Nike announced on Monday that it has acquired NFT sneaker and fashion collectibles site RTFKT and Adidas announced their Into The Metaverse fan platform as both brands race to master the metaverse. Nike Has A New NFT Marketplace RTKFT is known for creating virtual sneaker designs and exclusive collectibles minted as NFTs. The company has […]
The legendary designer Virgil Abloh passed away over the weekend at the far-too-young age of 41, ending a private battle with a rare and aggressive form of cancer. Abloh’s mark on streetwear and modern fashion is undeniable and will be forever felt, but before he solidified himself as certified streetwear royalty, long before he landed the job as the artistic director of Louis Vuitton menswear, before Off-White, and the global DJ Sets, he was just a kid sketching shoes in his spare time.
That’s important to remember. Abloh wasn’t born into the house of Gucci. He had an ambition that truly knew no bounds and a vision that could not be denied. He took those early sneaker sketches and sent them to Nike. Nothing came of them but that didn’t slow him down for even a beat. By 2017, after a brief stint in architecture, an internship in Rome at Fendi, and the successful launch of his own label, Abloh’s swoosh dreams became a reality when he designed, “The Ten,” a collection that would go down in history as the greatest sneaker collaboration of all time.
That’s not hyperbole, ask any sneakerhead, they’ll tell you: nothing beats The Ten. Abloh would follow up that historic run by producing a fleet of fifty Nike Dunks a few years later. His was truly an insatiable spirit for creation.
Many publications make note of Abloh’s time studying architecture like it’s some sort of footnote in his career, but the truth is Abloh never stopped being an architect. Through his design work — which, in addition to sneakers, included album covers, commissioned art pieces, and more — he always treated whatever he was approaching as more than an object, everything, even a water bottle, was a monument. You and I look at a Jordan 1 and see a sneaker, Abloh saw a skyscraper of possibilities. Abloh’s best design moments catch your eye, spark conversations, and create trends. It’s a trifecta that even the most well-respected designers (besides Abloh’s friend and collaborator Ye) can’t lay claim to.
“What we’re talking about here is larger than sneakers, it’s larger than design culture… It’s nothing short of state-of-the-art design,” Abloh said when he first debuted “The Ten.” “To me, they are on the same level as a sculpture of David or the Mona Lisa. You can debate it all you want, but they mean something. And that’s what’s important.”
Ultimately, Abloh’s greatest contribution to the world of streetwear wasn’t a specific sneaker, or a brand, or any single collaboration. It was his unmatched ability to recognize and what sneakerheads all around the world know inside their bones: that a pair of fire Jordans aren’t just shoes, they’re modern-day canvases. A piece of wearable contemporary art to be collected, coveted, cared for, loved, and inspired by.
To celebrate Abloh’s vision and philosophy, we’ve collected the late designer’s 30 best contributions to the world of sneakers. This isn’t a ranking. Instead, we’ve presented the sneakers here as the truly astounding body of work that they always will be, even as Abloh has left a generation of designers to forge their own path without his guiding hand. His influence will always be felt, like the great masters before him that he revered but never hesitated to push past. Abloh viewed sneakers like they were the Mona Lisa, and we’ll always remember him like he was our Da Vinci.
We’re kicking the list off with Abloh’s take on the Air Max 90. The Ten dropped in two sets of five, dubbed “Revealing” and “Ghosting” with the Air Max 90 leading the pack and exceeding expectations. With this design, Abloh deemphasized Tinker Hatfield’s original look, breaking the sneaker down to its silhouette and paneling with a few minimalist accents that help the design feel fresh.
With a pristine white leather upper, an oversized white Swoosh, and grey suede overlays atop an icy blue midsole, and yes, zip ties, The Ten’s Air Max 90 almost looks like it should be in a museum.
You’ll find The Ten’s Air Presto topping a lot of lists chronicling Abloh’s greatest designs and for good reason. For the Air Presto, Abloh once again broke down the sneaker to its skeleton, stripping away the sleek layers of the original design for a lightweight mesh upper with a bone-like lace cage. Even four years later, they just look so damn cool. By 2021s standards, the idea of deconstruction in sneakers has been done to death, but at the time of its release, this kick was truly revolutionary.
Off-White has dropped two other Nike Air VaporMax sneakers since the original black pair from The Ten, but nothing matches these. This is simply one of the best VaporMax colorways and designs of all time.
Abloh’s VaporMax features a Flyknit upper with a bright white oversized swoosh stitched on, atop a blacked-out VaporMax sole that gives off heavy Darth Vader vibes. Abloh is a Star Wars head, so we’re almost certain that’s what this big (very cool) nerd was going for.
C’mon, you knew you were going to come across this pair. It’s easily the most recognizable sneaker Virgil Abloh has ever designed. This is the shoe that Abloh-haters use to discredit his craft and that’s probably because it includes every cringey Abloh trademark, from the “Air” quotation marks, the visible stitching on the swoosh, the Beaverton, Oregon production stamp. Ugh, right?
It isn’t even an original colorway, borrowing the original “Chicago” makeup, which is legendary unto itself. Does this dude even actually design anything? But look closer and you’ll see that this is how Abloh infuses the spirit of hip-hop into his design work, and why it catches hold with heads worldwide. Abloh is sampling a piece of sneaker history and recontextualizing it for a modern sensibility. Is Drake’s “Nice for What” any less of a great song because it owes a debt to Lauryn Hill’s “Ex-Factor” which itself sampled “Can It Be All So Simple” by the Wu-Tang Clan, which draws from “The Way We Were/Try To Remember” by Gladys Knight & The Pips?
Nope — that’s what art does. Borrows, remixes, and makes the old new again. That’s where Abloh excelled.
We have Virgil Abloh to thank for breathing new life into Nike’s Blazer sneaker which, prior to 2017, was a seriously overlooked shoe. Nowadays, even Nike is showing the Blazer constant love, releasing vintage colorways on a yearly basis. For The Ten’s Blazer, the upper is dressed in white leather with a descending swoosh that dives into an off-white midsole. The inner side of the sneaker features the Beaverton, Oregon production stamp, which is a call back to where the original design was crafted.
While Abloh’s “Revealing” set from The Ten shed away layers to reveal the inner workings of these iconic silhouettes, for his “Ghosting” set, Abloh opened a window, dressing each sneaker in a translucent upper, another trend that has become pervasive since the designer popularized it.
Abloh’s Air Force 1 is probably the most extreme design out of the “Ghosting” collection, it’s so broken down that it almost looks like it’s still midway through production. If you don’t like deconstructed sneakers, you probably won’t like these, though it’s pretty hard to mess up the Air Force 1.
The Ten’s Hyperdunk was a way for Abloh to prove that he wasn’t just about style over substance. Through and through, this Hyperdunk is a court-performance sneaker, despite its high-fashion appearance. A breathable FlyKnit upper keeps players light on their feet, with an added midfoot strap for extra support atop a bouncy React midsole. The hype for The Ten was so great that you’d have to be insane to actually wear these on the court, but we like to spend some time imagining what that might look like every time we see them.
This pair truly comes alive with your sock game, making the Zoom Fly one of the most visually varied sneakers Off-White and Nike have ever made, and giving it a slight edge over the Tulip Pink — which are a little harder to rock.
Virgil Abloh’s Air Max 97 is pretty interesting in that its design changes the way you normally see the Air Max 97. Usually known for its aerodynamic waves, Abloh instead obscures those eye-leading lines beneath a translucent upper, with a large, long swoosh in place of the sneaker’s usual tiny swoosh — which works to highlight the sneaker’s aerodynamic shape.
This very minor change really manages to give the Air Max 97 a totally unique look within its own history. It’s proof that small changes can equal out to really radical results.
Released as the final piece of “The Ten,” Abloh’s take on the legendary Chuck Taylor All-Star sees the designer take on yet another legendary design. But unlike the AJ-1, which leaned on the sneaker’s heritage by utilizing one of its most recognizable colorways, this take on the Chuck 70 ignores the past and attempts to contextualize the sneaker for the modern age.
Gone are all the recognizable markers of the Chuck 70, that iconic star label is obfuscated under a ghostly translucent upper, the familiar color patterns are replaced with a monochromatic design, that signature toe cap is rendered icy and cold. This release sees Abloh paying tribute to the foundation of this great sneaker, no doubt a call back to his days in architecture.
We’re finally out of The Ten territory with this ComplexCon exclusive. If The Ten’s AF-1 was a little too stripped back for your liking, Abloh released a design that played things pretty close to the original with his second Air Force 1. Featuring a clean all-white leather upper, the ComplexCon sneaker sports a metallic swoosh with exposed stitching, and orange branding tags on the exposed foam tongue and Nike check.
In terms of moving the AF-1 forward, this sneaker doesn’t do too much to change the game — but it’s quite the sight regardless. Unfortunately, giving this sneaker’s exclusive status, there aren’t many pairs out there floating around.
It won’t come as a surprise to find out that the second Off-White Jordan 1 was actually Abloh’s original idea for the sneaker’s entry in The Ten, as its all-white upper with off-white overlays looks a lot more visually consistent with the rest of the collection. But then, it’s hard to blame Abloh for taking a crack at the OG Chicago colorway.
It might be a controversial opinion, but we dig these over the original pair from The Ten. Easily. That pop of orange just works.
Naturally, you’re going to find a lot of Air Jordan 1s on this list and while we tried to avoid too many doubles, Abloh has a particular talent for understanding what makes the Air Jordan 1 so great. Featuring a powder blue paneled upper with white accents and contrasting orange stitching, the UNC continues Abloh’s practice of taking the absolute best
Air Jordan 1 colorways — in this case, the Michael Jordan University of North Carolina Blue — and giving them a modern revamp.
We don’t know why Virgil Abloh insists on making his Air Force 1s — probably one of Nike’s most popular silhouettes — the most exclusive Off-White and Nike link up, but with the instant sell-out of the AF-1 from The Ten, the hard to find ComplexCon exclusive, and this three-way collaboration between Nike, Off-White, and the Museum of Modern Art, AF-1s designed by Abloh is a rare find.
This 2018 release is essentially identical to the ComplexCon exclusive, only this time it’s dressed in black.
The dominant color palette of The Ten was white, which made the black upper Air Presto a standout amongst the collection. But plenty of people in the sneaker world wished the Presto adopted the same translucent colorway enjoyed by the rest of The Ten. Those people had their wish granted in 2018 when Abloh finally dropped a white iteration of the Presto.
With gentle accents of orange and red, the white Presto presents the design in a cleaner futuristic light than the more worn and gritty Presto found in The Ten.
Released for the Halloween season, Abloh’s All Hallow’s Eve colorway feels more targeted toward Thanksgiving than All Hallows Eve itself, but we’ll try not to get too hung up on that fact. Featuring an orange-toned tan upper with a deep-diving wrap-around pumpkin swoosh, the Blazer All Hallow’s Eve is the best Nike Blazer Off-White has ever put out.
If this didn’t have the teal swoosh tag and the “Shoelaces” text, you might even be able to fool a staunch Abloh hater into admitting that these are pretty dope.
See, now this sneaker should’ve been given the “All Hallow’s Eve” name! Oh well, the Grim Reaper differs from the other Nike Blazer Off-White silhouettes in its use of a translucent black panel along the upper coupled with a bright white wrap-around swoosh.
It’s hard to not love this sleek pair, though it does feel like a step down in general creativity from the All Hallow’s Eve.
Ahead of Serena Williams’s opening match at the 2018 US open, Abloh dropped a few silhouettes that bear the tennis legend’s name — the best of which was the Air Max 97 Serena. Ditching the translucent sheath obscuring the 97’s wavy lines, the Serena features a soft pink-toned upper with a pink, purple, and gold gradient midsole, a yellow tab, and an oversized swoosh.
There are a lot of great Off-White Nike Blazers, they’ve pretty much all made the list, but none feel more underrated than this pair designed with tennis legend Serena Williams in mind. Featuring a hot pink to platinum midsole with an oversized wraparound Swoosh over a wolf grey upper, the Serena Queen Blazer looks like a sneaker that exists with its own permanent blacklight hovering over it.
It’s pretty clear that while Abloh might’ve had a knack for producing fire colorways of the Air Jordan 1, it’s the AF-1 that he truly considered a masterpiece. Why else would he drop another exclusive fine art Air Force 1 with the Chicago Museum of Contemporary Art? This pair is dressed in a beautiful University Blue all leather upper with a metallic silver swoosh.
These are so beautiful that a part of us absolutely hates the idea of someone wearing them.
The Off-White Air Max 90 Desert Ores represent a transition in design styles for Abloh, featuring touchstones from his work immediately proceeding The Ten to the more modern Off-White Nikes we see today.
Featuring a dark beige upper with a bright mango swoosh, the Desert Ores look a bit like what we imagine a Yeezy and Off-White link up might look like — thanks to its dusty earthy appearance.
Before Abloh would go on to release a 50 sneaker collection consisting solely of the low-top Nike Dunk, he was prepping himself for that ambitious project in 2019 by dropping this Pine Green take on the design. Featuring a radical inclusion to the original design by way of a zig-zagging lacing system, this design laid the groundwork for Abloh’s most ambitious Nike project.
Released alongside the Pine Green colorway, this University Red edition was made in tribute to Nike original 1985 College Colors program which introduced the world to seven different, but legendary, Nike Dunk colorways. It’s an improvement over the Pine Green, that Wolf Grey causes such an eye-catching contrast to the bright red panels and laces.
It’s a little hard to believe there aren’t more Air Jordan Vs by Abloh. An often overlooked sneaker in the Jordan brand line, the V Muslins represented a new aesthetic era for the designer. Sure, he was still using translucent textiles and breaking the sneakers down to their rough interiors, but now he was doing it in a much more refined way. While it doesn’t feel as groundbreaking as anything from The Ten, we appreciated Abloh’s commitment to always pushing his designs forward and not just cashing in on the trends he made popular.
Released as a women’s size exclusive — much to the dismay of big-footed sneakerheads — this Air Jordan 4 features a full-grain leather and grid mesh upper, with clear textiles, air cushioning, exposed foam, and a totally monochromatic makeup.
These sneakers were an instant sell-out and are currently fetching prices well above $1000 on the aftermarket, making them the most beloved Off-White Nike’s since The Ten era. In a dark year, they were a bright reminder that even three years into their extended collaboration, Off-White and Nike were a natural matchup.
For Abloh’s second AJ-V colorway, he adopted a colorway that paid homage to the legendary Fire Red Jordan V while retaining his translucent additions to the design. Featuring a sail textile mesh upper with 3M reflective details and a translucent outsole the Off-White Jordan V Sail is equal parts traditional and futuristic, which feels more like a trademark of Abloh’s overall design than superficial details like Helvetica branding and zip-ties.
Debuted at the pre-game tunnel at this year’s NBA All-Star Game by LeBron James, the Lemonade sees Abloh following the template laid out by his previous Air Force 1 collaborations, this time dipping the sneaker in an impossible to ignore mustard yellow colorway.
Rounding out the design is a silver Swoosh outlined with contrasting stitching, with an exposed foam tongue, and a woven tag. Abloh always hit the AF-1 with the boldest colorway choices.
This year saw Abloh embark on a journey that would serve as an official follow-up to the Ten, a fifty sneaker collection focused on a singular silhouette — the Nike Dunk. Abloh transformed the Dunk with the inclusion of Flywire laces that zig-zag across a crisp white upper with an exposed foam tongue, Helvetica branding, a metallic silver swoosh, and a yellow midsole.
It was a design inspiring enough that Abloh saw fit to reiterate on it forty-nine more times. A testament to his restless work ethic.
Bookending the fifty sneaker collection is this moody blacked-out version of the Dunk Low. Featuring an all-black canvas upper with leather paneling, purple accents, and a metallic swoosh, this is a special pair in the collection and stands in stark contrast to the 49 proceeding colorways.
Abloh kept color to a minimum throughout the Dunk collection, restricting pops of color to the Flywire laces and keeping the sneaker primarily dressed in white and grey tones, for the final pair he threw that idea out the window. When you look at the entirety of the fifty Dunk collection, you realize the whole thing is one big color gradient. Abloh was always one to paint a bigger picture
Closing out our list of Virgil Abloh’s greatest sneaker designs is the final Off-White Nike sneaker to be released in Abloh’s lifetime, the Off-White Air Jordan II. The Air Jordan II has for some time been an underrated silhouette in the lineage of early Jordans, the always ambitious Abloh attempted to rewrite history and overhaul the silhouette’s image in the cultural zeitgeist not by radically reimagining it, but by paying tribute to its history.
The sneaker’s design is an attempt to recreate the natural aging process of a vintage pair of Jordan IIs and features an artificially decaying midsole that is patched over with translucent materials, and Jordan’s signature adorning each pair, a call back to Jordan’s practice of signing and giving out his shoes to kids at Bulls games.
It’s not a radical departure from the original, instead, it presents the shoe not simply as a design, but as an artifact of time, like a great skyscraper designed by the geniuses of a bygone era made more beautiful with age. There is that connection to architecture again, it stands as one of Abloh’s best and most subtle reimaginings and shows just how deeply he cared about what came before, even as he always forged ahead.
Over the past few years, Travis Scott has cultivated a reputation for giving back to his hometown via the Cactus Jack Foundation, and next month, he’ll extend his philanthropy even further as his Astroworld Festival now includes an Astroworld Week. In the days leading up to the festival, which lands on November 5-6, Travis is taking over Houston with events looking to benefit local youth including a celebrity golf tournament and softball game; the unveiling of his Cactus Jack Design Center, several public basketball courts, and a youth community garden; and a slew of sneaker release events in conjunction with Nike’s SNKRS program.
In addition, Travis revealed the premiere date for the A24-produced film, Red Rocket: November 6, during the Astroworld Festival. The Astroworld Festival lineup, which was revealed earlier this week, also includes 21 Savage; Baby Keem; Bad Bunny; BIA; Chief Keef; Don Toliver; Earth, Wind & Fire; Houston All-Stars; Lil Baby; Master P; Roddy Ricch; Sheck Wes; Sofaygo; SZA; Teezo Touchdown; Toro Y Moi; Travis Scott; Tame Impala; Young Thug; and Yves Tumor.
You can find more information about the Cactus Jack Foundation here and more about Astroweek here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Drake’s fondness for basketball is no secret, but it might surprise fans to find that The Boy’s latest Nocta Nike collaboration focuses on golf instead of hoops. The new drop, which became available today, features 10 signature pieces inspired by Nike’s broader links collection. Items in it put unique spins on the usual golf attire, such as providing mock neck short-sleeved shirts in place of the usual collared shirts, as well as useful accessories like sunglasses and visor hats.
In a separate post on his own Instagram page, Drake explained the reasoning behind releasing a golf line, dedicating the collection to one of his “idols”: His uncle Steve, who introduced him to the game. “A collection dedicated to one of my idols,” he wrote. “A man who took me under his wing and showed me much of what life had to offer and even more so what your own life can become when you are dedicated and loyal. My grandmother Evelyn Sher has a resting place close to the King Valley Golf Club and our drives and visits to that course hold some of my most valuable life lessons and will forever be cherished.”
The Stephen Sher Nocta Golf collection is available now. A few of the pieces are already sold out, but you can check it out here.
Lil Nas X continues to be one of music’s most creatively hilarious trolls as he prepares to go to trial in Nike’s copyright infringement case against him. After tweeting a string of sarcastic jokes about going to jail, he shared a “livestream” of the proceedings to social media… which actually turned out to be a clever courtroom comedy sketch in which he plays a variety of characters, including a sugar daddy judge, a talkative juror, his own forgetful defense attorney, and a ruthless prosecutor.
As Lil Nas X takes the stand against himself, the prosecutor declares that “this is about much more than shoes” before asking, “Lil Nas X, are you gay?” “What does that have to do with the shoes?” Nas shoots back. “Let me rephrase the question,” he says as the prosecutor. “Do your mama know you’re gay?” Nas has no choice but to answer, “Yes.” For this “crime,” the “judge” sentences Nas to “five years in Montero Prison.” This by itself would be a hilarious lampoon of several of the debates surrounding Nas since his arrival with “Old Town Road,” but being Lil Nas X, he uses the opportunity to flip the script one last time.
The whole sketch turns out to be the trailer for his next single, “Industry Baby” featuring Jack Harlow and produced by Kanye West and Take A Daytrip. A snippet of the song plays over the credits, which wonders, “Damn, how many roles do this n**** got?” Considering his ability to transform from a cowboy to a demented Santa to the devil, I would say: “All of them.”
Watch Lil Nas X’s “Industry Baby” trailer above. Pre-save the song, dropping July 29, here.
Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
In addition to rolling out his second album USee4Yourself, IDK also recently announced his partnership with athletic wear giant Nike, tweeting, “Im officially apart of the Swoosh family” ahead of releasing the album’s third single, “Pradadabang” featuring Young Thug. Although the details of just what IDK — who is close with Kevin Durant, a longtime member of Nike’s stable of endorsed athletes — will do with the Swoosh remain out of reach, he did put the new partnership to good use recently, sharing the wealth with his community by handing out free pairs of signed Supreme Dunks in his neighborhood.
So far, the PG County rapper has released two more singles from the album, the Offset-featuring “Shoot My Shot” (which also received a civic pride-fueled go-go remix courtesy of New Impressionz) and “Peloton,” which he released as he announced the new album’s release date, which is this Friday, June 9. IDK also launched a music business program at Harvard University aiming to teach students how jobs in the recording industry work.
Watch IDK give out free pairs of Nike’s above.
USee4Yourself is out 7/9 via Clue No Clue/Warner Records. Pre-order it here.
IDK is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
In addition to rolling out his second album USee4Yourself, IDK also recently announced his partnership with athletic wear giant Nike, tweeting, “Im officially apart of the Swoosh family” ahead of releasing the album’s third single, “Pradadabang” featuring Young Thug. Although the details of just what IDK — who is close with Kevin Durant, a longtime member of Nike’s stable of endorsed athletes — will do with the Swoosh remain out of reach, he did put the new partnership to good use recently, sharing the wealth with his community by handing out free pairs of signed Supreme Dunks in his neighborhood.
So far, the PG County rapper has released two more singles from the album, the Offset-featuring “Shoot My Shot” (which also received a civic pride-fueled go-go remix courtesy of New Impressionz) and “Peloton,” which he released as he announced the new album’s release date, which is this Friday, June 9. IDK also launched a music business program at Harvard University aiming to teach students how jobs in the recording industry work.
Watch IDK give out free pairs of Nike’s above.
USee4Yourself is out 7/9 via Clue No Clue/Warner Records. Pre-order it here.
IDK is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Do athletes even endorse sneakers anymore?
Don’t get us wrong, Jordan is still the biggest name in footwear. And when a hot new sneaker designer bursts onto the scene, best believe they’re going to want to put their spin on a fresh pair of Jordans above all else, so we don’t imagine another name is going to surpass it anytime soon. But big names are coming (relatively) close, and none of them are known for their skills on a court.
We’re talking not about performance shoes but “performer shoes” (a term dubbed by DJ Clark Kent) — made by people like Kanye West, who has now realized his dream of making a pivot from the hottest rapper in the game to the hottest sneaker and streetwear designer with his Yeezy Brand; Pharrel Williams, who has been toiling away at Adidas for a minute now with his Hu line; J Cole who seems to be constantly pumping out Pumas and actually has the hoops skills to bring in ballers; Bad Bunny, who — despite starting it all off with a few Crocs — is now two for two with his Adidas collaborations; and Beyonce, who continues to make tremendous leaps with each drop of her Ivy Park line.
It’s undeniable that, save for Virgil Abloh and Aleali May, the most exciting sneakers to drop right now are coming from the world of hip-hop. And no name is more exciting than La Flame — yes, we’re talking about Mr. Cactus Jack himself, Travis Scott. Together in partnership with Helmut Lang, Nike, and Jordan Brand, Scott has been dropping some of the most hyped sneaker releases of our modern era of streetwear, offering remixed designs of the aforementioned brand’s most popular silhouettes draped in Scott’s signature dusty desert aesthetic and vibe.
Over the last three years, Scott has dropped 14 sneakers and today we’re here to rank every single one of them from worst to best. Let’s dive in.
Amongst fans of Scott’s sneaker collaborations, these are absolutely hated. It’s easy to see why. I mean… look at ’em!
Some people feel that hate is overkill, arguing that these are slept on but they still deserve their spot at the bottom of this list. It’s not simply that they’re bad — this army olive mesh upper and brown suede heel panel is a pretty solid design for the XXXIIIs and pretty emblematic of the looks to come — but it’s just so boring in comparison to everything else Scott has done with Nike.
It feels mean to place any Scott shoe dead last, but it’s hard to argue that this is better than any of the other shoes on this list.
Find the Travis Scott Jordan XXXIII Army Olive at GOAT.
Before Travis Scott started lending his aesthetic to classic Nike and Jordan silhouettes, he linked up with Italian designer Helmut Lang for a sleek all-black high-top and low-top sneaker. The Helmut Lang collaborations are soft of an anomaly in the lineage of Travis Scott sneakers, but looking at it does make us wonder what the Cactus Jack label would’ve looked like if it never linked up with Nike. Thank God it did!
Featuring a nylon upper with leather and velcro straps across the heel and upper, the Travis Scott x Helmut Lang was made in Italy and features graphic bull imagery on the tongue and Helmut Lang branding on the heel tab.
It’s… okay. Just that and nothing more. Definitely a step up from the XXXIII, though.
The Travis Scott x Helmut Lang Low Top is currently unavailable on the aftermarket.
Originally, we ranked this one last. It’s a three-way collaboration that coincided with the release of the Playstation 5, which just felt like tacky branded overkill. But the more we look at the design — which is actually kind of dope and borrows from the OG Playstation’s look for its colorway — the more it grows on us. This one is certainly a grower.
We still don’t like the Sony branding on the heel (Playstation logo can stay) but we can’t sit here and pretend that the Jordan XXXIII is somehow better than this sail and light blue upper, with its charcoal grey reverse swoosh and embroidered branding.
Find the Travis Scott x Playstation Nike Dunk Low at StockX.
You’ll notice that Scott has a definite preference for Nike’s more retro silhouettes, so the Air Max 270 Cactus Trails is unique in that this is one of the most futuristic-looking Cactus Jack sneakers released yet, thanks to the aerodynamic design of the 270. It’s ironic that it’s also the most artificially aged, with a yellowed midsole and a messy mix of textile, nubuck, and TPU Overlays over a dirty cream colorway.
It really earns its moniker “Cactus Trails,” this is a grimy, dusty mess of a design.
Find the Travis Scott Nike Air Max 270 React Cactus Trails at GOAT.
Travis Scott’s long and fruitful collaboration with Nike begins with this take on the Air Force 1. Released in celebration of the 35th anniversary of the silhouette, this white canvas take on the AF-1 dropped at ComplexCon 2017 and featured interchangeable removable swooshes that were meant to evoke Scott’s trademark grill.
The laces have a Cactus Jack logo covering them and the whole thing sits atop a contrasting gum sole. It’s perhaps most notable for looking so different than the designs that would come to define Scott’s work with Nike.
Find the Travis Scott Nike Air Force 1 Low White at StockX.
The High Top version of Scott’s Helmut Lang sneaker is a massive improvement over the low. This may be the last time this particular sneaker stays in the top 10 as Scott and Nike have a bunch of rumored releases planned for Holiday 2021. Enjoy your spot, Helmut Lang Highs!
Featuring the same nylon upper with leather paneling and straps as the low, the Helmut Lang high tops are super sleek, militaristic, and represent a Travis Scott era that feels like a distant memory. Not much to say about these that we haven’t said already with the low tops, this is just an all-around better design.
The Travis Scott x Helmut Lang High Top is currently unavailable on the aftermarket.
The Cactus Jack Air Force 1 has always had a Sean Wotherspoon vibe to us. We know what you’re thinking, “WHY BECAUSE IT HAS CORDUROY???” Yup, that’s exactly why. Do you really think this zipped corduroy lace shroud would exist without Wotherspoon’s Air Max 97, which dropped two years earlier? You’re tripping. Wotherspoon MADE corduroy.
The AF1 Cactus Jack features a graphic canvas upper, a brown swoosh on the outer, a black swoosh on the inner, and sits atop a gum outsole. It’s a dope design, but it’s just a little too busy. A comfortable mid-tier release by Scott.
Find the Travis Scott Nike Air Force 1 Low Cactus Jack at GOAT.
This low-top version of the Jordan I borrows the design of the more iconic high-top version with a mocha and black nubuck leather upper and that polarizing backward swoosh on the lateral side. The backward swoosh actually looks bigger here (it’s not) making the sneaker look unlike a Jordan I, that’s kind of cool. The medial side panel features Cactus Jack lining in university red, making another appearance on the tongue, with the Air Jordan Wings on the heel tab.
This is pleasant and middling. Perfectly functional but not going to make a huge scene.
Find the Travis Scott Jordan 1 Retro Low Mocha at GOAT.
This Sail colorway of the Air Force 1 was Scott’s second release with Nike and built upon the all-white colorway that preceded it. The canvas upper and removable shiny swoosh is still here, but this Sail colorway just works so much better with the gum outsole and canvas construction. It feels like a true transitional sneaker between Scott’s first Nike drop to the more earthy and worn designs that would come to define the Cactus Jack aesthetic.
Find the Travis Scott Nike Air Force 1 Low Sail at GOAT.
We considered not even including this sneaker, as it’s a close friend and family-only release and never had a retail release, but it’s just too clean to ignore. It’s also currently available at StockX, which means someone isn’t being a good friend (we wouldn’t have done you like that, Travis!). This moody Jordan IV features a suede upper in a deep purple with black accents and a grey lace cage.
It’s easily one of the best colorways we’ve ever seen of the Jordan IV period, it’s almost cruel this wasn’t released to the public. Scott has a few more friends and family colorways, but none reach this level of perfection, which makes the StockX sale sting even more.
Find the Travis Scott Jordan 4 Retro Purple Suede at StockX.
This is a totally personal take, but this pair brings up a lot of nostalgia for me. The bandana-inspired paisley overlays capture so much of the imagery of growing up in and around East LA. This sneaker looks like my childhood, filtered down into a shoe.
The SB Dunk Low Cactus Jack is significant because it’s Scott’s first skate sneaker, utilizing Nike’s ridiculously popular silhouette, dressing it in a tan leather base with plaid quarter panels, paisley overlays, and canvas that tears away to reveal an earthy camo pattern that kind of resembles Nike’s elephant print (but isn’t quite that).
The design is rounded out by thick rope laces, the whole thing really captures Scott’s Cactus Jack aesthetic — muted, yet psychedelic. Scott and Nike have a whole slate of Dunks that are supposed to drop in late 2021, we’ll see if they can match this take.
Find the Travis Scott Nike SB Dunk Low Premium QS at GOAT.
Released at the end of 2019, the Jordan VI features an almost militaristic olive green nubuck and suede upper with a little stash snap pocket on the outer collar. At the time of release, it felt like this was the perfect music festival sneaker to hide your stash in. The idea of going to a concert still seems novel, and this is the second time we’re ranking Scott’s whole sneaker output. Another handful of Travis Scott sneakers will likely drop before we are able to see the rapper perform live again. That’s just sad.
Scott rocked this colorway at the Super Bowl 53 halftime show, leading to its coveted status amongst sneakerheads and Travis Scott fans alike. The design is rounded out by a glow-in-the-dark translucent outsole with sail and university red accent work. Scott has yet to drop something that tops this design since its debut release.
Find the Travis Scott Jordan 6 Retro at GOAT.
Are the little pockets and zippers stupid and gimmicky? Yes. But forced utility aside, the British Khaki Jordan 6, Scott’s first sneaker of 2021, is in every way an improvement over 2019’s Olive colorway, which it clearly builds off of. Featuring a suede and canvas upper dusted in a mix of British Khaki and Sail, it’s the Bright Crimson accents on the heel, tongue, and branding that really pull this design together.
On top of this earthy colorway, a glow-in-the-dark sole and heel tab adds a nice psychedelic edge to the look, while seamlessly blending in with the rest of the design, never dipping into gimmicky territory, despite you know, being glow in the dark.
Find the Travis Scott Jordan 6 Retro British Khaki at GOAT.
There were several times I came close to ranking this as the number one pick, and while ultimately I contend that it’s probably (probably!) not the best Travis Scott sneaker out there, it is my personal favorite. This use of Nike’s university red and blue here is just beautiful, with its blue Durabuck leather upper and a red collar and insole. Inspired by the Houston Oilers, Scott’s hometown team, the Cactus Jack Jordan IV’s are rounded out by a core black lace cage and heel panel with university blue speckles, and feature Cactus Jack and Jumpman branding on the left and right heel respectively.
I’m already regretting not giving it the number one slot, but not enough to bump it up… yet.
Find the Travis Scott Jordan 4 Retro Cactus Jack at GOAT.
It feels almost cliche to rank the Mocha Jordan I Retro High as Scott’s best, but this sneaker release has managed to become emblematic of Cactus Jack as a fashion entity now three years after its original release. The large over-sized backward swoosh looks very gimmicky by today’s standards (though we don’t know that it didn’t always) but that mix of mocha suede paneling again a sail leather upper with university red accents is still one of the silhouette’s best colorways.
Since this insanely popular drop, Nike has since borrowed this same exact color scheme for a stock Air Jordan I, which we actually prefer, since it doesn’t have the backward swoosh. But hey, that’s just us.
Find the at Travis Scott Jordan 1 Retro High at GOAT.
Every sneakerhead knows the struggle of auctioning for a pair of sneakers on the SNKRS app. It seems like you are never selected because the bots are on it the second the sneakers drop. Nike SNKRS understood our struggle and decided to give customers a second chance to get a pair of sold out dunks. […]
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