Notorious B.I.G.

[WATCH] Mopreme Shakur: Notorious B.I.G. Was Going to Join Tupac’s ‘Thug Life’

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In previous rumors about the relationship between the Notorious B.I.G. and Tupac Shakur, it was suspected that the Brooklyn favorite was to be recruited into ‘Pac’s “Thug Life” conglomerate and Tupac’s brother Mopreme confirmed it in a conversation with AllHipHop.

When speaking of the relationship between the two, the elder Shakur said, “Before things fell apart, Pac was a uniter. We knew we were from New York. We knew we were from the East Coast. And Pac liked to work with the best talent around. So, there was a period, there was a time when we was all cool.” He went on to say, “There was a time when Pac wanted Biggie to be part of the East Coast faction of Thug Life ‘cause we was kicking it with each other anyway. Pac wasn’t just a hater just to be hating. He liked [Biggie].”

The post [WATCH] Mopreme Shakur: Notorious B.I.G. Was Going to Join Tupac’s ‘Thug Life’ first appeared on The Source.

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[WATCH] Fat Joe Responds to People Saying He Lied About His Unreleased Album With Biggie

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Terror Squad general Fat Joe has wowed fans and critics alike with his never-mentioned-before stories involving the likes of 50 Cent, Mike Tyson, the late Big Pun, and of course, The Notorious B.I.G. As some continue to call cap on Joe’s most recent claims that he was working on a joint album with the late B.I.G. before he was killed in 1997, Joey Crack doubles down on all of his statements as truth and says he has a host of reputable and known people to back him up.

In one of his most recent interviews, Fat Joe says that there were five songs that he and Biggie recorded together, but after the death of B.I.G. and ‘Pac, it was decided that it was best not to release the tracks. He adds that he’s kept a lot of brewing beef from boiling over, and artists such as Bone Thugs-n-Harmony, Common, and Busta Rhymes can attest to his savvy skills of squashing beef.

See Joe’s response to the critics’ claims below.

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CJ Wallace Uncovers Father’s Legacy In New Documentary About The Notorious B.I.G.

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A new documentary about the Notorious B.I.G. — told through the lens of his son who was just five months old when the illustrious rapper died — is in the works.

Hollywood Reporter reports that Time Studios is producing Understanding Christopher Wallace, which promises “an intimate look at the untold life story of one of the greatest rappers to ever live … from the perspective of the son who never knew him.”

Notorious B.I.G., born Christopher Wallace in New York City, was shot to death in March 1997. C.J. Wallace, the rapper’s son with Grammy-winning R&B singer Faith Evans, was born in Oct. 1996.

“Over the past few years, I realized my personal journey is connected to understanding who Christopher George Latore Wallace was outside of his big rap persona,” C.J. Wallace said in a statement. “I am on a journey to fully understand the world he lived in and the massive impact he had on American and Black history and by doing so, I can ensure that I honor his hopes and dreams while I build and create my own legacy for future generations of Wallaces.”

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Time Studios say the documentary “is a dual narrative that navigates between the lives of both Christopher Jr. and Sr. – from the 2020’s back to the 1980’s – exploring concepts of identity, legacy, and fatherhood. As C. J. chases a deeper understanding of his own destiny, his quest uncovers a more holistic portrait of his dad than the world has ever known.”

Evans, Lil Kim, Jadakiss, Lil Cease and others participate and speak with C.J. Wallace in the doc.

“The Notorious B.I.G. had such an immense impact on not only music, but also on popular culture as a whole. But this film is about so much more than that,” Loren Hammonds, head of documentary at Time Studios, said in a statement. “It’s about fatherhood, loss, and love. It’s incredibly special to be able to let audiences learn about the man behind the myth through C.J.’s eyes, and we’re very proud to play a part in carrying on Christopher Wallace’s inimitable legacy.”

The post CJ Wallace Uncovers Father’s Legacy In New Documentary About The Notorious B.I.G. first appeared on The Source.

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Infamous Photo From Notorious B.I.G.’s Contact Sheet To Be Auctioned Tomorrow

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THERE CAN ONLY BE ONE (HORIZONTAL)

“THERE CAN ONLY BE ONE” showcases the original photo of The Notorious B.I.G., captured and selected for publication by Barron Claiborne in 1997. Archived for 26 years, this piece is a cutout from the original contact sheet, making it the only one of its kind ever created. Released by the artist in commemoration of the 50th anniversary of Hip-Hop, it presents a rare opportunity for true fans of The Notorious B.I.G., music collectors, and art enthusiasts to acquire one of the crown jewels of Hip-Hop history.

Originally syndicated by Corbis in 1997, this medium format contact sheet is sized at 6×7 centimeters and displays the film information along its borders. It is labeled on the front and signed by the artist on the back. Notably, during the labeling process, Corbis unintentionally marked the year as 1995, which adds a unique and special element to the piece. The auction winner will receive the physical artwork and will also gain ownership of its digital counterpart on the blockchain, ensuring provenance. As an exceptional bonus, the auction includes a one-on-one video call with the artist, to learn more about the historical moment when the portrait of Christopher Wallace, just three days before his passing, was taken.

“THERE CAN ONLY BE ONE” is the masterpiece of The King of New York (KONY) Collection, along with five other selected works, which are all directly available on Barron Claiborne’s own website.

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Barron Claiborne

Barron Claiborne is a New York based self-taught photographer and cinematographer originally from Boston, who works primarily in 4×5 and 8×10 large format photography.

He is renowned for his distinctive style and contributions to American culture. In 1997, he made history when he created one of the most iconic images in Hip Hop – The Notorious B.I.G. as The King of New York (KONY) with a tilted crown. The use of the Crown for the photo shoot was symbolic, to portray Biggie as “a big noble King.”

Barron’s work has been published in numerous publications including; The New York Times Magazine, The New Yorker, Rolling Stone, Esquire, Paper and Interview magazines. He has also been featured in Encyclopedia Britannica, The Rock and Roll Hall of Fame and was twice nominated for the Alfred Eisenstaedt Award for Magazine Photography. Some of Barron’s photographs are in permanent collections around the world including The Polaroid Museum Cambridge, The Brooklyn Museum and The Houston Museum of Fine Arts. He documented poverty in America for The New Yorker, traveling from Mississippi through Appalachia, to the Rust belt. His work has taken him all over the world, from portraying boy soldiers in Sierra Leone, Guru’s in India to capturing beauty in Paris.

Instagram: @barronclaiborne
Twitter: @thekonynft
Website: www.barronclaiborne.art

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Happy 49th Birthday To The “Queen Bee” Lil Kim!

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Born on this date in 1974, Bedford-Stuyvesant native Lil’ Kim has certainly paved the way for female rappers to gain traction in a highly male-dominated world of hip-hop. Making her name, sound, and style notorious (no pun intended) in her appearance on Junior M.A.F.I.A.’s debut album, Conspiracy.

Backed by hardcore lyrics filled with provocative and liberating content, Kim’s attitude and determination broke down gender barriers (which female rappers currently still face) that excelled her respect in the game.

Kim’s resume includes many Hip Hop greats, timeless tracks, fashion moments, and jaw-dropping lyrics. As the musical heiress of the Notorious B.I.G. legacy, Kim has continued to rep the memory of “the greatest rapper of all time”, even naming her sophomore 2000 release Notorious K.I.M.

Morphing from a femcee from Bed Stuy into the iconic figure she is today is a trail that has only been traced by the likes of Cardi B, Megan The Stallion and today’s entire female rap roster. They all have to salute the Queen B.

The Source Magazine sends a supreme born day shout to the Queen on her Birthday!!

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Today in Hip-Hop History: Notorious B.I.G.’s Debut Single ‘Party & Bulls**t’ Turns 30 Years Old!

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In the summer of 1993, a young record exec who was known as “Puff Daddy” started a label called Bad Boy Records which premiered two records to launch the label; the first being the premier track from the legendary Notorious B.I.G. called “Party & Bullshit”. The song appeared on the soundtrack of Who’s The Man, a movie with Hip Hop’s who’s who starring Yo! MTV Raps‘ Ed Lover & Dr. Dre.

Biggie Smalls became one of the most prolific MCs in the history of the culture and is arguably one of the best that the game has ever seen. Before B.I.G. became “Notorious”, Biggie and Junior Mafia were only about “Party & Bullshit”. Salute to B.I.G., Diddy, Bad Boy, and the whole Brooklyn.

The post Today in Hip-Hop History: Notorious B.I.G.’s Debut Single ‘Party & Bulls**t’ Turns 30 Years Old! appeared first on The Source.

The Notorious B.I.G. And Bone Thugs-N-Harmony’s ‘Notorious Thugs’ Couldn’t Have Happened Without Fat Joe, He Explained

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In March 2021, Fat Joe told Swizz Beatz and Timbaland that he and the late Notorious B.I.G. “cut about five songs together” for an album before he was murdered on March 9, 1997 at 24 years old. This week, Fat Joe is back with more Biggie-related revelations.

Iconic Records, a visual podcast series hosted by Angie Martinez, is digging deep into Biggie’s iconic 1997 album Life After Death. The sixth episode premiered on Monday, June 5, and focused on the track “Notorious Thugs” featuring Bone Thugs-N-Harmony.

Around the five-minute mark, Fat Joe told Martinez that he was in the studio with Biggie when he made “Hypnotize,” noting, “From 12 to 1, it was 10 Spanish girls. From 1 to 2, 10 Black girls. From 2 to 3, 10 Asian girls. From 3 to 4, 10 Italian girls. I mean, I never seen nothing like this in my life! I’m sitting in the studio like, ‘This is what it’s like to be The B.I.G.!’ … The ladies loved B.I.G.”

Fat Joe later laid out how he linked Biggie with Bone Thugs, whom he’d “clicked up with” as fellow signees to Relativity Records at the time.

“I would go to Cleveland, hang out with them. I would ride with them on their tour. These guys sold 30 million records, so they were selling out stadiums. The stadiums looked like they was gonna collapse. The stadiums would look like it’s bending,” Fat Joe said. “Biggie hit me up and was like, ‘Yo, bro, I’m trying to get in touch with your guys. They don’t wanna do it. They’re ignoring me.’ They didn’t want to do a song with Biggie.”

He continued, “Just for Biggie to think that advanced because New York wasn’t up on Bone Thugs like that. He knew that they was gigantic, and he was like, ‘Yo, I need to do a song with them.’”

Fat Joe explained that Biggie saw him as “the plug” capable of connecting him with Bone Thugs, but Bone Thugs felt a conflict of interest because “they had already been cool with Tupac.”

“They was like, ‘Yo, Joe, we can’t do it. We cool with Tupac.’ And I’m like, ‘Yo, bro, this is B.I.G. You know what it is to do a song with B.I.G.?! And so, I convinced them,” he added.

Martinez pressed for more details, and Fat Joe rightfully took another victory lap:

“I made them go do the song with B.I.G. I don’t know how to explain it to you in any other language. They’ve confirmed. Like, ‘Yo, you gotta go do it. This is my brother.’ And they’re the happiest people in the world to confirm this because they still touring off that record. That record is one of the biggest treasures in hip-hop, and so, they happy they listened to Fat Joe and they did that.”

Fat Joe additionally relayed that Steve Lobel, Bone Thugs’ manager, was the one to inform him of Biggie’s death. Martinez is joined later in the episode by Lobel, Layzie Bone, and Lil Cease.

Watch the full 45-minute Iconic Records episode above.

Timbaland Never Got To Work With The Notorious BIG So He Used AI To ‘Collaborate’ With Him Instead

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Over the past few years, rap fans have unfortunately gotten plenty of calls to debate the ethics of posthumously releasing an artist’s works — especially when it comes to collaborations that the artist may not have approved. With the advent of AI technologies that reproduce artists’ voices and likenesses, that debate has heated up a lot lately.

The latest figure in hip-hop to join the debate is Timbaland, who used AI to “collaborate” with The Notorious B.I.G. — someone he never got the chance to work with in real life before Biggie died. He shared part of the song, in which Big’s voice shouts out artists he never lived to see such as Nipsey Hussle and Young Dolph, on Instagram, saying:

We know that it’s a lot of talk about AI and we know how the feelings of violating certain things. But let me tell you something: I got a solution, I’m working on it. It’s gon’ be beneficial to everybody. I gotta share something I’ve been working on because I always wanted to do this and I never got a chance to. I always wanted to work with Big and I never got a chance to.

Fans on social media have received the “collaboration” with some trepidation — people who pay for Twitter Blue aside — pointing out that although the machine-learning algorithm can reproduce Christopher Wallace’s voice, Tim’s still just talking to a computer simulacrum.

The Debut Season Of ‘Iconic Records’ Will Dive Deep Into The Notorious B.I.G.’s Classic Album ‘Life After Death’

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The Notorious B.I.G.’s 1997 album Life After Death, which was released just days after he was murdered, is an iconic piece of hip-hop history. Now, to coincide with the ongoing celebration of hip-hop’s 50th anniversary this year, Warner Music Group’s WMX has announced the debut season of visual podcast series Iconic Records will focus on the landmark Biggie Smalls album.

The eight-episode run of the show, hosted by Radio Hall Of Fame member Angie Martinez, will premiere on April 29 at 8 p.m. ET, on the new WMX Hip-Hop channel on The Roku Channel (channel 1137). Further episodes will debut every Saturday after that. It will also be available on Biggie’s YouTube channel and on major audio podcast platforms starting May 1. Guests appearing over the course of the season will include Fat Joe, Pusha T, Rick Ross, Too Short, Lil Cease, and surprise guests yet to be revealed.

Martinez said in a statement, “Biggie was, and still is, one of the most important artists of our lifetime and Life After Death is a masterpiece! To collaborate with WMX on this series has been an incredible experience. It’s especially meaningful as we also pay homage to 50 years of hip-hop and how it’s changed the course of history.”

Ben Blank — WMX president, media & creative content — also noted, “We’re excited to be able to share stories about the albums that have shaped entire generations so profoundly – beginning with Biggie’s Life After Death. The launch of Iconic Records embraces the huge appetite and need for unique content tailored for genre-specific audiences. WMX lives at a crossroads where artists, content, and experiences converge to reach music fans where they are, and this exciting series is the first of many forums in which we will continue to tell the stories about the art that shapes and inspires our culture.”

Wayne Barrow, Biggie’s manager, added, “The Notorious B.I.G. is a once-in-a-lifetime talent. His work has been examined and reviewed before, but this series provides new stories and firsthand accounts by the people that were there. It’s something special.”

Check out the Iconic Records trailer above.

The Notorious B.I.G. is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

[WATCH] Outlaw Napoleon Says Snoop’s “Hit ‘Em Up” Comments Were Because He Was Upset ‘Pac Took His Shine

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Napoleon of Tha Outlawz has commented on Snoop Dogg saying he didn’t like the late Tupac Shakur’s landmark diss record “Hit ‘Em Up”, which was aimed at his friend-turned-nemesis Notorious B.I.G.

Napoleon said Snoop never expressed that sentiment before now, adding, “For Snoop to say he never liked ‘Hit Em Up,’ he never expressed that. You got videos of him on stage with ‘Pac, Pac rapping ‘Hit Em Up’ and he’s rapping right along with him.”

He went on to say that Snoop was even singing the lyrics with him while at the House of Blue performance and bobbing his head in the studio.He says it’s strange that Snoop would say all of these things that he’s never say if’Pac was alive.

The post [WATCH] Outlaw Napoleon Says Snoop’s “Hit ‘Em Up” Comments Were Because He Was Upset ‘Pac Took His Shine appeared first on The Source.