afrobeats
Asake Visits Senegal & Guards His Peace In New “Yoga” Single & Music Video
If you weren’t on our page over the weekend, you might have missed our new music recommendations on our Fire Emoji and R&B Season playlists. Luckily for you, we’ve got more releases to share today (January 30), including a single from Nigeria’s own Asake.
Earlier today, the 28-year-old shared “Yoga,” a song he says is “about minding [his] business and guarding [his] peace so no one can disrupt it.” The feel-good beat markedly boasts production by Magicsticks, which beautifully matches the singer’s vocals.
“Yoga” continues the Lagos native’s impressive winning streak that previously ran all through 2022. In September, his debut project, Mr. Money With The Vibe premiered via YBNL Nation and EMPIRE.
Afterward, Asake went on to set the record for the highest-charing Nigerian debut album of all time. Additionally, he broke an Apple Music record for the biggest African album release after hitting #1 in 31 countries within 24 hours.
The most popular titles to come from the 12-track effort are “Terminator,” the remix of “Sungba” with Burna Boy, and “Peace Be Unto You (PBUY).” Elsewhere on the record, he also linked up with Russ on “Reason.”
In the accompanying music video for “Yoga,” (also released today), Asake finds himself in Dakar, Senegal. It was directed by his frequent collaborator, TG Omori, also known for previously working with names like WizKid, Burna Boy, and Fireboy DML.
Most of the lyrics are sung in Yoruba, but still, perfectly convey the message the artist is trying to get across in all languages.
Stream Asake’s new “Yoga” single on Spotify or Apple Music below. Afterward, tell us your thoughts on the Nigerian superstar’s work in the comments.
Quotable Lyrics:
Enemies I get them too much
It’s better to get them surplus
Who go dey for you no go take off
Hmm hmm oju tele gan (Oju tele gan)
[Via]
Haviah Mighty’s Jamaican Roots Shine Bright On “Room Service” Single: Listen
Our homepage has already been loaded with intriguing new music this weekend, and we’re not stopping anytime soon. The latest single we hope you’ll add to your playlist comes from Canada’s own Haviah Mighty. She shared her “Room Service” track on Friday (January 27). It came along with an accompanying music video that also revisits a previously released hit.
The JUNO Award-winning artist turned plenty of heads last year with titles like “Honey Bun,” and “Imagine That.” If this week’s arrival is any indication of what’s to come later, 2023 could be her strongest trip around the Sun yet.
Speaking specifically on her latest single in a press release, Mighty shared, “This song reflects on the many phases of denial that I experienced going through a recent breakup. My self-worth was shattered. I convinced myself that things weren’t as bad as they seemed and that it wasn’t my fault.”
The lyricist says that her writing came “from a place of bargaining” this time. While her ex’s actions showed her that what they had was clearly over, she was holding on to a glimmer of hope that she couldn’t let go of.
“For me, this song grew into an anthem of lust, wonderment, desire and delusion,” she later added. “The sultry lead melodies pull you in as I plead for my lover to wait for me. Just hold on. The bouncy synths playfully suck you into a vortex of heavy-hitting 808s and afro-style grooves that remind you that I’m not just a rapper – but also a singer, Jamaican, and Toronto-born.”
Stream Haviah Mighty’s “Room Service” and “Honey Bun” singles on Spotify or Apple Music below. Afterward, tell us which one of the two titles is your favourite in the comments.
Quotable Lyrics:
Yeah you know you too perfect
Come close, yeah you make me too nervous
DND, we don’t need no room service
Make you scream, you become a new person
[Via]
Maesu Shows Out On His “Sex On GPS” Single
This past weekend, we dropped off a strong selection of new music on our Fire Emoji and R&B Season playlists to satisfy your streaming needs. As we wait for Friday to come with another slew of noteworthy arrivals, we’ve got a new artist making their HNHH debut today – Maesu.
On Tuesday (January 24), the LA-based multi-talent finally shared his “Sex On GPS” single. Speaking on his work, the artist says, “I want to keep my music vulnerable and honest, singing about wanting sensual validation is as vulnerable as it gets. Some people may be afraid to admit they relate to ‘Sex On GPS’, that’s the exciting part.”
Fans of Maesu obviously know that he doesn’t limit himself to just one genre. Throughout his art, he explores fusions of pop, R&B, Afropop, Latin, country, rock, and more.
Though the “Aquimini” hitmaker has no shortage of production credits under his belt, he had Tejiri Akpoghene craft the beat for “Sex On GPS.”
Aside from his own releases, Maesu previously made a name for himself thanks to his work with other creatives. He was a key writer and producer on Amaarae’s breakout album, The Angel You Don’t Know, and also played a role in the Black Panther: Wakanda Forever soundtrack creation.
If you’re hoping to soon catch a live performance from the rising star, you’ll be happy to know he’s supporting ¿Téo?’s Sol & Luna tour beginning next month. Things will kick off in Phoenix, Arizona at Valley Bar on February 22nd.
The last show will find them taking over Rickshaw Stop in San Francisco on March 29th.
Stream Maesu’s “Sex On GPS” single on Spotify or Apple Music below. Afterward, share your thoughts on the track in the comment section.
Quotable Lyrics:
Hey! I got time to make a buffet
Put the p*ssy back in my face
We can have the sex on location
Ooh, ooh, hey!
We don’t gotta throw it away
Nonso Amadi Celebrates His Nigerian Roots On “Ease Up” Single
Before the weekend comes to a close, we’ve got yet another new single for your consideration. If you’re a lover of Afrobeats, you’ll be happy to know that Nigerian-Canadian superstar Nonso Amadi is back with his “Ease Up” single, which acts as a heartfelt homage to his home country.
The track arrived on Friday (January 20), via Def Jam Recordings. Production was done by the vocalist himself, as well as Harper Gordon and TJ Whitelaw.
Usually, Amadi crafts romantic slow jams. His latest effort is a departure from that as he turns his energy instead toward Nigeria and all of its glory.
In a press release, the lyricist explains, “‘Ease Up’ is a reflective song speaking about some of my experiences back home and the struggles of the average Nigerian youth based on issues with police harassment, day-to-day traffic in the cities, and the disproportional wealth gap between the average Nigerian and politicians.”
Later, Amadi adds, “Among all this, we just want to chill, relax, and have a good time – Ease up.”
Among his many recent impressive achievements, the R&B star was recognized alongside Ice Spice, GloRilla, Armani White, and more as one of Vevo’s DSCVR Artists To Watch 2023.
When sharing the video for his latest single, Nonso uploaded a live performance clip on YouTube, proving just how strong his vocal chops truly are.
Make sure to stream Nonso Amadi’s “Ease Up” on Spotify or Apple Music below. Afterward, tell us your favourite new release from this weekend’s roster in the comment section.
Quotable Lyrics:
I don’t really blame myself
I’ve been on this road for long timе
The leaders no day carе for us
Their politics is more important
I no fit to kill myself
Mama I go take amnesia
Joeboy Put His “Body & Soul” Into First Single Of 2023: Stream
It’s been an exciting weekend in terms of new music, and we’re still not done unveiling noteworthy new releases for your consideration. So far, we’ve heard from Kota the Friend, NLE Choppa, and Macklemore but now, we’re switching things up with some Afrobeats from Joeboy.
On Friday (January 20), the Nigerian native delivered his “Body & Soul” single, complete with some Caribbean vibes and production from E Kelly. According to a press release, the track is due to appear on the artist’s forthcoming sophomore album.
“I dey sing, you dey dance, you dey whine / When you cry I go wipe your eyes,” the rising star sensually croons as the song begins. “Gimme your bag make I fill am with dough / I’m the only one, you no need another,” he continues.
Throughout his career so far, Joeboy has worked with the likes of Bad Bunny, Diplo, and Mr Eazi. To date, he’s amassed upwards of three billion streams thanks to his fans all around the world.
In 2019, his debut EP, Love & Light arrived. Two years later, the lyricist followed that with his first full-length album, Between Beauty & Magic. The latter came complete with 14 tracks, all of which were featureless and helped broaden Joe’s ever-growing fanbase.
He also appears on the official remix to Ckay’s “Love Nwantiti,” which was notably the first Afrobeats song to go four times platinum in America.
Stream Joeboy’s “Body & Soul” on Spotify or Apple Music below. Afterward, find more hot new releases on our weekly Fire Emoji update here.
Quotable Lyrics:
You gat me high when I’m low low
Shawty, you can take my soul
All these things wey I dey talk right now
I dey feel am for my body and bone, oh
[Via]
Beats By Dre Partners With Black Creators To Make Afrofuturism Content
The Beats by Dre‘s Beats by Black Creators program challenged HBCU students to create a film and soundtrack based on the Afrofuturism concept.
With that being said, Maze is a coming-of-age psychological thriller directed by Spellman student Miya Scaggs! In fact, the thrilling new project came about as a collaborative concept as it was penned by two Howard students, Sabrina Anthony and Troy White.
MORE: SOURCE SPORTS: Beats by Dre & Ja Morant Introduce ‘Dark Mode’ to Roblox
It follows Zola, a second-generation Nigerian teenager who must overcome trauma. Her relationship with her mother is gradually becoming explosive due to a lack of understanding and the pressure of success, weighed down by the pains of her father’s death. Returning home from college, her brother, Sulu, gifted her a Quantum Cognition VR game to help her work through her psychological trauma. Maze will test Zola’s reasoning and force her to confront her current reality head on.
As a result, Maze will challenge Zola’s thinking and force her to confront her present reality head-on. As for the 12-track soundtrack masterpiece, rising pop artist Say Rex arrives astoundingly on the properly produced by the Howard students that wrote the film, S.E. Anthony, and Tragic Johnson. Outside of Beats, the project has already garnered attention from Revolt, Kollege Kidd, and many more! In doing so, the film features a beautiful blend of film and featured futuristic AfroFusion soundscapes.
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Keeping up the momentum, Say Rex returns with his most recent release! He drops off his debut EP, I AM SAY REX.
His latest offering comes as his influential introduction into the industry. Since stepping on the scene, he has worked with Sean Kingston on “Carry Your Name” featuring Lil Durk artist Affiliate, Memo600, “Meant To Be” featuring Lauryn Hill’s son and the grandson of the legendary Bob Marley, YG Marley. Additionally, “Meant To Be” serves as the lead single with an accompanying VEVO Music video.
For now, stay tuned here at The Source to stay update to date with The Beats by Black Creators.
The post Beats By Dre Partners With Black Creators To Make Afrofuturism Content appeared first on The Source.
20 Years On, 1Xtra’s Still Going Strong—Here’s To The Next 20
“I want to be able to listen to the station with my grandkids in the next 20 years.”—Trevor Nelson
“There’s a real family atmosphere at 1Xtra and that’s one of the reasons I’m honoured to be a part of it.”—Nadia Jae
It wasn’t long before DAB became the standard for cars and home radio systems, which then allowed people to tune in before they left for work and school and then during the commute. Once DAB became widespread, 1Xtra became an unstoppable force.
Trevor joined the station five years after its inception and, by that point, he had already established himself as a leading voice within music in the UK, particularly R&B. One of his fondest memories of his time at the station was being at Radio 1’s Big Weekend in 2012, in Hackney Wick, where Kanye and Jay-Z performed Watch The Throne on the 1Xtra stage. “There was no Glastonbury and the Olympics were in my hometown, Hackney Marshes, where everyone plays football on a Sunday,” he says. “We put on, arguably, the best event the BBC’s ever done. I remember standing there watching Jay-Z and Kanye stand on stage, where I used to kick a football, and I was absolutely emotional and proud.”
It may not have been able to happen when 1Xtra first started, but with those two acts gracing the stage, it highlighted how the station’s influence was growing globally.
Faron McKenzie—who has been the Head of 1Xtra since 2020—tells me that the station breaks approximately 10,000 new records every single year. “I want people to understand that figure,” he says, “because how many of those records will chart? When you think about that contribution to music, you’ve got to give respect where it’s due. 200,000 tracks in the past 20 years is a lot.” Ten thousand records is an insurmountable amount and a figure the station can be proud to claim.
For those looking to form a career in broadcasting, 1Xtra has also become a destination for those hopeful talents. Tiffany Calver—who hosts the Rap Show—has gone from strength to strength during her career: first working as a writer for MTV, then moving on to the now-defunct Radar Radio, before solidifying her name in radio at 1X. Then there are presenters such as Snoochie Shy, Remi Burgz and Jeremiah Asiamah, who all started their careers on South London’s Reprezent Radio and have now found homes at 1X.
At the height of COVID-19, in December 2020, Nadia Jae joined on as the station’s new Breakfast Show host. “It was crazy because, when I joined, everything was running smoothly, then I land the weekday host gig—which was amazing in so many different ways—then lockdown happened,” she remembers. “It was difficult because I’d just started the new role and had to adapt quickly to this new way of working.” Before taking over from Dotty in September 2019, Nadia had previously hosted the Weekend Breakfast Show. BBC 1Xtra made a long-term investment when it brought on Nadia Jae, and it echoes Faron and Trevor’s thoughts on the future and always keeping an eye on what’s to come.
“There’s a real family atmosphere at 1Xtra and that’s one of the reasons I’m honoured to be a part of it,” says Nadia—and it shows. There’s something for everyone on 1Xtra and that’s arguably one of its most endearing traits as a radio station. Whether it’s a specialist show such as Nelson’s R&B show or Heartless Crew’s regular takeovers, 1Xtra has found a way to straddle the lines between mainstream and underground in ways pirate radio and Choice FM couldn’t.
“You wouldn’t have the music scenes that we have now without 1Xtra because there was nowhere to play that music at this scale.”—Faron Mckenzie
“Some people questioned why I joined 1Xtra so far into my career,” says Trevor, “and I said, ‘Why not?’ In my lifetime, I had never seen Black music exist in the way that it had when this station came along. I’d spent my whole life trying to get this music played—we used to say some Black British records weren’t from here because no one had time for it.”
When you chart the rise of Black British music over the past twenty years—particularly the last ten years, where we’ve seen an increase in Black artists dominating the charts—1Xtra’s influence has to be a part of that conversation. “Black music is mainstream pop culture now, but we’ve been the platform that’s introduced—and bear in mind we’re a digital platform—new artists, and helped build careers over the past twenty years,” says Faron. “You wouldn’t have the scenes that we have now without 1Xtra because there was nowhere to play that music at this scale.”
As for the future of BBC Radio 1Xtra, Trevor, Nadia and Faron only see a continuation and expansion of the legacy that has already been created. “I want to be able to listen to the station my grandkids in the next twenty years,” Trevor says. Nadia adds that “it’s a testament to the legacy of 1Xtra that it’s been around for this long and there’s no doubt that it’s here for the long-run. I’m really excited for its future and my role in that.” For Faron, “it’s always about looking forward and beyond. Our mission stays the same: we’re here to represent the Black British experience, and I always say that we’re more than radio. Radio is the vehicle that gives us always-on access to an audience, but we always want to be at the epicentre of Black British culture. The conversation around Black British culture has never been so prolific.”
Here’s to the next 20…