RZA Showcases ‘A Ballet Through Mud’ Orchestra Album At L.A. Theater

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Earlier this month, rapper, actor, director, composer, and co-founder of the Wu-Tang Clan, RZA, hosted a concert at the Los Angeles Theatre showcasing his orchestral album A Ballet Through Mud, a poignant coming-of-age story that delves into the complexities of love the bonds of friendship, and personal growth.

Presented by America’s largest listener-supported radio station for classical music, Classical California (KUSC), in partnership with Platoon and 36 Chambers, the performance was conducted by Oliver Zeffman and performed by USC Thornton School of Music students and alumni, along with a ballet performance by Sorzano Dance Work.

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RZA also appeared on the radio station’s flagship series, Classical Californians, which spotlights individuals across the state who are deeply connected to classical music. He took to the airwaves and played selections of A Ballet Through Mud, along with traditional symphonies and film music repertoire that influenced his production techniques.

Classical California is America’s largest listener-supported public media organization for classical music, reaching 1.4 million monthly listeners worldwide. We are dedicated to making everyday life more harmonious. Classical California enriches lives and communities through our innovative on-air and in-person music experiences, making it accessible, entertaining, and relevant for audiences of all ages. Our broadcasts reach across California through ten (10) radio transmitters anchored in Los Angeles and San Francisco.

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Jay-Z’s Team Roc Files Lawsuit Against Kansas City PD Over Alleged Misconduct, Lack of Transparency

Jay Z posing 1392x884

Jay Z posing 1392x884

Jay-Z’s social justice arm, Team Roc, has taken legal action against the Kansas City, Kansas Police Department (KCKPD) and the city’s government, accusing them of obstructing efforts to investigate claims of wrongful convictions and police misconduct.

The lawsuit, filed on Tuesday (November 19), alleges that the KCKPD has failed to comply with a public records request made under the Kansas Open Records Act (KORA) in November 2023. According to Team Roc, despite paying $2,200 in fees, the department has withheld crucial documents related to allegations of officer abuse and misconduct. The 225 documents provided, the group claims, were mostly irrelevant, consisting of personnel and training records instead of the requested information.

“Kansas City residents have suffered enormously as a result of KCKPD abuses,” the lawsuit states. “Some have been framed for crimes they did not commit; some have been coerced into providing false testimony; some have been sexually assaulted; some have endured brutal beatings; and some have even been killed. Rather than promoting a culture of transparency and accountability, the KCKPD has a long history of turning a blind eye to, at best, and even covering up, if not worse, abusive and/or corrupt conduct by its officers.”

Team Roc has been actively seeking transparency from KCKPD since 2021, previously filing lawsuits to obtain records detailing complaints against officers, as well as documents on the training and oversight of the department’s investigative division. The current lawsuit highlights a systemic pattern of alleged misconduct within the department, including framing individuals, coercing false testimony, sexual violence, excessive force, and even fatal incidents.

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“When good faith efforts are met with bad faith tactics, the fight for transparency continues in court. Truth deserves no less. The people of Kansas City, Kansas, deserve no less,” Team Roc wrote in an Instagram post announcing the lawsuit.

Attorney Alex Spiro, representing Team Roc, emphasized that the organization has a right under KORA to access the requested records, which could shed light on the alleged abuses. However, the government’s resistance has made legal action necessary.

The government has attempted to block our access to those files, and so we’re suing to see what they don’t want us to see,” Spiro explained.

Team Roc’s lawsuit seeks to compel the release of the withheld documents and to hold the department accountable for its alleged failures in transparency and accountability. This latest legal move underscores their commitment to uncovering the truth and advocating for justice in Kansas City.

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[WATCH] Saweetie Sits Down With Alex Cooper To Talk About Love, New Music, and Her ‘Diamond Era’

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unnamed 81

On this week’s episode of Call Her Daddy, Alex Cooper sits down with millennial rapper Saweetie, who opens up about her current approach to relationships, the craziest way she caught a partner cheating on her, when you should keep gifts from an ex and why she might be done dating rappers. She also discusses her love of hot Cheetos, the time she was renting rooms from Craigslist, coding on Myspace, and her new music.

The Cali rapper talks about how she is perceived by the public, saying, I would say in the earlier on in my career, I would say, I would just disassociate myself from Saweetie ’cause there’s Diamonté and there’s Saweetie. I’m like, “Okay, if y’all knew Diamonté, to know me is to love me.” She adds, “Y’all wouldn’t be doing all this shitty stuff to me. So, at first, it was disassociation, but now I’m just so at peace with just who I am. I’m like, “God knows my heart,” and as long as God knows my heart, there’s no problem.”

When it comes to dating, Saweetie jokes that her only companion is her career. I am seeing somebody….Their name starts with a C… Do you want to know their name?…My career, girl.”  She goes on to say, I just feel like I’m at a really special time in my career and I just have all these ideas and I want to channel my energy in a way where I feel like I can make the steps to where I see myself going and you know, I’m just really happy right now. I’m happy where my life is heading, so I’m dating my career.” 

Check out Cooper’s interview with Saweetie in its entirety above courtesy of SiriusXM.

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Today In Hip Hop History: Wu Tang Clan Dropped Their Third LP ‘The W’ Album 24 Years Ago

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tumblr f5e73c5689bcd397492235079728c678 25717a44 1280

On this day in Hip Hop history Wu Tang Clan releases their third studio LP The W. As the follow up to the immensely successful Wu Tang Forever, this album fell a little short of its predecessors success but continued in growing the Wu’s legacy as a whole.

At the time of the album’s production and release, Wu Tang member ODB was facing a legal-saga with seemingly no end. Although that may have stopped Dirt Dog’s ability to grace the album more than once, it did not however derail the Clan’s creative process and ability to execute. Much to the tone of their past work, The W once again proved that Wu-Tang is lyrically the strongest rap collective of all time. As far as production however, RZA toned down the intricate instrumentation used on Forever and went back to the 36 Chambers style of soulful samples coupled with melancholic  drum patterns. This back to basic model allowed the Clan to stand out lyrically as they once did.

Commercially, the album was an international success. It peaked at #5 on the Billboard 200 as well as #1 in the UK and Ireland. The album won numerous Album of the Year awards from esteemed publications and is herald as one of Hip Hop’s greater albums.

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Travis Scott To Make Historical Return To Headline Coachella, Headlining Main Stage

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Global superstar and cultural trailblazer Travis Scott will once again descend upon the desert for weekends 1&2 of Coachella, headlining the main stage on Saturday night where he will debut an entirely new era of music to the world.
 
Scott, whose CIRCUS MAXIMUS TOUR has officially sold more tickets globally than any rap tour in history, has also announced a one-of-a-kind Cactus Jack desert takeover, set to occur on Friday, Saturday, and Sunday, on both weekends, where the record-breaking artist will curate a fully immersive and experiential world within the desert—more details to be revealed in the coming months.

This past weekend, Artistic Director and Sunday night headliner Travis Scott and Cactus Jack also unveiled their most groundbreaking creative vision yet: CactusCon, which debuted at ComplexCon, showcasing more than 35 exclusive collaborations with today’s leading designers, brands and creatives. An undeniable and unprecedented cultural activation that redefined collaboration and creativity. A bold and immersive celebration of style, art, fashion, and music ever seen

Coachella will return to the Empire Polo Club in Indio, CA, on April 11 – 13 and April 18 – 20, 2025. For more festival information and updates, please visit www.coachella.com.

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Kodak Black Confirms Drug Use: ‘I’m Too Young to Die Sober’

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Kodak Black's "Super Gremlin" Tops RapCaviar's Most Streamed Song List for First Half of 2022

Over the last few weeks, Kodak Black has demonstrated concerning behavior in regard to his sobriety. Hitting Instagram Live, Black revealed he is “never sober.”

“For what? For what? Look at this money. Look at all this cash,” Kodak said. “Sober for what? I’m too young to die sober.”

Kodak Black raised concerns following his appearance on Kai Cenat’s livestream early this week.

Kodak joined the famed streamer’s 30-day “Mafiathon” livestream, and his behavior immediately caught the attention of all who witnessed his behavior, which many observers described as “tweaking”, a description given to those who are visibly intoxicated or high.

The “Super Gremlin” rapper was sweating profusely and rambling while talking for a large portion of his appearance. At one point, Black even successfully lands a seal shot, where he threw a pill (presumably a Percocet) in the air and caught it in his mouth, which stunned Cenat, who questioned Kodak about what he’s just popped in his mouth. Kodak replied, “It was a glitch for the Twitch.”

Earlier this year, Kodak admitted on IG Live that he had a serious problem with Percocets, saying, “I remember a point in my life when I was chewing a lot of Percs. I’m proud of myself. I’ve never been this happy in my life. I don’t know where this came from, what the fuck going on.”

He added, “Before I just went to jail — I can talk about this because it’s my testimony, ain’t no shame in my shit — I was taking at least 100 Percs. My average was 40 Percocets… to the point where I look at this shit and be like, ‘What the fuck was wrong with me, bruh?’”

With an acute relapse visibly on the horizon, it’s safe to say that Kodak needs to get help before he faces the same fate of so many addicts, both unknown and famous, have faced since the beginning of the opioid crisis in this country almost a decade ago.

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Five Artists Whose Careers Were Sparked By The Late DJ Screw

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dj screw 1

As we celebrate the unparalleled career of the legendary Robert “DJ Screw” Davis Jr. during the week of his passing almost a quarter century ago, we decided to explore some of Houston’s most revered artists and how their career was founded and expanded due to their connection to DJ Screw. As the known originator of the famous “chopped and screwed” sound and the leader of H-Town’s Screwed Up Click, Screw released more than 350 mixtapes before his untimely passing in 2000. With chopped and screwed as his signature sound, he made tapes which he sold out his Screwed Up Records and Tapes store in Houston, solidifying himself as a businessman and a music innovator.

Here are just some of H-Town’s most respected artists that admittedly wouldn’t be where they are today if it weren’t for the foundation laid by the late DJ Screw.

Trae Tha Truth

Houston-born emcee and activist Trae Tha Truth, along with longtime collaborator Z-Ro in their group ABN, made their ascension in the game as members of the legendary Screwed Up Click, with the 44-year-old dropping 11 solo albums, over 25 mixtapes and now serves as VP of T.I.’s Grand Hustle Records. Trae is also well known for his philanthropy as the founder of both Angel by Nature, a charity aimed at helping the impoverished youth of Texas.

Lil Flip

Named Houston’s “freestyle king” by Screw himself, Lil Flip got his break in the game when Screw heard his debut album The Leprechaun on H-Town based label Sucka Free Records and put him down with the Screwed Up Click. Four years later, Flip signed a deal with Sony Urban Music and dropped his third album and first double-disc CD U Gotta Feel Me, which contained the popular single “Game Over(Flip”, earning him his first platinm plaque of his career.

Paul Wall

Even though Pau lWall repped North Houston and was under Michael “5000” Watts’ Swishahouse Records, his most popular singles, 2005’s “Sittin Sidewayz”, which samples a line from Big Pokey’s verse on DJ Screw’s “June 27th” and Mike Jones’ “Still Tippin” remix featuring Screwed Up Click’s Lil Keke and Big Pokey, set the tone for the duration of Wall’s career. Today, Wall is also an accomplished and proficient mixtape and party DJ, known for producing mixtapes in the famous chopped and screwed style, which was invented by DJ Screw.

Big Moe

Originating from Houston, Texas, and as one of the founding members of the “Original Screwed Up Click,” Big Moe started out in music by freestyling on DJ Screw mixtapes like many of his Houston peers. Big Moe’s debut album, City of Syrup, dropped in 2000). The title was a nod to Houston’s reputation for drinking codeine-laced syrup called “lean” or “sizzurp”, which Moe pours from a Styrofoam cup on the album’s cover. 

DJ Mike “5000” Watts

In the mid-1990s, chopped and screwed music started to move to the north side of Houston by way of Swishahouse Records founder DJ Michael “5000” Watts.  A rivalry between North and South Houston over the true originators of chopped and screwed began to arise, but Michael “5000” Watts always gave credit to DJ Screw as the originator of chopped and screwed music, although Watts has been a proponent of the slogan “screwed and chopped” instead of “chopped and screwed”.

Following the death of DJ Screw, his musical influence spread all over the southern United States. Later in 2000, the Memphis-based group Three 6 Mafia came out with their song “Sippin’ on Some Syrup”. The song debuted as a minor hit but later became one of Three 6 Mafia’s most popular songs.

The 2007 documentary film Screwed in Houston details the history of the Houston rap scene and the influence of the chopped and screwed subculture on Houston hip hop. In 2011, University of Houston Libraries acquired over 1,000 albums owned by DJ Screw. Some of the albums were part of an exhibit in early 2012 and, along with the rest, went available for research in 2013. Today, the chopped and screwed music genre has been added to all forms of streaming services including iTunes, Spotify and has crossed over to receive mass mainstream appeal.

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Happy Heavenly Birthday To A Tribe Called Quest’s Phife Dawg (RIP)! 5 Memorable Phife Verses

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phife

On this day in 1970, the second lyrical half of A Tribe Called Quest, Phife Dawg was born. Born Malik Isaac Taylor in Queens, New York, Phife was one-fourth of one of the most influential groups in Hip-Hop culture; A Tribe Called Quest. It’s been almost nine years since Phife lost his battle with diabetes, however, his music will live on for eternity.

On many of ATCQ’s tracks, fans have always rightfully celebrated Q-Tip’s lyricism, but rarely gave Phife Dawg his proper due. In the posthumous honor of his birthday, we have put together a list of five of his hottest verses to shine a light on the unsung lyrical phenom that is Phife Dawg.

5. “Electric Relaxation” On this standout track from the album Midnight Marauders, Phife and The Abstract went toe to toe, trading off verse without a hook until the song ended, with standout bars like, “Let me hit it from the back, girl I won’t catch a hernia/Bust off on your couch, now you got Seaman’s Furniture..”and let’s not forget, “I like ‘em brown, yellow, Puerto Rican or Haitian/Name is Phife Dawg from the Zulu Nation..”

4. “La Schmoove” This was a featured verse from Phife Dawg on a track by Brooklyn rap tongue twisters Fu Schnickens. On this track, Phife had the third verse, yet opened it like it was his own song saying,

Now here I go, once again with the ill flow/Other MC’s that rap, their style is so-so..”

3. “Scenario” Being one of the most popular songs on A Tribe Called Quest’s Low End Theory album, Phife Dawg’s opening verse is one that rings in the ears of many rap fans.

“Ayo, Bo knows this, and Bo knows that/ But bo don’t know jack cause Bo can’t rap//Well what do you know, the Di-Dawg, is first up to bat/No batteries included and no strings attached..”

2. “Award Tour” Another cut from Midnight Marauders, Award Tour was a huge success for A Tribe Called Quest. It also houses some of Phife Dawg’s strongest metaphors.
“I have a quest to have a mic in my hand/without that, it’s like Kryptonite and Superman/So Shaheed come in with the sugar cuts//Phife Dawg’s my name, but on stage, call me Dynomut..”

“So, next time that you think you want something here/Make something dope or take that garbage to St.Elsewhere..”

1. “Buggin Out” Coming from their most popular album, this is regarded as Phife’s illest bars. Phife Dawg spits two of the hardest verses on the album on this one record.
“Yo microphone check one, two, what is this?/The five foot assassin with the roughneck business/I float like gravity, never had a cavity/Got more rhymes than the Winans got family..”

“You soar off to another world, deep in your mind/But people seem to take that, as being unkind/’Oh yo he’s acting stank,’ really on the regal?/a man of the fame not a man of the people/believe that if you want but I tell you this much/riding on the train with no dough, sucks..”

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Today in Hip-Hop History: Mobb Deep Released Their ‘Hell On Earth’ LP 28 Years Ago

Mobb Deep Hell On Earth

Mobb Deep Hell On Earth

On this date in 1996, the “infamous” crew from Mobb Deep dropped album number three entitled Hell On Earth. The Mobb-produced project was released under the epic Loud/RCA imprint introduced many of the extended QB/Mobb family including raspy-voiced Twin Gambino, Big Noyd, and a few others. Hav and P enlisted some of the game’s top dogs of the time for this album including their QB brethren Nas, Wu’s Raekwon the Chef, and Method Man.

This certified gold classic was unquestionably a part of the East Coast arsenal against the West Coast during the height of the rivalry, with tracks such as the title track, “Still Shinin’”, and of course, “Drop A Gem On ‘Em”, sending overt threats at Tupac Shakur and his cohorts. Other standout joints include “G.O.D. Pt.III”, where Prodigy drops some street knowledge, “Blood Sport”, and “Give It Up Fast” featuring Noyd and Nas.
This album was also the project that confirmed Havoc’s skills as a producer, which led to several other projects outside of the Mobb.

Salute to P, Hav, Noyd, Gotti, Twin, Ty Nitty, Nas, Rae, Meth, Steve Rifkind, and everyone else involved with this classic album!

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Cordae Announces ‘The Crossroads’ Tour 2025

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Screenshot 2024 11 19 at 10.18.34 PM

Multi-platinum, 3x GRAMMY® Award-nominated, and Emmy® Award-winning rapper Cordae will embark on The Crossroads Tour in 2025. The 23-city trek kicks off on Wednesday, February 5 at Ace of Spades in Sacramento, CA, making stops in Los Angeles, Houston, Atlanta, Toronto, New York, and more before wrapping up in Chicago, IL at Concord Music Hall on Sunday, March 16.

The Crossroads Tour celebrates Cordae’s critically acclaimed new album, The Crossroads, available now via Atlantic Records HERE. Executive produced by Smoko Ono, The Crossroads features the singles Mad As Fuck,” Syrup Sandwiches (feat. Joey Bada$$$)”, ”Saturday Mornings” (feat. Lil Wayne), and Summer Drop” (feat. Anderson . Paak).” The 16-track album contains even more stellar collaborations from Juicy J, Ty Dolla $ign, Jordan Ward, Ravyn Lenae, and Kanye West.

THE CROSSROADS TOUR – NORTH AMERICA 2025 DATES:

Wed Feb 05 – Sacramento, CA – Ace of Spades

Fri Feb 07 – Seattle, WA – Showbox SoDo

Sun Feb 09 – Portland, OR – Crystal Ballroom

Mon Feb 10 – Vancouver, BC – Commodore Ballroom

Wed Feb 12 – San Francisco, CA – The Regency Ballroom

Tues Feb 18 – Los Angeles, CA – The Novo

Wed Feb 19 – Phoenix, AZ – The Van Buren

Fri Feb 21 – Salt Lake City, UT – The Complex

Sat Feb 22 – Denver, CO – Cervantes’

Sun Feb 23 – Albuquerque, NM – Sunshine Theater

Tues Feb 25 – Houston, TX – Warehouse Live Midtown

Wed Feb 26 – Austin, TX – Emo’s

Fri Feb 28 – Atlanta, GA – Buckhead Theatre

Sat Mar 01 – Charlotte, NC – The Underground

Sun Mar 02 – Silver Spring, MD – The Fillmore Silver Spring         

Tues Mar 04 – Philadelphia, PA – Theatre of Living Arts

Thu Mar 06 – Boston, MA – House of Blues Boston

Sat Mar 08 – Montreal, QC – Théâtre Beanfield

Sun Mar 09 – Toronto, ON – The Opera House

Tue Mar 11 – Cleveland, OH – House of Blues Cleveland

Wed Mar 12 – New York, NY – Webster Hall

Sat Mar 15 – Detroit, MI – Majestic Theatre

Sun Mar 16 – Chicago, IL – Concord Music Hall

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