. The two rappers go back and forth, showing that Joey is deserving of legend status while Nas proves that his skills transcend age. The instrumental is euphoric as Gary Clark Jr. provides a beautiful melody over the beat that continuously progresses throughout the duration of the song.

3. “Bird’s Eye View” (2013)

Joey Bada$$ had proven his ability to hang with the legends long before “Keep It Moving.” His first appearance on a Statik Selektah album was 2013’s “Bird’s Eye View.” Over a soulful instrumental from Statik, each rapper picks up where the previous one left off in their verse. Raekwon starts things off with his slick flow and Joey Bada$$ comes through with his choppy wordplay before Black Thought delivers a jaw-dropping verse for two minutes straight. While Black Thought’s verse takes up the majority of the song, “Bird’s Eye View” is a memorable collaboration between multiple hip-hop generations.

2. “Curry Chicken” (2015)

A B4.DA.$$ highlight, “Curry Chicken” is a taste of home. The song is about Joey working to get his career going, putting in work on tour but always making time to come home for the holidays. He raps about the path he has taken and making his family proud. The Statik Selektah beat has a vintage sound to it and Joey shines lyrically.

1. “Save The Children” (2015)

The opening song on B4.DA.$$, “Save The Children” is the perfect introduction. Over a glorious instrumental produced by Statik Selektah, Joey Bada$$ is at his most charismatic. The horns on the beat and record scratches combine the retro sounds of Joey and Statik, building on already-strong chemistry.

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Freddie Gibbs’s Best Songs

May 8, 2023 by newhiphopnews

Freddie Gibbs has gone through many different phases in his career. Originally signed to Interscope and then Jeezy’s label, he went independent and went on a historic run of classic mixtapes, albums, and collaborations. On top of that, he’s also delivered several collaborative projects with Madlib, The Alchemist, Curren$y, and Statik Selektah.

This is a list of the best Freddie Gibbs songs. Because he has consistently released so many quality bodies of work, it is challenging to narrow his music down to just seven songs. Some tracks that did not make the list but were worth mentioning include the soulful “Cataracts” and “High.” Dark bangers like “Pronto” and “Fuckin Up The Count” stand out in Freddie’s catalog, as do the vulnerable “Forever and a Day” and the descriptive “White Range.” “20 Karat Jesus” deserves mentioning as it is arguably his best intro song with its heavenly beat switch. The difficulty in making a list of the best Freddie Gibbs songs speaks to the quality, consistency, and longevity of his discography. Take a look at the list below.

7. “Harold’s” (2014)

This song is undoubtedly the best hip-hop song about fast food fried chicken. The song is inspired by the Chicago-based restaurant Harold’s Fried Chicken. The hook is a breakdown of Freddie’s usual order (six wings, mild sauce, and all the fries with all the fries you can give me). While the song does pay homage to the midwestern chicken restaurant, Freddie Gibbs keeps his gangster-isms throughout the verses. The beat from Madlib also has a nice groove to it.

6. “Extradite” (2015)

Bob James’s “Nautilus” is one of hip hop’s most sampled songs, and “Extradite” is arguably one of the best flips of the sample. The beat constantly evolves throughout the course of the song. In addition to the filthy beat, Freddie trades verses with Black Thought, who delivers one of his best guest features. Not many rappers can keep up with Black Thought on a track and Freddie’s performance on the song speaks volumes to his lyrical skills.

5. “Shame” (2012)

Freddie Gibbs & Madlib’s classic debut collaboration, 2014’s Piñata, perfectly combines Freddie Gibbs’s gangsta rap style with Madlib’s experimental yet vintage production style. The album consists of many tough gangsta rap songs but there are also plenty of smooth highlights, such as the beautifully soulful “Shame.” Madlib samples “Wish That You Were Mine” by The Manhattans for the gorgeous production. However, it’s the show-stealing chorus from BJ The Chicago that adds to the soul of the song, making for a chill moment of joy on an album full of street raps.

4. “Alexys” (2017)

Jazz band BADBADNOTGOOD and dance producer Kaytranada have close connections to hip hop and have made their fair share of rap collabs. They linked together for “Alexys,” from Freddie Gibbs’s You Only Live 2wice, resulting in one of his best songs. The beat is unlike anything Freddie has ever rapped over, with Kaytranada’s radiant musical textures and the precise percussion from BADBADNOTGOOD. The beat is unique on its own but it is perfect for Freddie Gibbs’s rapping as he paints a vivid picture of his introduction to street life, drawing references from various movies and TV shows. “Alexys” is a highlight from one of Freddie’s most underrated albums and is one of his best songs.

3. “Giannis” (2019)

“Giannis” is a definitive highlight from Freddie Gibbs and Madlib’s second collaboration, 2019’s Bandana. The beat features a smooth loop of “Aasman Ke Neeche” from the 1967 Hindi film Jewel Thief. The drum break over the sample allows Freddie to weave between slow and double-time flows, fueled by clever punchlines. One lyrical moment in the song that makes it so impressive is that Freddie breaks down what a 360 deal is in the music industry and why an artist can fail if they rely too much on their label. Anderson .Paak’s guest appearance is a showstopper as he handles the song’s well-sung chorus, along with a mean verse.

2. “Thuggin” (2011)

Rubba’s “Way Star” has been sampled numerous times in hip hop, and Freddie Gibbs and Madlib’s flip on the sample for “Thuggin” is easily the best flip. The hazy sample with its acoustic twang makes for a dream-like backdrop for Freddie to rap about the ruthless nature of the streets. With a cinematic touch, Freddie first-person portrayal as the anti-hero mirrors his reality. He depicts a life of crime, tying it together on the song’s catchy chorus, rapping, “I’m straight thuggin’, uh/ And it feels so good, uh, and it feels so right.”

1. “Bandana” (2019)

It is perplexing why the 2019 single from Freddie Gibbs and Madlib, titled “Bandana,” did not make the final tracklist of their album Bandana. The song served as a promotional single but because the song is so good, it can stand by itself. The greatness of the song speaks for itself. The instrumental consists of a hauntingly spacey instrumental over a knocking drum pattern. Freddie Gibbs spits his classic style of crime-filled drug raps with his signature deep voice. He floats over the beat and he brilliantly incorporates the last line of each verse to make the song’s refrain.

Jamaican dancehall deejay Assassin, who has worked with many rappers, is the perfect feature. He asserts his presence with just a repeated uttering of the word “bandana” in the refrain before making the track his own on his verse. “Bandana” stands alone for good reason as there is no song that sounds like it. The song makes a strong argument for its high rank among the best Freddie Gibbs songs.

ASAP Rocky’s 8 Best Songs Of All Time, Ranked

April 19, 2023 by newhiphopnews

ASAP Rocky boasts a deep catalog of songs that capture the evolution of his sound. Beginning his career as a part of the A$AP Mob, the Harlem-based prospect first blew up after releasing “Peso” in summer 2011. Two years prior, Rocky described being a young man in Harlem involved in the streets and the fashion world. He began making songs along with his childhood friends with the goal of getting them out of their unsustainable lifestyle.

Approaching five years since his last studio release, fans are beginning to wonder when we’ll be hearing his next studio album. He released “Same Problems?” in January while rumors have been circulating that the track launches the rollout for Don’t Be Dumb — the rumored title of his next project. However, we haven’t heard anything from Rocky in the three months since. “Same Problems?” was one of his most introspective cuts to date, with euphoric synths wearing the influences of Kid Cudi. Before the anticipated rollout of his next album, we figured we’d take a look at the 7 best songs in ASAP Rocky’s catalog.

8. “Praise The Lord (Da Shine)” (2018)

Featuring British MC Skepta, “Praise The Lord” is ASAP Rocky’s most commercially successful song to date. The Skepta-assisted record serves as the third single off of Testing. It marked the third collaboration between the two artists. In an interview with Genius, Rocky discussed “smoking in the studio” with Skepta when he first heard the beat. Similar to tracks such as “Lord Pretty Flacko Jodye 2,” Rocky is reflecting on his massive success. He states, “Locked and loaded, diamonds glowin’/ chart-climbing on ’em.” In addition, Rocky provides motivation to think outside of the box no matter their circumstances. He gives a shoutout to people with the “game plan” and “escape plans,” urging them to “create, explore, expand, [and] conquer.”

7. “Sundress” (2018)

“Sundress” represented a sharp turn in Rocky’s career, for the better. Produced by Kevin Parker (predominantly known as Tame Impala), the track came from left field compared to the grimy bangers that Rocky’s released in the past. A psychedelic blend of indie-rock and hip-hop, fans have been hoping he’ll release a full project that parallels this sound ever since. In fact, this might be the case with his new project. “Same Problems?” is far more melodic, making it relatively similar to “Sundress.”

6. “Peso” (2011)

“Peso” put ASAP Rocky on the map. The lead single for Live.Love.A$AP, the track transcended Rocky from the streets of Harlem and into the limelight. He told the New York Times, “New York didn’t respect me until ‘Peso.’” Even though he was very much focused on breaking out, he didn’t use this as an excuse to formulate a generic sound. Right off the bat, Rocky aspired to push the boundaries in hip-hop. “Peso” is a song that very much mirrors the environment that ASAP Rocky grew up In. He captured Harlem’s flamboyant essence with fashion-forward bars, along with an analysis of capturing the flamboyant essence of Harlem.

5. “Lord Pretty Flacko Jodye 2” (2015)

“Lord Pretty Flacko Jodye 2” is a definitive banger of the past decade. Featuring paranoia-inducing synths and menacing bass, Nez & Rio come through with a simplistic approach to the overall production. However, Rocky rides the beat with high-energy and technical proficiency. Still, the brief runtime of the records left fans wishing for an extended version. An anthem through and through, Rocky portrays himself atop the mountain of MCs.

4. “r – Cali” (2013)

Created for Grand Theft Auto V, “r – Cali” provided ASAP Rocky with his first opportunity to create a song specifically for a video game. Anyone who knows Grand Theft Auto will know that the soundtracks are a hallmark aspect of the franchise. “r – Cali” would become one of the most well-known songs in GTAV, perfectly fitting the fictional Los Santos setting.

3. “Holy Ghost” (2015)

One of ASAP Rocky’s more underrated songs, “Holy Ghost” is the intro of AT.LONG.LAST.A$AP. In the song, Rocky details his hesitancy towards organized religion while also reflecting on his own spirituality. At the same time, he’s pleading for his corrupted soul to be saved. It’s one of his more narratively damning songs to date. The melancholy guitar strings add a unique element to “Holy Ghost,” thanks to DJ Khalil and Danger Mouse’s production.

2. “F**kin’ Problems” (2012)

“F**kin’ Problems” is an iconic track in Rocky’s catalog. Featuring Drake, Kendrick Lamar, and 2 Chainz, the headlining heavy hitters in rap came together for a generational anthem. ASAP Rocky cedes much of the song to his contemporaries, solely delivering one verse on the front end. However, his ability to stand his ground with Drake and Kendrick solidified him as one of the most talented MCs out of his generation.

1. “Canal St.” (2015)

“Canal St.” contains one of the best beats that ASAP Rocky has ever flowed on, thanks to the sample of Bones’ “Dirt.” Canal Street is a famous crosstown street in Lower Manhattan, New York City. Best-known for its expression of the arts and spots such as Chinatown, Rocky claims to have copped two of his gold chains from Canal Street. In fact, he’s referenced the street multiple times in other songs. Rocky’s relationship with Canal Street likely changed significantly throughout his life. Once a place where he couldn’t afford anything, he now walks down the street as the wealthiest person there. He references this on the track, stating, “I went from roaches on my bump to red brooches on the cuff of my tux.”

Kaytranada’s Essential Tracks

April 10, 2023 by newhiphopnews

There’s no doubt that super-producer Kaytranada has revolutionized the electronic-R&B space. Many of us were introduced to the Canadian-Haitian artist from his famous Boiler Room set back in 2013, as his remixes of “Be Your Girl” and “If” by Janet Jackson shook up the dancefloor and the Internet alike. Since then, Kaytranada has propelled himself from a Soundcloud remixer to a full-on household producer. The 30-year-old has an eclectic ability to blend ’80s and ’90s R&B tracks with modern-day electronic soundscapes.

He would start his solo career with 99.9%, featuring fellow R&B icons Anderson Paak and Syd. The critically acclaimed project would be followed up with Bubba in 2019. More recently, he put out the Intimidated EP, which features the likes of H.E.R and Thundercat. Kaytranada announced a collaboration album with Toronto MC Amine. A Kaytranada-produced project has been a long-time coming, as he’s been looking to produce records for other artists for years. He referenced this in a conversation with Rick Rubin: “I’ve always wanted to produce a whole project for another artist. Soon y’all are going to hear Kaytranada-produced albums.”

While Kaytranada’s production chops have taken the forefront over the past year, he’s assured fans that we will get a new solo project soon. Coming up on four years since Bubba, it’s certainly something that fans have been craving. In the aforementioned conversation with Rubin (in late 2022), he also stated, “I have a number of demos and a specific sound that I’m shooting for. I’m just trying to figure out how I want to cohesively present it.”

“You’re the One” (2016)

By far, his most commercially successful track, “You’re the One,” is the eleventh track off of breakout project 99.9%. The track is a go-to for any late-night DJ, featuring ethereal synths and soothing vocals from Syd (lead singer of The Internet). Reminiscent of the ’60s disco era, the gorgeous production parallels the likes of Tom Misch or GoldLink. Like many of Kaytranada’s tracks, the bassline is the subtle driver of “You’re the One.” The simplicity of the vocals matches the laid-back nature of the track, as Syd states, “You know I want you baby, you know I do / I’ll give you my heart and the rest is up to you.” The track has recently surpassed 140 million streams on Spotify alone.

9. “Glowed Up” ft. Anderson .Paak (2016)

Another essential cut from 99.9%, “Glowed Up,” is far more bass heavy and foreboding than the psychedelic quality of “You’re the One.” Anderson’s swagger verse perfectly meshes with the sound, as he both sings and raps. The track emphasizes how much Kaytranada can accomplish when paired with an equally ambitious collaborator. In fact, the two have been collaborating throughout their respective careers. They worked together on Anderson .Paak’s Malibu, with Kaytranada producing “Lite Weight.” In addition, the two put out “Twin Flame” back in 2022.

8. Teedra Moses — “Be Your Girl (Kaytranada Edition)” (2018)

Many fans were first exposed to “Be Your Girl” during Kaytranada’s Boiler Room set in Montreal. The track fully showcases his ability to breathe life into anything he touches. Kaytranada had long been a mainstay in the Soundcloud remix scene by 2013. However, “Be Your Girl” propelled him from a basement producer to a nationwide dance icon. An eclectic blend of disco and funk, the track features a hard-hitting snare and electrofunk synths. The original cut comes from R&B singer-songwriter Teedra Moses. As her most famous song, “Be Your Girl,” has surpassed 60 million streams.

7. “What You Need” ft. Charlotte Day Wilson (2019)

Kaytranada has an uncanny knack for bringing out hidden talents in fellow artists that he works with. Fans of Charlotte Day Wilson wouldn’t expect her to blend perfectly into the groovy “What You Need.” The R&B vocalist was best known for her laid-back ballads, notably with BadBadNotGood and Daniel Caesar. However, Kaytranada found a way to perfectly blend her towering vocal harmonies with the groovy production of “What You Need.” The two Canadian artists created what is undoubtedly one of the better tracks off of Bubba. Wilson’s feature on “What You Need” would lead her to diving into the dance space far more in the future.

“10%” ft. Kali Uchis (2019)

When Kaytranada announced his incoming collaboration with Kali Uchis at the Paris Music Festival, fans knew that “10%” was bound to be a hit. Their predictions were proven correct in 2021 when the track won a Grammy for Best Dance Recording. In addition, Bubba would win a Grammy for Best Dance/Electronic Album. It wasn’t the first time the two had worked together. They created “Water To Wine” in 2016, where Uchis showcased her inherent adaptability as a vocalist. Fans will be hoping that this isn’t the last we hear from the two. Uchis recently flirted with more dance-heavy tracks when she released “No Hay Ley” last year.

“Freefall” ft. Durand Bernarr (2019)

“Freefall” is undeniably one of Kaytranada’s more underrated tracks to date. Featuring tantalizing vocals from Durand Bernarr, it’s one of the more experimental tracks off of Bubba. Bernarr is well-known in the neo-soul space, where he’s collaborated with the likes of Erykah Badu and Anderson .Paak. Featuring subtle violins and a snappy drum pattern, “Freefall” is nostalgic and euphoric. Bernarr’s adlibs blend seamlessly with the J Dilla-esque drums.

“The Worst In Me” ft. Tinashe (2019)

Chemistry between two artists can sometimes be a struggle as they look to adapt to each other’s sonic ideas. This certainly wasn’t the case on “The Worst In Me,” Kaytranada’s personal favorite track off of Bubba. During a lightning-in-a-bottle moment in the studio, Tinashe came up with her verse in only 30 minutes. Featuring shimmering adlibs and a snappy drumbeat, it’s one of Tinashe’s sole releases that ventures into the dancehall scene. In addition, Kaytranada is known for placing plenty of value on the visual counterparts of his art. “The Worst In Me” is one of those moments, as the music video blends a seductive touch with the Halloween season. This fits the song’s narrative as Tinashe lashes out at her frustrating partner.

“Twin Flame” ft. Anderson .Paak (2022)

“Twin Flame” is an easy-on-the-ear cut featuring a repetitive chorus and a looping piano sample. While Kaytranada almost always exists in the dance/R&B realm, he finds subtle ways to completely switch up the vibe depending on which track the listener is experiencing. “Twin Flame” is more so a nighttime club hit, with a dark, looping piano sample and booming drums. The track was released with a visual counterpart, which was directed by Anderson .Paak. Kaytranada had been sitting on the track for multiple years, referencing the song back in 2021 as one that he couldn’t wait to put out into the world.

“Chances” ft. Shay Lia (2018)

Shay Lia’s soulful vocals shine through on “Chances.” The track was released along with “Nothin Like U” and “It Was Meant 2 B” from the 2018 EP. With both Shay Lia and Kaytranada living in Montreal, the two frequently collaborated throughout their early careers. Lia is the first of numerous artists from Montreal who Kaytranada propelled into mainstream musicians. Walking a delicate tightrope between simplicity and experimentation, “Chances” blends both worlds perfectly. While its structure is simple, the tantalizing drums and subdued synths make “Chances” utterly addictive.

The Best Flavor Flav Songs, Ranked

March 20, 2023 by newhiphopnews

There are an innumerable number of rappers in the game with songs and discography undervalued as Flavor Flav. But, how many veterans in Hip-Hop hold a drawn-out stable career as Flav has? His name alone instigates buzz on social media exchanges. So I ask again, how many veterans stretched out to various trades and managed to monetize as an entertainer? Public Enemy‘s hypeman’s rise to fame in 1985 became the start of an understated rapper in Hip-Hop. We’ve curated 10 of his best songs and ranked them deservedly.

#10. Michael Jackson

Shortly after Michael Jackson died in 2009, fans and artists were hurt and angry at the news. Some artists went on to rant via radio interviews, and some placed the death blow on songs. When Flavor Flav dropped “Michael Jackson” 4 years or so later. He delivered his own artistic expression by inserting the interview of MJ’s doctor to offset the track. If you’ll recall, Dr. Conrad said in the interview, “I don’t feel guilty, because I didn’t do anything wrong.”

His response to the public accusation escalated the hate enormously, even for the American rapper. This song is one of my favorite songs by Flavor Flav. The high-pitch tone in the beginning, to a calm resonance in his first verse, is swift. Just makes you feel the wrath of his emotions. But also noting Flavor’s ability to rap on behalf of Michael Jackson, and direct blame to the doctor in a double-gaited fashion.

#9. Step Back

Media Creature Music / 12×12 rewarded Hip-Hop listeners with a compilation album Hip Hop Classiks in 2018. And in it, had one of Flavor Flav’s most groovy songs from his discography. The label collected songs from E-40, Ms. Toi, G Luv, and many more elite veterans. ‘Step Back’ is an exemplary sound from the sound in the late 2000s. With instrumentals tugging from Indian dancing style elements, and repetitive tempos every time he drops a bar. The chorus is reminiscent of Lil Jon’s “Get Low” house party sound. It takes me back to an underrated Hip-Hop sound that is missing currently.

#8. Two Wrongs

Now this song was not favorable or popular when it was released. Though I don’t blame them, 2006 listeners weren’t focused on a body of work. Only songs on the charts. It was a year where the 50 Cents, Jay Zs and Lil Waynes were all releasing records that sell faster than takeaway. It was go time season in 06′. Two Wrongs offers a laid-back aura for the listener. His vocals are shining through on this record. And what I love about this track, is it gives the listener a breather from the hardcore songs. The album is Flavor Flav’s only solo studio album, and he delivered it successfully.

#7. I Ain’t Scared

On ‘I Ain’t Scared’, Flavor distanced himself from Public Enemy‘s shadow. The rapper delivers a classic that leeches on his playful energy, and smooth vocals. In this song, he addresses the public on the many things he isn’t afraid to do. Most notably, he addresses the “Flavor of Love” dating show that was released in the same year of his Flavor Flav debut solo project. “I ain’t scared to do another dating show, but I ain’t really trying to,” he explains in the song. “I’m ready to spread my wings and go down other avenues,” and he fulfilled that wish.

#6. Let It Show

The rapper surprised a lot of fans with this intro track. The vulnerability aspect that set the tone of the album shocked me too. ‘Let It Show’ is about embracing life’s moments and going with the flow of one’s feelings. “If you feel like showin some love tonight,” and he continues “Let it show, let it show.” Flavor admits he won’t shy away from showing his loved ones how he feels. “Take it from Flav because,” he sings, “I’m not afraid to let it show.”

#5. Flavor Man

Hypeman Flav popped out on this record. On ‘Flavor Man’ the rapper is his own hype man when he says “back with the hottest track.” The song rose on the charts after being a theme song for his ‘Flavor of Love’ dating show. His frenzied energy and the catchy hook snuck in might overshadow the slick bars he laid on this beat. The complex Bill Gates bar scheme he runs down over in the first half of the second verse is powerful. Just to emphasize the potentness of his secret sauce-the flavor man indeed.

#4. Platnum

Flavor Flav’s solo debut project has countless potential hits. Platnum should have been the rollout lead single, and paired up with a video would’ve lit up. The rawness and hunger from his delivery are commendable. Flav’s beat selection blends with his flow on the hook. But when it quickly picks up as he raps elevates the song to a 10/10. Platnum is one of his most beautifully composed singles ever.

#3. Shake The Room

Years later, Flavour Flav is recruited by Dj Premier and Bumpy Knuckles for the solid commercial-sounding “Shake The Room.” Premier’s production style on this song embedded his place in Hip-Hop for some time. Bumpy’s flow resonates with the rigid beat structure that bites off some old-school elements. On the surface, the trio is an uncanny meeting, but they come together to deliver a hardcore rap song.

#2. UNGA BUNGA BUNGA

Shoutout to the top series Breaking Bad for fusing this song in one of Jesse scenes. In a visual way interpolates cartoon characters and things that the youth of that time had no clue about. You see it with “but I’m chillin with Magilla.” Which references the fictional gorilla character on the cartoon show from the 60s. Or the line “but up in Harlem at the wet shop,” referencing a Barbershop. The rest of the song stays on theme and it’s why the track is his top 2.

#1. Shake Your Booty

Flavor’s best song “Shake Your Booty” is punched with concise lyricism and a gelled chorus. In his first verse, he pays homage to the late PAC and biggie. He says, “Flipped your wig, on top of the world like ‘Pac and Big.”And what’s insane about this line, is how it transitions to the next song on the project. Which in detail, relives the brutal murders of the late legends. Flav ran this song with heavy bars on all the 3 long verses. This is arguably his best work yet.

Do you agree with this arrangement of Flavor Flav’s best songs? Let us know in the comments.

Kodak Black’s Best Songs

March 16, 2023 by newhiphopnews

While some may consider Kodak Black’s song controversial, it is impossible to deny that he has had a successful career. Kodak Black is an American rapper and songwriter. At his younger age, Kodak Black has done a lot in his life. Even though he has done various criminal things and tries to be sneaky to get to the top, Kodak has a heartwarming spirit. Also, this has helped him get to the top of his game.

Apparently, Kodak has already delivered a massive number of hits in such a short period. Without further ado, here are Kodak Black’s best all-time tracks.

Kodak Black Song: “Roll in Peace”

With “Roll in Peace,” Kodak brings heavy bass with a catchy hook and a rocking instrumental. Even though the song came out in 2017, many of his fans still listen to it over and over again.

Fundamentally, the melody of the flute, which is slightly out of tune, goes well with the sound of Kodak’s voice, which is rough. “Roll in Peace” has been regarded as one of his best songs since its release.

“Codeine Dreaming” (Feat. Lil Wayne)

In this song, Kodak Black goes into full story mode, with synth plucks that are repeated to make a catchy melody. The simple instrumental allows plenty of space for the artist’s lyrics, and the pitch-changing 808s provide excellent dynamic variation.

“Codeine Dreaming” also features Lil Wayne’s backing vocals, making it one of the best Kodak Black songs and collaborations. More so, the hook stands out because it has a lot of intensity and a lot of movement.

“NO FLOCKIN’”

Even though this song came out a decade ago, it is still one of Kodak Black greatest song. “NO FLOCKIN,” shows how good he was back then. During a time when the artist was getting more fans, he did a great job of copying the trap sound of the time.

If you’ve heard of any of his recent work, you’ll notice that his rapping skills have changed a lot. Also, the quality of the production shows how far he’s come as an artist. Even though new Kodak fans might not know the song, long-time fans consider it to be one of his best works.

Kodak Black Song: “Tunnel Vision” (2017)

Kodak Black discussed a lot of systemic problems and also talks about his own life in this song. The rapper from South Florida raps about his time in prison and how the criminal justice system is unfair to Black men. In the video for “Tunnel Vision,” Kodak is shown in front of a burning cross. This is a reference to how the KKK burned crosses in front of the homes of Black people in the early 1900s. Later in the video, the rapper talks about a white man wearing a “Make America Great Again” hat who is about to shoot a black man when his gun jams and a little girl yells “Stop!” Interestingly, RIAA has certified this song six times platinum.

“SKRT”

Kodak Black put out “SKRT,” which has a more R&B sound, to appeal to a different group of listeners. In this song, he shows off his ability to harmonize and also writes catchy lines for each stanza.

The music is much quieter than his usual style, with tired piano chords and percussion parts that move with his lines. Also, the song has been certified platinum by the RIAA.

“ZEZE” by Travis Scott and Offset

Kodak recruits Travis Scott and Offset for “ZEZE” off of his 2018 album ‘Dying to Live’. On this track, all three rappers brag about the best things in life. Luckily, this song debuted at No. 2 on the US Billboard Hot 100, making it the highest-charting single that starts with “Z.” The previous record holder was a cover of “Zip-a-Dee-Doo-Dah” by Bob B. Soxx and the Blue Jeans, which reached No. 8 in 1963. RIAA has also certified this song six times platinum.

Kodak Black Song: “VOODOO” by Future and Kodak Black (2022)

Future enlisted Kodak Black on the song “VOODOO,” which was on his 2022 album “I Never Liked You.” Kaash Paige, who is an R&B singer, adds more vocals to the song. In this catchy trap song, Future raps about expensive things and drugs, while Kodak compares the devil and the angel. The song debuted at No. 39 on the Billboard Hot 100 in the United States.

“Versatile”

The song “Versatile” by Kodak Black came out in 2017, and by time in his career, he’s proven himseilf. Many people think this is one of Kodak Black’s best songs because of the raw message and how much it has helped him as an artist. Nonetheless, the instrumental doesn’t change a lot, but the piano melody keeps the song interesting.

“Skrilla”

Another iconic single from Kodak’s early career, the instrumental on “Skrilla” is instantly recognized during live events. Also, it resonates with any die-hard Kodak fan from the first note alone. Even though the production value is low, Kodak is known for this kind of raw sound. At the same time, the quality of the production is typical of this type of rap music in 2014 and 2015.

Kodak Black Song: “Like Dat”

Lastly, we are wrapping up this list with another banger from Kodak. “Like Dat” by Kodak Black is an alternative and peaceful instrumental song with a lot of synth-driven chords and melodies. The song moves slowly, but the strong bass line makes it bang your head. Many fans like Kodak’s tougher songs better. However, every now and then, he releases a mellow gem that becomes a fan favorite for years to come.

Via.

Victoria Monét’s Top 5 Songs

March 6, 2023 by newhiphopnews

Victoria Monét is a multi-talented American singer-songwriter. Getting her start by joining a performing arts program, she would soon begin writing poetry and singing in her room. In addition, Monét is well-known for her talent as a dancer. While Monét’s solo career has blossomed over the past 5 years, she’s also become a household name as a songwriter. Supporting artists such as Ariana Grande, Lupe Fiasco, and Chris Brown, she wrote songs such as “7 Rings” and “Drunk Texting.”

The 33 year old has recently been making waves as a solo artist in the R&B scene. Her most recent album ‘JAGUAR’ has garnered over 200 million streams on Spotify alone. A 25 minute collection of funk-tinged R&B, the record received critical acclaim from the Billboard charts and publications such as Pitchfork. Finally embracing the spotlight rather than working in the shadows, it remains one of the better R&B records to come out in the 2020s.

The mother of a 2 year old daughter, Monét has spent the past two years balancing her family life with the creation of her next full-length project. In a recent interview with Billboard, Monét teased the beginning of her rollout for her next project, stating “Jaguar part two is coming.” In addition, it sounds like she’ll be releasing her headlining single for the project sometime in March. Blending groovy instrumentation with scintillating vocals, the Sacramento-based artist really earned her flowers over the past few years.

Before her follow-up album to ‘Jaguar’ releases, we’ll be taking a look at some of her best songs to date. Let us know what your thoughts are on the list in the comments!

Coastin’

Victoria Monét’s most recent single, “Coastin’” is a feel-good groove all the way through. Sampling the drum pattern and bassline from Tamia’s “So Into You,” Monét’s smooth vocals seamlessly cut through the production. Her 80s soul influences are apparent as ever. The music video perfectly reflects this mood, as she drives around on a warm California day.

Monét has a unique ability to walk a fine-line between disco and R&B, blending the two genres into a pacing that fits her. “Coastin’” is a hallmark example of this. An ode to a man she’s in love with, the track is an uncompromising love letter to the sunshine of California. Monét stated, “we wanted this song to represent the freedom to finally go outside (post-pandemic). It feels so good to be able to finally Coast freely.”

Moment

The track to land Monét her first late-night performance, “Moment” is the track that really put her on the map as a solo-artist. The lead track off of ‘JAGUAR,” Monét repeats “Aye, this your motherf**kin moment” to her lover. This can also be interpreted as a phrase she’s repeating to herself, as she attempts to embrace the spotlight.

A slow-moving R&B cut, sensual drums and flow switchups cover the track from start to finish. Monét displays a quirky ability to seamlessly rotate from allegro to lento tempos. High-rising violins gradually become more and more prevalent on the track, as Monét pleads for her lover to embrace the moment. It’s a fitting intro to the record.

Experience

Featuring production chops from dance/electronic artist SG Lewis, the UK-based producer curates yet another groovy collaboration on “Experience.” Also working with the likes of Clairo and Remi Wolf, he has a uncanny ability to encouraged artists to adapt to his sound. Victoria Monét does so beautifully, whose voice swirls around snappy drums and delicate synths.

The most streamed track off of ‘JAGUAR,’ it recently surpassed the 50-million mark on Spotify. This is in large-part due to Khalid’s appearance on the track, who’s actually outshined by Monét. However, his sensual vocals fit the mood of the song. A celebratory track, Monét waives goodbye to a past tumultuous relationship. The title of the track itself is self-explanatory; Monét takes the licks of the relationship on the chin, and moves on towards something more positive.

All You Need

Victoria Monét’s “Life After Love, Pt. 2” EP gives the impression of an artist who’s still trying to find her sound. Tracks dart from Japanese pop influences to Caribbean-influenced sonic tropes. The standout track is undeniably “All You Need,” featuring booming drums and colorful background vocals.

Monét repeats “All You Need” on the chorus, demonstrating her infatuation with her lover. While more grounded in soul, it’s still very much distinctive from her later work. Stating “Maybe I’ll be the one that you meet heaven with,” it’s a relatively straightforward love song shows off her vocal prowess. In addition, it’s interesting to listen to her older sound given the context of her most recent releases.

We Might Even Be Falling In Love

There’s a reason why four of the five tracks off of this list appear on her most recent album, ‘JAGUAR.’ Signifying a more focused sound that best complimented her vocal personality, “We Might Even Be Falling In Love” is another love ballad in a record full of them. Running at a fleeting 51 seconds, it’s a frustratingly short song. However, it’s a tight-knit interlude that’s straight to the point.

After the first quarter of the record sees both Victoria Monét and her lover express resonations about fully committing to each other, “We Might Even Be Falling In Love” sees her open up fully. Amidst subtle horns and a groovy bassline, she states “U-Haul, ’cause I might let you move in it.” She recently released an extended version of the track with R&B icon Bryson Tiller.

Pop Smoke’s Best Songs

March 4, 2023 by newhiphopnews

Born and raised in Brooklyn, Pop Smoke‘s rise to the top of New York’s burgeoning drill scene captured the attention of the rap world. Riding the wave of “Welcome To The Party” and “Dior”,” he entered the 2020s as one of the most exciting and unique MCs. Quickly becoming one of the marquee names in rap, his sound took over the nation. Later influencing the likes of Kanye West to drive into drill music, he took the genre and put his own energetic spin on it.

Blending drill and trap into an electric sound, he released his debut mixtape ‘Meet the Woo’ in 2019, He would soon follow up the breakout record with it’s sequel, ‘Meet the Woo 2.’ With so much ahead for Pop Smoke (whose full name is Bashar Jackson), he was tragically shot to death in his Hollywood Hills home on February 19, 2020. His first full-length, studio album would release months after his passing. ‘Shoot for the Moon, Aims for the Stars‘ debuted at #1 on the Billboard 200, with first-week sales reaching over 250,000. Executive-produced by 50 Cent, the albums’ booming success had obvious dark undertones in the fact that it would be the last record with full input from Pop Smoke.

There’s no denying that Pop Smoke is one of the biggest what if stories in rap. While he only released music for a few years, he was able to curate a heavy catalogue of bangers within a brief span of time. We can only wonder at where he would’ve taken the sound over the coming decade. Today, we dive into the ten best songs from his vault.

Dior

It’s impossible to mention Pop Smoke’s career without brining up “Dior.” The sixth track on his debut mixtape, ‘Meet the Woo.’ Featuring a nasty violin sample and menacing 808, this song could be heard on stereo speakers in clubs across the country in 2019. Of course, it wasn’t only the production that made this track so unique. Pop Smoke’s ability to switch from rapid verses to catchy adlibs on a dime made the synergy on this track immediately ear-catching.

With bars such as “Christian Dior, Dior, I’m all up in the stores,’ Pop Smoke immediately embraced his new lifestyle. Of course, his constant flexing is doesn’t come off as egotistical considering his rough upbringing. Expelled from school in eighth grade, many counted him out before he even got to high-school.

Welcome to the Party

The second most streamed song off of breakout mixtape ‘Meet the Woo,’ ‘Welcome to the Party’ is another drill-based banger. Pop Smoke was iconic for his recognizable hooks and memorizable lyrics. His uniquely deep and menacing voice cut through just about anything. This track is a hallmark example of that, as he flexes his lavish lifestyle. Mumbling “I the boy up then I go skate in a rari,” it’s impossible not to jump around to this absolute banger.

While “Dior” ended being his most-streamed track, “Welcome to the Party” is the track that really put the New York drill scene on the map. Pop Smoke addressed the hook (“I’m of the Molly, the Xan, the Lean that’s why I’m movin’ retarded”) in a Genius interview, stating “when you come from my neighborhood, people take drugs to ease their pain.” For all of the critics of his drug and gun-related lyricism, he’s not glorifying that lifestyle. The intention is to shine light on the environment he grew up in.

Gatti

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The seventh and final track off of the ‘JACKBOYS‘ mixtape, ‘Gatti’ was met with mixed reviews after the tape initially hit streaming services. At the time, Pop Smoke’s New York drill was still relatively fresh in the mainstream scene. His unique voice and drill production threw the more traditional trap audience of ‘JACKBOYS’ for a loop. The collaboration opened up a number of doors for Pop Smoke to work with other big-name artists, such as Travis Scott and Don Toliver.

‘Gatti’ was another prime example of how unique Pop Smoke’s voice was. Rapping alongside some of the shortlisted names in the industry (Don Toliver, Travis Scott, etc), his presence stood out amongst the crowd. Featuring an intricate drill beat, his relentless flow fits perfectly with the production. Travis Scott would later honor Pop Smoke’s memory with a new Dior Collection back in 2021.

44 Bulldog

Much of ‘Shoot for the Moon, Aim for the Stars’ implemented more of a melodic sound rather than the cohesive ragers of his ‘Meet the Woo’ mixtapes. Being his first studio release, he often takes a backseat for the likes of Quavo or Lil Baby. However, “44 Bulldog” was a welcome exception to this. Pop Smoke takes the forefront from start to finish. “44 Bulldog” references a British pocket revolver; Pop Smoke’s crime-ridden upbringing meant he was no stranger to gun violence. Growing up in a violent neighborhood, it’s only natural that much of his songwriting references this.

Menacing piano chords introduce us to a track that immediately draws the listener in. The overtly loud ad-libs add a unique oddity the song, sometimes overtaking his verses. The devilish, slick lyricism from Pop Smoke highlights where he’s at his very best as a rapper. Lines such as “I kicked her out ’cause I’m allergic to the cuffin’” or “I ain’t talk with the talk or the chit-chat” aid to the powerful aura that Pop Smoke created around himself.

Gangstas

It’s hard to miss the 50 Cent influence on “Gangstas.” You can tell that the Brooklyn-born rapper is a student of the bling-era sound, he does the sound so much justice. Twinkling piano keys lead into a bass-boosted banger. Coming right after “44 Bulldog,” the track blends the early 2000s bling-era with Pop Smoke’s modern drill sound. In fact, 50 Cent’s imprint is heavy on ‘Shoot for the Moon, Aim for the Stars.’ Largely contributing as an executive producer, he also delivered a feature on ‘The Woo,’ which also features Lil Baby.

Pop Smoke isn’t messing around lyrically on this track, either. Mirroring 50 Cent’s early 2000s lyricism, he portrays himself as a sort of ring leader of the New York rap scene with bars such as “I’m the f**kin voice of the streets, it’s like Jesus walkin’” or “six by six, big Benz on my wrist.” While much of the album dives into the aforementioned melodic sound, he’s at his best when he dives head-first into nasty drill bangers.

Hawk Em

The third track from his debut mixtape, “Hawk Em” is undoubtedly one of the more overlooked tracks in his discography. Blending an echoing snare, distant piano chords, and a booming bass, it’s one of Pop Smoke’s more straightforward drill tracks. Eerily familiar to “Off the Grid” off of ‘Donda‘, Pop Smoke goes after a slightly faster flow than normal. The track sounds simple in 2023, as the sub-genre exploded since this mixtape’s release. However, the blend of Chicago and UK drill still sounded ground-breaking back in 2019.

“Hawk Em” is a prime example of why a track doesn’t need to be overly complex to be enjoyable. The track gets straight to the point, as Pop Smoke can be pictured strolling through New York City as a “gentlemen and a gangster.” Even at this early stage of his career, his unique and fleeting rhymes were making waves in the East Coast drill scene.

Got It On Me

One of the biggest tracks off of ‘Shoot for the Moon, Aim for the Stars,’ killer flows and vocal lines populate “Got It On Me.” A direct tribute to 50 Cent’s classic hook off of “Many Men,” Pop Smoke interpolates 50 Cent’s iconic hook. He more than does the original hook justice, adding a unique spin to it with his growling voice. The track features relentless flows and killer lyrics. There’s a definite DMX influence to the uncompromising energy of the track. A sampled choir makes it’s way into the production, adding a triumphant yet eerie feel to the track.

“Got It On Me” had actually been sitting in Pop Smoke’s vault for 2+ years before it’s release. 50 Cent was shocked when he heard Pop Smoke’s version of the recording, which prompted the two meeting for future collaborations. The sole producer of the track, “Young Devante,” said that the beat was initially created with Meek Mill‘s style in mind. Pop Smoke pleads for mercy and taunts his enemies simultaneously, making the hit track one of his more lyrically complex songs.

Invincible

The first track off of ‘Meet the Woo 2‘, “Invincible” blends a violin sample with a nasty drill beat. The track is fierce, bold, and unapologetic in every way imaginable. In many ways, it sonically parallels “Dior.” As the title implies, Pop Smoke depicts feeling “Invincible.” The track is a 2-minute long ode to his wild lifestyle. He is essentially idealizing money, women, and power. Depicting himself walking through Brooklyn, his sudden fame has given him an undeniable sense of being unstoppable.

All of this is undercut by his reference to “percs” at the beginning of the song. This implies that his feeling of invincibility primarily exists due to him being on drugs. In fact, his not-to-subtle references to drugs throughout his discography are often expressed as a piece of darkness within his daily life. “Invincible” is best played on a set of loud speakers at a house party, and is yet another menacing banger in Pop Smoke’s discography.

What You Know Bout Love

Raised in a 90s era when the genre was still at it’s peak, it’s not a surprise that he tried his hand at the R&B sound. The softer production mirrors the sincere lyricism. He speaks about his infatuation with his lover, and eagerness to please her. Previously criticized as being slightly one dimensional in his flow patterns, “What You Know Bout Love” silenced the critics by highlighting his vocal talents, as he delivers a heartfelt chorus amidst twinkling synths.

Pop Smoke’s second top-10 single, the track peaked at number nine of the Billboard Hot 100 charts. Well-known for rapping about violence or power, the track represents an interesting diversion from his traditional songwriting. Perfect for a backyard BBQ or a summer drive with the windows down, the track really solidified his distinctiveness of a rapper.

War

Pop Smoke’s collaborations were admittedly hit or miss during his career. However, Smoke and Lil Tjay coming together always meant fireworks. The two rap about intimidating people in the New York streets. Blending Smoke croaky rhymes with Lil Tjay’s humming, the two ‘s directly contrasting voices make for a frenzied track.

Initially releasing in 2019, the track would later release as a bonus cut off of ‘Meet the Woo 2.’ It’s worth noting how eye-catching and downright fun the music video for this track is. The video cuts from Smoke and Tjay waltzing around a grandeur mansion, to riding motorcycles in the New York streets.