Yung Berg Archives - New Hip Hop News

Hitmaka Essential Songs

July 8, 2024 by newhiphopnews

In the music industry, Christian Ward (whose stage name was formerly Yung Berg and currently Hitmaka) has taken on many different roles. Although he first became famous as a rapper during the mid-2000s, his career reached new heights when he started producing and writing songs for others. This career transformation saved his profession and ensured everybody knew he was a hitmaker. Some of these include No. 1 singles in hip-hop and R&B. It further shows his versatility in making catchy melodies and beats.

Additionally, he has worked alongside some of the biggest names in the business over time, contributing to their success, too. This makes him a crucial person in contemporary music because he can adapt to changes in style without losing what makes artists sound like themselves. Here are five tracks that cannot be missed for anyone who wants to understand this artist-producer’s impact on music or how they have changed over time.

1. “Sexy Can I” (Ray J Featuring Yung Berg) (2008)

Released in 2008 under his previous stage name, Yung Berg, featuring Ray J, “Sexy Can I” was Hitmaka’s first thriving song as an artist. It peaked at No. 3 on the Billboard Hot 100 and achieved platinum certification. Known for making catchy songs ready for clubs, this marked the beginning of Hitmaka’s success. He became known for creating these types of tracks. Its irresistible chorus and sleek production attracted many listeners, securing Hitmaka’s place as an up-and-coming figure in hip-hop and R&B.

The success of “Sexy Can I” was pivotal in Hitmaka’s career. It further emphasized his ability to craft hits that resounded with listeners. The song’s party vibe made it a staple on radio stations and clubs, solidifying his presence in the music industry. This track introduced Hitmaka to a broader audience and set the stage for his transition from rapper to a renowned producer and songwriter.

2. “The Business” (Yung Berg Featuring Casha) (2008)

“The Business,” released in 2008, is another major hit from Hitmaka’s early career when he was still performing under the name Yung Berg. Featuring singer Casha, the track is a smooth, melodic tune that further established his reputation for creating memorable tracks. “The Business” performed well on the charts, reaching No. 33 on the Billboard Hot 100, and became a favorite on radio stations. Its win helped to solidify Yung Berg’s status as a hitmaker during the late 2000s.

The production and chorus make this song stand out, as they would later become trademarks for Hitmaka as a producer. “The Business” showed how good he was at mixing hip-hop with R&B so smoothly that it could be enjoyed by anyone listening. This is just one example of his early abilities on display, followed by an even more successful career after he changed roles into being mainly behind-the-scenes talent.

3. “Thot Box” (Featuring Meek Mill, 2 Chainz, YBN Nahmir, A Boogie wit Da Hoodie, & Tyga) (2019)

“Thot Box,” which was released in 2019, is a big collaboration that really demonstrates Hitmaka’s ability as a producer. Meek Mill, 2 Chainz, YBN Nahmir, A Boogie wit da Hoodie, and Tyga all feature on this track. They delivered vigorous performances over its hard-hitting beat, and it quickly picked up steam. The fact that it had such an energetic performance paired with a tremendous instrumental made it do well on streaming services.

On “Thot Box,” Hitmaka shows off his skill for creating current yet impactful instrumentals. He always has strong melody lines and driving rhythms that never lose their catchiness. The connections made between different musicians through this one song prove how well-known Hitmaka is among other artists. He brings together people who may not usually collaborate to make something special.

4. “Bounce Back” (Big Sean) (2016)

“Bounce Back,” released in 2016, is one of Big Sean’s most successful tracks, and it prominently features Hitmaka’s production skills. The song reached No. 6 on the Billboard Hot 100 and became a massive hit and an anthem for overcoming challenges. Hitmaka’s production on this track is characterized by its seamless integration of modern hip-hop elements, making it radio-friendly and club-ready.

Moreover, the success of “Bounce Back” was a significant milestone in Hitmaka’s career as a producer. It showcased his ability to create a sound that perfectly complements the artist’s style and message. The track’s motivational vibe and Big Sean’s confident delivery made it a standout hit. “Bounce Back” emphasized Hitmaka’s production skills and cemented his status as a key player in shaping contemporary hip-hop sounds. This track is a prime example of his skill in producing chart-topping hits that echo with a broad audience.

5. “Sorry Not Sorry” (Bryson Tiller) (2015)

“Sorry Not Sorry” is one of the best songs from T R A P S O U L, Bryson Tiller’s debut album, released in 2015. It was produced by Hitmaka, who has been proven versatile enough to create R&B hits. The beat of this song is smooth and sultry, and it goes well with Tiller’s unique blend of trap music and soul. What stands out about Hitmaka’s work on this track is that he always polishes it up until everything sounds exemplary, then adds an emotional layer through lush production, adding depth to Bryson’s voice.

This became a fan favorite and contributed greatly towards critical acclaim and commercial success for the album, establishing him as one notable figure in contemporary R&B. Through “Sorry Not Sorry,” Hitmaka showed us just how good at making such different types of music sound great together, thus cementing himself as being not only adaptable but influential across various areas within the industry, too.

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Ray J Essential Songs

July 2, 2024 by newhiphopnews

Ray J, born William Ray Norwood Jr., has been a fixture in R&B and hip-hop since the mid-1990s. He has become a versatile artist and entrepreneur, emerging as a young talent. His career encompasses music, television, and business ventures, making him a well-rounded figure in the entertainment world. Known for his smooth vocals and charismatic persona, Ray J has delivered numerous hits that have left an indelible mark on the music industry.

This exploration of Ray J’s five essential songs delves into the tracks that have defined his career. These selections highlight his vocal prowess and his ability to craft songs that resonate with diverse audiences. From chart-topping singles to controversial anthems, each track offers a glimpse into Ray J’s journey as an artist and his contributions to the evolution of R&B and hip-hop. Let’s dive into these pivotal songs that showcase the essence of Ray J’s musical legacy.

1. “One Wish” (2005)

Released in 2005, “One Wish” is arguably Ray J’s most iconic song. This heartfelt ballad from his third album Raydiation showcases his vocal range and emotional depth. The song’s lyrics explore love, regret, and longing themes, resonating with listeners and earning significant radio play. With its lush instrumentation and poignant piano melody, the production complements Ray J’s impassioned delivery, making it a standout track in his discography.

“One Wish” became a commercial success, peaking at No. 11 on the Billboard Hot 100. Its music video, which featured Ray J in a dramatic and visually striking narrative, further bolstered the song’s popularity. This track solidified Ray J’s reputation as a serious artist capable of delivering emotionally charged performances.

2. “Sexy Can I” (Featuring Yung Berg) (2008)

In 2008, Ray J released “Sexy Can I,” a collaboration with rapper Yung Berg. This track, from his fourth studio album All I Feel, became an instant hit and a club anthem. With its infectious hook and danceable beat, “Sexy Can I” showcases Ray J’s ability to create catchy, feel-good music. The song’s playful lyrics and upbeat production captured the attention of a wide audience, propelling it to No. 3 on the Billboard Hot 100. Further, the success of “Sexy Can I” marked a high point in Ray J’s career. It also demonstrated his versatility and appeal across different musical styles. The track’s enduring popularity in clubs and on radio stations underscores its impact and Ray J’s knack for creating memorable, chart-topping hits.

3. “Wait A Minute” (Featuring Lil’ Kim) (2001)

“Wait A Minute,” released in 2001, features a collaboration with the legendary rapper Lil’ Kim. This track Is from Ray J’s second studio album This Ain’t a Game. It combines smooth R&B vocals with hip-hop production, creating a vibrant and energetic sound. Lil’ Kim’s contribution adds a dynamic edge to the song, making it a standout collaboration. Moreover, the song’s production highlights Ray J’s adaptability and ability to blend genres seamlessly. “Wait A Minute” received positive reviews from critics and solidified Ray J’s presence in the music industry.

4. “I Hit It First” (Featuring Bobby Brackins) (2013)

Released in 2013, “I Hit It First” is one of Ray J’s most controversial tracks. The song, featuring Bobby Brackins, gained significant media attention due to its provocative lyrics and perceived references to Ray J’s past relationship with Kim Kardashian. The track’s catchy beat and straightforward lyrics sparked widespread discussion and debate, making it a polarizing but unforgettable entry in Ray J’s discography.

Despite the controversy, “I Hit It First” performed well on the charts, demonstrating Ray J’s ability to generate buzz and capture the public’s attention. The song’s impact extends beyond its initial release, reflecting Ray J’s knack for staying relevant in a constantly evolving music landscape.

5. “Tie Me Down” (With New Boyz) (2009)

“Tie Me Down,” released in 2009, is a collaboration with the hip-hop duo New Boyz. The track features Ray J’s smooth vocals and the New Boyz’s distinctive rapping style. The song, known for its catchy hook and relatable lyrics about relationship constraints, quickly became popular and received substantial airplay. “Tie Me Down” further exemplified Ray J’s ability to create hit records through strategic collaborations. The song’s success on the Billboard charts showcased his continued relevance in the music industry and adaptability to different musical trends. This track remains a notable part of Ray J’s catalog, reflecting his consistent ability to produce engaging and memorable music.

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Hitmaka Net Worth 2024: Updated Wealth Of The Producer

January 19, 2024 by newhiphopnews

During the mid-2000s, when urban beats dictated radio waves, a charismatic, fresh-faced rapper named Yung Berg leaped onto the music scene. He made quite the entrance with hits like “Sexy Lady,” affirming that he had the mojo to make heads nod. But, as the unpredictable tides of music fame often reveal, the spotlight isn’t permanent. Yung Berg, sensing the shift, did the unthinkable. He dove deeper into the industry, emerging as the sensational Hitmaka.

It wasn’t just a rebrand. It was a metamorphosis from a performer to a maestro. He sculpted beats and melodies that became the lifeblood of chartbusters, even if his name wasn’t the one broadcasted. And as 2024 rolls in, Hitmaka’s not just flaunting musical accolades. There’s a hefty bank statement to gloat about, too. With a net worth edging around the $2 million mark, according to Net Worth Post, Hitmaka has ensured that his beats not only dominate the airwaves but also mint some serious green.

The Maestro Behind The Melodies

The transition from Yung Berg to Hitmaka wasn’t merely a name change—it symbolized a maturation of talent and a shift in professional trajectory. As Hitmaka, he’s been the unseen hand guiding the music industry’s puppet strings. He crafted chart-topping tracks for the likes of Chris Brown, Ty Dolla $ign, and Big Sean. With every beat and note, Hitmaka proved that while he might not be in the forefront, he was undoubtedly one of the powerhouses behind the scenes. The accolades and platinum plaques adorning his studio walls aren’t just symbols of his musical genius but also markers of an evolving legacy.

More Than Beats: Personal Life & Highlights

The journey from Yung Berg to Hitmaka wasn’t without its trials. From facing controversies to navigating the tumultuous waters of fame, his resilience has been commendable. He has spoken openly about his struggles, sharing his story with an openness that’s both refreshing and relatable. His evolution mirrors his professional one – a constant endeavor toward growth, learning, and transformation.

Beyond The Booth: Business Ventures & Philanthropy

Hitmaka’s insight isn’t limited to just the recording booth. With a net worth hovering around $2 million, it’s evident that his ventures stretch far beyond music. Whether dabbling in entrepreneurial projects or aligning with brands that resonate with his ethos, Hitmaka ensures that his fingers are on the pulse of multiple industries. Additionally, he’s shown that success isn’t merely about amassing wealth but also giving back. While he may not wear his philanthropic endeavors on his sleeve, those in the know can vouch for his silent contributions to causes close to his heart.

Conclusion

In a world where stardom can be fleeting, Hitmaka’s journey from a young rapper to an industry titan is a testament to adaptability, perseverance, and unfailing passion. While the figures denote his financial achievements, the real story lies in the beats he’s crafted, the artists he’s uplifted, and the legacy he continues to build.

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Hitmaka Net Worth 2023: What Is The Producer Worth?

September 10, 2023 by newhiphopnews

It wasn’t just a rebrand. It was a metamorphosis from a performer to a maestro. He sculpted beats and melodies that became the lifeblood of chartbusters, even if his name wasn’t the one broadcasted. And as 2023 rolls in, Hitmaka’s not just flaunting musical accolades. There’s a hefty bank statement to gloat about, too. With a net worth edging around the $2 million mark, according to Net Worth Post, Hitmaka has ensured that his beats not only dominate the airwaves but also mint some serious green.

The Maestro Behind The Melodies

More Than Beats: Personal Life & Highlights

Beyond The Booth: Business Ventures & Philanthropy

Conclusion

The post Hitmaka Net Worth 2023: What Is The Producer Worth? appeared first on HotNewHipHop.

Rappers Who Had Their Chain Snatched Over the Years

December 7, 2021 by newhiphopnews

XXL takes a look at 14 rappers who had their chain snatched over the years. Continue reading…

Hitmaka Tells Us How He Keeps Making Hits And Plans To Dominate The Music Industry

October 1, 2021 by newhiphopnews

The revered status of Hitmaka has been two decades in the making. Turn on the radio today at any given moment and surely there will be a song playing that the multi-platinum selling producer has touched in some form. In 2008, radio was dominated by his massive hits “Sexy Can I” and “The Business,” both off his debut album Look What You Made Me under his former moniker Yung Berg.

Lately, Berg’s talent lies in sampling sounds from the same era that he used to make music in and beyond. As a result, the Chicago native is curating this current generation’s era of sounds by working with essentially everyone from the late King Von to industry legends like Nicki Minaj.

Gifted with an ear for melody and feel-good vibes, combined with a knack for picking out a talented music-making team, it’s no wonder he has been able to continue to create songs that consistently land on the Billboard charts or become certified platinum by the RIAA. Atlantic Records tapped him to be the Vice President of A&R with great results and now he’s serving as Empire’s VP of A&R, where he’s expected to dominate the music industry even more. And that’s the goal.

Speaking with Berg about the bevy of upcoming projects he’s working on, including his latest release “Quickie” featuring Queen Naija and Ty Dolla Sign, I dug into the mind of Hitmaka to find out his hit-making process and key to his success.

What have you learned from the beginning of your career to now?

Consistency and work ethic is the key for me. A lot of people don’t really put that foot forward and wait for somebody else to do something for them. Whether it’s the team they’re provided, or just putting responsibilities on other people instead of using themselves as the vessel. Myself, I’m so driven and such a workaholic.

Have you always been this self-motivated?

I got my first record deal when I was in ninth grade. I never really had any other experience besides music. Everybody says, “Don’t put your eggs in one basket,” but I did the opposite way and put every egg in one basket. It left me with my back against the wall. Not to where it’s like, “If this doesn’t work out, maybe I could pivot and do this.” It was more so like, “This has to work out,” and that’s what it’s been my whole life.

I feel like you’ve lasted a really long time and it hasn’t been without criticism. How have you dealt with that?

You’ve just got to be built of Teflon. I feel like I’m a very resilient person. At first, I didn’t understand it when I was going through a lot of things early in my career. I looked at it as a negative. At this point where I’m at now, on the other side of my career, and not having peaked and still on my way up, I was able to go through those things and it made me tougher. It was a gift to me because it prepared me for what you could endure on any level. I went through it at a young age. I feel like it doesn’t even reach my radar. It doesn’t really penetrate anything that I have going on in my own world. It comes with the territory.

Most know you as Yung Berg but now you’re Hitmaka. Why the name change?

A few different things happened. One, when I was still deep into my Yung Berg bag and putting out mixtapes, Rico Love was the hottest producer and writer at the time. I was on Twitter one day and I reached out to Rico and he allowed me to link up with him. I went to the London Hotel and he was having breakfast on some real baller shit, sitting by the pool and just talking to me. I was telling him my journey. He was like, “Yo, I think you should change your name.”

Then, I went to Miami, because I was working on Last Train To Paris, Diddy’s album, and Rico was too. Rico would be introducing me to people as my government name. Like, “Hey, this is Christian.” And it’d be like Fat Joe and Fat Joe would be like, “No, that’s Yung Berg. What are you talking about?” He’s like, “Nah, it’s Christian.” I didn’t really like it because when I first met Joe, I was like, damn, he didn’t embrace it and it felt a little weird. But one day when I was in the studio I just said, “Hitmaka,” at the beginning of a song and I decided that I’m going to continue with it. It was a pretty bold statement. I’ve just been working hard to live up to it and it’s been working out.

That’s interesting you say it’s a bold statement. You didn’t think it was fitting?

I didn’t know what the fuck was going on. I was just creating records. I was in a different space. I knew people were feeling me as an artist. On my first album, I wrote all the features and I had a lot of features. I thought, “I’m pretty good at this. Let me continue doing it.”

Do you ever get bored of producing?

No, not at all. I love producing and writing. That’s what my background is. I don’t ever get bored. This is the evolution of my career. At the end of this, I’m going to be one of the big guys at the head of a company, like a CEO. I’m really a music man. Shout out to L.A. Reid and other people I’m in business with. I look at myself like that.

You’re really good at flipping throwback hits. What is your process for choosing which songs to sample?

I put a flag in the sand and I yelled, “I’m going to flip all my songs and I’m going to be the Puff Daddy of this generation. I’m going to make it very clear what’s going on.” From there, I would just link with a guy named Paul who I met via Ayo & Keyz while making Wiz Khalifa’s “Something New,” and I’m just reliving my life. All the records that I love from the 106 and Park era, I just go back in. I know what I like. Honestly, I’m just making records to music that I personally like and throwing it out there. It’s just a blessing that the world is sharing the same taste level as me.

What are some songs that you are proud of?

I’m super proud of being able to work with King Von and doing that record for him and Lil Durk, “Still Trappin.” That record went platinum and was some of Von’s last work that we did. We did those records together in a studio and I was able to work as a co-writer on it. A lot of people don’t know, but we actually wrote the hook to that record. Even though Von came in and made his own little changes to it, he had never worked like that before to where the hook was already built into the song. He never worked like that before. It was his first time and we caught a platinum plaque. Rest in peace, Von, and shout out to Lil Durk.

I feel like you’re always on the verge of also tapping in with up-and-coming talent. What is your process for that? Do you have people telling you or are you out there, listening to the streets?

I’m scouting and I’m always looking. I have people telling me different artists to work with. Maybe someone on my team will set me up with somebody to work with, like Tink. I never worked with Tink before and we’re both from Chicago. When we met, we hit it off immediately. We were able to make her new album that’s out now, Heat Of The Moment. I think she’s on the cusp of being something very, very incredible.

I know you have your team and go-to’s but whenever you invite other people into that, how do you pick? You could really put anybody on with your name so what is that one thing you look for?

It’s just the talent. Once I hear it, and your demo is something that somebody plays me is amazing, I already know that I can take this shit to the next level. There’s a lot of people that I work with, Goldie, Rocky, Crishan, Ivory Scott is a new guy that I’m working with that’s from Chicago that’s done amazing things. We just did Yung Bleu’s record, “The Baddest” with Chris Brown and 2 Chainz together. He’s on Fat Joe’s new album that’s about to come out as a featured artist. We just did Trippie Redd’s new single that’s about to drop with Polo G and Lil Durk. If you dope, you somehow make your way to me, and you come highly recommended, then I’m going to work with you. It’s the same way I met Goldie. I didn’t know Goldie for a long time, but I have known her for, now, almost 10 years. I met her at a session and they paired us up to work together. Our relationship has continued from there.

Whenever you go number one or you get a platinum plaque, does it ever get old to you?

To be honest, I don’t even buy plaques. I have two plaques in my house. I have a plaque from Teyana Taylor and King Combs, “How You Want It,” that a co-producer, my mentor, bought for me. I don’t really go around and cop that because the work’s not done yet. I feel accomplished and I know where I’ve come from and I know what it took me to get here, but I’m still so far from what the end goal is. I’m already a pretty confident guy. I don’t need that.

You seem still hungry like you came in here three months ago. You’re still trying to go after it. So what is the end goal for you?

I’m not going to stop. I’m going to make music forever. The end goal is just to be a huge business. I’m going to be a combination of Lucian Grainge, L. A. Reid, and Mike Caren, and hopefully bigger than them. I’ve been around and have had the pleasure to be around a lot of great CEOs. The end goal is to be a titan in this game and a force to be reckoned with and legendary.

Speaking of Mike Caren at APG, you were on that label. Is Mike one of those mentors to you?

Funny thing you say that, when I hang up this phone, I’m going to meet with Mike right now. Me and Mike, we’re still in business. He shares information with me, and I’m appreciative because that’s the most we can really ask for. People want money and free this, and access, but information is key for me so I can know how to do this shit myself and put my own spin on it.

What kind of advice do you have for up-and-coming producers?

Just be ready when your number is finally called. A lot of people don’t understand that and they’re just caught up in the, “When is it going to be my time? And I’m sick of doing this. And I should’ve been on.” When your number’s called, being ready is actually the most key thing you can actually be involved in. I know a lot of people that might have got a super No. 1 hit, but wasn’t ready for the workflow that followed. I think that’s one of the biggest keys in my success and my company’s success. We work every day. Just stay ready. Don’t chase the bread. Chase the work. Once you chase the work, the money is going to catch up to you.