Will Smith Stepped Back Into ‘The Fresh Prince Of Bel-Air’ Days As He Performed Its Theme Song At La Velada del Año IV

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Now, this is a story all about how, Will Smith is extending his return to music. Last month, the Bad Boys: Ride Or Die star made his shocking return on stage at the BET Awards with the track “You Can Make It,” which featured Kirk Franklin.

Today (July 13), Smith keep things old-school during his set at La Velada del Año IV inside of Spain’s Santiago Bernabéu Stadium. Instead of performing his latest track, Smith treated the boxing fans to a mashup of The Fresh Prince Of Bel-Air theme song and his 2005’s single “Switch.”

Although most new fans are more familiar with the series’ reboot, Bel Air, between 1990 and 1996, The Fresh Prince Of Bel-Air dominated TV.

“Blessed are the ears of those who can hear Will Smith sing the intro to ‘The Fresh Prince of Bel Air’ live,” wrote one user (roughly translated to English).

“I love that he’s on stage again and just having fun. This is what legends deserve,” penned another.

Another pointed about how great of a selection Will Smith was, given the night was all about influencers hitting the ring.

“The ultimate influencer Will Smith was a good fit,” wrote one user.

Ironically, despite the record’s popularity, it wasn’t actually supposed to be released. In June 2022, during an interview WTOP, DJ Jazzy Jeff, Smith’s longtime friend, collaborator, and the song’s writer, made the confession.

“I thought we were making a filler,” he said. “I thought this would be a thing they would use until they figured out what the real theme song was. We did it, I mixed it, and that’s the same thing that plays on television today. That still trips me out. It never changed.”

Well, clearly, producers saw the same special quality listeners have clung onto for so man y decades to follow.

Vic Mensa and Alycia Pascual-Peña Join ‘Bel-Air’ Season 3 on Peacock

Vic Mensa and Alycia Pascual-Peña Join ‘Bel-Air’ Season 3 on Peacock

Bel-Air is bringing in a couple of new stars for the third season. Deadline reports the rapper turned-actor Vic Mensa and Alycia Pascual-Peña are boarded to the reimagining of the Fresh Prince of Bel-Air series on Peacock. The new cast members will have recurring roles of Quentin (Mensa) and Amira (Pascual-Peña). Notably, there isn’t much intel on how they will impact the story, but they will be coming into a series that is arguably one of the biggest success stories on Peacock.

Bel-Air stars Jabari Banks, Adrian Holmes, Coco Jones, Akira Akbar, Jimmy Akingbola, Cassandra Freeman, Olly Sholotan, Jordan L. Jones, and Simone Joy Jones. Justin Cornwell, Karrueche Tran, and Jovian Wade are returning in recurring roles.

Creator of the original viral trailer Morgan Cooper and Will Smith executive produce along with series showrunner and writer Carla Banks Waddles. Also serving as executive producers are Terence Carter, James Lassiter, and Miguel Melendez, including original sitcom producers Benny Medina, Quincy Jones, and Andy & Susan Borowitz. Andy Reaser is also an executive producer with JaNeika James and JaSheika James. Production companies are Westbrook Studios and Universal Television.

The post Vic Mensa and Alycia Pascual-Peña Join ‘Bel-Air’ Season 3 on Peacock first appeared on The Source.

The post Vic Mensa and Alycia Pascual-Peña Join ‘Bel-Air’ Season 3 on Peacock appeared first on The Source.

Tyler, The Creator Spends Jaw-Dropping Amount Of Luxe Bel-Air Mansion

Tyler, The Creator, fresh off of the release of Call Me If You Get Lost: The Estate Sale, copped an incredibly impressive home in the opulent area of Bel-Air. According to Dirt.com, The Odd Future frontman just dropped a cool $13M on a luxurious home in Bel-Air – less than $2M below the asking price. The new home sits on an acre of land with 5,000 square feet of living space. The Bel-Air property includes six bathrooms and five bedrooms. Additionally, there are high-ceilings, steel-case windows, and Brazilian wood floors, topped with a white oak finish.

The “Dogtooth” rapper is undoubtedly living luxuriously in his new set-up, especially with incredible views of the ocean across the three levels. Additionally, the home boasts amenities including a movie theater and a set-up cigar lounge. Outside, you’ll find an extravagant and private set-up made for entertainment with both a saltwater pool and a dry sauna. Additionally, there’s a fire pit, a bar, and a barbecue set-up, as well as a four-car garage. It truly is a gorgeous property in the luxe neighborhood.

Tyler, The Creator’s New Home 

The new home was initially constructed in the 1970s, though it was completely rebuilt in 2022. Tyler, The Creator previously owned another spot in the same neighborhood of Bel Air, Los Angeles. He later sold to two New York-based designers last year. He previously paid nearly $8M for the spot. Unfortunately, sold it for $1M less than the asking price of $7M. The home was built in 1965 and went through several renovations before Tyler scooped it up. 

The L.A. based artist returned to the fold with the extended edition of Call Me If You Get Lost. This marked the first album to reach #1 on the Billboard Hip-Hop & R&B Charts on three separate years. The expanded edition includes new collabs alongside Vince Staples, A$AP Rocky, and YG with production from Madlib, Kanye, and more. The re-release hit #3 on the Billboard 200 with 68K units. It’s an impressive feat for a deluxe album. Hopefully, we’ll get more music from him before the year comes to an end. Check out Tyler, The Creator’s new Bel-Air pad above. 

[Via]

‘Bel-Air’: Here’s All The Music You Heard In Season 2, Episode 3

(WARNING: Spoilers for this week’s Bel-Air episode will be found below.)

For the third episode in season two of Bel-Air, the main cast members find themselves in difficult positions. Last week, we saw Will struggle to shine as a basketball player at Bel-Air Academy without ruffling feathers with his coach and fellow teammates. Carlton is still working on finding new footing at Bel-Air Academy after his social status at the school changed in season one. This is all while he continues to battle anxiety issues. Hilary began her role as manager at the influencer house, but the partnership with Ivy that made it happen isn’t off to the best start. That’s on top of her new relationship with Jazz getting off to a rocky start, which included the surprised and slightly confused reaction from her parents when they heard the news.

In “Compromised,” the third episode of the new season, Will and Carlton pick up where they left off in planning a school protest for Mrs. Hughes who they believe was wrongly fired from Bel-Air Academy. Everyone is in on the protest from Ashley to Hilary to Mr. & Mrs. Banks and Will’s basketball teammates. The planning for the protest gives Carlton a chance to get closer to Yazmin, who is president of the Black Student Union, while also doing something for people that look like him at the school. Plans for the protest get bigger than expected, and soon enough, Carlton is pushed into the spotlight which makes him extremely nervous and triggers his anxiety. Elsewhere, Will’s passion for the protest is on full display which leads to him overlooking some of the other important things around him, and Hilary and Ivy’s business relationship looks like it’s heading straight for a brick wall as the two can’t seem to get on the same page.

The aforementioned events in the third episode of Bel-Air season two, titled “Compromised,” are soundtracked by songs that help to accentuate the emotions behind each scene. You can find a list of them belong as well as details about the scenes that the records soundtracked.

Check out our Bel-Air season 2, episode 3 recap here.

Vodka Gravas & Wordsworth — “We Winnin’”

We hear this song around the 01:05 mark as Will and his teammates leave basketball practice together. One of his teammates, Tyler, makes a slick comment to Will about his ball-hogging ways which Will replies to by mocking him.

Kateel — Different Problems

Around the 02:03 mark, Will and Tyler talk things out ahead of their big game. Will apologized for before selfish and promised to be there for the time when it’s required. Lisa comes up to Will to talk to him.

4VR — “Guilty”

This song plays around the 04:52 mark as Will and Carlton are walking away from a meeting with Mrs. Bassin. Will overheard Mrs. Bassin’s request for Will to “get with the program.” Carlton expresses concerns with Will about the protest, but Will shuts them down and essentially tells him to be strong.

Easy McCoy — “Deja Vu”

At around the 05:56 mark, Easy McCoy’s “Deja Vu” briefly plays as the Bel-Air title flashes on the screen. This record is the theme song for Bel-Air

Magi Merlin — “Walking To The Dep”

We hear Magi Merlin’s record at the 06:05 mark as the Banks family is setting up at the house to welcome students to prepare for the protest. Ashley is a bit upset as she feels it’s her fault that Mrs. Hughes was fired, but Phil, Vivian, and Hilary assure her that she’s not to blame.

Obed Padilla — “Cheap Thrills”

Around the 11:02 mark, we hear this song as Yazmin asks Carlton if he can be the one to give the speech at the protest. Carlton nervously tries to get out of having to do the speech, but he fails, so the big moment is his to come through on.

Ivy States & Janaé E.

Ivy States and Janaé E.’s record checks in around the 20:24 mark as Hilary meets with the Simply Spiked representative at the influencer house. While she thinks the meeting is successful, she’s a bit disappointed to find out that the partnership is contingent on Ivy’s participation.

Sampa The Great — “Time’s Up” Feat. Kwon

We hear this record around the 32:46 mark as Will, Carlton, Yazmin, and other students walk out of their respective classes to begin the walkout. This goes against the agreement the trio had with the administration.

Blackillac & Caught A Ghost — “The Revolution”

The episode ends with this record playing as Will takes a banner from one of the teachers and races to the school roof to drop it for the students to see. The banner reads “Black Teachers Matter” and students begin to chant that phrase as well.

You can stream this week’s episode of Bel-Air on Peacock here.

New episodes of ‘Bel-Air’ are available Peacock on Thursdays at 5:01 am EST/ 2:01 am PST.

‘Bel-Air’: Here’s All The Music You Heard In Season 2, Episode 2

(SPOILERS for this week’s Bel-Air episode will be found below.)

Bel-Air didn’t get off to the most peaceful start for season two. It began with Will living at Jazz’s apartment after he had a fallout with Phil, Vivian, and his mother over the truth of his estranged father. Fortunately, Phil and Will were able to patch things up in the season two premiere and Will even returned home to the Banks’ Bel-Air mansion, but not before partying with family and friends for Ashley’s 13th birthday. In episode two of this season, the focus shifts to Will, Carlton, Hilary, and Jazz’s individual and interconnected lives where they all seek to make some type of progress toward their goals. Will has his eyes set on a getting a division one college basketball project while Carlton looks to make an impact in the Black Student Union and take a step forward in his battle with anxiety. Hilary and Jazz made things official in the season two premiere, but they aren’t exactly on the same page — something they hope to fix this week.

The aforementioned events in the second episode of Bel-Air season two, titled “Speaking Truth,” are soundtracked by songs that help to accentuate the emotions behind each scene. You can find a list of them belong as well as details about the scenes that the records soundtracked.

Check out our Bel-Air season 2, episode 1 recap here.

KAMI & Smoko Ono — “Superstar Moves”

KAMI & Smoko Ono’s track can be heard at the 01:15 mark during a Bel-Air Academy basketball game. Tensions are high as Will and his coach are not on the same page. Will wants to carry the team to a win while his coach wants it to be more of a team effort.

Easy McCoy — “Deja Vu”

At around the 06:40 mark, Easy McCoy’s “Deja Vu” briefly plays as the Bel-Air title flashes on the screen. This record is the theme song for Bel-Air.

Last Verse — “Semper”

Last Verse’s “Semper” checks in around 06:54 mark as Will and Carlton arrive at school. Will is venting to Carlton about his basketball frustrations. Carlton’s crush Yazmin arrives shortly after and asks him about attending and contributing ideas at the next Black Student Union meeting.

Tupac — “Can U Get Away”

Tupac’s track from his 1995 album Me Against the World plays around 09:05 as Jazz is tyding up at the record store. Hilary walks in as he’s dancing and rapping, but he doesn’t notice right away. She surprises him with lunch, but her agenda comes alive as she asks to use his Impala his for a video shoot with Ivy. He initially says no, but after some convincing, he changes his mind.

Jade Amar — “My Own Boss”

Jade Amar’s “My Own Boss” can be heard at the 16:04 mark as Hilary, Ivy, and friends are filming the video shoot with Jazz’s car. Contrary to Jazz’s wishes, Hilary reluctantly lets Ivy drive the car. Unfortunately for Hilary, Jazz finds out about this as he makes a surprise visit to the set.

YG — “Scared Money” Feat. J. Cole & Moneybagg Yo

YG’s “Scared Money” checks in in around 26:19 as Will and Carlton sneak out with Jazz to go to a party in South Central. Will meets with Jackie, where he also finds Doc, while Carlton lets his wild side out with a couple ladies in the club.

Inka Delli — “Bank”

Inka Delli’s record can be heard around the 28:42 mark as Carlton finds himself dancing, and rather happy, with a couple of ladies in the club. Will also gets his groove on with Jackie.

Iain Harper — “Look Alive”

Iain Harper’s “Look Alive” plays in the background during a conversation at the club between Doc and Will. Doc questions Will about his sudden appearance in Bel-Air before telling Will that the Bel-Air basketball team is hurting his potential. Doc also introduces the idea of joining an AAU team to improve his stock, something that piques Will’s interest.

Julian Roy — “Trouble”

Julian Roy’s “Trouble” checks in around the 34:15 mark as Jazz is back working at the record shop. While there, he receives a text from Hilary asking for them to meet up for a conversation about their relationship. It leads to Hilary deciding to introduce him as her boyfriend to her parents.

Coast Contra — “Legacy”

Coast Contra’s record plays around the 37:10 mark as Carlton suggests that the Black Student Union hold a protest, a walk-out specifically, in defense of Mrs. Hughes unjust firing. The idea is fully supported by the BSU.

Chel Strong — “I Know You See It”

Chel Strong’s “I Know You See It” plays around the 40:59 mark during the latest Bel-Air basketball game. Will is on a whole new level during the game as his arrogance and cockiness is at an all time high. However, once again, Will and his coach clash during a timeout.

Armani White — “Billie Eilish”

At around the 42:38 mark, Armani White’s viral hit “Billie Eilish” plays as Will goes on an absolute tear, one that is also selfish and against his team’s wishes, to end the basketball game. Will’s team wins the game, but it appears that Will may lose his team.

You can stream this week’s episode of Bel-Air on Peacock here.

New episodes of ‘Bel-Air’ are available Peacock on Thursdays at 5:01 am EST/ 2:01 am PST.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

‘Bel-Air’: Here’s All The Music You Heard In Season 2, Episode 1

(SPOILERS for this week’s Bel-Air episode will be found below.)

Bel-Air is back for season two and things aren’t as wholesome as any of the show’s characters would’ve hoped to start. The season one finale was highlighted by Will’s decision to leave the Bel-Air mansion after he learned that Phil, Viv, and his mom lied about Will’s father. Though it was done out of love and protection, Will felt betrayed by the most important adults in his life. Thankfully though, what started as a family divided to begin episode one of Bel-Air season two, ended as one reunited as Phil put his pride aside to apologize to will and invite him back into the house. Elsewhere, love is in the air for Jazz and Hilary!

The aforementioned events in the first episode of Bel-Air season two are soundtracked by songs that help to accentuate the emotions behind each scene. You can find a list of them belong as well as details about the scenes that the records soundtracked.

Nipsey Hussle — “Last Time That I Checc’d” Feat. YG

Nipsey Hussle’s “Last Time That I Checc’d” off Victory Lap checks in around the 01:24 mark. A short time later, we see Will who wakes up in a slightly messy room — one that is notably not in Uncle Phil’s massive Bel-Air mansion — to get dressed for the day. He heads out into the city to start his day. We later learn that the room is in Jazz’s house in South Los Angeles.

MIKNNA — “Angel City”

MIKNNA’s record plays faintly in the background around the 3:02 mark as Will orders some breakfast at a local restaurant. A man named JB meets him there and he gives Will some money that was made off some a deal they had. We later find out that JB is helping Will secure basketball matchups for money.

Bryce Green & 81Maantra — “Boom”

We hear Bryce Green & 81Maantra around the 06:18 mark as Will and Carlton are driving to school together. Carlton lets Will know that Phil and Viv are worried about him, but Will’s rather large stash of cash has Carlton worried about what Will is doing to make money.

Easy McCoy — “Deja Vu”

At around the 07:15 mark, Easy McCoy’s “Deja Vu” briefly plays as the Bel-Air title flashes on the screen. This record is the theme song for Bel-Air.

The Royal Chief — “See Me Now”

The Royal Chief’s “See Me Now” plays around the 10:09 mark while Will and Carlton walk through the halls of their school. Carlton explains what’s changed with his school friends and also throws out the idea of him and Will becoming the school’s latest dynamic duo. Carlton may also have a new crush, a girl named Yazmin, on his hands.

BOSCO — “Easy” Feat. Smiles Davis & Royal Bait

BOSCO’s song can be heard around the 13:25 mark. At this point of the episode, Hilary meets with Ivy as they begin their run as the leaders of the content creator house. It’s also here that Hilary learns about her responsibilities as a manager and the true dynamic of her business relationship with Ivy.

Freddy Bam Bam — “Need You”

Freddy Bam Bam’s “Need You” plays softly in the background around the 15:04 mark when Hilary vents to Jazz about having to fire two men from the influence house. Afterward, they discuss their relationship status and whether or not it’s time to place an official label on it, something Hilary isn’t in a rush to do.

Last Verse — “Semper”

At around the 28:34 mark, Will walks onto an outdoor basketball court in Venice as Last Verse’s “Semper.” It’s there that he hopes to meet a scout named Doc in order to form a relationship and further his basketball career.

Via The Great — “Champion”

Via The Great’s “Champion” plays around the 31:45 mark and it soundtracks Will’s pick-up game against a much bigger guy named Big Dre. Things start off slow for Will, but he eventually picks things up and wins the game.

City Girls — “Good Love” Feat. Usher

The party begins around the 37:14 mark. It’s Ashley’s official 13th birthday party and it gets underway with City Girls’ “Good Love” being the record that everyone dances to. While most of the attendees are dancing together and having a great time, Hilary stands at a distance jealous of Jazz dancing with Ivy.

Manus — “On Top” Feat. Turbo9

Manus’ “On Top” plays around the 38:21 mark as Phil overlooks the water deep in thought. Carlton comes up to him and gently confronts him about running away from the issues and tension between Phil and Will. A short time later, Phil asks Will to speak with him.

Saweetie — “Bo$$ Chick”

To round out the music at the end of this episode, Saweetie’s “Bo$$ Chick” plays around the 42:55 mark. Saweetie herself makes an appearance to sing happy birthday to Ashely and gives her well-wishes on a new year of life. Will makes the tough decision to put things on pause in their relationship.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Jabari Banks Of ‘Bel-Air’ Says Saweetie Was ‘Super Prepared’ On Set

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Anyone who lived through the 90s would probably list The Fresh Prince of Bel-Air as one of their all-time favorite television shows. The sitcom starred Will Smith as himself, as his mom sends him away from the troublesome neighborhoods of Philadelphia to beautiful Bel-Air in California. Suddenly, he finds himself inside the home of Uncle Phil and Aunt Vivian, as Will hilariously learns to navigate this new environment.

Fast forward to today, fans of the show can live vicariously through Bel-Air on Peacock, the new one-hour, reimagined drama series set in modern-day Los Angeles. And with the success of Season 1, audiences can hardly wait for the premiere of Season 2 today, February 13th.

Season 2 of Bel-Air sees the return of Jabari Banks as Will Smith, Adrian Holmes as Uncle Phil, Cassandra Freeman as Aunt Vivian, Olly Sholotan as Carlton, Coco Jones as Hilary, Akira Akbar as Ashley, and Jimmy Akingbola as the butler.

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The Source had the opportunity to sit with the cast at Langham Hotel in Pasadena, for an exclusive roundtable conversation. Split into two groups, the cast discusses what it meant to have Saweetie on set, what hip-hop means to them, and their favorite artists.

I interviewed Saweetie and she told me she was taking acting classes. How was it working with her on set and what can we expect from her character?

Olly Sholotan: Saweetie is the nicest-smelling woman on the planet. She smells great, which I feel that’s really, really important. Working with her was fantastic. She’s very, very kind and very gracious. Having her on set was so exciting. I don’t want to say too much, but it’s this really cool scene at a party and the setting is a lot. 

Jabari Banks: It was actually one of the first days shooting.

Olly Sholotan: It was our second day shooting and Saweetie comes by, it was really, really exciting. It was such a great way to kick off the season of filming. 

Jabari Banks: And you know what? She was super prepared. She was even more prepared than we expected her to be. More prepared than us, to be honest. She was a joy. Saweetie is amazing. I love her as an artist. I respect her a lot as an artist, it was amazing that she got to grace our show. 

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Adrian Holmes: She was so sweet. 

Cassandra Freeman: She was so sweet, she can actually be an actress! I was like, look here lady, you’re legit.

Adrian Holmes: She was very comfortable. Very, very relaxed. She was a nice addition to the energy. Stay tuned, we’re going to be seeing more of her.

Cassandra Freeman: You just never know what to expect when you see people from different industries coming into your industry. Some people over prepare, under prepare. Some people aren’t personable. They don’t know if they’re supposed to be personable when you hit the set. She was just professional. As soon as she hit, she was so nice and normal. There was no diva energy, it wasn’t like “excuse me! I’m Saweetie!” It was like, “Hey guys, I’m here.” She was super sweet, just like her name.

Adrian Holmes: She lived up to her name, for sure.

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Hip-Hop celebrates its 50th year anniversary this year. What does hip-hop mean to you and who is your favorite artist currently?

Adrian Holmes: Hip-hop, for me, is the fabric of my childhood. It really shaped our lives, and my life. It’s very nostalgic. When I think of hip-hop, I go back to Heavy D and the boys. I’m a 90’s hip-hop head, so I go back to Leaders of the New School, A Tribe Called Quest. I love that about Phillip because they introduce that in the show. In my office, I have artwork and post pictures of concerts and hip-hop references. 

Cassandra Freeman: I love it! Mine would be J.J. Fad, Salt & Pepa, Lauryn Hill. Queen Latifah. MC Lyte, come on. This is my childhood. Especially J.J. Fad was the first rap I ever learned. “We’re J.J. Fad and we’re here to rock!” That was the first rap I ever learned. 

Jimmy Akingbola: Cass is a rapper, she’s got bars. For me, I’m thinking of people like Ice Cube, Wu-Tang Clan, N.W.A. Growing up, they really had a big influence on me. Fu-Schnickens. Also, some of the new cats now. Is it Coast Contra? They do a lot of great freestyles on Instagram. Obviously, you got people like Kendrick. My favorite. In the UK, because I got to represent, men like Stormzy. For me, he’s the GOAT. He’s the king of UK hip-hop at the moment. As well as Ghetts, Kano, and Blaze, who’s in Top Boy. So it’s a real good time, but hip-hop for me is an identity, the culture, also education. That storytelling back in the 90’s was what was beautiful. 

Adrian Holmes: That’s the thing: back in the 90’s, there was more of a story being told through the music. Not to say that doesn’t exist today. Kendrick, J. Cole, they do that too. In the 90’s, it was poetry. Spoken word. Real spoken word, they put a beat to it. 

Jimmy Akingbola: Who was that one? Jeru the Damaja. 

Adrian Holmes: Oh man! Because hip-hop is so nostalgic. When you think about hip-hop, you think about certain artists and songs, it takes you back to a time and place in your life and it sparks joy. It makes you feel good. You remember where you were when you heard these songs, or that time in your life. That’s why we could talk about it.

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Coco Jones: Hip-hop is about being vulnerable in a way that still gets stuck in your head. It’s a really interesting balance because if you’re making an important song, you’re probably talking about something and it’s infectious at the same time. That’s hard to do. Sometimes hip-hop is seen as something easy, but really, it takes a lot of skill to make a song that will stand the test of time. 

I know that being a musician and an artist is equally challenging. I’m not in hip-hop, but I’m in R&B. And that’s what I’m always trying to do, especially with my EP What I Didn’t Tell You. Just making music that stands the test of time, in any genre is challenging. Hip-hop is culture. A lot of things get inspired by hip-hop, and they wouldn’t even tell you that. That’s what we do as Black people, we are innovative and we are continuing to evolve and make classics in general.

Olly Sholotan: Hip-hop is about truth and exploration and innovation. One of my biggest inspirations at the moment is Metro Boomin, his album Heroes and Villains is fantastic. What’s so good about it, is hip-hop more than any other genre is so welcoming to other genres. Hip-hop is very descriptive rather than being prescriptive. It’s not trying to be anything else, it just is. It borrows from different genres and it borrows from different cultures and ideas . That’s so well-exemplified in Heroes and Villains. And it uses samples, elements of gospel, of R&B. Metro Boomin!

Favorite song?

Olly Sholotan: “Raindrops” or “Superheroes.” “Superheroes” is so hard!

Jabari Banks: “Superheroes” is fire! At the end of the day, I feel that pop is hip-hop. The birth of hip-hop from where it was to where it is now, it is the culture. It is who we are. Sorry to say, all of our favorite white artists are influenced by hip-hop. Ariana Grande. Thank you Taylor Swift. Thank you Justin Bieber. The hip-hop influence is everywhere. At the end of the day, hip-hop is about being authentic. Doesn’t matter who you are, where you come from, what you been through. That’s where it was birthed, so happy birthday hip-hop!

Akira Akba: They couldn’t have said it better. Hip-hop on TikTok is a big thing, especially with dancing. Dancing plays a huge part in hip-hop. That one dance — what’s that one dance? Literally, we were all doing that constantly. But I have a few favorite artists. I listen to SZA, Summer Walker, PARTYNEXTDOOR. This new SZA album is so good. 

The post Jabari Banks Of ‘Bel-Air’ Says Saweetie Was ‘Super Prepared’ On Set appeared first on The Source.

Saweetie’s Latest Acting Credit Will Be A Role In Season 2 Of Peacock’s ‘Fresh Prince’ Reboot, ‘Bel Air’

While the wait for Saweetie‘s debut album Pretty Bitch Music drags on, she keeps expanding the other parts of her portfolio. After wrapping up a recurring role on Freeform’s Grown-ish, she’s adding another acting credit to her resume, making a cameo appearance in the upcoming second season of Peacock’s dramatic Fresh Prince reboot, Bel Air, according to Variety. She’ll appear as herself on the show, although the report doesn’t state in what capacity she’ll be crossing paths with Jabari Banks ’ Will Smith, Olly  Sholotan‘s Carlton Banks, or Coco Jones’ Hilary Banks (fingers crossed for a star-crossed romance with Jordan L. Jones ’ Jazz).

Although Saweetie has delayed the release of her album numerous times, there have been a few hints that it could be dropping this year. During a recent live stream with fans, the Bay Area rapper previewed a new song with single potential, “Icy Girl, Icy World,” which is based on Aqua’s 1997 hit “Barbie Girl.” And although her EP The Single Life supposedly underperformed — which is hard to tell without knowing what it was expected to sell in the first place — it definitely generated some buzz thanks to its coincidental release in close proximity to Quavo’s “Messy” verse seemingly referencing their relationship and her rumored connection to Lil Baby. While she denied that her single “Don’t Say Nothin’” was a response, the possibility that she might address those rumors on PBM keeps it firmly in the running for one of 2023’s most anticipated albums.

Daphne Maxwell Reid and Vernee Watson-Johnson to Guest Star on ‘BEL-AIR’

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Original The Fresh Prince of Bel-Air actors Daphne Maxwell Reid and Vernee Watson-Johnson have been cast as guest stars in Peacock’s critically acclaimed drama series BEL-AIR. They will appear in episode 9 of the series.

Daphne Maxwell Reid and Vernee Watson-Johnson will play Members of the Art Council Board of Trustees “Helen” and “Janice,” respectively. In the original The Fresh Prince of Bel-Air series, Reid played Aunt Viv, and Watson-Johnson played Viola “Vy” Smith.

If you have yet to catch Bel-Air, the series is set in modern-day America. Peacock’s new one-hour drama series Bel-Air imagines the beloved sitcom The Fresh Prince of Bel-Air through a new, dramatic take on Will’s complicated journey from the streets of West Philadelphia to the gated mansions of Bel-Air. As these two worlds collide, Will reckons with the power of second chances while navigating the conflicts, emotions, and biases of a world far different from the only one he’s ever known.  

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