Rapper-Owned Weed Brands, Smoked And Power Ranked

The world of rapper-owned weed brands features more smoke and mirrors than a Miami megaclub. While there are some bangers in the genre, most of these “brands” aren’t really brands at all. It’s far more common for a rapper to work with a preexisting company and drop a limited line of products or bag up some janky shit in mylar through a white-label grow operation, than it is for them to launch an autonomous cultivation project of their own. Half the time when you search for brands owned by rappers, the websites are defunct, the Instagrams don’t exist, and the products aren’t available. It’s as if, aside from the press release, a handful of blogs, and a lone lavish launch party, the brand ceases to exist at all.

Why?

Most rappers launch weed “brands” for clout rather than wanting to actually enter the cannabis space. And who could blame them? The weed industry is an expensive headache for entrepreneurs. It is ironic, though, because rappers are the celebrities most likely to be accepted by the discerning consumers of the cannabis community. Not only were they some of the earliest vocal proponents of cannabis in mainstream culture, but some famously sold weed prior to fame (and have served time for it).

If any genre of celebrity deserves to be in the weed space, it’s rappers. Period.

So today, we’re checking out some rapper-owned brands that actually exist and don’t totally suck (I don’t like them all, but none are fully trash). From the many rapper-weed collabs, we’ve chosen five strains to smoke, rank, and rant about from the floor of my living room. Sound fun? Let’s get stoned!

Ready 2 blaze
Uproxx

5. China White Preroll from Saucey Extracts by Jim Jones

Saucey
Uproxx

I attended the launch party for Saucey Extracts a few years ago. It was insane. At a Beverly Hills mansion, giant glass candy jars full of nugs dotted sprawling gardens to the pool. The weed literally overfloweth. I ran around with a celebrity stoner’s daughter stuffing branded tote bags to the brim with nugs. Jim Jones made an appearance. It was everything the launch party of a rapper weed brand should be. Wish I could say the same about the weed itself.

First of all, I always feel a little wary when an extracts brand launches flower, because that usually means they didn’t grow it themselves. White labeling is a huge issue in the cannabis community, a super common practice because the overhead of cultivation itself is so massive. Most brands, especially the big ones, don’t grow their own flower. That’s why they’re rich. It’s way cheaper not to. However, what you gain monetarily, you lose in quality.

For this test, I popped open the Supreme-esque plastic packaging of the China White pre-roll pack. Four joints of mechanically trimmed flower burst forth, smelling like hay. I took a dry hit, which is when you take a hit of an unlit joint to experience the flavor of the flower, known as the terpene profile. It was pretty mild, fruity, a little citrusy. Not mad at it, but it could have been more flavorful for sure.

I lit up. The flavor wasn’t bad. Delicate, citrusy, fruity, but overall pretty mids. I immediately felt upbeat, and definitely wanted to give them props for the integrity of the joint structure. These burned cleanly and evenly, not too tight or loose.

The high was upbeat, spacey, and a little trippy. I felt cerebrally invigorated while my body relaxed. Definitely a good daytime work weed, which is not usually the kind of flower that rapper brands deliver. A welcome change.

Bottom Line:

This weed is not bad, but it’s not great either. I think the price is a little high, but we love Jim Jones and will blindly support anything Dipset does.

Buy it here: $55 for a pack of 4 prerolls

4. Monogram #3 by Jay Z

Monogram
Uproxx

Monogram is Jay Z’s weed brand. I’m not a huge fan of their sleekly packaged, overpriced mids. But some people seem to like them, so let’s check out their #3 strain.

The first red flag here is that this flower is 35% THC. Not only is that physically improbable, but it’s also just plain silly. No one needs that much THC, and when you get a number that high you are totally destroying the natural balance of the chemicals within the plant. I’ve always felt that this brand has a weird air of being out of touch due to the fact that Jay Z has never been part of the cannabis community. He doesn’t publicly smoke weed or advocate for its use prior to entering the legal space in the most corporate way possible. Maybe if he had, he’d know better than to jack his THC up that high.

Anyways, the flower looks pretty good. Chunky, green, orange with little violet leaves. It doesn’t really have much of a smell and seemed a little dried out, but often you can’t really blame the cultivator if the weed shows up a little dry — it’s often a distro issue.

Based on the THC percentage, I was afraid to smoke this at all and be rendered useless for the rest of the afternoon. But I took a bong rip anyway. For journalism!

The flavor wasn’t strong, but it wasn’t bad either. Fruity, a little floral, grape forward. Immediately my head became swimmy as I felt a wave of far too much THC sneak into my mind and crash over my eyes from behind. Relaxed, euphoric, the colors seemed brighter. It’s definitely very potent, but not a particularly nuanced high. That’s the problem with these absurdly high THC cultivars. They make you feel high on THC, but that’s about it.

Then, the stupor hit. Staring into the horizon beyond the window, limp, my mind moved slowly. Even in writing this single sentence, I drifted into a world unknown for about four minutes. Some people may like this kind of high, but it’s not for me, a high functioning, all-day stoner.

Bottom Line:

It’s not terrible, just overpriced and way too juiced up with THC.

Buy it here: $70 for 4 grams

Khalifa Kush by Wiz Khalifa

Khalifa Kush
Uproxx

I like Wiz Khalifa because he’s a fucking stoner. He’s so in the mix that it’s not uncommon to see him at weed parties around LA. Also, he has BDE, minds his business, and gets high on stage. Vibes.

Unlike most rapper weed I get sent, I was actually looking forward to trying Khalifa Kush because you can tell this man truly cares about flower. I imagined it would be good. And it was!

The dry hit was so impressive! Super mango diesel flavor, it had that kind of syrupy dry hit quality where you can taste that the terps and chemical compounds are alive on the plant matter. I lit it. There was a fantastic smell-to-flavor translation, which is another sign of good weed. It kind of had a fruity sage flavor that I was super into. Smooth smoke, great joint overall.

I was thinking there was not a lot of head change, and then BOOM BITCH that shit hit. And it hit hard. I got suuuuuuuper languid and dreamy feeling, and it made this difficult to write (again). This is high quality dreamy daytime weed — euphoric without being sleepy.

Bottom Line:

Perfect for taking the day off work to smoke weed in public like Wiz Khalifa.

Buy it here: $20 for 1 gram preroll

2. Plane Jane by Fiore x Roy Woods

Plane Jane
Uproxx

Plane Jane is a strain collab by Fiore and rapper Roy Woods. Fiore was started by the owners and head cultivators at Cookies (rapper Berner’s megabrand) and is the only Cookies micro-business. So this is actually a rapper weed squared strain collab. And a perfectly executed one at that.

I popped open the bag, and was punched in the face by gas, pine, and tropical fruit. Though I’m not usually the biggest fan of indoor flower, Fiore fucking crushes it everytime. Unbelievably pungent, soft nugs were easy to break apart, unlike those mechanically trimmed balls of THC everyone seems to be hawking these days. This flower was beautiful in every way… so I smoked it!

The flavor was as pungent as the smell, but less gassy, with more notes of pine and fruit. Immediately I felt focused, dreamy and upbeat. This is the kind of weed you can smoke to calm down and beat depression or anxiety when you still need to get shit done. It’s actually really nuanced and vibey. It has a holistic healing effect, tingly in the body and the spirit, and the mind.

Bottom Line:

Elevating and exciting, it’s not the kind of indoor that gets you dumb for 30 minutes then tired. This weed is vibrant and alive, and really, really good. Definitely worth a cop!

Buy it here: $42 per eighth

Insane OG by B-Real

Insane OG
Uproxx

And now, the love letter begins. I have been a massive fan of Insane by Cypress Hill’s B-Real since I first tried their flower a year or two ago. This dude has been in the weed game forever and facilitated a lot of what we know as modern cannabis culture prior to entering the industry. He was on Hits from the Bong, bro! Idk if there is a higher stoner accolade than that.

I think this Insane OG strain is some of the best and strongest weed on the market. When I say strong, I don’t just mean high in THC. This is a fully immersive stoner experience. You feel so much with this flower. It’s full-body, full mind.

The bag opens to a rush of powerful terpene smell waves. Diesel, pine, and lemon. Deep pine forest energy. The nugs are crunchy and sparkle with trichomes. Frosted and cute, I felt as if the nugs were staring back at me.

I took a large hit of the bong, as instructed. A rainbow burst of forest flavors overcame my palate and I felt filled with joy immediately. The high is cerebral and fun. The body high is euphoric and relaxing. Together it’s a balanced high that leaves you feeling floaty, elated, and ready for anything.

Bottom Line:

This weed is simply a must-have. It’s perfect in every way, and there is no one more qualified to sell it to you than B-Real.

Buy it here: $50 for the eighth

Benzino Is Dissing Eminem On Twitter Again

Benzino has been going after Eminem for almost 20 years now. It starts with the former co-owner of The Source magazine giving the Detroit rapper’s 2000 album, The Marshall Mathers LP, a rating of 2 out of 5 mics. This beef was revived in late 2020 when Benzino took to Twitter to say, “Face it stans y’all will always be hip hop goofiest most out of touch fan base.” Collaborator and friend of Eminem Royce Da 5’9″ stepped in to defend him with a series of posts on social media.

Now, the saga continues. According to XXL, Money Man made a since-deleted tweet that said, “I ain’t never listened to no Eminem.” Benzino replied, “Nobody in my hood did.” As fans took to Twitter to get involved, Benzino viewed it as an opportunity to continue dissing Eminem. One fan wrote, “Say it to @Eminem face I bet you won’t your a poor excuse for a father and human being,” to which Benzino replied: “I’ll say it to his face but he’s scared coward p*ssy like his fan base.”

Per Complex, he also made some since-deleted tweets saying he “been left this sh*t alone but since the coward ass stans wanna talk sh*t and hide then it’s still f*ck Eminem and if you got a problem with me do something about it,” and threatened that he knows “how to fight and I got big sticks so pull up.”

Wale’s ‘Tiffany Nikes’ Video Flexes His Sneakerhead Cred While Calling Out Culture Vultures

While a pair of rare sneakers might seem to be a strange thing to go to war over, for Wale, they represent the difference between authenticity and appropriation. That’s the theme of his Folarin II track “Tiffany Nikes,” which turns the Diamond Supply Co. collaboration with Nike into a metaphor for the sort of cultural touchstones that get hijacked by outsiders looking to profit from hip-hop without putting in the time or appreciation to earn their spot within it.

Fittingly, the video is shot inside the Diamond Supply Co. store on Fairfax Ave. in Los Angeles, where Wale, a massive sneakerhead from the days before apps and blogs, shows off the titular Tiffany Dunks. However, he’s also willing to change with the times; the video also doubles as a promotion for the NTWRK app, a “mobile-first video shopping platform” that blends webshows (like the ones on Snapchat and Instagram) with advertising and a marketplace similar to StockX. In addition, Wale and NTWRK are giving away a pair of Tiffany Nikes for $1 to encourage fans to sign up for the app for a chance to win.

Watch Wale’s “Tiffany Nikes” video above and catch Wale live as he wraps up his Under A Blue Moon Tour this week.

Folarin II is out now via Warner Records. Get it here.

Wale is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Chance The Rapper Shares A Snippet Of A New Song With Vic Mensa

Chance The Rapper fans haven’t heard much from the Chicago MC in the last few years as he’s concentrated most of his energy on being a dad and the living embodiment of the wife guy meme, but that may soon change. After being featured on Supa Bwe’s “ACAB” posse cut last month, today, Chance shared a teaser of a new song with fans via social media. Doubling the excitement, the song appears to be another reunion with his longtime friend and collaborator Vic Mensa, with whom he reconciled after a few years of tension on last year’s “Shelter.”

“Felt cute might delete later,” Chance wrote in the caption of the video containing the snippet. Over a lush, soulful beat, the two rappers discuss the ills of the world, with Chance recounting an apocryphal theory about President George Washington’s death from a possible throat infection due to antiquated, unhygienic treatments that were used at the time. The fiery verse also appears to include references to various uprisings of Black people against oppression and cuts off just before Chance gives former FBI Director J. Edgar Hoover a piece of his mind.

The presentation of the new song appears in line with the rollout for “Shelter” and another (relatively) recent Chance single, “The Heart & The Tongue.” Although Chance hasn’t yet announced a follow-up to his 2019 “debut” album The Big Day, Chance’s increased activity — and a mysterious video posted by DJ Khaled on Instagram a few weeks ago — suggest that one could very well be in the works. Check out the snippet above.

The Game Says Kanye West Did More For Him In Two Weeks Than Dr. Dre Did His Whole Career

Over the course of his nearly-20-year career, Compton rapper The Game has been renowned, respected, and ridiculed for his charismatic storytelling, which can range from introspection on intimate moments between himself and his rap game associates to wild, borderline unbelievable tales of late-night shootouts with compatriots such as 50 Cent. Even more of the same is undoubtedly on the way when he appears on NORE’s Drink Champs podcast this week, which the cast’s Instagram page announced along with a teaser of one of the more outrageous moments to come.

In the teaser clip, Game asserts that Kanye West, with whom he recently collaborated on the song “Eazy,” famous for featuring Kanye’s line about beating up his ex’s new man, has done more for Game than Dr. Dre did in the Compton rapper’s whole career. This is, of course, after he spends at least part of the interview with a black balaclava and winter coat before overheating and removing both.

That said, the wild claim has Twitter buzzing, because even accounting for recency bias, there’s no way Game can truly believe that — his sophomore album is called Doctor’s Advocate, for crying out loud (even if it was released on Geffen after Game left Aftermath over his falling out with 50 Cent). Some have attributed the comment to Game’s supposed bitterness over being left off Dre’s recent Super Bowl halftime show performance, but he shot down that supposition early, saying, “I don’t feel no way about not being included.” Then again, Drink Champs has kind of become the go-to podcast for making over-the-top claims to promote new work — even for Game’s benefactor Kanye.

You can check out the clip, as well as some of the reactions to it, below.

Songwriters Hold A Peaceful Protest Against Spotify Royalty Rates In Los Angeles

Yesterday, Spotify’s old West Hollywood office was crowded with songwriters advocating for better pay, according to a Billboard reporter. Tiffany Red was the event organizer, a professional songwriter with clients like Jennifer Hudson and Jason Derulo. She founded The 100 Percenters, who stated on their website that the mission was to host “a peaceful protest in Los Angeles in support of better royalty rates for music creators from Spotify and other streaming platforms.” With picket signs, they demanded one cent per stream.

Protesters brought up the fact that Spotify gave notorious podcaster Joe Rogan a $200 million deal despite his repeated behavior of spewing misinformation and saying the N-word: “They tell us they can’t pay us more and then they go and give a podcaster that much money?” artist and songwriter Bianca “Blush” Atterberry said. They pointed out that Spotify is worth $67 billion. The protest, though, is a part of the group’s larger goal to get all streaming services to pay better including Apple Music, Amazon, and Pandora.

Meanwhile, UK indie group The Pocket Gods recently protested Spotify’s royalty rates for artists with 1000X30 – Nobody Makes Money Anymore, an album that consisted of 1,000 songs that all run for about 30 seconds. Bandleader Mark Christopher Lee noted his band earns about £0.002 (about a quarter of a US cent) from each Spotify stream of their songs.

YG Cracks Open The Vault Performing ‘Scared Money’ On ‘The Tonight Show’ With Moneybagg Yo

YG and Moneybagg Yo cracked open a bank vault to perform amidst the crates of cash in their late-night performance of “Scared Money” on The Tonight Show. The pre-filmed performance finds YG and Yo dressed up in matching two-piece suits rapping the camera as dollar bills fly around them inside a replica bank vault. While their third collaborator, J. Cole, apparently wasn’t able to make the appearance, the remaining performers hold it down with charismatic stage presence and braggadocious rhymes.

YG and Yo appeared on The Tonight Show to promote YG’s upcoming album Pray For Me, which is due this year under Def Jam Recordings. The album will be the Compton rapper’s first since 2020’s My Life 4Hunnid, which peaked at No. 4 on the Billboard 200, selling 64,000 album-equivalent units in the first week. However, in 2021, YG did also release Kommunity Service, a joint album with Sacramento rapper Mozzy, which. produced the videos for “Bompton To Oak Park,” “Dangerous,” “Gangsta,” “Perfect Timing,” and “Vibe With You.”

Since then, YG has released one other single, “Sign Language,” and concentrated his efforts on his philanthropic endeavors, which included handing out more than $20,000 worth of his signature sneakers to former cons and delivered teleconferencing devices and applications for mental health services to low-income residents of Los Angeles.

You can watch YG’s late-night performance of “Scared Money” above.

Missy Elliott, Anderson .Paak, Kali Uchis, And More Will Play The Inaugural Letsgetfr.ee Carnaval

From Matthew Morgan, founder and ex-head of Afropunk, and partner Jocelyn Cooper comes Letsgetfr.ee Carnaval. Set to take place this August at Flushing Meadows Corona Park in Queens, New York, Letsgetfr.ee comes as a partnership with global creative agency Anomaly and aims to be a “diversity-focused, purpose-driven music experience.”

Letsgetfr.ee will take place over two days on two different stages. Festivities kick off on Saturday, August 20th, with Missy Elliott, Wizkid and Jhene Aiko headlining. Kali Uchis, Anderson .Paak & The Free Nationals, and Ozuna will headline that Sunday.

Anomaly has partnered with DICE to provide a “choose your own adventure” ticketing structure, allowing festival-goers to pick and choose which artists they would like to see on either day of the festival. This will allow for affordable and accessible tickets for “every community that [Letsgetfr.ee] celebrates.”

“When we first heard the plans for Letsgetfr.ee we had to have an ‘everybody sit down’ moment,”said DICE President Russ Tannen in a statement. “The mission and ambition is aligned perfectly with DICE’s values and we’re excited to be named the exclusive ticketing partner.”

Queens residents who present a valid address can access the presale through Sunday, March 6th. by registering through DICE. The Queens presale begins on Tuesday, March 8th. General on-sale begins Wednesday, March 9th.

Check out the full line-up below.

Letsgetfr.ee 2022 line-up
Courtesy of Anomaly

Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

All The New Albums Coming Out In March 2022

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in March. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, March 4

  • Allegra Krieger — Precious Thing (Northern Spy)
  • Babehoven — Sunk EP (Double Double Whammy)
  • BabyTron — Megatron (The Hip Hop Lab/EMPIRE)
  • Bahamas — Live To Tape, Volume III EP (Brushfire / Republic Records)
  • Band Of Horses — Things Are Great (BMG)
  • Benee — Lychee EP (Republic Records)
  • Bob Moses — The Silence In Between (Astralwerks)
  • Broken Field Runner — Runner (Secret Audio Club)
  • Cécile McLorin Salvant — Ghost Song (Nonesuch)
  • Ceramic Animal — Sweet Unknown (Easy Eye)
  • Charlotte Adigéry And Bolis Pupul — Topical Dancer (Deewee)
  • Chelsea Carmichael — All We Know EP (Native Rebel Recordings)
  • Chief Cleopatra — Luna EP (Royal Mountain Records)
  • The Dip — Sticking With It (Dualtone Records)
  • Diplo — Diplo (Higher Ground)
  • Dolly Parton — Run, Rose, Run (Butterfly Records)
  • El Ten Eleven — New Year’s Eve (Joyful Noise Recordings)
  • Fieh — In The Sun In The Rain (Jansen Records)
  • The Flower Kings — By Royal Decree (InsideOut Music)
  • Guided By Voices — Crystal Nuns Cathedral (GBV Inc.)
  • Ilhan Ersahin, Dave Harrington, and Kenny Wollesen — Invite Your Eye (Nublu)
  • Jody And The Jerms — Flicker (JATJ)
  • Jordan Rakei — Bruises EP (Ninja Tune)
  • Klangstof — Ocean View EP (Northern Transmissions)
  • Kojey Radical — Reason To Smile (Asylum/Atlantic)
  • Léon — Circles (LL Entertainment/BMG)
  • LEYA — Eyeline (NNA Tapes)
  • Luna Li — Duality (AWAL/In Real Life)
  • Madi Diaz — History Of A Feeling EP (ANTI-)
  • Matt Anderson — House To House (True North Records)
  • Maylee Todd — Maloo (Stones Throw)
  • Melissa Aldana — 12 Stars (Blue Note Records)
  • Michelle — After Dinner We Talk Dreams (Canvasback Music/Transgressive)
  • Morgan Harper-Jones — While You Lay Sound Asleep EP (Play It Again Sam)
  • Morgan Reese — Letters From The Invisible Girl EP (Empire)
  • Nashvillains — Tumbling Down (Fate Entertainment)
  • Nilüfer Yanya — Painless (ATO Records)
  • Olovson — Storytelling (1136 Diamond)
  • Peach Pit — From 2 To 3 (Columbia Records)
  • RZA And DJ Scratch — Saturday Afternoon Kung Fu Theater (36 Chambers ALC/MNRK Music)
  • Scott Hardware — Ballad Of A Tryhard (Telephone Explosion)
  • Scott Metzger — Too Close To Reason (RPF Records)
  • Shane Parish — Liverpool (Dear Life Records)
  • Songs: Ohia — Live: Vanquishers (Secretly Canadian)
  • Stereophonics — Oochya! (Ignition Records)
  • Stromae — Multitude (Mosaert)
  • Wah Together — Let’s Wah Together (Dedstrange)
  • The Weather Station — How Is It That I Should Look At The Stars (Fat Possum)
  • Zander Schloss — Song About Songs (Blind Owl Records)

Friday, March 11

  • A. Billi Free & The Lasso — Holy Body Roll (Mello Music Group)
  • Alex Cameron — Oxy Music (Secretly Canadian)
  • Amber Lewis — Lips & Teeth (Day Off Recordings)
  • Apollo Ghosts — Pink Tiger (You’ve Changed Records)
  • Bodega — Broken Equipment (What’s Your Rupture)
  • Brad Armstrong — Heart Like A Sigil (Flower Moon Records)
  • Bryan Adams — So Happy It Hurts (BMG)
  • Charlie Collins — Undone (Island Records Australia/UMA)
  • The Districts — Great American Painting (Fat Possum Records)
  • E-L-R — Vexier (Prophecy Productions)
  • Ella Henderson — Everything I Didn’t Say (Atlantic Records)
  • Ferris & Sylvester — Superhuman ([Integral]/PIAS)
  • Franz Ferdinand — Hits To The Head (Domino)
  • Fly Anakin — Frank (Lex Records)
  • Goose (BE) — Endless (Universal Music)
  • Holo — In Limbo EP ( Ellipse Records Artist)
  • Hoodoo Gurus — Chariot Of The Gods (Big Time)
  • The Human Tornado — Love Is Démodé (Rockshots Records)
  • Jackson Dean — Greenbroke (Big Machine Records)
  • Jeremy Ivey — Invisible Pictures (Anti)
  • Junk Drawer — The Dust Has Come To Stay EP (Art For Blind Records)
  • Lil Durk — 7220 (Sony)
  • Maia Friedman — Under The New Light (Last Gang Records)
  • Mary Simich — How Does One Begin (Ernest Jenning)
  • Messa — Close (Svart Records)
  • MoE — The Crone (Vinter Records)
  • Nicolas Rage — Personal Party EP (Revival Recordings)
  • Orion Sun — Getaway EP (Mom + Pop Music)
  • Paul Cherry — Back On The Music (Sunset Music Productions)
  • PJ Harvey — The Hope Six Demolition Project — Demos (Island/UMC)
  • Rex Orange County — Who Cares? (Sony)
  • Rust n’ Rage — One For The Road (Frontiers)
  • Shenseea — Alpha (Rich Immigrants/Interscope)
  • The Sully Band — Let’s Straighten It Out! (Blue Élan Records)
  • Summer Salt — The Juniper Songbook (Cherry Lime Records)
  • Tanya Tagaq — Tongues (Six Shooter Records)
  • Thomas Headon — Victoria EP (Elektra)
  • Tony Price — Mark VI (Telephone Explosion Records)
  • Viji — Cali EP (Dirty Hit)
  • Widowspeak — The Jacket (Captured Tracks)
  • The Wiggles — ReWiggled (ABC Music)
  • Young Guv — Guv III (Slumberland Records)

Friday, March 18

  • 250 — PPONG (Beasts and Natives Alike)
  • Alai K — Kila Mara (On The Corner Records)
  • Audio Karate — ¡OTRA! (Iodine Recordings)
  • Babeheaven — Sink Into Me (Believe)
  • Ben Lukas Boysen — Clarion EP (Erased Tapes)
  • Berthold City — When Words Are Not Enough (WAR Records)
  • Blanck Mass — Ted K (Original Motion Picture Soundtrack) (Sacred Bones)
  • Blue States — World Contact Day (Memphis Industries)
  • Brad Mehldau — Jacob’s Ladder (Nonesuch Records)
  • Charli XCX — Crash (Atlantic)
  • Chip Z’Nuff — Perfectly Imperfect (Frontiers Music)
  • Colin Hay — Now And The Evermore (Compass Records)
  • Cypress Hill — Back In Black (MNRK)
  • Danilo Perez — Crisálida (Mack Avenue Records)
  • Donovan Woods — Big Hurt Boy EP (End Times Music)
  • Final Cry — The Ever-Rest (Mdd)
  • Gayle — A Studio Of The Human Experience Volume One EP (Atlantic)
  • Hailey Whitters — Raised (Pigasus Records/Songs & Daughters/Big Loud Records)
  • Hot Water Music — Feel The Void (Equal Vision Records)
  • The Jason Lee McKinney Band — One Last Thing (Bonfire Recording Co.)
  • J.B.O. — Planet Pink (AFM Records)
  • Jenny Hval — Classic Objects (4AD)
  • John Colpitts — Music From The Accident (Thrill Jockey)
  • LAYA — Um, Hello EP (Rounder Records)
  • Lazy Queen — A Human Reaction EP (Icons Creating Evil Art)
  • Little Boots — Tomorrow’s Yesterdays (On Repeat Music)
  • Mackenzie Grant — Wonder World (BlackBird Record Label)
  • Maggie Gently — Peppermint (Refresh Records)
  • Midlake — For The Sake Of Bethel Woods (ATO Records)
  • Night Crowned — Rebirth Of The Old EP (Noble Demon)
  • Peter Doherty & Frédéric Lo — The Fantasy Life Of Poetry & Crime (Strap Originals)
  • Pinch Points — Process (Mistletone)
  • Private Agenda — A Mannequin (Lo Recordings)
  • Raw Poetic — Laminated Skies (Def Pressé)
  • Rosalía — Motomami (Columbia Records)
  • Son House — Forever On My Mind (Easy Eye Sound)
  • Sonic Youth — In/Out/In (Three Lobed Recordings)
  • Stabbing Westward — Chasing Ghosts (COP International Records)
  • Steve Dawson — Gone, Long Gone (Black Hen Music)
  • Yumi Zouma — Present Tense (Polyvinyl)

Friday, March 25

  • Ali Shaheed Muhammad & Adrian Younge — Jazz Is Dead 011 (Jazz Is Dead)
  • Aldous Harding — Warm Chris (4AD)
  • Anand Wilder — I Don’t Know My Words (Last Gang Records)
  • Anthony Coleman And Brian Chase — Arcades (Chaikin)
  • Architects — For Those That Wish To Exist At Abbey Road (Epitaph)
  • Bakers Eddy — Love Boredom Bicycles (Ivy League Records)
  • Beau Jennings & The Tigers — Heavy Light (Black Mesa)
  • Bellows — Next Of Kin (Topshelf)
  • Bodi Bill — I Love U I Do (Sinnbus)
  • The Bogie Band feat. Joe Russo — The Prophets In The City (Royal Potato Family)
  • Buddy — Superghetto (Cool Lil Company/RCA Records)
  • Camp Cope — Running With The Hurricane (Run For Cover)
  • Coin — Uncanny Valley (10K Projects)
  • Cowboy Junkies — Songs Of The Recollection (Proper)
  • D.Mark Owen — Respite (Blue Canoe Records)
  • Darden Smith — Western Skies (Bull By the Horns)
  • Dave Friend And Jerome Begin — Post- (New Amsterdam Records)
  • Destroyer — Labyrinthitis (Merge Records)
  • Ed Schrader’s Music Beat — Nightclub Daydreaming (Carpark)
  • Emily Jane White — Alluvion (Talitres)
  • Ensemble Dal Niente — object/animal (Sideband Records)
  • Ex-Vöid — Bigger Than Before (Don Giovanni Records)
  • Fana Hues — flora + fana (Bright Antenna)
  • Fivio Foreign — B.I.B.L.E (Columbia)
  • Fucked Up — Do All Words Can Do (Matador)
  • Gabriel Kahane — Magnificent Bird (Nonesuch Records)
  • ginla — Everything (No Content)
  • Guerilla Toss — Famously Alive (Sub Pop)
  • I Start Counting — Ejected (WEA)
  • I Start Counting — Re-fused (WEA)
  • Ibibio Sound Machine — Electricity (Merge Records)
  • Jana Rush — Dark Humor EP (Planet Mu)
  • Jeremy Garrett — River Wild (ORGANIC Records)
  • Juanita Euka — Mabanzo (Strut Records)
  • Kavinsky — Reborn (Fiction/Virgin Music France)
  • Kevin Devine — Nothing’s Real, So Nothing’s Wrong (Triple Crown Records)
  • Killing Joke — Lord Of Chaos EP (Spinefarm)
  • Kraftwerk — Remixes (Rhino)
  • Larry McRay — Blues Without You (Keeping the Blues Alive Records)
  • Lucky Lo — Supercarry (Tambourhinoceros)
  • Maren Morris — Humble Quest (Columbia Nashville)
  • Matisyahu — AM_RICA (Fallen Sparks Records)
  • Michael Bublé — Higher (Reprise Records)
  • NCT Dream — Glitch Mode (SM Entertainment)
  • P.E. — The Leather Lemon (Wharf Cat Records)
  • Placebo — Never Let Me Go (SO Recordings)
  • The Po’ Ramblin’ Boys — Never Slow Down (Smithsonian Folkways)
  • Proper — The Great American Novel (Father/Daughter Records)
  • Reba McEntire — My Chains Are Gone (MCA Nashville)
  • Sea Girls — Homesick (Polydor)
  • Susanna — Elevation (SusannaSonata)
  • Telltale — Lie Your Way Out EP (Rude Records)
  • Tired Tape Machine — Thing (Disaster Records)
  • Tom Rogerson — Retreat To Bliss (Western Vinyl)
  • Vanessa Wagner — Study Of The Invisible (InFiné)
  • Vitesse X — Us Ephemeral (100% Electronica)
  • VR SEX — Rough Dimension (Dais Records)
  • Wallows — Tell Me That It’s Over (Atlantic Records)
  • Walter Martin — The Bear (Ile Flottante)
  • Young Prisms — Drifter (Fire Talk)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Kanye West’s ‘Slow Jamz’ Video Shoot Is Plagued By Challenges In Unreleased ‘Jeen-Yuhs’ Footage

With the final part of the three-part documentary Jeen-Yuhs: A Kanye Trilogy set to launch tonight, Time magazine shares some footage that did not make it into the final product. The above clip was shot by Jeen-Yuhs director Coodie Simmons during the video shoot for Kanye’s second single, “Slow Jamz,” and provides a glimpse at not only the process of shooting a music video but also doing so under the strain of financial limitations and the logistics of bringing Kanye’s ideas to life.

It also highlights Kanye’s demanding creative process and high standards for himself and the video team. Directed by Coodie and Chike Ozah with Kanye himself, the “Slow Jamz” video represented Kanye’s first chance to prove to the world he was no one-hit-wonder after the success of his debut single “Through The Wire.” That explains why he seems so stressed out in the clip above, but he also displays flashes of the control freak tendencies that have made him such a controversial figure in pop culture. However, the proof is in the pudding: “Slow Jamz” peaked at No.1 on the Hot 100, giving all three of its collaborators — West, Twista, and Jamie Foxx — their first No. 1s, and it was nominated for Best Rap/Sung Collaboration at the 2005 Grammy Awards.

The footage that did make it into Jeen-Yuhs turned out to be every bit as enlightening, capturing Pharrell’s reaction to hearing “Through The Wire” for the first time, highlighting Kanye’s tender relationship with his mother, and sparking debate over his attempted guerilla promotion tactics at the Roc-A-Fella Records office. The third, final episode goes live tonight on Netflix.