SAM LEVINSON
The Weeknd Responded To ‘Rolling Stone’s Report About ‘The Idol’ With A Scene From ‘The Idol’ Dissing ‘Rolling Stone’
Earlier today, Rolling Stone published an article detailing some of the production changes to the anticipated HBO drama The Idol in which members of the crew deride the production as a “sh*tshow” and criticize its new direction, which has been reportedly guided by co-creators Sam Levinson and The Weeknd, who also stars.
Well, The Weeknd clearly wasn’t going to take that criticism lying down and the perfect response ready to go, straight from the show itself. On Twitter, he posted a clip of the show in which his character calls the publication “irrelevant,” with the caption, “@RollingStone did we upset you?” The clip depicts Daniel Levy’s publicist pitching a cover story to his client, Lily-Rose Depp’s Jocelyn, only to be shut down by The Weeknd’s Tedros.
.@RollingStone did we upset you? pic.twitter.com/Uyx06lyRgx
— The Weeknd (@theweeknd) March 1, 2023
Of course, in the context of the show’s premise, this doesn’t quite scan as the harsh put-down of legacy publications it may seem at first blush. After all, according to HBO’s own publicity for the show, secret cult leader Tedros is a harmful influence on Jocelyn; in Rolling Stone‘s report, his actions toward her are described by the show’s own staff as “sexual torture porn.”
While it seems unlikely that The Weeknd has completely misunderstood the premise of his own show, reports have speculated that the reason for the controversial new direction stemmed from his distaste for the original director, Amy Seimetz’s, treatment of the material, which focused more on Jocelyn’s character than on Tedros.
Seimetz departed the nearly complete show last spring, replaced as director by Levinson, and most of the negative comments were focused on his new treatment, which turned the show from “a dark satire” into “the thing it was satirizing.” This tends to corroborate prior statements made about Levinson’s other HBO show, Euphoria, which has drawn criticism for its explicit content.
Is it possible that this is all some elaborate form of guerilla marketing? Maybe. But considering the show isn’t even completed yet — it doesn’t even have a release date, although HBO is still aiming for sometime in 2023 — it seems we won’t find out for a while… and the show we ultimately get might be completely different than either of the two shows described in Rolling Stone‘s report.
Production on Sam Levinson’s Weeknd-Starring ‘Idol’ Series Called Costly ‘Sh*tshow’ in New Report
The Weeknd Reportedly Caused ‘The Idol’ To Be Overhauled Because Of Its ‘Female Perspective’
The Weeknd’s breakout role in the HBO series The Idol, might not have been quite the creative environment parties were looking for. The “Die For You” singer may have broken several streaming records, including becoming the first artist to cross the 100 million monthly listeners metric; however, according to reports, his television and film career could be off to a rocky start.
The recording artist, real name Abel Makkonen Tesfaye joined forces with Reza Fahim and Euphoria creator Sam Levinson to bring, in the network’s words, the “sleaziest love story in all of Hollywood” to light. While the show, slated to be released later this year, has recently undergone a “new creative direction,” Rolling Stone reports that the pivot wasn’t received well by cast and crew members.
According to Rolling Stone, the Oscar-nominated singer was not pleased that his co-star Lily-Rose Depp’s character received a bulk of the plot’s attention. As a result, allegedly, Tesfaye championed a major behind-the-scenes narrative shift to drop the story’s “feminist lens.”
A source told RS, “It was like the Weeknd wanted one show that was all about him — Sam was on board with that.” This could have supposedly played a part in director Amy Seimetz’s exit from the series back in April 2022. Another source shared, “What I signed up for was a dark satire of fame and the fame model in the 21st century,” but since the changes, “It went from satire to the thing it was satirizing.”
“It was like, ‘What is this? What am I reading here,’” said the source adding, “It was like sexual torture porn.”
The source shared that although Seimetz’s version would have contained sex scenes and nudity, production sources claim Levinson dramatically ramped up the explicit content with Tesfaye’s full support after taking over as director.
The outlet reached out to both Levinson and Tesfaye for comment. However, neither answered the request. On the other hand, Depp did provide a statement to Rolling Stone, in which she specifically sings the praises of Levinson. “[Levinson is] the best director,” said Depp before adding that she “felt more supported or respected in a creative space, my input, and opinions more valued.”
Despite the anonymous reports shared with RS, HBO shared in a statement, “the creative team has been committed to creating a safe, collaborative, and mutually respectful working environment, and last year, the team made creative changes they felt were in the best interest of both the production and the cast and crew.”
Leaked Scripts For HBO’s ‘The Idol’ Reportedly Feature The Weeknd’s Character Doing Some Disturbingly Violent And Sexual Things
HBO’s upcoming series The Idol is already proving to be one of the most talked about series of 2023, despite not having an actual premiere date. However, the Sam Levinson and Abel “The Weeknd” Tesfaye-created series seems to be proving rather chaotic and disastrous behind the scenes, not unlike the second season of Levinson’s teen drama, Euphoria.
Last April, the show was reported to go into an overhaul, with Levinson taking over as the show’s director, in place of Amy Seimetz, who was originally set to direct the series.
According to several anonymous sources, who spoke to Rolling Stone, Levinson ramped up the sexual content during the overhaul.
According to Rolling Stone:
“At various points, Levinson’s scripts contained disturbing sexual and physically violent scenes between [Lily Rose] Depp and Tesfaye’s characters, three sources familiar with the matter claim. In one draft episode, there allegedly was a scene where Tesfaye bashes in Depp’s face, and her character smiles and asks to be beaten more, giving Tesfaye an erection. (This scene was never shot, the source says.) Another proposed scenario was for Depp to carry an egg in her vagina and if she dropped or cracked the egg, Tesfaye’s character would refuse to “rape” her — which sent Depp’s character into a spiral, begging him to ‘rape’ her because she believed he was the key to her success. (This scene also was not filmed because production couldn’t find a way to realistically shoot the scene without having Depp physically insert the egg, another source explains.)”
Another source claimed that while The Idol was supposed to explore and satirize the dark side of 21st-century stardom, the show lost its original messaging amid the overhaul.
“It was a show about a woman who was finding herself sexually, turned into a show about a man who gets to abuse this woman and she loves it,” said the source.
At the time of writing, it is unclear which scenes will make it into the final show, as many of the sources say that scripts were being changed and rewritten daily. According to one source, Levinson had stopped turning in scripts to the higher-ups at HBO at one point during production.
The Weeknd’s HBO Show ‘The Idol’ Is Reportedly A ‘Sh*tshow’ Due To Drastic Changes, Production Issues, And So Much More
When it was reported that the buzzy upcoming HBO show The Idol was undergoing massive production changes last April, all anyone could do was speculate on the supposed “new creative direction” it would take. Interest in the show was high, given its all-star cast consisting of co-creator Abel Tesfaye (better known as The Weeknd) and Lily-Rose Depp and the involvement of high-profile producer Sam Levinson of Euphoria fame.
However, a new report from Rolling Stone suggests that the changes have mostly been for the worst, with the show going from “a dark satire of fame and the fame model in the 21st century,” according to one production member, “to the thing it was satirizing.”
The show, which was to follow Depp’s character as she became involved in a cult led by Tesfaye’s character, was overhauled as The Weeknd apparently felt it was focusing too much on the “female perspective” and wanted to highlight his character more. This reportedly led to director Amy Seimetz (She Dies Tomorrow, The Girlfriend Experience) dropping out and Levinson replacing her as director, then promptly throwing out everything she’d already shot — 80 percent of the six-episode series.
The new material has been described as “any rape fantasy that any toxic man would have in the show,” with lurid depictions of sexual encounters between Tesfaye and Depp’s characters in scripts, ramped-up explicit nudity, and even a violent scene in which Tesfaye’s character beats Depp. While some of these scenes were never shot, one source described the scripts as “sexual torture porn.”
Many of the sources say they don’t even know what will make it into the final show because so many scenes were reshot, scripts were changed daily, and the shoot went wildly over budget and time. High-profile castings such as Blackpink’s Jennie amounted to inconsequential storylines, with a crew member saying, “Her job was to sit there [and] look pretty, basically.” Meanwhile, other actors were “wiped from the show” entirely after thinking they’d gotten their big breaks.
With so many issues, there’s no telling how the show itself will actually turn out, but HBO continues to promote it with multiple trailers, even though a release date has yet to be determined (it’s still aiming for sometime in 2023).
We’ll see if Levinson, The Weeknd, or any of the cast have anything to say, but for now, things aren’t looking great. Still the show is already shaping up to be another hit for HBO — the real question is, will it be worth it?
The Weeknd’s HBO Series ‘The Idol’ Heading in ‘New Creative Direction’ and Will Undergo Overhaul
10 Takeaways From Donald Glover’s Interview With Himself
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He models his career after Willy Wonka
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Donald’s not interested in “cancel culture,” recorded a feature that may be “too controversial” to release
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Glover has thoughts on Dr. Umar Johnson’s comment about relationship with mother of his child
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He addressed Phoebe Waller-Bridge’s exit from ‘Mr. and Mrs. Smith’ series
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He knows why people connect with Joe Rogan and Dave Chappelle
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Childish Gambino’s ‘Camp’ hasn’t led to regrets despite the critical response
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Donald likes ‘Dave’ but doesn’t appreciate comparisons to ‘Atlanta’
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Glover enjoys ‘Euphoria,’ jokes Zendaya should “leave Sam [Levinson] to come to Death Row”
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His biggest fear is losing his mother
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The ‘Atlanta’ creator still believes ‘The Sopranos’ is only show as good as his
The Most Iconic Music Moments From ‘Euphoria’ Season 2
If you’ve been keeping up with Season 2 of Euphoria, you’ve probably been on that emotional roller coaster for the past few weeks. Since the start of the show, Euphoria has always been known for its stunning cinematography and innovative approach to music. Sam Levinson’s vision in each character for Season 2 wouldn’t have been possible without Labrinth’s innovative scoring, resulting in another successful season. The 33-year-old singer-songwriter-producer is known for his ability to span across hip-hop, R&B, gospel, among other genres, allowing him to innovate storytelling, giving each scene a unique moment of its own. Over the past two seasons, Labrinth’s thrilling score earned him a 2020 Emmy win for Outstanding Music and Lyrics for “All For Us” as well as a Music Composition for a Series nomination.
It only went up from there as Season 2’s record-breaking launch had the strongest digital premiere of any episode of an HBO series and dominated Billboard’s Top TV Songs chart. The hype for the show’s original music only grew stronger as Spotify streams on the official Euphoria score increased by 260 percent since the Season 2 premiere and with listeners creating more than 600,000 Euphoria-related playlists on Spotify. Surprisingly, the show’s capability to bring back older music and mix it with current artists elevated this season in a modern and fresh way, which was interesting to see Gen Z engage and revive these old hits on their TikTok videos. Levinson’s script seamlessly blends with Labrinth’s experimental approaches, bringing back the season that was worth the wait. From the montages to the intense plot lines we’ve seen with our favorite characters, here are the top ten iconic music moments that were as powerful as the characterizations and storylines.
Check out the unranked list of the best songs from Euphoria Season 2 below.
Notorious B.I.G. — “Hypnotize” (Episode 1)
The beginning of Season 2 lived up to what we were all waiting for…a lit party. The first episode brought back a series of hip-hop classics as it kicked off the high-energy NYE party, exposing a lot of new and continuing storylines like the Cassie-Nate-Maddy situation, the start of ‘Fexi,’ Rue meeting Elliot, and many others. Choosing this ’90s classic hit was on-point as it gave a hint of nostalgia, feeling like a memory of high school even though our parties looked nothing like it…
Laura Les — “Haunted” (Episode 2)
In an interview with Paper Magazine, Laura Les discussed the inspiration behind hyper-pop hit “Haunted” which is about “getting overwhelmed by a feeling and how it changes things around you.” For people that love Lexi and are 100 Gecs fans, this song caught fans by surprise as she threw in her headphones and blasted this song to pump herself up for her bike ride to Fez’s store. It was interesting choice as revealed more of Lexi’s unique personality and it was definitely one of her more relatable moments.
Bobby Darin — “Call Me Irresponsible” (Episode 3)
The lyrics of this timeless jazz song fits with Rue’s intention of not staying clean as she dances around her bedroom. Initially watching Rue’s blissful moment led up to showing the reality of how her choices will affect the people she loves and cares about the most. Zendaya told Decider: “Those moments remind us of why she does it in the first place… When we live inside of her brain that’s joyous and beautiful until we zoom out and remember what’s happening. There’s a very harsh reality to what’s happening to her. “
Townes Van Zandt — “I’ll Be Here In The Morning” (Episode 4)
Episode 4 starts with Rue’s love note to Jules — a visually stunning montage — portraying pop culture’s most iconic love stories and artwork – including Annie Leibovitz’s famous photo of John Lennon and Yoko Ono, Titanic, and Snow White. “I’ll Be Here In The Morning” flowing through the montage signifies Rue’s real love for Jules as she states: “This may be the greatest thing that’s ever happened to me.”
Labrinth — “I’m Tired” (Episode 4)
In a scene that was reminiscent of Rue’s overdose in the Season 1 finale, Rue continues her downward spiral, having a drug-induced hallucination of her own funeral, powerfully executed with Labrinth’s gospel-inspired vocals. Labrinth’s “I’m Tired” lyrics correlate with Rue and her journey with substance-abuse as this scene almost feels close to horrible, inevitable consequences. This ethereal scene was beautifully crafted as it constantly switched between Rue embracing Labrinth and her father, depicting how much the loss of Rue’s father has affected her.
Labrinth — “Left Behind” (Episode 4)
Even though this song isn’t officially released yet, I had to include this. After Cal’s confrontation to his family, the sequence at the end of Episode 4 showed the lowest points of all the characters. While we see Cassie feeling trapped, and the state of Kat and Ethan’s relationship, Rue’s narration returns, continuing her love note to Jules from the beginning of the episode. Creator Sam Levinson told Vanity Fair the visuals throughout the sequence was inspired by “Mexican murals from the turn of the century.” Once again, this proved that a Levinson/Labrinth collab always delivers as a masterpiece.
Labrinth — “Yeh I F*ckin’ Did It” (Episode 5)
This was where fans called for Zendaya to win another Emmy after her incredible performance. Even though it was devastating to see Rue hitting rock bottom, the overall episode stood out and further pushed boundaries from anything else on TV right now. Adding Labrinth’s single “Yeh I F*ckin’ Did It” had all of us at the edge of our seats as it added to the feelings of Rue’s helplessness and anxiety. At this point, we are patiently waiting for another Labrinth album.
INXS — “Never Tear Us Apart” (Episode 3)
We finally see Cal’s backstory in this season which reveals his secret relationship with his best friend Derek. INXS’s “Never Tear Us Apart” describes that instant connection with two people which further represents the significance of Cal and Derek’s story and how it’s affected him over the years.
Tove Lo — “How Long” (Episode 4)
Tove Lo’s featured track “How Long” is about love, denial, and betrayal. Season 2’s ongoing theme in our favorite friendships and relationships revolves around secrets. Whether it’s Rue and Jules’ relationship or Cassie/Nate/Maddie love triangle, this song perfectly depicts the good and bad of keeping secrets from the people you love and care about the most.
James Blake — “(Pick Me Up) Euphoria” Feat. Labrinth (Episode 4)
The collaborative “(Pick Me Up) Euphoria” track is unique in its own way as it relates to every character. Lyrics including “no control,” “escape,” and “sweet relief” are expressed through dissonant pitches and Blake’s falsetto, reflecting the different emotional extremes that we see each character throughout the show.
All in all, there were definitely more notable moments throughout the season that were done effortlessly. Labrinth previously stated, “Euphoria gave me the freedom to be whatever artist I want to be.” From the innovative music and cinematography to the revival of old classics, Euphoria is crafted from pure inspiration. Check out the full playlist below.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
HBO And The Creator Of ‘Euphoria’ Are Teaming With The Weeknd For A Show Taking On The Music Industry And Cults
Musicians haven’t always had a great history crossing into movies and TV. Not everyone can be an Oscar-nominated, Golden Globe-winning thespian like Lady Gaga. Perhaps that’s why The Weeknd has been taking baby steps. He played himself, briefly, in Uncut Gems. But now he’s got his own HBO show, where he’ll play someone arguably more magnetic than a pop star: a cult leader.
As per The Hollywood Reporter, the singer and subject of a popular Daniel Craig meme is co-creator and star of The Idol, a forthcoming HBO show co-starring Lily Rose-Depp, daughter of Johnny. THR describes the premise like this:
In development since the summer, The Idol is set against the backdrop of the music industry in Los Angeles. It centers on a self-help guru and leader of a modern-day cult (The Weeknd) who develops a complicated relationship with an up-and-coming pop singer (Depp).
The Weeknd is already working with one of HBO’s rivals, being the subject of Showtime’s The Show, which will look at his spectacular mid-pandemic Super Bowl show from this past January. Joining him on The Idol will be co-creators Reza Fahim, his producing partner, as well as Euphoria creator Sam Levinson, who also helmed the Netflix drama Malcolm & Marie. The show’s six episodes will all be directed by Amy Seimetz, the actress and director, whose credits include The Girlfriend Experience, Atlanta, and the acclaimed film She Dies Tomorrow.
(Via THR)