Trippie Redd Celebrates Signing A $30 Million Record Contract With 10k Projects

Trippie Redd has already had a pretty impressive career so far for someone routinely overlooked by the music industry establishment, but if his latest social media posts turn out to be true, he’s about to have his biggest year ever. The Canton, Ohio rapper posted a pair of Instagram updates celebrating his latest career achievements: raising his performance fee to nearly a half-million dollars and signing a new recording contract allegedly worth millions.

“Just signed to @elliot for 30million,” he wrote in the caption of one post, referring to Elliot Grainge’s 10K Projects. “Now it’s time to start dropping ALLTY5 songs.” “ALLTY5” appears to be an acronym referring to Trippie’s popular mixtape series A Love Letter To You, which has four installments to date. And while that $30 million looked impressive at first glance, some fans were skeptical, prompting Trippie to clarify some of the deal’s terms in the comments. “Prob locked in for 10 years,” one dubious commenter wrote. “3 albums for 3 years,” Trippie replied.

Trippie had previously gloated about his booking fee going up, writing that he currently receives “250k – 400k each show that I’m booked for.” Considering that he hasn’t exactly been a favorite of corporate America, that figure may seem astonishing but it makes sense considering how long he’s been a festival favorite and a fixture of the Rolling Loud scene.

Of course, it’s important to remember that record deals aren’t like NBA contracts; it’s highly unlikely anyone just handed Trippie $30 million. That’s probably just the money the label is willing to invest in recording and promoting his next three albums with the obvious requirement that he recoup whatever’s he’s advanced in order to get paid on the backend. Still, that’s a surefire sign of the label’s confidence in Trippie — which makes sense, considering he’s 10k’s best-established artist.

Megan Thee Stallion Explains Why She Compares Herself To Horror Icon Jason Voorhees

Megan Thee Stallion has made it clear, pretty much since Day 1 of her being a recognizable public figure, that she’s really into horror movies. In fact, she actually sees some of herself in one of the genre’s biggest faces (well, covered faces): Jason Voorhees of the Friday The 13th franchise.

In a new interview with CR Fashionbook, Meg was asked what famous horror villain she would be if she had to pick, and she responded, “I would be Jason, because no matter how hard my haters try to take me out, I keep coming back harder!”

She also noted of American Horror Story, “Oh my God, I love American Horror Story. I watched each episode as they came out weekly on FX. I loved the first season, Murder House. It had to be my favorite season.”

Elsewhere during the conversation, she pulled back the curtain a bit on her upcoming album, saying, “This album has been the most emotional to make. I’m finally opening up about things I’ve never publicly spoken about. I’m nervous and excited for my fans to hear this side of my personality. ”

Check out the interview here.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Khalid Shares ‘Last Call’ Along With An Interactive Retrospective Called ‘American Teen: The Yearbook’

It’s a big day for Khalid. Five years ago today, his breakthrough debut album, American Team, came out into the world. Featuring titanic singles like “Young, Dumb & Broke” and “Location,” it soon topped quadruple Platinum status. Heck, it’s legit been on the Billboard 200 chart for every single day of its five years in existence!

The significance of this day is not lost on Khalid, who has not only shared an interactive retrospective called American Teen: The Yearbook, but also just shared the new single, “Last Call.” He said in a tweet that it represents “The first few steps of another chapter for myself,” adding, “Thank you guys for all of the love & support through my journey as an adult. This is my gift to you.”

Produced by Digi, Khalid continues to express thanks in the tracks opening bars, singing harmonically: “Search for what will set you free, it’s not 2017 anymore. So you trust in a guy like me, to give you everything in store.” The video for the track features footage of the early days of the illustrious journey he’s been on to become one of the biggest R&B stars in the world.

“I’m really excited to share ‘Last Call’ with all my fans,” Khalid said in a statement. “It’s important to me to commemorate this day and look back at everything that has happened. I can’t believe it’s been 5 years already. I hope you guys enjoy it and celebrate with me and all we’ve done together.”

Watch the video for “Last Call” above.

Jack Harlow Will Make His Acting Debut In The ‘White Men Can’t Jump’ Reboot

Last month, rapper Jack Harlow showed off his basketball skills at the NBA All-Star Celebrity Game with teammates Kane Brown, Anuel AA, and Myles Garrett. This preceded news regarding his first ever on-screen role. In his acting debut, Harlow will star in 20th Century’s reboot of White Men Can’t Jump, according to Deadline.

Harlow’s debut role comes following a slew of hits over the past two years, including his own viral TikTok single “What’s Poppin’?” and his verse on Lil Nas X’s “Industry Baby.” Kanye West even called Harlow one of today’s five best rappers and featured him on his album Donda 2.

While we know Harlow is skilled on the court, he reportedly wowed the filmmakers and producers during his first ever audition. The “Nail Tech” rapper will play a version of the role originally played by Woody Harrelson. In Ron Shelton’s 1992 original, Harrelson stars alongside Wesley Snipes. The two play basketball players who try to outplay each other, but ultimately decide to team up.

Black-ish creator Kenya Barris will produce the film through his company Khalabo Ink Society. Blake Griffin, Ryan Kalil, and Noah Weinstein will executive producer this adaptation through their label Mortal Media. Doug Hall, who wrote the script alongside Barris will also executive produce with E. Brian Dobbins.

Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Joey Badass Debuts His Defiant New Single ‘Head High’ On ‘A COLORS Show’

After a couple of years spent building out the other parts of his resume, Joey Badass has been slowly but surely dipping his toes back into rap. Promising that his third album is “for sure” dropping this year, the Brooklyn-based rapper made his triumphant return to the rap game with his boastful new single “The Rev3nge.” Today, he unveiled his next new single, the defiant “Head High,” with a passionate performance of the song on popular YouTube music series A COLORS Show.

Standing in front of an icy blue background in a cream jacket and matching patterned pants, Joey recounts a conversation with XXXtentacion, comparing him to Joey’s own fallen compatriot Capital Steez, and ruminates on the cyclical nature of trauma and violence in the hood while refusing to give in to it. “Dancin’ with the devil, tryin’ not to lose my balance,” he mutters. “Look, God blessed the kid with many talents.”

Should Joey’s album drop as promised this year, it’ll be his first full-length collection of music since 2017’s All-Amerikkkan Badass, which solidified his talent as more than just a ’90s throwback homage artist.

Watch Joey Badass’ passionate performance of the defiant “Head High” for A COLORS Show above.

A Judge Dismissed Photo And Video Evidence Against NBA YoungBoy In His Federal Firearms Case

The federal firearms case against Louisiana rapper YoungBoy Never Broke Again — NBA YoungBoy for short — has suffered a blow as a judge dismissed photographic evidence against the rapper due to questions about how it was obtained. YoungBoy’s legal team had filed a motion to suppress the evidence, an SD card containing both photos and evidence of YoungBoy brandishing firearms — which the rapper can’t do as a convicted felon. XXL magazine initially reported the development in the case via court documents seen by XXL’s reporter.

Baton Rouge police arrested YoungBoy, along with several others, after responding to a call that “a group of people was on Chippewa Street carrying firearms and filming a rap music video” in September of 2020. YoungBoy’s lawyers argued that the officer who applied for the search warrants issued for several vehicles that fled the arrest used “falsehoods” and omitted information in his applications. As the SD card and a firearm were found in an Acura belonging to YoungBoy’s cameraman behind those warrants, the judge presiding over the case granted YoungBoy’s motion to suppress the evidence on the grounds that the warrant only covered the search of the vehicles, not the camera or SD cards.

However, the judge refused the motion to dismiss the firearm itself. Authorities will have to successfully argue that YoungBoy possessed the weapon at the time of arrest without the help of the photos that allegedly prove it. That doesn’t mean the rapper is completely off the hook, though; he still faces similar charges in Los Angeles for a separate arrest in 2021. The troubled rapper’s home was also raided earlier this year.

Jack White And Q-Tip Collaborate On A Haunting New Track, ‘Hi-De-Ho’

Ahead of his upcoming double album release, Jack White has released a new collaboration with A Tribe Called Quest’s Q-Tip. On “Hi-De-Ho,” White channels Cab Calloway by way of a sample of his song “Hi-De-Ho Man.” White and Q-Tip both scat over a haunting drum beat with samples of saxophones throughout.

White heard Calloway’s original version on the radio and decided to sample it and compose a bass line for his version. White then sent his track to Q-Tip, who, within minutes, sent back a version with his vocals.

“I love synthesizing different moments, different areas of music, different time periods,” White said in an interview with Rolling Stone. “The best part about it all is everybody I played to kept thinking that Cab Calloway was me. And I thought, ‘No, it’s obviously not me. Do I actually sound like that?’ So that was bizarre. ”

“Hi-De-Ho” marks the second collaboration between Jack White and Q-Tip, the first being “Solid Wall Of Sound” from A Tribe Called Quest’s We Got It From Here…Thank You For Your Service.

White will release Fear Of The Dawn, the first of two albums he has planned for this year, in April. The second album, Entering Heaven Alive, is set for release in June. “Hi-De-Do” will be on Fear Of The Dawn‘s tracklist and another new single, “Queen Of The Bees,” will be featured on Entering Heaven Alive.

Check out “Hi-De-Ho” above and “Queen Of The Bees” below.

Fear Of The Dawn is out 4/8/2022 via Third Man Records. Pre-order it here.

Entering Heaven Alive is out 7/22/2022 via Third Man Records. Pre-order it here.

Doja Cat, HER, And Saweetie Perform At The 2022 Billboard Women In Music Event

Last night, the 14th annual Billboard Women In Music event was held at the YouTube Theater in Inglewood, California to honor women in the music industry who have made significant strides or impacts in the past year. The event, which made its return after being canceled last year, awarded such honors as Woman Of The Year, Impact Award, Powerhouse Award, Innovator Award, Trailblazer Award, and Executive Of The Year. As with many awards events, the Women In Music conference also featured live performances from many of its honorees, including Doja Cat, HER, Saweetie, and more.

For Doja Cat’s stripped-down performance of “Alone” from her 2021 album Planet Her, the singer and rapper appeared in a hot pink cloak gown accompanied by piano and light strings on the darkened stage. Beginning without percussion, the instrumentation featured a slow build that never quite resolved, giving an understated appeal to Doja’s usual bombastic onstage antics.

Meanwhile, Saweetie performed her new song “Closer” — sans collaborator H.E.R. — keeping the “Icy flight attendant” aesthetic of the song’s video alive for the stage. In this case, Saweetie and her dancers wore bedazzled gold uniforms as they performed some extremely “disco queen” choreography perfect for the song’s ’70s dance vibe.

Saweetie’s fellow Filipino-American performer HER, meanwhile, delivered an acoustic take on her song “Fate.”

You can watch the performances above or on Billboard.com.

Freddie Gibbs Doesn’t Think Joe Rogan Is Racist, But Says White People ‘Gotta Let Us Have’ The N-Word

The latest star to come to the defense of controversial podcaster Joe Rogan is former guest Freddie Gibbs, who actually appears on the latest episode of the Joe Rogan Experience podcast offering his take on Rogan’s recent racial slur scandal. Although Gibbs didn’t openly approve of Rogan’s comments and actions, he did give the host some grace while reminding him that he shouldn’t have said the things he said.

“You can’t say that sh*t, Joe, ’cause you pissed n****s off when you did that compilation,” Gibbs said. “It was funny as f*ck, though, I can’t even lie. But hey man, look, I don’t think you a racist, my n****a. You my n****! I f*ck with you. I never thought you was a racist. I just think you were saying some sh*t you shouldn’t have said and a lot of us n****s say stuff that we shouldn’t say sometimes. It is what it.”

One thing Gibbs was adamant about, though, was the proper context for the use of the word in question. “I want to tell white people right now: y’all just gotta let us have that,” he quipped. “Just let us have ‘n****.’ Y’all already human trafficked us over here, let us have that.”

Rogan received a massive backlash after a recent episode of his video in which he makes some (ahem) off-color remarks about Black people was followed by several old episodes in which he says “n****” were resurfaced by social media users. After being called out by Trevor Noah, Fat Joe, and others, Rogan issued a boilerplate apology, which was praised by such milquetoast cultural authorities as the hosts of The View and The Rock (who later backpedaled after realizing that class solidarity doesn’t always trump racism). Others, like Samuel L. Jackson, didn’t accept the apology at face value. Meanwhile, Rogan faced a separate, but related backlash as multiple stars pulled their music from Spotify, which hosts Rogan’s podcast, over his constant propagating of COVID-19 vaccine misinformation.

The Weeknd Announces His After Hours Til Dawn Tour Dates With Doja Cat

The Weeknd has announced the North American dates for his After Hours Til Dawn Tour supported by frequent collaborator Doja Cat, which kicks off just after Independence Day and continues through September. The Weeknd and Doja Cat previously collaborated on a remix of “In Your Eyes” from After Hours, as well as “You Right” from Planet Her.

The Canadian star apparently initially planned to announce the dates last month, but delayed his announcement due to the initiation of overt hostilities between Russia and Ukraine. The Weeknd actually postponed the tour late last year, citing the “constraints of arenas and the demand for more shows,” and scaling up to stadiums. You can find the full North American tour date information below and at The Weeknd’s tour site.

7/8 — Toronto, ON @ Rogers Centre
7/14 — Philadelphia, PA @ Lincoln Financial Field
7/16 — New York, NY @ Metlife Stadium
7/21 — Boston, MA @ Gillette Stadium
7/24 — Chicago, IL @ Soldier Field
7/27 — Detroit, MI @ Ford Field
7/30 — Washington, DC @ FedexField
8/4 – Tampa, FL @ Raymond James Stadium
8/6 — Miami, FL @ Hard Rock Stadium
8/11 — Atlanta, GA @ Mercedes-Benz Stadium
8/14 — Arlington, TX @ AT&T Stadium
8/18 — Denver, CO @ Empower Field at Mile High
8/20 — Las Vegas, NV @ Allegiant Stadium
8/23 — Vancouver, BC @ BC Place
8/25 — Seattle, WA @ Lumen Field
8/27 — San Francisco, CA @ Levi’s Stadium
8/30 — Phoenix, AZ @ State Farm Stadium
9/2 — Los Angeles, CA @ SoFi Stadium