[WATCH] Outkast Reveals Behind-The-Scenes Of “Rosa Parks” Video On 25th Anniversary Of ‘Aquemini’ LP

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Today, fans can get an exclusive glimpse behind-the-scenes of the official music video for “Rosa Parks,” the Grammy nominated and critically acclaimed track from Outkast’s third album, Aquemini, in the latest episode of Vevo Footnotes. The episode is part of Vevo’s original content and specialized programming to celebrate the historic 50th Anniversary of Hip-Hop.

In the episode, Big Boi describes the music on Aquemini as a blend of Outkast’s “complex music” on their debut album “Southernplayalisticadillacmuzik” with the “ferocious lyrics” found on their sophomore album ATLiens. The episode highlights that the parade scene in the music video was filmed in front of the iconic Atlanta nightclub, The Royal Peacock. And points out that the marching band in the video is from the historic Morris Brown College, and that the college’s gospel choir is featured on their track “Bombs Over Baghdad.” Additionally, the episode mentions that the standout harmonica solo is performed by Andre 3000’s stepfather, Reverend Robert Hodo.  

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Today in Hip Hop History: Lauryn Hill’s Solo Debut Album ‘The Miseducation Of Lauryn Hill’ Turns 25 Years Old!

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On this date in 1998, after her successful intro into the game with The Fugees, Lauryn Hill embarked on her solo journey and released her first solo LP entitled The Miseducation of Lauryn Hill on the Ruffhouse/Columbia imprint.

As a play on the titles of Carter G. Woodson’s The Mis-Education of the Negro and the 1972 film The Education Of Sonny Carson, Lauryn Hill’s Miseducation album fused the sounds of neo-soul, reggae, R&B and Hip Hop to create an album unlike anything similar to that which was created during the “bling” era. The 16 track classic was a mainstream hit, mainly because of the cross over appeal of singles like “Everything Is Everything”, “Doo Wop(That Thing}”, Can’t Take My Eyes Off Of You” and “Ex-Factor”, with production courtesy of Ms, Hill herself.

Supreme shout out to Ms, Hill for this timeless piece of Hip Hop history!

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Lauryn Hill Announces 25th Anniversary Tour For “The Miseducation of Lauryn Hill”

Lauryn Hill will officially be embarking on a tour celebrating the 25th anniversary of her iconic album, The Miseducation of Lauryn Hill. Concerts will begin, this fall, with a show in Minneapolis. Fugees as well as Koffee will be joining her for several dates.

In a press release, Hill said: “The Miseducation of Lauryn Hill is and was a love song to my parents, my family, my people, my musical and cultural forebears, my teachers, my loves, my Creator. I wrote love songs and protest songs—(still love songs) about the subjects and interests that inspired and moved me. I was confident that what inspired me would resonate with an audience that had been led to believe that songs of that kind could only live in the past.”

Read More: Lauryn Hill Teases 25th Anniversary “Miseducation” Surprise

Lauryn Hill In Concert

GLASTONBURY, ENGLAND – JUNE 28: Lauryn Hill performs on The Pyramid Stage during day three of Glastonbury Festival at Worthy Farm, Pilton on June 28, 2019 in Glastonbury, England. (Photo by Harry Durrant/Getty Images)

She continued: “I loved music, I loved people, I truly felt grateful to God for my life, and genuinely blessed to have a platform where I could share wisdom and perspective through music. I felt a charge to challenge the idea that certain kinds of expression and/or certain kinds of people didn’t belong in certain places. I loved showing what could work or happen provided there was imagination, creativity, and LOVE leading the way.” Hill dropped The Miseducation of Lauryn Hill back in 1998 as what remains her only solo studio album. Check out her schedule for the upcoming tour below.

Lauryn Hill’s Tour Dates

09-08 Minneapolis, MN – Mystic Lake

09-23 New York, NY – Global Citizen Festival

10-01 Gold Coast, Australia – Promiseland Festival

10-03 Melbourne, Australia – Rod Laver Arena #

10-05 Sydney, Australia – Kudos Banks Arena #

10-07 Auckland, New Zealand – Eden Festival

10-17 Newark, NJ – Prudential Center @

10-19 Brooklyn, NY – Barclays @

10-21 Washington, DC – Capital One Arena @

10-23 Philadelphia, PA – Wells Fargo Arena @

10-26 Toronto, ON – Scotia @

10-28 Chicago, IL – United Center @

10-30 Fort Worth, TX – Dickies Arena @

11-02 Denver, CO – Ball Arena @

11-05 Los Angeles, CA – Kia Forum @

11-07 Oakland, CA – Oakland Arena @

11-09 Seattle, WA – Climate Pledge Arena @

# with Koffee

@ with Fugees

Read More: What Happened To Lauryn Hill? A Timeless Icon

[Via]

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Today in Hip-Hop History: Snoop Dogg’s Third Solo LP ‘Da Game Is To Be Sold, Not To Be Told’ Turns 25 Years Old!

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On this day in Hip Hop history, Snoop Dogg released his third LP Da Game Is To Be Sold, Not To Be Told, his first release on No Limit Records. Although met with mixed reviews from critics, this #1 album may very well be the most important project of Snoop’s career.

Following the release of his sophomore LP Tha Doggfather, Snoop’s relationship with Death Row Records began to deteriorate. The aftermath of Dr. Dre leaving the label brought the worst out of its co-founder Suge Knight causing his iron dictatorship business model to only tighten its grip. Snoop’s disapproval of Death Row owning and profiting off of everything that he had recorded since signing along with receiving luxurious gifts in lieu of royalties led to his refusal to write another bar for Knight until his contract was up, excluding of course the infamous “F*ck Death Row.” A year later, Snoop finally decided to call it quits and take his talents down south.

Snoop signed with P. Miller in 1998 and officially became a part of the hottest rap syndicate of the time, No Limit Records. The No Limit army had begun to monopolize the rap game in 1997 with the release of Master P’s Ghetto D which peaked at #1 on the Billboard 200 and set what would be the labels most successful year. Much like the 2010 signing of LeBron James to the Miami Heat, Snoop Dogg’s joining No Limit brought with it nothing but success and took the label to the top of the rap game.

The anticipation of a Snoop Dogg album without Death Row brought about so much hype that the album debuted at #1 on the Billboard 200 and sold 520,000 copies in its first week. Critics had a lot to say about this album as it received mixed reviews across a plethora of publications. With the majority of critics citing the change in style and production of this project to fit the No Limit uniform, many praised the transition Snoop was making from a strictly West Coast G-Funk artist to one that could appeal to a wider range of Hip Hop fans. Snoop’s talent mixed with Master P’s marketing genius brought this tape to make chart appearances in ten countries across the globe and sell 3,985,360 copies in the United States alone.

With this album, Snoop proved that he was more than just another West Coast gangsta rapper. Although his album sales of previous albums were enough to set him apart from his local competition, never before had a West Coast artist been able to step outside of California and retain and gain the respect that Snoop did. His ability to thrive in the dirty south during an era of Hip Hop where factions and tension based on geography were at an all-time high showed that his talent was above the petty beef and could shine on any front.

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Today In Hip Hop History: Cam’Ron’s ‘Confessions Of Fire’ LP Turns 25 Years Old!

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Wearing goggles, gloves, and overalls, Cam’ron stood with a sledgehammer in hand, at a foundry as he was ready to make his mark on Hip Hop. On this day 25 years ago he released his debut album Confessions of Fire. 

Many had come to know him as a member of Harlem’s Children of the Corn, a group that also included Big L, Ma$e, and Cam’s cousin, Bloodshed. Following the untimely death of Bloodshed, the group disbanded and Cam’ron went solo.

Highlighted by leadoff singles “357,” “Horse & Carriage” featuring Ma$e and “Feels Good” which featured Usher, the album also saw appearances from N.O.R.E., Jermaine Dupri, and Charlie Baltimore to name a few.On this album, Cam’s mix of hardcore street appeal and pop-infused ballads would prove to be effective as the album peaked at No. 6 on the Billboard 200 chart and No.2 on the Top R&B/Hip-Hop chart. Propelled by the Trackmasters-produced “Horse & Carriage” which reached No. 41 on the Billboard Hot 100, the album would sell over 500,000 copies and achieve gold certification.

These days we have come to love him as the head of Dipset and one of the biggest style influences in the industry. However, Confessions of  Fire laid the foundation for the star Cam became.

The post Today In Hip Hop History: Cam’Ron’s ‘Confessions Of Fire’ LP Turns 25 Years Old! first appeared on The Source.

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Today In Hip Hop History: DMX’s Debut Album ‘It’s Dark and Hell Is Hot’ Turns 25 Years Old!

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On this day in Hip Hop history DMX released his debut album It‘s Dark and Hell Is Hot. This is DMX’s most popular project to date, with Flesh of My Flesh, Blood of My Blood serving as a close second. Within the first week of its release selling 251,000 copies debuting at #1 on the Billboard Hot 100 chart. The LP went on to become certified quadruple platinum on December 18th, 2000.

This project came during a turbulent time in Hip Hop. The genre was coming off of the loss of two titans, Tupac and The Notorious B.I.G., and was facing a change in what was hot. With the rise of high energy production melded with dark and oft-violent lyricism coming from camps like No Limit, Cash Money, and Three 6 Mafia, DMX’s sound allowed him to find his place perfectly within the current trend while add his own twist.

DMX’s melancholic realism spoke to the generation. This project was able to simultaneously turn the party up and cause its listeners to think introspectively about the concept of good and evil and existence as a whole. This album touched on the struggle and pain that came being DMX. As most rappers would glamorize the finer side of the industry life, DMX reveals through this debut that even early on in his career he had been wrestling with the demons that come with wealth and fame.

The stand out hit of the album, “Ruff Ryders’ Anthem”, has been deemed as a classic squad anthem. Produced by Swizz Beatz, the single peaked at #93 on the Billboard Hot 100 and #79 on VH1’s 100 Greatest Songs of Hip Hop.

Following this album, DMX went on to release six other studio albums and rise to be one of the most popular and influential artists of the early 2000s. Shortly following the release of this album DMX made his film debut in the hit film Belly with fellow New York rapper, Nas.

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Today In Hip Hop History: Rawkus Records’ ‘Lyricist Lounge Volume One’ Turns 25 Years Old!

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On May 5th, 1998 Rawkus Records released the first installment of the Lyricist Lounge albums titled Lyricist Lounge, Volume One, which showcased New York. It was a double-disc compilation that featured De La Soul, Mos Def, Q-Tip, Tash of Tha Alkaholiks, Punch & Words, O.C, Ras Kass, Black Thought, Common, Pharoahe Monch, Saul Williams, Kool Keith, Talib Kweli & Hi-Tek, Bahamadia, Rah Digga, Shabaam Sahdeeq, Jurassic 5, KRS-One, Zack de la Rocha of Rage Against the Machine, Last Emperor, and Company Flow.

This CD is one of those that you don’t get often. It had incredible and intensely clever wordplay, and was great for the culture because of the positive support it showed for hip hop. Back then everyone thought hip-hop was rap music and rap music was gangsta. It made people think twice before making an assumption like that. Any hip-hop purist who enjoys freestyles and great rhymes that make you think then this is the album for you.

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Today in Hip-Hop History: Big Pun’s Debut Album ‘Capital Punishment’ Turns 25 Years Old!

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A quarter of a century ago, Christopher Rios, aka Big Punisher, put out his first LP, Capital Punishment, on Loud Records.

Released by Fat Joe and the Terror Squad on Loud Records, Pun’s highly anticipated album showcased Pun’s unequaled lyrical ability, comedic punchlines, and ever-evolving style that his son Chris Rivers has inherited from his pops.

Album highlights include joints like “You Ain’t A Killer,” “Super Lyrical,” featuring The Roots’ Black Thought, and the platinum-selling album that propelled the album to a million sales, “Still Not A Player.”

Salute to Fat Joe, the Rios family, the Terror Squad, and the entire Loud staff for this classic!

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Master P And Trick Daddy Headline The 25th Anniversary “No Limit Reunion Tour” In Miami

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Master P and the No Limit Soldiers reunite to celebrate twenty-five years of history with the “No Limit Reunion Tour” and will include performances by special guest Trick Daddy. 

When Master P started No Limit Records, he had no idea it would become a historic hip-hop label that has sold over 100 million records to date.  The tour brings together key artists who recorded for his classic hip-hop label founded in 1994 in New Orleans, such as Mystikal, Silkk the Shocker, Fiend, and Mia X, among others.

With shows selling out across the US, fans can expect to relive to all the original No Limit hits, such as “No Limit Soliders” and “Make ’Em Say Uhh!” 

“We are bringing the fans all the hits from the No Limit catalog. This is a blessing that we’re still friends and still able to get onstage together. Twenty-five years later, we couldn’t do it without them.” – Master P

Twenty-five years later, the No Limit Soldiers are bringing the ‘90s to the 21st Century. 

The No Limit Reunion Tour is hitting the FLA Live Arena on Friday, September 16th. General public sale begin today, June 10th at 10 AM Local Time at the arena box office and through Ticketmaster.com.

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Today In Hip Hop History: Missy Elliott’s Debut LP ‘Supa Dupa Fly’ Turns 25 Years Old!

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On this day in Hip Hop history, rap queen Missy Elliott released her debut LP, Supa Dupa Fly.

Arguably the most influential release by a female rapper in history, this project birthed one of rap’s most important icons, male or female. The Hip Hop/R&B experimental masterpiece not only delivered a fresh sound to a period in between dominant trends, it also set the tone for what would be considered a radio hit at the turn of the millennium.

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The sound and success of this project are due in equal part to Missy and fellow Virginian super-producer Timbaland. In the new age, digital R&B style production pioneered a sound that became the standard of any Top 40 crossover hit of the era. His technical ability as a beatmaker personally complimented Missy’s unorthodox, almost broken-up, flow and smooth, soulful vocals. Missy’s ability as an innovative songwriter allowed for the mind-boggling production to not be wasted. The subjects that were touched on came with a new perspective and the way she rode each beat added such emphasis, giving the project a strong theatrical quality.

Commercially, it performed quite well peaking at #3 on the Billboard 200 chart. The album claimed the #1 spot on the R&B/Hip Hop chart and made appearances on music charts in New Zealand and the Netherlands.  The album was certified platinum in the United States and silver in the United Kingdom, both in the year of its release. Critics across the board praised both Timbaland and Missy Elliot for their work on this album, calling it “a key prophecy of the dominant 21st-century Black pop” and “everything the Hip Hop doctor ordered; a woman who could flip between aggression and romance, sex and nonsense, materialism and imagination, without batting one outrageously spidery eyelash.”

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