Doja Cat Is Having More Fun With Fashion Than Anyone Else

Throughout their nearly four decades as an awards show, the MTV VMAs have historically been a way for musicians to experiment with their style. Lady Gaga’s 2010 raw meat dress became one of the most-recognizable pop culture moments, and who could forget Lil Kim’s purple pasties at the 1999 VMAs red carpet? As someone who thrives at the intersection of hip-hop and pop genres, Doja Cat has definitely taken a page out of Gaga and Kim’s playbooks when it comes to her own style. Whether she’s delightfully draped in chiffon or wearing an actual stool on her head as a hat, Doja toes the line between shocking and playful — proving she’s having more fun with fashion than anyone else in music.

When it comes to her style, part of Doja’s shock value success comes from her commitment to a concept. It’s been an important part of her artistry from her breakout moment and is abundantly clear from watching her music videos, performances, and eyeing her show-stopping red carpet looks. Throughout her career, Doja has leaned into cat-like looks to go along with her namesake, caught disco fever with the ‘70s-inspired outfits following the release of her No. 1 track “Say So,” and gone out of this world with a futurist approach to her ensembles surrounding the era of her latest album, Planet Her.

Doja’s videos make it clear she has stayed true to an aesthetic from the very beginning. She fully leaned into the title of her song “Moo!” in a video that became her first viral moment. The green screen-backed visual saw the singer dressed head-to-toe in a cow-print outfit and sipping on a strawberry milkshake while she shouts, “B*tch, I’m a cow.” Her outfits in the video to “Bottom B*tch,” a song which samples Blink-182’s “What’s My Age Again?,” brought pop-punk into a new decade by taking style elements from Spencer’s-obsessed teens like mesh tops and neon beanies while adding a modern twist with stringy corset tops and a patterned two-piece set. Fast-forward a few years and most of her videos to the tracks from Planet Her now revolve around an extraterrestrial theme. She and SZA were giant femme fetal space dwellers in “Kiss Me More,” while Doja transformed into a seductive, green, metropolis-living alien in her “Need To Know” video.

Doja’s conceptual style also plays a major role in her live performances. She played up the feline-lover origins of her moniker with her Vevo Lift performance of “Say So” in 2020, which added campy elements to distinctly classic styles. Her wig was bobbed and curled in the style of Marilyn Monroe, while its hot pink color and fuzzy cat ears made it her own. Her accompanying outfit was a Garo Sparo bodice with a sweetheart neckline cut to mimic the Playboy bunny cocktail waitress outfits-turned popular Halloween costumes. But instead of being made from satin, Doja’s outfit was cut from hot pink furry cloth, once again nodding to her cat-like look. “There’s something mysterious about the concept of a ‘crazy cat lady,’” she said in an interview alongside the performance. “I took that symbol and applied it to my character, Doja Cat.” When it came to her recent 2021 performance at the Balmain Fashion Show in Paris, her concept was a bit more open-ended. Rather than formatting her look after an animal, the singer said she wanted her look to give the energy of “sexy garlic.”

Doja has long positioned herself as a fashion boundary-pusher, so she is always right at home on the red carpet. In fact, some of the singer’s most experimental looks happened at award shows. When it comes to the VMAs, Doja hasn’t held anything back. When she took the virtual stage in 2020, the singer showed up in an ensemble that can only be described as a sexy fish, complete with lit-up genitalia. A year later while hosting the ceremony, the singer accepted a VMA award in a head-to-toe padded quilt dress designed by Thom Browne that Doja compared to a colorful worm. “I never thought I’d be dressed as a worm while accepting an award,” she said.

Her “sexy fish” VMAs outfit is, to no one’s surprise, not the only look Doja has worn that draws attention to her… nether regions. At the 2020 AVN Awards, aka the “Oscars of porn,” the singer showed up in a skin-tight mesh bodysuit that sparsely covered her crotch in rhinestones. The look expertly combined the disco-inspired era “Say So” with the theme of the night, an outfit her stylist would later call her “Cher moment.”

Whether she’s posing in a glittery merkin, accepting an award dressed as a neon worm, clomping around in massive chicken claw-like shoes, many of her wildest outfits have one thing in common: they were designed in collaboration with her stylist, Brett Alan Nelson. While Doja has always had her own style, there’s no denying that Nelson has helped take her fashion to the next, sometimes bizarre, level. As a central part of Doja’s team since 2019, Nelson is drawn to over-the-top, theatrical styles. “She and I get each other so well,” Nelson said about his work with Doja in an interview with Vogue. “We bicker like brother and sister, but I know her, sometimes better than she knows herself. She’s down to have fun, take risks, and she trusts me, which in my industry, that is the best thing a creative could ever ask for.”

Lizzo Missed The VMAs For An Extremely NSFW Reason

At this year’s VMAs, Lizzo and Cardi B’s “Rumors” was up for Song Of The Summer, a title that ultimately went to BTS’ “Butter.” Lizzo did end the evening with one award, though, as she and Yayayayummy won Best Artist x Creator Collab for the “mustard watermelon” TikTok trend they launched. Lizzo wasn’t at the ceremony, though, because she was keeping busy with… something else.

In a TikTok video yesterday, Lizzo hinted at what she was doing the night of the VMAs, with the clip’s text overlay reading, “I really won a VMA while I was getting my back blown out last night… I’ll be there next year promise.” In the video, “Rumors” plays in the background, and the lyrics heard in the clip are fitting: “All the rumors are true, yeah / I f*cked him and you, yeah.”

She also captioned her post, “WE WON THE FIRST @mtv VMA FOR A TIKTOK BESTIES!!! WE DID IT— WHERE MY MOONMAN AT?”

@lizzo

WE WON THE FIRST @MTV VMA FOR A TIKTOK BESTIES!!! WE DID IT— WHERE MY MOONMAN AT? 😤

♬ Rumors (feat. Cardi B) – Lizzo

Naturally, a lot of the comments on the post reference Chris Evans, as Lizzo and the actor have had some flirtatious social media interactions in recent months. Lizzo didn’t indicate who she spent time with that evening, though.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

A Sexy Bathroom Photo Featuring Travis Barker, Kourtney Kardashian, MGK, And Megan Fox Has Consumed The Internet

If there’s one thing people love to see on the internet, it’s the mashup between high and low culture that usually results from the glimpses we get behind-the-scenes of events like MTV’s VMAs and the Met Gala. This year, thanks to a pair of the show’s performers and their respective significant others, people on the internet got more than enough of both all in one photograph.

The photo in question captures Machine Gun Kelly and Travis Barker — who teamed up to perform their emo-rock revival anthem “Papercuts” at the VMAs — and their girlfriends, Kourtney Kardashian and Megan Fox, all holed up in what looks to be a public bathroom before the Met Gala. Barker and Kardashian are making out, as are MGK and Fox, and Twitter is having something of a meltdown. Maybe it’s the combination of the glamorous gals — Kardashian is, of course, a member of a family of models and moguls, while Fox is a veteran actress — carousing with the decidedly grungey-looking guys — Barker and Kelly are both tatted-up rockers with roots in the hip-hop world — that has folks so fascinated with the pairings.

Fox and Kelly had fans mesmerized with her red carpet look and his reported altercation with MMA fighter Conor McGregor last night before the show, while Barker and Kardashian have been headline fodder for months, especially with the news that she helped him overcome his fear of flying after a 2008 plane crash hospitalized him for 11 weeks.

Check out some of the reactions to their photo below.

Conor McGregor + MGK Nearly Trade Blows At MTV VMAs

UFC star Conor McGregor can’t help but ignite tensions wherever he goes. The former champion has addressed nearly trading blows with rap artist Machine Gun Kelly at last night’s MTV Video Music Awards show in New York. Conor McGregor + MGK Nearly Trade Blows Despite viral footage and pics showing the pair being aggressive with […]

Conor McGregor + MGK Nearly Trade Blows At MTV VMAs

UFC star Conor McGregor can’t help but ignite tensions wherever he goes. The former champion has addressed nearly trading blows with rap artist Machine Gun Kelly at last night’s MTV Video Music Awards show in New York. Conor McGregor + MGK Nearly Trade Blows Despite viral footage and pics showing the pair being aggressive with […]

Conor McGregor Denies Trying To Fight ‘Vanilla White Rapper’ Machine Gun Kelly At The VMAs

Reports that MMA’s Conor McGregor tried to take a swing at rapper-turned-rocker Machine Gun Kelly at the 2021 MTV VMAs are greatly exaggerated — at least, according to Conor McGregor. The Irish fighter denied the “rumors” that he tried to hit Kelly in an interview after the alleged incident, throwing shade at his would-be opponent in the process. When asked what exactly happened by an Entertainment Tonight reporter, McGregor said, “Absolutely nothing. I just showed up — and I don’t know, I don’t even know the guy.” He couldn’t resist taking a verbal jab, though, saying, “I only fight real fighters, people that actually fight. I certainly don’t fight vanilla, white rappers. I don’t even know the guy — except that he’s with Megan Fox.”

Of course, that’s not how some sources, including TMZ, reported it — at least initially. Reportedly, when McGregor asked MGK for a photo on the red carpet ahead of the show, Kelly shoved him away, spilling his drink. Supposedly, McGregor threw the drink at MGK before the two were separated by security. However, in an update to the story, it appears nothing so dramatic happened, as instead, McGregor merely approached MGK with his hand out to say hello and was shoved by MGK’s security guard. As he says above, he doesn’t know what MGK said to prompt that response from security, but a photo of McGregor with his arm out was interpreted by fans as him throwing a punch (because apparently, people don’t know what a punch looks like).

The two both made it inside without any further fuss and, as Conor said, he doesn’t fight non-professional fighters, so the odds of an escalation are low — although it looks like MGK may have lost himself a fan, and vice versa.

Why Hip-Hop Fans Were Disappointed In The 2021 MTV VMAs — And How The Show Made Progress, Too

Last night, the MTV VMAs brought their unique blend of fun, scandal, and quirky ceremony back to Brooklyn’s Barclays Center, bringing along a live audience for the first time since 2019. Doja Cat hosted, performed, and wore a truly hilarious sequence of off-the-wall costumes. Olivia Rodrigo threw her own prom. Chloe, Normani, and Teyana Taylor saluted the show’s salacious history while paying homage to their heroes. It felt like VMAs were “back,” for lack of a better term.

But while the fans in attendance seemed to be having the time of their lives, an undercurrent of discontent rippled among those watching from home, eventually bubbling up to the surface on Twitter. Viewers skewered the show for its treatment of hip-hop, which they felt had been reduced to an afterthought by the show’s attempt to cover a wide swath of musical genres and generations. While neophyte performers like The Kid Laroi teamed up with their elders like Justin Bieber (congratulations, you’re old now) and even the aging Foo Fighters got their due, for some, it seemed like hip-hop had been left in cold.

Were it not still summer, that would be a literal assessment. Performers Latto and Saint JHN performed their sets from a pavilion outside the main venue and although each was given multiple opportunities to perform — three songs each — home viewers noted that those performances basically amounted to snippets of each song functioning as advertising bumpers. One only lasted for thirty seconds, which more than one commenter observed was shorter than one of the commercials that followed it.

The only main stage rap performance came from Busta Rhymes, who’s been around as long as the Foo Fighters have and whose most recent mega-hit (“Touch It”) might actually be older than half the audience that attended. That, of course, doesn’t count Doja Cat, whose hybrid pop-R&B sound is often punctuated by secretly impressive raps honed on LA’s indie-hip-hop performance circuit (shout out to Bananas!) or Machine Gun Kelly, who still maintains a penchant for spitting the odd 16-bar missive despite ostensibly making the switch to pop-punk, emo-rock tribute. Lil Nas X may have started as a rapper, but he calls himself a pop star now. While Busta’s performance was lauded (again I ask, does the man even breathe during his “Look At Me Now” verse?), it also highlighted the VMAs’ utter lack of main stage hip-hop from this decade — of which there would certainly appear to be no shortage.

Now, we don’t know all the behind-the-scenes, contractual details. There’s still a pandemic on, and many of rap’s top names have flouted reasonable safety precautions over the past year — even Busta himself, who gave a weird, anti-mask rant just a few months ago and has always at least rapped like an anti-vaxxer, even if he might not really be one (rap is wrestling, let’s not forget). But still, there was a decided dearth of appearances from the likes of Lil Baby, Lil Durk, Lil Uzi Vert, hell, even Lil Wayne (yes, I know, hip-hop has a lot of “Lils” — if you’re still complaining about this in 2021, maybe you aren’t the audience for it. Go listen to Foo Fighters or something).

Even Travis Scott only showed up to accept his award for Best Hip-Hop Video (for “Franchise”), giving a short speech before probably bouncing from the building entirely. Plenty of hip-hop artists and videos were nominated — very few won Moon People, despite their videos’ arguable worthiness. Fans were right to be incensed. However, this is the MTV VMAs we’re talking about here. They’ve almost never given any level of serious thought to rap as a genre or hip-hop as a culture, and as mostly fan-voted awards like Artist Of The Year have shown time after time, MTV’s audience has never quite been as invested in them as much as they have pop megastars like Britney Spears and Taylor Swift (or Swift’s heir apparent, Olivia Rodrigo) — the obvious exception being Eminem, for obvious reasons.

So disappointed, but not surprised, is probably the sentiment that best describes how many of us feel about the show’s treatment of hip-hop — which is, if nothing else, reflective of how mainstream America views the perceived creators and purveyors of hip-hop. It’s just a little more disappointing after so many of the show’s efforts in 2020 to acknowledge Black Americans’ plights, making the progress feel more performative than anything. On the bright side, the ratio of Black performers was greater than it’s been since Busta and Missy ruled the VMAs (and took home a paltry handful of awards in their primes, although Missy was honored with a Vanguard Award in 2019). One of them was a gay Black man, expressing his sexuality unabashedly in a flamboyant performance preceding a win for Artist Of The Year.

That’s how progress actually looks. It’s rarely a straight line, with everything moving forward at once. Maybe we take some Ls along the way. Maybe one thing moves forward while others stay stagnant or suffer setbacks. We shouldn’t be discouraged by this. We shouldn’t overlook it either, because the only way we keep moving forward is by constantly fighting for it. But we should take stock and appreciate the wins too. Black women won last night, even if they didn’t take home as many Moon People as some would have liked. Busta Rhymes, a sometimes overlooked legend, got his flowers. Lil Nas X got to stand in a place no one like him would have just a decade ago, as Billy Porter pointed out in his introduction of the “Industry Baby” performance.

And as for Latto and Saint JHN, they got to play more songs than anyone else. Maybe those in the venue wouldn’t have seen them, but far more people watched the broadcast and got to see two of rap’s rising stars multiple times. Those who watched certainly know who they are now — which, when you think about it, is actually the point of these shows in the first place. We don’t always remember who won which award, but those performances can be the first time we fall in love. Someone somewhere did just that last night — and that’s the first step toward becoming the sort of fan-favorite with a shelf full of Moon People.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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