Now that the Kendrick Lamar and Drake beef seems to be over, everyone is chiming in on who they think won and who came out with the better material. Of course, on that last point, a lot of people are distinguishing between two different categories: which was the better diss track, and which was the better song overall. That’s what Andrew Schulz, Charlamagne Tha God, and company debated in the clip below, and they also gave some interesting reasoning as to why they think there’s a winner. Whether or not you agree or disagree with The Breakfast Club co-host’s take, you can’t deny that it’s a very tough race either way.
“‘Family Matters’ is probably the best record [diss track]. ‘Not Like Us’ is the best song,” Charlamagne Tha God remarked. “Yeah, ‘Not Like Us’ is the best song. ‘Not Like Us’ is the best bop. Nah [Drake didn’t win]. He lost because of f***ing strategy. I don’t know if I really count ‘Like That’ or ‘First Person Shooter.’ I don’t know why y’all got ‘7 Minute Drill’ by J. Cole even up there, I don’t know why y’all got ‘Show Of Hands’ up there [with Future, A$AP Rocky, and Metro Boomin], I don’t know why y’all got ‘All To Myself’ [with Future, The Weeknd and Metro Boomin].
“None of that matters,” Charlamagne Tha God continued. “We’re talking about Kendrick and Drake. We’re talking about Kendrick Lamar and Aubrey Graham. That’s who we talking about. So if anything, I would keep ‘Like That.’ No, it doesn’t [‘7 Minute Drill’ doesn’t exist anymore]. I would keep ‘Like That’ and then ‘Push Ups.’ Then I would go into ‘Taylor Made Freestyle.’ Then I would go into ‘Euphoria,’ ‘6:16 In LA,’ ‘Family Matters,’ ‘Meet The Grahams.’ And then ‘Not Like Us,’ and then ‘The Heart Part 6.’”
Meanwhile, Drake is coming back out of the woodwork to ask the helicopters around his house to quiet down, and Kendrick Lamar is still quiet throughout it all. Maybe there will be an epilogue round to all this that brings more tracks, but it seems unlikely at press time. For now, let us know what your picks for the winner, the best diss, and the best song are down in the comments section down below. We’ll see whether this is really the end.
Happy 54th birthday to Ghostface Killah, one of the best to ever rap. As a member of the Wu-Tang Clan, he’s been engrained in hip-hop culture for the part 30 years now. In fact, it’s not hard to see the collective as a whole’s influence in the contemporary generation of MCs. Many within the Wu and within the Griselda crew have pointed out the kindred spirit between them, and any gritty lyricist you love today has roots in the Shaolin land. Of course, it’s thanks to revered spitters like Ghost that this cultural and artistic connection exists, but don’t think that history and time have eroded his untouchable qualities as a wordsmith and storyteller.
On albums like Ironman (1996), Supreme Clientele (2000), and 2006’s Fishscale (plus, hopefully, the upcoming Set The ToneLP), you’ll find plenty of vivid imagery, staggering wordplay, and cinematic storytelling, but don’t think that’s where the buck stopped. Tony Starks continued to collaborate prolifically, play with new conceptualizations of tried-and-true ideas, and process more experiences to turn into excellence. You can determine for yourself whether these Ghostface Killah songs (solo material, not feature verses) match up to his most classic work. But you’d be a fool to label him anything less than one of the greatest hip-hop artists alive, or to classify some of his 2010s and 2020s output as undeserving of that praise.
“Love Don’t Live Here No More” Feat. Kandace Springs – 36 Seasons (2014)
In chronological order, we start with Ghostface Killah’s 2014 concept album 36 Seasons, centering around Tony’s return home after nine years behind bars. This is one of the opening cuts, and narrates how much he looked forward to seeing his girl after so long. Through detailed narration, a tender instrumental, and conflicting emotions about loyalty and loneliness from both romantic parties, Ghost creates a very hard-hitting cut. It’s an amazing sample flip to boot, and suggestive lines like “Gone for 9 years like 9 months to a child” give some more depth to what this love’s dynamic actually looks like.
“Six Degrees” Feat. Danny Brown – Sour Soul With BADBADNOTGOOD (2015)
Over one of the oddest instrumentals Ghostface Killah’s tackled over the last decade, he crafts really striking chemistry with none other than Danny Brown. Hearing the vocal contrast between the former’s composed force and the latter’s unleashed yelps is a true treat, especially when the beat switches between stronger boom-bap drums and swings and more jazzy, eerie, and syncopation-focused percussion. It’s no wonder the instrumental can come across so haunting with lines like, “Sixth sense, six pack, six degrees of separation / My evil third eye blinks with no hesitation” sticking in your head. Heavily reverbed and cavernous guitar plucks, woozy tones, and an overall minimal atmosphere really emphasize the hedonistic nature of their boasting.
“Resurrection Morning” Feat. Raekwon & Bilal – Twelve Reasons To Die II With Adriane Young (2015)
Ghostface Killah’s known to be larger than life: overwhelming orchestral instrumentation, energetic verses of life’s realities and mysteries… the whole shebang. But over the past decade, few collaborations or tracks in his catalog are quite as passionate, evocative, or dramatic as this one, which centers around a man sacrificing himself seemingly to exact revenge to achieve atonement or to curse another. Whether it’s choral vocals, ringing organ chords, hard-hitting boom-bap drums, electric guitar strums, or uplifting piano arpeggios, “Resurrection Morning” really gives weight behind gut-punching lyrics like, “Murderer, take lives like mine’s was once taken / Or leave my seed in this cold world, my heart’s aching.” There are also some striking chord changes throughout that not only keep the song dynamic but also illustrate the complexity of emotions within.
“Buckingham Palace” Feat. Benny The Butcher, 38 Spesh & KXNG Crooked – The Lost Tapes With Big Ghost Ltd (2018)
At face value, there’s not much new to say about “Buckingham Palace”: a loud and bombastic horn-led boom-bap beat, equally boisterous bars like, “We kamikazes, microphone aeronautics / We bounce off promoters like West Coast hydraulic,” and fiery verses from the guests. But not only is this a well-balanced and properly electrified throwback, but it also shows off a lot of dynamic blow-trading between all these MCs. Spesh and Benny, in particular, trade bars off quickly, melding their individual verses into one. All in all, this will probably hit especially hard for the old heads out there, and is among the best examples of P Tone retreading old territory.
When they hit, there’s nothing like a Wu-Tang Clan reunion, and this is probably the biggest highlight on the collaborative album between Ghostface Killah and CZARFACE (Inspectah Deck, 7L and Esoteric), although ironically enough, Inspectah isn’t on this one. Instead, Ghost and Esoteric trade between two instrumental tones over the same percussion: the former’s contains menacing horns for his villainous energy (“I got a question for the mirror, ‘The Ballys or the Wallos?’ / ‘The Desert E, or should I do the pound with the hollows?’“), whereas the latter spits more lackadaisically over cold synths and ghostly pianos and pads. The switches between the two are always worthy of a stank face, and it’s more evidence of the now-54-year-old working perfectly with whatever teammate is by his side in the booth.
The closing track on the somewhat self-titled 2019 album from Ghostface Killah is an unconventional reggae flip that nonetheless contains one of the best beats on the project, and a refreshingly laidback atmosphere for him to attack. He’s still able to come through with aggressive deliveries coating more luxurious and nature-tuned lines like, “Sharpened machetes that slice through the trees for berries / Busting coconuts, Selassie legendary” or still bragging threateningly with lines like “Machine gun mask on, looking like a bunch of goalies.” But most impressively, neither contrasting approach dilutes the other. The Staten Island native has missed some fusions before, but this is just as sunny as it is sonning any rapper attempting to match his energy.
Finally, we have a bit of a cop out. But as one of two Wu-Tang MCs on here for the group’s first official single in six years in the year of hip-hop’s 50th anniversary, we wanted to shout out Ghostface Killah’s emotive, powerful, and deeply verse on “Claudine.” Per legendary Wu producer Mathematics, who’s behind the board here, this song is a tribute to his mother and to “all mothers, wives, and young women,” and is a soulful tale of love, perseverance, pain, and togetherness. Method Man goes over a complicated relationship with a partner, whereas Ghost honors his deceased mother. “Her face was cold, she felt my tears in the casket / And every drop that fell on her cheek, I cried acid.” It summarizes much of what makes his work transcendent in a powerful way, and we can’t wait to hear what else he crafts.
Every single month, HotNewHipHop takes a look at the best rap albums and songs of the last 30 days. Overall, a lot of amazing music was released throughout April. From R&B to rap, we got a whole lot of phenomenal projects, and even some great singles as well. However, there was also a rap feud between Drake and Kendrick Lamar that ultimately came to a head. Songs like “Push Ups” and “Euphoria” were dropped in the month of April, and it made for some entertaining fodder.
One of the best rap albums of the last month was Ehhthang Ehhthang by GloRilla. Overall, this was a project that showcased Glo’s ability to slide over beats and crank out hits. In fact, it was a return to form of sorts for her. After a couple of duds, Glo came back with a vengeance and showed people just how fantastic of an artist she really is.
PartyNextDoor – P4
PartyNextDoor is an artist who has always given us some amazing R&B albums. He has a sound that helped shape the genre for an entire decade, and he is still writing at an extremely high level. His latest project P4 could very well be one of his best. Every single song is a vibe, and if you’re looking for that slow bedroom music, than this is most definitely going to be to your tastes.
RiTchie – Triple Digits [112]
Injury Reserve artist RiTchie delivered a phenomenal project this past month. Overall, Injury Reserve was known for a plethora of sounds, flows, and ideas. With this RiTchie project, we get more of that diversity, and it makes for a truly impressive listen. If you are someone who wants to listen to something a bit different, you should definitely put this on. Overall, a fantastic effort from a great artist.
Metro Boomin and Future will always be in consideration when best rap albums are being talked about. Last month, they delivered a banger with We Don’t Trust You. As for We Still Don’t Trust You, this is a phenomenal hybrid of rap and r&b. There are plenty of silky smooth tracks on here, with Metro getting creative with his production. Meanwhile, Future slides and dances all over the record, just like he always does.
Kendrick Lamar – Euphoria
Kendrick Lamar was a lot more scathing on “Meet The Grahams” and “Not Like Us.” However, “Euphoria” is a masterclass in being a real hater. Telling someone you hate the way they dress, walk, and talk is truly bold. Especially so when you start mocking their accent while also seemingly taking shots at their cat. “Euphoria” was a spectacle that kicked off one of the most historic weeks in hip-hop’s history and for that, we thank it.
A lot has happened since the release of “Push Ups.” However, you cannot deny the energy that Drake delivered on this cut. He dissed every single person who was out to get him, and he ultimately inspired Kendrick Lamar to drop four songs in the span of one week. Moreover, he gave us memorable lines that will be yelled at parties for years to come. Our sincere apologies to Metro Boomin for that one.
Metro Boomin & Future – Drink N Dance
Future and Metro Boomin are masters of cranking out hits. “Drink N Dance” off of We Still Don’t Trust You is incredibly catchy. It makes you want to do the things laid out in the track’s title, which means it is an immediate success. Future does these records so well at this point, and Metro’s production is otherworldly. While some may find the duo too formulaic, it doesn’t really matter if the music is undeniable.
Tommy Richman – Million Dollar Baby
Tommy Richman is having a huge moment right now. The underground artist out of VA has been dominating music discourse thanks to his mega-hit “Million Dollar Baby.” The snippet for this song had fans fiening for an official release. Now, the track has arrived and it is the second-biggest song in the world. In fact, by next week, it could be the biggest. The song has fans debating what genre this is, although we really don’t care. This slaps, and that is all that matters.
JT – Okay
JT has been having a huge moment as of late thanks to her solo career. Fans have been excited by her latest stream of singles, and this is yet another example of her talent. The song is viral, and overall, it has an extremely strong and memorable hook. Not to mention, it comes complete with a memorable music video that will help carry this track’s momentum forward.
GloRilla and Megan Thee Stallion gave us a viral challenge with this track, which automatically qualifies it for best of the month. Overall, both artists did their thing on this track. They are the masters of this kind of production, and they know how to get their fans excited. We just hope Meg and Glo team up again, especially with Meg’s new album coming soon.
Which rap albums and songs did you like the best this past month?
It’s (almost) the most wonderful time of the year for music fans: The Grammys. This includes the inevitable discourse that follows the award show. The Recording Academy already caught people’s ire when they announced their nominees for the 2024 awards ceremony last year, snubbing hip-hop releases in the general field, much to the dismay of rap fans. The show is scheduled to air on Sunday, February 4 at 8 PM ET on CBS so naturally, we’re asking two important questions: Who will probably walk away with a golden gramophone in the hip-hop and R&B categories, and who should win?
Of course, the difference here is that there are titans and underdogs in every race. Sometimes, the differentiating factor is quality, other times it’s commercial success, and we might even get a legacy pick here and there. In every case, there is more than one release worthy of a Grammy; sometimes, all of them are. Hopefully the Recording Academy proves us wrong when our answers differ
Best R&B Performance
Robert Glasper performs at Los Angeles Chapter Nominee Celebration 2024 in Los Angeles on January 27, 2024 in Hollywood, California. (Jerod Harris/Getty Images)
Chris Brown – “Summer Too Hot”
Robert Glasper ft. SiR & Alex Isley – “Back To Love”
Coco Jones – “ICU”
Victoria Monét – “How Does It Make You Feel”
SZA – “Kill Bill”
What Will Win: Are you ready to hear the coldest take you’ve ever heard in your life? Here goes nothing… it’s SZA’s “Kill Bill.” Sure, Chris Brown is also a superstar (and nominated again, somehow), but did his song take over the charts as much as Solana’s? “Back To Love” is peaceful harmony; is that as catchy and enveloping as killing your ex? While Coco Jones’ “ICU” is one of the sultriest songs of 2023, is its instrumental as unique in melody and timbre as Rob Bisel and Carter Lang’s production? Even though this is one of Victoria Monet’s best songs off of JAGUAR II, did it transcend fanbases like this SOS highlight did? No.
What Should Win: But let’s remember the category: Best R&B Performance. As far as vocals, Coco Jones steals the show, and everyone else is basically on par with SZA. That’s to say that “ICU” is probably the correct sleeper pick here if we’re going strictly off of typically captivating performances. But “Kill Bill” displays the TDE singer’s ability to switch cadences and pitches on a dime, multiple flows and melodic approaches, and a more infectious energy. Sorry to cop out on the first category, but we would love a SZA/Coco tie. But when it’s all said and done, “Kill Bill” is what will live on in the industry and with fans alike.
Lil Durk performs during Lil Baby’s concert on December 27, 2023 in Atlanta, Georgia. (Prince Williams/WireImage/Getty Images)
Burna Boy ft. 21 Savage – “Sittin’ On Top Of The World”
Doja Cat – “Attention”
Drake & 21 Savage – “Spin Bout U”
Lil Durk ft. J. Cole – “All My Life”
SZA – “Low”
What Will Win: Even though they’re commercial giants, Drake and 21 Savage might get the short end of the stick, thanks to the former’s reluctance to submit to the Grammys before. Then again, that could be exactly what makes them win trophies. But knowing the Recording Academy’s tendency to favor a mix of mainstream rap and classic hip-hop worship, Lil Durk and J. Cole’s “All My Life” is the front-runner. Doja Cat shines the most on “Attention” as a rapper, not a singer, and voters might think SZA already has her R&B and General Field categories in the bag. At least 21 has double odds, but the Burna Boy collab doesn’t have the same name recognition or hit potential.
What Should Win: That being said, as a mixture of melodic dexterity and traditional rap metrics, no track here is as balanced as “Sittin’ On Top Of The World.” The infectious bassline, the gritty drum beat, and 21 Savage’s refreshing approach to a more vintage instrumental contribute to this song’s ear-worm quality. Burna Boy is the star, and his calm but charismatic croons use plenty of different flows to match the shifting instrumentation. “All My Life” is more lyrical except for the chorus, “Spin Bout U” is a weak point on Her Loss in our eyes, and “Low”… well, “Low” is a jam, but a more melodic one than a fusion. So it’s a tight race, but “Sittin’ On Top Of The World” is truly the blend that this category represents.
Best Traditional R&B Performance
NEW ORLEANS, LOUISIANA – SEPTEMBER 21: Victoria Monét performs during The Jaguar Tour at Joy Theater on September 21, 2023 in New Orleans, Louisiana. (Photo by Kaitlyn Morris/Getty Images)
Babyface ft. Coco Jones – “Simple”
Kenyon Dixon – “Lucky”
Victoria Monét ft. Earth, Wind & Fire & Hazel Monét – “Hollywood”
PJ Morton ft. Susan Carol – “Good Morning”
SZA – “Love Language”
What Will Win: So, will SZA’s sheer stardom get her another win? “Love Language” isn’t the most dynamic song in the world vocally, but it’s still a solid pick. Once again, Coco Jones surpasses her on the mic, even though her co-lead Babyface doesn’t do much on their collab performance-wise. Kenyon Dixon’s passion is palpable on “Lucky,” and PJ Morton and Susan Carol have the best chemistry here with throwback Motown appeal. “Hollywood” is very tender, but Victoria Monet and her collaborating musicians certainly have more compelling performances on JAGUAR II. It’s a hard call to make, but our chips are on Victoria. A legendary band and the main artist’s daughter?! That’s just good TV waiting to happen.
What Should Win: Going back to the sheer “performance” aspect, we actually think that Kenyon Dixon had the most adept vocal showing here. “Lucky” is a tight bop with gorgeous instrumental swells that shift the chord progressions in evocative ways, and the Los Angeles singer goes from heart-wrenching falsettos to deeper, more charismatic lines. Coco Jones may have the raw technicals on her side, and “Good Morning” has so much chemistry, but Dixon’s cut just makes you feel the most inspired and moved out of everything here in our opinion. Yet it’s another category where most of the songs make sense as winners.
GLASGOW, SCOTLAND – JULY 23: Black Thought of The Roots performs on stage at Hampden Park National Stadium on July 23, 2023 in Glasgow, Scotland. (Photo by Roberto Ricciuti/Getty Images)
Baby Keem & Kendrick Lamar – “The Hillbillies”
Black Thought – “Love Letter”
Drake & 21 Savage – “Rich Flex”
Killer Mike ft. André 3000, Future & Eryn Allen Kane – “SCIENTISTS & ENGINEERS”
Coi Leray – “Players”
What Will Win: All these tracks are so different that it makes predicting this category a bit tough. “Players” has the catchy pop appeal with a flip of a classic, “The Hillbillies” is a really fun back-and-forth, “Rich Flex” is the biggest hit here, and few would argue that anyone on this list is a technically better MC than Black Thought. But going back to the Grammys’ love of the midpoint, we think “SCIENTISTS & ENGINEERS” is a favorite -– in every category it’s nominated in, for that matter. Performance-wise, all rappers here deliver distinct verse approaches, flows, and cadences, and by addressing many different styles of popular rap today, yesterday, and tomorrow, they crafted one of the most well-rounded rap songs in recent memory. Perhaps “Love Letter” wins because of its meaning to hip-hop’s 50 years, though.
What Should Win: For that very reason, we think that Killer Mike, André 3000, Future, and Eryn Allen Kane deserve the accolade the most when looking at it critically. At a very, very close second is “Love Letter,” as Black Thought’s rhymes and storytelling are hands-down the best pure hip-hop display here. As far as individual triumph, we think The Roots’ frontman takes the cake, but the collaboration on “SCIENTISTS & ENGINEERS” encapsulates the most versatile and comprehensive collective performance. But we wish “Love Letter” would’ve received a Best Rap Song nomination as well due to its significance despite a complete lack of an instrumental.
Best R&B Song
Coco Jones performs at KOKO on December 04, 2023 in London, England. (Gus Stewart/Redferns/Getty Images)
Halle – “Angel”
Robert Glasper ft. SiR & Alex Isley – “Back To Love”
Coco Jones – “ICU”
Victoria Monét – “On My Mama”
SZA – “Snooze”
What Will Win: Again, we have a titanic SZA nomination whose popularity should make it an easy favorite. But there’s still steep competition here, namely “On My Mama.” It’s a catchy and powerful track with great instrumental embellishments that hit big by commercial metrics, and “ICU” is another example of that. “Back To Love” is played and composed really well, but it might fall victim to expectation given its more straightforward but compelling approach. Halle’s “Angel” has a fantastic build, albeit melodic retreading from verse to chorus, and a great vocal effort. Five great and worthy tracks all in all, but if they wanted to beat Victoria Monet, then they should’ve nominated a more evolutionary or passionate song than “Snooze” off of SOS.
What Should Win: Not only do we think “On My Mama” has the best chance to win, but it certainly should. Again, these are all of Grammy quality, and Coco Jones in particular impresses vocally on “ICU.” But Victoria Monet just made that classic Recording Academy combo: catchy, successful, meaningful, and widely appealing for good reason. You’d be hard-pressed to find someone who doesn’t at least appreciate something about “On My Mama.” As one of the biggest hits off of JAGUAR II, we think it will probably be enough to blur SZA’s massive reach -– and deserves to do so. Don’t get it mixed up, though: another Solana win would make us very happy, too, and so would any of these other tracks.
SAN FRANCISCO, CALIFORNIA: In this image released on November 10, 2023, Doja Cat kicks off The Scarlet Tour in San Francisco, California. (Photo by Dana Jacobs/Getty Images for Live Nation)
Killer Mike ft. André 3000, Future & Eryn Allen Kane – “SCIENTISTS & ENGINEERS”
What Will Win: Once again, “SCIENTISTS & ENGINEERS” has a little something for everyone, and that’s why we think it’ll take this Grammy along with Best Rap Performance. “Just Wanna Rock” is a great performance from Uzi, but in terms of songwriting and song structure, it’s bizarrely disjointed. Perhaps that interesting change of pace is what gets voters in its corner, but it’s a reach and should’ve landed in another category. “Barbie World” is too indebted to its sample to warrant an edge, and “Attention” and “Rich Flex” just don’t have the heft of Killer Mike and his collaborators’ song. It’s also too perfect of a halfway point between rap snobs and contemporary rap fans, and a trap-style beat doesn’t take away from its lyrical appeal.
What Should Win: Yeah, “SCIENTISTS & ENGINEERS” is the easiest and most agreeable lock across any category, most likely. We wouldn’t be mad at “Attention,” as Doja Cat certainly deserves it, but no other song fills all the boxes as well as this MICHAEL single. On top of its lyricists’ excellent verses and Eryn Allen Kane’s soaring proclamations, the progressive beat makes it an undeniably well-crafted and compelling record. Speaking of progressive…
Best Progressive R&B Album
Janelle Monáe performs during Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2024 on December 31, 2023 in Hollywood, California. (Gilbert Flores/Penske Media via Getty Images)
6LACK – Since I Have A Lover
Diddy – The Love Album: Off The Grid
Terrace Martin & James Fauntleroy – Nova
Janelle Monáe – The Age Of Pleasure
SZA – SOS
What Will Win: SZA. It’s SZA. Jokes aside, almost all these albums are Grammy-worthy. Janelle Monae crafted one of the most simply and effectively pleasant (go figure) listening experiences of the year, Terrace Martin and James Fauntleroy might have the most instrumentally rich project here, and 6LACK can still pull off the woozy and cool-as-a-cucumber jams that he warrants acclaim for. But the commercial success, impact, and sheer popularity of SOS as a whole is a gargantuan shadow that looms large over the entire Recording Academy, let alone the R&B categories.
What Should Win: As we hinted at, most of these albums could win, and we’d say, “Cool. Good for them.” It would be wild to see Terrace Martin and James Fauntleroy take it amid a cast of juggernauts, at least for the music nerds out there. Still, this category is always quite controversial because of how vaguely the Recording Academy jumbles in a lot of Black artists that they don’t bother to properly categorize. Thus, it’s impossible to compare these to one another. But that’s a think piece for another time. For now, even we can’t deny that SZA was so dominant and so beloved for her genre blends and unique takes on R&B that this might go down as the least surprising award of the whole night… well, that and the other categories she’s nominated in, of course.
SUGAR LAND, TEXAS – NOVEMBER 11: Summer Walker performs on stage during the Honeyland Festival at Crown Festival Park on November 11, 2023 in Sugar Land, Texas. (Photo by Marcus Ingram/Getty Images)
Babyface – Girls Night Out
Coco Jones – What I Didn’t Tell You(Deluxe)
Emily King – Special Occasion
Victoria Monét – JAGUAR II
Summer Walker – CLEAR 2: SOFT LIFE EP
What Will Win: Without SZA here, this Grammy race is actually really tight -– maybe the tightest on this whole list. Summer Walker’s project was short, but she might be the biggest contemporary superstar here, whereas Babyface is a mainstay with legacy pull. Coco Jones and Victoria Monet are both nominated for Best New Artist, and Emily King aesthetically mixes in creative singer-songwriter elements. Looking at prominence, acclaim, and project quality, we narrowed it down to two. CLEAR 2: SOFT LIFE EP and JAGUAR II are neck-and-neck, and the cynical answer is the former based on its commercial visibility and name recognition.
What Should Win: However, what we hope for is that Victoria Monet takes it, as it’s the most cohesive, jam-packed, and consistent album here. Every other project either has weaker tracks that bring it down or is a little too repetitive in its approach to result in a unique album experience. JAGUAR II dances between pop catchiness, funk rhythms, emotional lyrics on family, and much more to make a stellar work that clearly caught the Grammys’ eye. With many nominations in other categories, we think Coco Jones and Monet have a really good chance of beating out the cynicism. Regardless, this is a fitting list with a lot of quality, so it’s not the most pressing prediction of the night.
Best Rap Album
Metro Boomin at Governors Ball on June 09, 2023 in New York City. (Taylor Hill/WireImage/Getty Images)
Drake & 21 Savage – Her Loss
Killer Mike – MICHAEL
Metro Boomin – HEROES & VILLAINS
Nas – King’s Disease III
Travis Scott – UTOPIA
What Will Win: One of the hardest categories to qualitatively narrow down is strangely easy to predict. Nas beat Freddie Gibbs and The Alchemist’s Alfredo, D Smoke’s Bad Habits, Royce Da 5’9″‘s The Allegory, and Jay Electronica and Jay-Z’s A Written Testimony in 2021, a legacy lyrical pick that had never gotten an award before despite Esco’s magnitude. As such, we’d expect King’s Disease III to win, and this context snubs MICHAEL. UTOPIA wasn’t nominated in other categories, and again, Her Loss is a gamble considering Drake’s past. It’s also ironic that MICHAEL and UTOPIA, the two one-word titles, are the only albums that actually came out in 2023.
What Should Win: If we’re being honest, Nas’ album is the best out of these five when averaging it out: lyricism, song-for-song quality, production, etc. But it would be so awesome to see Metro Boomin earn the first-ever Best Rap Album Grammy for a producer. HEROES & VILLAINS certainly earns that praise: layered and pristine production, the featured guests all have a moment to stun, and bangers like “Superhero” and “Metro Spider” pair well with more low-key or emotive moments like “Trance” or “Feel The Fiyaaaah.” The fact it carried so much weight all throughout 2023 is downright impressive, too, and speaks to its resonance. While Nas might’ve made the better project all things considered, the St. Louis beatsmith has the chance to make history on “music’s biggest night,” one of the few outcomes that deserve the praise while also living up to that expectation.
YFN Lucci has been dropping hit songs for about a decade now and has grown in recognition along the way. However, a wrench may have now been thrown into whatever plans for world domination the artist hoped to accomplish. After pleading guilty to violating the Street Gang Terrorism and Prevention Act, Lucci is now facing 20 years in prison.
However, his attorney believes the rapper will only be locked up for a few months. Over the next few weeks, we will see how things eventually unfold for him. Despite his legal issues, YFN Lucci is a spectacular artist and has been releasing quality music since his debut. If you haven’t heard them, here are seven YFN Lucci songs you should stream right now!
The opening track from Lucci’s Wish Me Well 2 mixtape, “Destined” is a bold proclamation of a song. From the evocative opening lines to the boastful verses that follow, Lucci bares his soul on this track. Likewise, frequent collaborator Bigga Rankin also brings the heat with his verse. Altogether, from production to bars, and the delivery, “Destiny” is a jam.
6. “Date Night” (2019)
This R&B-infused gem showcases a different facet of YFN Lucci’s versatility. Featured on the rapper’s HIStory mixtape, “Date Night” was released on December 12, 2019. “Date Night” is one of the rapper’s standout tracks from his most recent mixtapes. It is among his most memorable songs and gets extra points for exhibiting an interestingly romantic side to YFN Lucci.
Arguably the biggest standout track on HIStory, this song is a powerful entry in YFN Lucci’s discography. On “7.62,” the rapper proudly displays his songwriting chops. With lyrical intensity, the track vividly depicts the harsh and unforgiving world the artist grew up in, as well as his current reality as a rap icon. Additionally, YFN Lucci lays his hard bars perfectly on the beat, as he usually does. You’re doing yourself a disservice if you haven’t listened to this track by now.
4. “Wet (She Got That…)” (2020)
Another R&B-infused track, YFN Lucci goes full-on sensual on “Wet,” as you may have already guessed. The song was released on December 4, 2020 as a part of Wish Me Well 3. Since then, it has garnered attention for its romantic themes and catchy tune. Through its sonic allure, “Wet” takes listeners on a seductive journey into the more intimate side of Lucci’s storytelling. While it is not exactly a love song, it is a great substitute and can set the tone for romantic nights. “Wet” perfectly exemplifies the rapper’s ability to captivate audiences with his multifaceted approach to music. Undoubtedly, it further solidifies his position as a dynamic force within the contemporary Hip Hop landscape.
3. “Talk That Sh*t” (2016)
“Talk That Sh*t” is arguably one of the most underrated songs YFN Lucci has ever released. While it is a favorite of some listeners, the track doesn’t get nearly as much love as it deserves. It encapsulates the unapologetic confidence and brash lyricism for which YFN Lucci is celebrated. In addition, OG Parker and Goldenchyld went in on the production. Although it’s not very elaborate, the production of the song fits Lucci’s verses like a glove. “Talk That Sh*t” is a cornerstone in the artist’s catalog and a powerful expression of his street-driven principles.
2. “Key To The Streets” Ft. Migos & Trouble (2016)
Over the years, YFN Lucci has dropped many popular songs. However, very few have been as commercially successful as “Key To The Streets.” It is one of his best-selling songs and is certified Platinum in the US. After its release, it peaked at number 70 on the Billboard Hot 100 chart, one of only three YFN Lucci songs to appear on that chart. Considering how infectious the song is, its enduring popularity and relevance are unsurprising. All three performers on “Key to the Streets” brought their A-game, and delivered fire verses. Their artistic chemistry produced this timeless piece of music.
Of all the songs YFN Lucci has released, “Everyday We Lit” has had the most enduring impact. A triumphant anthem, this track celebrates Lucci’s journey from struggle to success with infectious energy. In addition to a fire beat, “Everyday We Lit” also has a catchy hook. Featuring PnB Rock, the release of this track marked a defining moment in Lucci’s career. Since its release, it has held the record of being the rapper’s highest-charting Hot 100 hit, peaking at number 33. “Everyday We Lit” is a testament to YFN Lucci’s ability to craft enduring, uplifting music.
A lyrical virtuoso and master of storytelling, Yasiin Bey has consistently pushed the boundaries of rap with fire tracks. Since he was known as Mos Def of Black Star, the rapper has used his unique blend of intelligence, wit, and social consciousness to craft songs that transcend time and trends. As a result of his impact and immense talent, he is often cited as one of the greatest, yet underrated rappers of all time.
For some days now, Yasiin Bey has been trending since he claimed Drake’s music is more pop than rap. Following his statement, the rapper has faced backlash from Drizzy, as well as from his fans. In the same vein, Bey has also been supported by another sect of listeners. Regardless of their current beef, both emcees are Hip Hop heavyweights, albeit from different eras. Yasiin Bey has been making music for over three decades now. Many Hip Hop heads would call him a rapper’s rapper, and admittedly, he has some very influential songs in his catalog. Here’s a list of some of the best ones in his solo discography.
Released on September 24, 2002, “Brown Sugar” is a part of the soundtrack for the rom-com film, Brown Sugar. The song is soulful, masterfully produced by Kanye West, and features expertly executed rap bars from Yasiin Bey. In addition, in usual Kanye fashion, he samples the song “Invitation” by Norman Connors. Not only is this track a masterpiece in terms of rap performance, but also in terms of production. Both Yasiin Bey and Kanye West exhibited amazing chemistry on what is unarguably one of Bey’s most unforgettable tracks.
6. “Hip Hop” (1999)
Appearing on his debut solo album, Black On Both Sides (1999), “Hip Hop” is a raw, gritty, and thought-provoking song. Besides its impressive production, the lyrics of “Hip Hop” are a poignant commentary on the commercialization and commodification of Hip Hop. Furthermore, Yasiin Bey’s delivery is passionate and energetic, perfectly complementing the rebellious tone of the song. “Hip Hop” is conscious rap at its peak. It is one of the standout tracks in a stellar catalog that Yasiin Bey should always be proud of.
“Oh No,” released on November 28, 2000, is a part of the Lyricist Lounge 2 compilation album. While it is known for its infectious and groovy production, the song is also a masterclass in songwriting. Emphatically, the verses on the song display the lyrical prowess of the performers as they flawlessly ride the beat. Additionally, this track has been a perfect example to subsequent generations of rappers of what a successful collaboration between rappers should sound like. Nate Dogg and Pharoahe Monch’s verse is also worthy of note for its succinct lyricism.
4. “Mathematics” (1999)
This standout track from Yasiin Bey’s solo debut album has been renowned and acclaimed by listeners since its release. It features a production style that allows the rapper’s lyrics to take center stage. Furthermore, the lyrics of “Mathematics” address a wide range of social, political, and economic issues. On what is undoubtedly one of his most influential tracks, Yasiin Bey uses mathematical concepts as metaphors to discuss these issues. While it failed to chart, “Mathematics” remains a timeless song and a seminal piece of Hip Hop in Bey’s discography.
3. “Umi Says” (1999)
Another stellar entry in the musical catalog of Yasiin Bey, “Umi Says” is often regarded as one of his signature tracks. The song is notable for its smooth and jazzy production, as well as Bey’s poetic lyricism and soulful delivery. With lyrics that delve into the rapper’s personal reflections on life and identity, “Umi Says” expresses Bey’s yearning for freedom and individuality. Accordingly, the song’s timeless message has contributed to its enduring popularity, making it a fan favorite and critical success. “Umi Says” never achieved mainstream chart success. However, it is recognized as a defining track in Yasiin Bey’s discography.
2. “Auditorium” Ft. Slick Rick (2009)
Without a doubt, “Auditorium” is one of the best tracks Yasiin Bey recorded on his fourth album, The Ecstatic. Not only is it a collaboration with legendary Hip Hop producer Madlib, but it also features a sick verse from Slick Rick. The beat features a blend of jazz, soul, and psychedelic elements, creating a captivating backdrop for Bey’s lyricism. Each verse is a poetic exploration, and the rappers’ delivery is both introspective and socially conscious. Since its release, “Auditorium” has received widespread acclaim from fans, which comes as no surprise, considering its excellence. As far as Yasiin Bey tracks go, this is undoubtedly one of the rapper’s most influential.
1. “Ms. Fat Booty” (1999)
Arguably the most quintessential of Yasiin Bey tracks, “Ms. Fat Booty” was released as the lead single from his debut album. The song is celebrated for its storytelling, clever lyrics, and memorable production. It is also notable for its iconic sampling of Aretha Franklin’s “One Step Ahead.” Interestingly, that exact same sample was used in JID’s recent viral hit, “Surround Sound.” “Ms. Fat Booty” remains a defining track in the rapper’s discography. Additionally, it is often cited as one of the greatest Hip Hop songs of its era. Its massive cultural impact makes it arguably Yasiin Bey’s most influential track.
Though Juice WRLD is a name you might associate with melodies, that’s only a fraction of his songwriting and emotive talent. For example, watch any of his viral freestyles — such as an hour-long Tim Westwood juggernaut -– and you’ll see his penchant for sharp flows, wordplay, rhyme schemes, and charming references. But the Chicago native’s just as potent when pulling together a song concept or emotive focus, even when most of it’s still off the dome.
With that in mind, we compiled seven of his best verses across his solo catalog (features and freestyle lists may come further down the pipeline). To varying degrees, they represent the “Robbery” hitmaker’s honest, vulnerable, and nuanced portrayals of love, mental health struggles, addiction, and above all, a willingness to be a beacon of hope for those battling the same demons he faced.
Furthermore, Juice WRLD has so many great verses that missed the cut (“Lean Wit Me,” “Conversations,” “10 Feet,” and more were so close), but we want to highlight “Burn” and its second verse in particular. It’s based on a real-life experience in which his girlfriend Ally Lotti woke him up from a troubled dream. Apparently, the 999 leader told her that he never woke up from it. That aside, to determine this list, we looked at the late legend’s versatility, performance (flows, bars, etc.), emotional potency, and how concisely they represent his artistry.
“The Light” (Verse 1)
One of Juice WRLD’s most recent tracks became one of his most loving, committed, and comforting. It’s dedicated to Ally Lotti, and over bright guitars and a poppy drum beat, he speaks on how she’s been the one to ground him away from his battles. Sure, Juice acknowledges their path wasn’t perfect, yet despite these bumps, he expresses more assurance, loyalty, and care because of them. “I owe fines, the devil say I owe him for life / But I could feel it, I got God on my side / Remember when He sent you to me that night” and “Wouldn’t be real love without rough nights / Can’t feel these drugs, but I feel your eyes” are particularly powerful lines. Even though his work is typically perceived as more melancholy than most, “The Light” is… well, the title says it all.
How could we leave off the song that got most of us into this singular artistry? The metaphor of lucid dreaming on this cut’s sole verse became such a succinct representation of this track’s themes of heartbreak, 20/20 hindsight, and not wanting to let go of someone despite their toxicity. Across multiple flows and a dynamic vocal performance, Juice WRLD bluntly, but powerfully, wears his heart on his sleeve, which may be his most special and resonant quality as a musician. “I take prescriptions to make me feel a-okay / I know it’s all in my head” and “I didn’t want it to end / I watch it blow in the wind / I should’ve listened to my friends / Leave this s**t in the past, but I want it to last” crystallize his processing of these troubles, and it helped make “Lucid Dreams” one of the 2010s’ catchiest verses.
“Empty” (Verse 2)
This is another heavily melodic offering from Juice WRLD, but that patient pace and clarity make his second verse on “Empty” all the more powerful. Out of his entire catalog, he dedicated this record the most overtly to his fanbase and those he tried to help. Of course, lines like “I ain’t suicidal / Only thing suicide is suicide doors / Fight for survival,” plus “Yeah, I was put here to lead the lost souls / Exhale depression as the wind blows” sum this up pretty well. In that last line in particular, Juice suggests the expulsion of his aches will dissipate them. He always sought that freedom, and from its second verse’s top to its bottom, this cut inspires others to follow suit.
While this is by no means the most important or emotionally potent verse in Juice WRLD’s catalog, this recent verse is easily one of his most fun to listen to. Not only do his rhyme schemes, wordplay, narrations, and charismatically cheeky lines put a smile on your face, but his chemistry with Cordae is something to behold here. Meanwhile, it’s impossible to convey all the great bars here. “I smoke ten J’s with two h*es that go both ways / Funny how two plus two equals foreplay,” “This isn’t mumble, it’s murder rap / Type of s**t your grandma understand with her old a**,” “The hair trigger Brazilian, you would get your whole hood waxed,” “Beef with anybody, even if you vegetarian / My flow on ebola, your flow just need Claritin“… and so many more. This song is a Juice-loving hip-hop head’s dream.
“Rich And Blind” (Verse 1)
Juice WRLD dedicated this song to XXXTENTACION and Lil Peep, who sadly passed away due to violence and drug use, respectively. This track– and “Legends,” too– see him reckon with these losses and ponder his own mortality. “I know I have a purpose, but I don’t see the purpose / They tell me the death of me gon’ be the Perkys / I know they laced pills, I bought them on purpose” and “I promise y’all I’m finna touch the world, yeah, I’ma touch the Earth / But hold on, your girl on my line, I think I may just f**k her first / Yeah, gotta have some crude humor/ Just to keep a good vibe going, keep the song grooving” are particular heartbreakers. “Rich And Blind” aged tragically, but few tribute tracks in the 2010s were as gut-wrenching and hauntingly self-aware.
When Juice WRLD ends this song with the line “Who am I to say that this ain’t one of my best verses?“, we truly believe him. From a pure flow and rhyme scheme perspective, this is one of his most impressive while retaining what makes his craft universally beloved. Juice tells his come-up story and delivers one of the most recovery-focused and confident pen performances of his entire career so early on. “Oxycodone got me sewed up, gotta remain focused / And these groupie h*es bogus, everybody knows it / But they turn me to a poet with the love commotion” and “[My momma] sent me Bible verses / Then I got distracted by some nudes from a sex worker / Who am I to not text back? That’s networking / Who am I to lie about my life? I know the truth hurts” cut like a knife.
“Juice WRLD Speaks 2”
Finally, “Juice WRLD Speaks 2,” one of his most recent and unique tracks, sums up what makes him so captivating. Jarad Anthony Higgins tackles his haters, his origin story, fake rappers, his substance abuse, his artistic mission, and so much more here, with a measured flow that no other song of his showcases and a drumless, somber, but peaceful instrumental. However, sharp lines still crack through: “Bunch of these n***as is my sons / I apologize to ’em ’cause I been a bad parent,” “I got a way with words, like I’m running with a phonics book / In school I didn’t do the homework but I still got the subjects / Money ain’t the object, money is the objective, gotta admit that,” and plenty more.
Most importantly, Juice WRLD takes accountability for his commitment to making others’ lives better. He even calls on his hip-hop peers to do the same, all with a focus and calmness that he rarely exhibits so tenderly. No matter what pulls you into Juice’s world, this lone, long verse has something for you to resonate with. It’s a powerful moment that arrived a couple of years after its recording, and that will offer solace to listeners for many more to come. LLJW.
ASAP Rocky’s unique sound and style turned him into one of the most influential figures in hip-hop. From his early days in Harlem to his rise to fame, Rocky’s journey is a tale of talent, perseverance, and innovation. As we eagerly await his next project, let’s dive into some of his most impactful tracks that have shaped his career.
“Peso,” the lead single from Live.Love.A$AP, catapulted Rocky into the limelight. This track is a vivid portrayal of his Harlem roots, combining fashion-forward lyrics with a deep understanding of his environment. It’s a song that not only mirrors the Harlem culture but also showcases Rocky’s desire to push hip-hop boundaries.
“F**kin’ Problems” (2012)
An iconic track in Rocky’s catalog, “F**kin’ Problems” features a lineup of rap heavyweights: Drake, Kendrick Lamar, and 2 Chainz. Rocky’s ability to hold his own alongside these artists solidified his position as a leading MC of his generation.
“r – Cali” (2013)
Created for the video game Grand Theft Auto V, “r – Cali” provided Rocky with an opportunity to reach a new audience. The song perfectly captures the essence of the game’s fictional setting, Los Santos, and has become one of the most recognized tracks in the game.
“Lord Pretty Flacko Jodye 2” (2015)
A definitive banger, “Lord Pretty Flacko Jodye 2” features paranoia-inducing synths and menacing bass. Rocky’s energetic and technically proficient delivery over the simplistic yet effective production by Nez & Rio makes this track a fan favorite.
“Holy Ghost,” the intro to AT.LONG.LAST.A$AP, delves into Rocky’s views on organized religion and his personal spirituality. The melancholic guitar strings, thanks to DJ Khalil and Danger Mouse’s production, add a unique element to this narratively rich song.
“Canal St.” (2015)
Topping the list, “Canal St.” is a testament to Rocky’s growth and success. The track, sampling Bones’ “Dirt,” is a nod to the famous street in Lower Manhattan, a place that holds significant meaning in Rocky’s life. From a past of financial struggle to a present of affluence, this song encapsulates his journey.
“Praise The Lord (Da Shine)” (2018)
Featuring British MC Skepta, “Praise The Lord (Da Shine)” stands as Rocky’s most commercially successful song. This track, the third single off of “Testing,” showcases Rocky’s reflection on his success and his encouragement for creative thinking, regardless of one’s circumstances.
“Sundress” (2018)
“Sundress” marks a significant shift in Rocky’s musical journey. Produced by Kevin Parker, known as Tame Impala, this song blends psychedelic indie-rock with hip-hop, offering a fresh sound that fans have come to adore. Its melodic nature hints at the direction Rocky might be taking with his upcoming project.
Conclusion
ASAP Rocky’s music is a blend of introspection, innovation, and homage to his roots. His ability to evolve while staying true to his core has earned him a spot among the greats in hip-hop. As we anticipate his next project, these tracks serve as a reminder of his profound impact on the genre.
FAQ
What is ASAP Rocky’s most commercially successful song? “Praise The Lord (Da Shine)” featuring Skepta is his most commercially successful track.
What song marked a significant shift in Rocky’s music style? “Sundress,” produced by Kevin Parker (Tame Impala), marked a notable shift towards a more psychedelic and melodic sound.
Which ASAP Rocky song was featured in Grand Theft Auto V? “r – Cali” was created specifically for Grand Theft Auto V.
What themes does “Holy Ghost” explore? “Holy Ghost” explores Rocky’s views on organized religion and personal spirituality.
Which track solidified Rocky’s position as a leading MC? “F**kin’ Problems,” featuring Drake, Kendrick Lamar, and 2 Chainz, helped solidify his status as a top MC.
50 Cent, a name synonymous with the evolution of hip-hop in the early 2000s, has left an indelible mark on the music industry. His journey from the gritty streets to the pinnacle of rap stardom is a testament to his talent and resilience.
In this article, we explore some of the best tracks from his illustrious career, showcasing his versatility and influence in the genre.
“In Da Club” is arguably the track that catapulted 50 Cent into the limelight. Its infectious beat and 50’s unique slowed-down flow created a party anthem that transcended hip-hop, becoming a global phenomenon. The song’s simplicity and raw power made it a staple in clubs worldwide, marking a significant moment in hip-hop history.
“Just A Lil Bit”: A Fusion Of Seduction & Beats
“Just A Lil Bit” stands out for its seductive undertones, seamlessly blending with 50 Cent’s laid-back style. The track’s Eastern-influenced instrumentals and heavy synth vibe add a unique flavor, while its relaxed yet bouncy beat keeps listeners engaged. This song exemplifies 50’s ability to create tracks that are both smooth and energetic.
“Candy Shop”: The Catchy Hook Masterpiece
“Candy Shop” is renowned for its catchy hook and fun vibe. The track showcases 50 Cent’s ability to produce music that leaves listeners in a happier place. With a cool beat and his signature relaxed flow, “Candy Shop” is a song that resonates with fans time and again.
“Disco Inferno,” a 2005 release, demonstrates 50’s commitment to his successful formula of sick beats and controlled lyrical delivery. The song is a testament to his ability to maintain his unique style while keeping his music fresh and engaging.
“Get Up”: Showcasing Artistic Evolution
“Get Up,” from 2008, marks a slight departure from 50 Cent’s typical energetic and fun tracks. It represents an evolving artist, blending ample beats with a steady flow, and highlights another facet of his approach to hip-hop.
“21 Questions”: A Softer Side of Gangsta Rap
“21 Questions” delves into a softer, more ballad-like form of rap. This track showcases 50’s versatility, moving away from his usual thumping beats to offer something unexpected and deeply resonant.
“I Get Money”: Aggression & Raw Power
“I Get Money” stands out for its aggressive tone and subject matter. This track displays a different side of him, one that’s more confrontational and intense, yet still uniquely his style.
“Window Shopper”: Smoothness & Emotion
“Window Shopper” is notable for its smooth chorus and slick beat. 50 Cent adds an emotional depth to the track, creating a crisp and impactful song that showcases his lyrical prowess.
“Many Men (Wish Death)”: Reflective & Influential
In “Many Men (Wish Death),” 50 Cent introspectively examines his life and success, producing a track that’s not only reflective but also influential in the hip-hop genre. Its crisp production and balanced delivery continue to inspire new artists.
“When It Rains It Pours”: A Somber Mood
This track introduces a somber mood, encouraging reflection on life’s challenges. The inclusion of a slick beat by Dr. Dre elevates the track, blending emotion and thought-provoking lyrics.
FAQs
What makes 50 Cent’s music unique? 50 Cent’s music is unique for its blend of gritty lyrics, catchy hooks, and a unique flow that balances aggression with a laid-back style. His ability to evolve and experiment with different sounds also sets him apart.
Which 50 Cent song is considered his biggest hit? “In Da Club” is widely considered 50 Cent’s biggest hit, known for its widespread appeal and impact on the hip-hop genre.
Has 50 Cent collaborated with other artists? Yes, 50 has collaborated with various artists, including Eminem, Nate Dogg, and The Game, showcasing his versatility and ability to blend styles.
What themes does 50 Cent often explore in his music? 50 Cent’s music often explores themes of street life, success, personal struggles, and relationships, reflecting his experiences and perspectives.
Is 50 Cent still active in the music industry? As of my last update in April 2023, 50 was still active in the music industry, though he has also ventured into other areas like film and television production.
2 Chainz, a name synonymous with the Southern rap scene and beyond, has carved a unique niche in the hip-hop world. From his early days as Tity Boi in Playaz Circle to his meteoric rise as a solo artist, 2 Chainz’s journey is a testament to resilience and adaptability. His ability to blend humor with hard-hitting lyrics and his distinctive voice has made him a staple in the genre.
His discography is a blend of anthemic hits and reflective tracks. Songs like “Birthday Song” and “I’m Different” showcase his knack for creating catchy, larger-than-life music. These tracks not only highlight his unique style but also his ability to infuse humor into his lyrics, setting him apart from his contemporaries. In “Good Drank” and “It’s a Vibe,” we see a more introspective side of 2 Chainz. These songs delve into his past experiences, blending his street-smart narratives with a more somber tone. They demonstrate his versatility as an artist, capable of delivering both club bangers and thoughtful, introspective tracks.
2 Chainz’s impact on the hip-hop industry is further solidified through his numerous collaborations. His verses on tracks like Kanye West & G.O.O.D Music’s “Mercy” and A$AP Rocky’s “F*ckin Problems” are standout moments in his career. Chainz’s collaboration with A$AP Rocky, Drake, and Kendrick Lamar on “F*ckin Problems” is particularly notable, where his unique style shines through.
Chainz’s feature on YG’s “Big Bank,” alongside Big Sean and Nicki Minaj, is another example of his ability to hold his own with other heavyweights in the industry. His verse is a seamless blend of clever wordplay and memorable punchlines, further cementing his status as a sought-after collaborator.
A Complex Character In Hip-Hop
2 Chainz’s music often explores the duality of his experiences. Songs like “El Chapo Jr.” and “Threat 2 Society” exemplify this. In “El Chapo Jr.,” he adopts the persona of an untouchable kingpin, while “Threat 2 Society” offers a more reflective and somber perspective, acknowledging the darker aspects of his past.
This duality is a key element of Chainz’s appeal. He doesn’t shy away from the realities of his experiences, instead, he presents them in a way that is both entertaining and thought-provoking. His ability to oscillate between these two extremes is what makes his music resonate with a wide audience.
2 Chainz’s journey in the music industry is a story of evolution and resilience. His unique blend of humor, storytelling, and collaboration has made him a standout figure in hip-hop. From club anthems to introspective tracks, his music offers something for every listener, making him one of the most versatile and enduring artists in the genre.
FAQ
What is 2 Chainz’s real name?
His real name is Tauheed Epps.
What was 2 Chainz’s original stage name?
He originally performed under the name Tity Boi.
What group was 2 Chainz a part of before his solo career?
He was part of the duo Playaz Circle.
What themes are common in 2 Chainz’s music?
His music often explores themes of wealth, street life, and personal growth.
Has 2 Chainz won any major music awards?
He has been nominated for several awards and has won a few, including a Grammy.
What makes 2 Chainz’s style unique?
His unique style combines humor, distinctive voice, and the ability to balance serious themes with entertaining lyrics.
