Artists Turning To Streaming Channels To Build Their Own Community For Better Exposure & How It’s Affecting Mainstreams?

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Words by: Nicole McCray

Since the impact of the global pandemic of COVID-19, many music artists have had to scramble and find new ways to stay relevant within the industry. Streaming music became a means for ensuring independent artists were provided visibility and a tool to continue to promote their original work.

Streaming has become increasingly popular is represents the next generation in our digitally-driven era. It doesn’t just stop at music streaming; television, news, and other forms of streaming have erupted in response to streaming giants like Spotify and Apple Music. As a result, it has rapidly altered how customers listen to and buy their music.

Music streaming offers millions of songs from tons of mainstream and independent artists. It hit an all-time revenue high in 2020. However, with consumers purchasing memberships or subscriptions at a cheaper rate than buying an album outright, streaming has most definitely disrupted the mainstream.

Building an International Tribe

One of the essential goals as a music artist is building a community of loyal fans who will follow the artist anywhere. Independent artists have discovered that with the use of multiple streaming services, they can broaden their reach across the globe without the need for a label for promotion. 

Streaming on services like YouTube and music platforms, including Spotify, gain traffic not only within the United States but in Europe, Asia, and more, giving artists more potential to find and grow their audience. As a result, music streaming services are more widely adopted and popular internationally.

Changing Mainstream Music Artistry

New and emerging artists no longer depend on partnerships with corporate labels or gigging for a talent scout at the local bars. Instead, streaming has provided artists with a way to thrive, with thousands of streams from a single fan adding up to a more prominent source of income than they might’ve obtained in any other capacity.

For artists within the mainstream, they can promote equally across both streamings and with their labels, as long as it allows. Many new artists would not find the work within the mainstream, so streaming gives them a voice. In addition, streaming has given the music industry something that it didn’t have previously – regular and consistent monthly revenue. 

The big winners of that income are the streaming services themselves when it comes down to it. But, unfortunately, it doesn’t provide the artist with their due pay unless you are at the level of fame as, say, Beyonce. 

Alternate Streaming Options

Besides working across streaming platforms, artists have found value in other promoting their original musical works. If, as an artist, you want the exposure but would rather receive more of your revenue, alternate options for digital streaming such as music licensing with Marmoset or streaming on a social media channel such as YouTube, where you can easily monetize your work.

Many artists like this option because they still receive a lot of the same exposure but with more benefits. YouTube might take more effort since you have to provide video with your music. Music licensing includes music producers, supervisors, and other creatives like filmmakers with the option to choose your original music for their projects, which can lead to more extensive undertakings in your career.

Regardless of how you look at it, streaming music services like Spotify did save the global music industry by bringing more stability within the market. Even if it has disrupted the mainstream in terms of payouts and overshadowing bigger artists, it gives hope to indie artists and provides them with a more secure future.


About Nicole McCray: Before she discovered her passion for teaching students how to play their first instrument, Nicole was pinching pennies in her 20s while singing at dive bars across the country. Nowadays, she spends her days contributing to music blogs, parenting forums, and education websites when she’s not providing private music lessons. She finds joy in sharing her insight with musicians, fellow teachers, and parents of musicians-in-training!

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Lil Durk’s ‘7220’ Album Set to Feature Future, Summer Walker & More

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With his 7220 album set for release this Friday, Lil Durk has released the official tracklist. The 17-track album is set to feature Future, Gunna, Summer Walker, and Morgan Wallen.

1. Started From
2. Headtaps
3. Ahhh Ha
4. Shootout @ My Crib
5. Golden Child
6. No Interviews
7. Petty Too ft. Future
8. Barbarian
9. What Happened to Virgil ft. Gunna
10. Grow Up / Keep It On Speaker
11. Smoking & Thinking
12. Blocklist
13. Difference Is ft. Summer Walker
14. Federal Nightmares
15. Love Dior Banks
16. Pissed Me Off
17. Broadway Girls ft. Morgan Wallen

Lil Durk has also entered the realm of cryptocurrencies after announcing the release of his ‘7220’ NXTG3NZ NFT digital shoe to his 12.8 million Instagram followers. Custom costumes and gaming skins for avatars are a $40 billion market that is expected to rise to $265.4 billion by 2026, allowing him to make his imprint in a profitable industry. The NXTG3NZ digital wearables, co-founded by Lil Durk, Satoshi Designs, and Nexus, is poised to transform the metaverse’s footwear sector.

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The first release of the ‘7220’ shoe set will include 10,000 tokens, which can be used on Avatars in the digital sphere while also demonstrating physical ownership. Exclusive member perks come with owning a ‘7220’ NXTG3NZ NFT. The first is a raffle in which token holders will be chosen at random by Lil Durk on his Instagram Live for a chance to win one of ten real pairs of sneakers.

“The power has shifted to the artists and their fans with Blockchain tech. I want to not only be a successful rapper/entrepreneur but a powerhouse voice in the metaverse and NFT community, at the forefront of this movement,” says Lil Durk.

Last week, Durkio released the video for his single “AHHH HA.”

Visit www.NXTG3NZ.com for more information on NXTG3NZ.

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Lil Durk Dives into NFT World with the 7220 NXTG3NZ Digital Shoe

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Lil Durk enters the realm of cryptocurrencies after announcing the release of his ‘7220’ NXTG3NZ NFT digital shoe to his 12.8 million Instagram followers. Custom costumes and gaming skins for avatars are a $40 billion market that is expected to rise to $265.4 billion by 2026, allowing him to make his imprint in a profitable industry. The NXTG3NZ digital wearables, co-founded by Lil Durk, Satoshi Designs, and Nexus, is poised to transform the metaverse’s footwear sector.

The first release of the ‘7220’ shoe set will include 10,000 tokens, which can be used on Avatars in the digital sphere while also demonstrating physical ownership. Exclusive member perks come with owning a ‘7220’ NXTG3NZ NFT. The first is a raffle in which token holders will be chosen at random by Lil Durk on his Instagram Live for a chance to win one of ten real pairs of the sneakers.

“The power has shifted to the artists and their fans with Blockchain tech. I want to not only be a successful rapper/entrepreneur but a powerhouse voice in the metaverse and NFT community, at the forefront of this movement,” says Lil Durk.

The famous Devonte ‘Black’ Young designed NXTG3NZ. Devonte is most known for his streetwear business Enspire and his association with Nike as the principal designer of three pairs of sneakers for Kevin Durant, a childhood friend. He’ll hand-design six pairs of shoes with the help of industry-renowned 3D artists. Futuristic features, textures from the solar system, and robotic add-ons will be included in a variety of hues and patterns. Genesis token holders will get the option to design a pair of sneakers with Devonte and the NFT’s elite creative team as part of Lil Durk’s 7220 NXTG3NZ road map.

Mid-March, Lil Durk’s IG feed will exclusively announce the pre-sale. Fans will have to wait for the official release date to be announced.

Visit www.NXTG3NZ.com for more information on NXTG3NZ.

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Megan Thee Stallion Announces First Virtual Reality Concert Tour

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Megan Thee Stallion will soon be hitting the big screen, the H-Town Hottie is going virtual. Megan announced Monday that she is collaborating with AmazeVR for “Enter Thee Hottieverse,” the first-ever 10-city virtual reality concert tour.

According to the statement, attendees will receive a “Hottie Mounted Displays” VR headset and Meg will perform four songs in front of them.

After buying their tickets for te VR concert, fans will be able to go to their local movie theater, put on the provided “Hottie Mounted Displays” settle in, and hang out in the VR Hottieverse lobby before watching Megan.

“Virtual reality has always been an interest of mine and I’m glad that we’ll be able to make history with this experience,” the “Savage” rapper said.

“My hotties will get to watch me perform in a completely different and unique way and I appreciate the AmazeVR team for helping me to bring this VR vision to life. I can’t wait to see the Hotties show up to the tour.”

READ MORE: Megan The Stallion sues her label 1501 again, over “album” definition.

The VR concert performance will feature a multi-song set that moves through a series of environments as well as hot custom wardrobes designed just for the show.

“Enter Thee Hottieverse” virtual reality concert is set to hit select theaters in April and run through July. Go to AmazeVR.com for more info.

Los Angeles        April 5-10
San Francisco        April 21-24
Chicago            May 5-8
Dallas                May 12-15
Houston            May 19-22
Atlanta                 May 26-29
Miami                June 2-5
Charlotte            June 16-19
Washington DC        June 23-26
New York            June 30-July 3

Continue the conversation on social media.

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TikTok to Allow Users to Upload Up to 10 Minutes of Video

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Get ready for longer videos to come to TikTok. The tech giant announced users will soon be able to upload videos that are 10 minutes long.

The reveal by TikTok follows their decision to create long-form videos, combatting the efforts of Facebook and Instagram has created short-form features, according to Variety.

“We’re always thinking about new ways to bring value to our community and enrich the TikTok experience,” a TikTok rep said. “Last year, we introduced longer videos, giving our community more time to create and be entertained on TikTok. Today, we’re excited to start rolling out the ability to upload videos that are up to 10 minutes, which we hope would unleash even more creative possibilities for our creators around the world.”

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15-Year-Old TikToker Kills Herself While Recording Video

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According to a report from Vice. a 15-year-old Mexican girl accidentally shot and killed herself while trying to film herself holding a 9mm fully automatic UZI sub machine gun for a TikTok video.

The girl, Yasmin Esmeralda, was visiting her grandmother’s house in Guasave, Sinaloa when she asked her younger brother to record her holding the weapon. A single accidental shot went of while she held the weapon, killing the 15-year-old.

Sinaloa’s state prosecutor Sara Bruna Quinonez Estrada said to Vice, “The fact that there were weapons in the house, that weren’t controlled, is the responsibility of the adults who knew there were children in the house. That she chose to record a clip [in that way] shows that our youth is immersed in [drug cartel] culture. It’s what they hear about at all hours.” 

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Audiomack & Black Music Action Coalition Launch ‘Black Music Executives Are The Future’ Paid Internship & Mentorship Program

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The Black Music Action Coalition and Audiomack, an artist-first music streaming and discovery platform, today announced the launch of “Black Music Executives Are The Future,” an internship and mentorship program aimed at grooming and developing the next generation of Black executives in the music industry.

As part of the initiative, Audiomack and the Black Music Action Coalition will select five Black undergraduates – or recent graduates – for three-month paid internships at Audiomack in a variety of departments, including marketing, creative design, editorial & content strategy, content operations, and tech development.

Over the duration of the program, the five participants will be allocated at least two notable music industry leaders to act as mentors. The following executives have received awards:

Amina Diop – Senior Vice President of Republic Records & Artist Manager
Andrew McInnes – CEO of TMWRK; manager for Diplo, A-Trak, etc.
Cortez Bryant – CEO of The Blueprint Group; served as artist manager for Lil’ Wayne, Nicki Minaj, Lil Nas X
Damien Smith – Artist Manager at Full Stop Management; manager for Offset and Anderson. Paak
Gordan Dillard – Artist Manager at SALXCO, manager for Doja Cat
Prophet – Co-founder and co-chair of Black Music Action Coalition; Artist manager
Tariq Cherif – Co-founder and CEO of Rolling Loud

“It’s disheartening to see that, of the 70 major and independent music companies, only 4.2% of high-level executives are Black,” Audiomack VP of Marketing & Brand Strategy Jason Johnson said. “As leaders in this industry, we must commit to hiring, developing and elevating Black talent to better reflect the communities that we serve. With this partnership with BMAC, our hope is to establish a strong pipeline of young, Black talent to enter the music industry and equip them with the resources to thrive.”

“If we are serious about closing the wealth gap and building an equitable industry and society, then there must be a true investment made into the next generation of Black executives and artists,” Black Music Action Coalition co-chair and artist manager Willie “Prophet” Stiggers said. “BMAC’s mission is not to only hold our industry accountable for dismantling systems that have historically prevented us from reaping the benefits of a culture we created, but to also to create new systems, new ideas and new leaders.  It starts with leveling the playing field and ensuring that the executives and artists coming up, has the tools, support, resources, and access to excel.  If Black lives matter – prove it.”

Prospective interns must apply HERE, create an Audiomack account, upload their résumé, select their preferred internship department, and follow Audiomack, Black Music Action Coalition, and Culture Fusion Agency on Instagram and Twitter. Applicants must submit a 300-word piece explaining why they wish to be chosen as a “Black Music Executives Are The Future” recipient and how they plan to use the opportunity to advance their careers. The application date for the program is March 4th. Following that, Audiomack and the Black Music Action Coalition will assess entries, announce program winners on March 14th, and assign beneficiaries to begin their internships on March 21st.

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