The Breakfast Club Addresses Rumors Of Paying 6ix9ine For Interview

It’s unclear where this rumor began or how it circulated but allegedly Tekashi 6ix9ine told Bobby Shmurda that he was paid half a million dollars for his appearance on the Breakfast Club and continues to earn residuals. Charlamagne Tha God, DJ Envy, and Angela Yee dispelled these rumors on their morning radio show today.


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As the trio discussed Bobby Shmurda’s parole conditions, Charlamagne brought up the rumor that an artist told Bobby Shmurda that they were still getting paid off of their interview. “Salute to Bobby Shmurda, too, man. Aye, Bobby, that artist lied to you. The Breakfast Club does not pay for interviews,” said Charlamagne before Envy told him that he had to explain the situation. “There’s an artist that told Bobby Shmurda that he got paid half a million dollars to do a Breakfast Club interview and that he gets residuals, royalties from the YouTube interview.” 

“He’s a god damn liar,” declared Envy while Angela Yee pressed them to ID the rapper. “Tekashi 6ix9ine allegedly told Bobby Shmurda we paid him $300 thousand.” Charlamagne clarified that it’s unclear if 6ix9ine told Bobby personally. “First of all, I was like Bobby Shmurda talks to Tekashi?” asked Yee.


 Neilson Barnard/Getty Images

Charlamagne said that it was actually $500K and that never in the history of the Breakfast Club has an artist received payment for an interview, let alone residuals from YouTube views.

Check out the clip below with the 6ix9ine bit starting at the 19:45 min. mark.

Earl Sweatshirt’s “Grief” Set The Stage For His Dark & Harrowing Sophomore Album

Earl Sweatshirt’s career hasn’t been the most linear or typical journey for a rapper who was once touted as being the prodigal son of Hip-Hop. Rising to rap notoriety through the polarizing Los Angeles-based collective Odd Future, Earl was notoriously absent during the group’s meteoric rise. As a result, many Hip-Hop fans didn’t know what to expect from the young lyricist following his return to the states. His debut album Doris finally arrived in 2013 to widespread acclaim, years after his infamous mixtape Earl. Yet, it was his sophomore outing that shifted Earl’s trajectory in an entirely different direction.

I Don’t Like Sh*t, I Don’t Go Outside was almost entirely self-produced, and the album saw Earl dive deeper into the dark, harrowing, and lo-fil soundscapes that fans today celebrate him for. While less commercially successful, IDLSIDGO still received mass critical acclaim, and upon its six-year anniversary, there’s no better song to revisit than its lead single “Grief.”

Produced by Earl under the moniker of RandomBlackDude, “Grief” was initially described by the artist as a “final lament and monologue,” but it also ironically sparked the stark shift in Earl’s sonic direction moving forward. The grimy lo-fi production sports robust samples from Gary Wilson’s “You Were Too Good to Be True” and Erykah Badu’s “Fall in Love (Your Funeral),” but in contrast to its upbeat sources of inspiration, the song sounds rugged and bleak. With a vicious first verse and a spacy second verse representing a well-executed artistic idea, “Grief” was a truly impressive single that truly set the stage for the otherworldly I Don’t Like Sh*t, I Don’t Go Outside.

Quotable Lyrics

You circus n*ggas, you turning into tricks
I was making waves, you was surfing in ’em
Dealing with the stomach pains just from birthing n*ggas’ shit
Cut the grass off the surface
Pray the lawnmower blade catch the back of a serpent n*gga’s shit

Open Mike Eagle Will Collaborate With El-P On His ‘What Had Happened Was’ Podcast

In addition to being an art-rap pioneer and a fixture of the stand-up comedy circuit, Open Mike Eagle also records a podcast titled What Had Happened Was on his own podcast network. In its debut season last year, Mike interviewed guest Prince Paul for 12 episodes of the tales behind some of the legendary producers most storied works, including the Gravediggaz album, De La Soul’s Three Feet High And Rising, and more. Today, Mike announced that the show will return for a second season featuring another storied but sometimes overlooked producer: El-P.

While El-P has become something of an indie favorite in recent years due to his work with Adult Swim and Run The Jewels, his career spans all the way back to the mid-90s and includes underground rap staples like Company Flow’s debut album Funcrusher Plus, Cannibal Ox’s The Cold Vein, Cage’s Hell’s Winter, and his own string of widely-respected albums like Fantastic Damage and Cancer 4 Cure. El-P has plenty to talk about, and as Open Mike Eagle has proven to be an empathetic, enaging host, the second season of What Had Happened Was is sure to be a must-listen for indie rap fans.

The second season debuts 3/31 via Open Mike’s Stoney Island Audio network and continues weekly every Wednesday.

Dr. Dre Opted Out Of ‘Verzuz’ After A Previous Guest’s Sound Issues

Swizz Beatz and Timbaland’s Verzuz was a breakout hit last year, featuring performances from a plethora of big-name stars that made it must-see entertainment for folks stuck at home during the ongoing pandemic. The duo was even able to sell the show to Triller and offer their prior guests equity in the sale. However, despite scooping up some of hip-hop and R&B’s most iconic entertainers for the show, Swizz and Tim unfortunately missed out on securing one of their peers due to one of their shows turning out differently than expected.

Dropping by The Breakfast Club on Hot 97, Swizz and Tim revealed that Dr. Dre, who was in negotiations to participate in a Verzuz battle of his own, canceled on them after seeing the sound issues during the battle between Babyface and Teddy Riley. Swizz explained, “When Dr. Dre wasn’t feeling the sound from Teddy Riley and Babyface, that hurt our heart. I was like, ‘Oh my god.’ If you go back, Dr. Dre was at the Teddy Riley one. He came at the end, but he was supposed to come at the end and announce he was doing Verzuz that night.”

Unfortunately, seeing the shambles that became of the episode when the sound on Teddy’s elaborate at-home display cut-out, Dre decided that a similar fiasco would hurt him more than it helped. “He got on the phone and was like, ‘Man, I can’t be a part of nothing that look like or sound like that,’” Swizz explained. “‘My legacy is quality. My legacy is this, that.’ I was like, ‘Ohhhh we just lost Dre over that. That one felt pretty crazy but since then, the energy has been really good.”

Most recently, Wu-Tang Clan members Ghostface Killah and Raekwon The Chef engaged in a friendly tet-a-tet while the Verzuz heads announced Earth, Wind & Fire and The Isley Brothers would participate on Easter Sunday.

Watch the Verzuz collaborators’ interview with The Breakfast Club above.

Saweetie Talks Pretty Privilege & Explains Her Debut Album’s Title

Going into last weekend, the music industry practically erupted following the unfortunate news that Saweetie and Quavo had officially called it quits. Almost everyone had something to say about their split, from Hip-Hop fans to celebrities like NBA YoungBoy and Cyn Santana. Rumors that Quavo had her Bentley repossessed and has been subbing her in his new music have also gained steam, but despite all of the drama surrounding her breakup with the Migos rapper, Saweetie is still finding a way to let her light shine, thanks in part to her new cover for Cosmopolitan magazine.

In addition to flaunting her curves on the magazine’s cover, Saweetie also gave a lot of insight into her journey as an artist for Cosmopolitan’s cover story. The Icy artist revealed how her infamous freestyle during her trip to Hot 97 left her with a serious case of PTSD, claiming that specific incident was one of the lowest points of her career.

Saweetie also talked about her ability to maneuver and adapt throughout the music industry as well. Hpwver, some people have been critical of her rise as a rapper, as evident through the numerous think pieces published about how her good looks are what should actually be credited for her success as an artist. In the interview, she touches specifically on pretty privilege, saying, “I won’t act like there isn’t a certain type of power that comes with people admiring your face. But that’s not something that gets me off.”

Saweetie continued by listing off accomplishments that weren’t given to her simply because of her beauty, which she claims are the things that she’s really proud of. “I like being Female Athlete of the Year. I like getting 4.0s for a straight year. I like knowing that I write my own songs. I like knowing that I create my own treatments. I like knowing that I donated $150,000 to Black Lives Matter,” she says.

Still, the “My Type” artist recognizes that being pretty is a part of her brand, so it absolutely makes sense that she’s naming her forthcoming debut album Pretty B*tch Music. When speaking on the significance of the album’s title, she said, “It’s my way of taking back all those years where I feel I had to dim my light.”

Be on the lookout for more Saweetie-related news as her debut is set to drop sometime this spring.

[via]

Joe Budden Addresses Co-Hosts Rory + Mal Going Missing

Joe Budden Addresses Co-Hosts Rory + Mal Going Missing 3

New Jersey rapper Joe Budden has fans wondering where his crew went. The former Def Jam artist addressed why fellow co-hosts Rory and Mal didn’t make an appearance on a recent show as well the reasoning behind what followed as a subsequently canceled episode. Joe Budden Addresses Co-Hosts Rory + Mal Are Missing Joe Budden went […]

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Jay-Z & Kanye West’s “N***as In Paris” Goes Octuple Platinum

Some songs are simply destined to endure. And while both Kanye West and Jay-Z’s respective solo careers have yielded countless timeless classics, there’s something about their joint anthem “N***as In Paris,” produced by the inimitable Hit-Boy, that has resonated on a deeply universal level. Perhaps it’s the carefree spirit of the instrumental, or perhaps the playful demeanor of the globetrotting emcees over top. Either way, “In Paris” boasts a seemingly infinite supply of replay value.

Theo Wargo/WireImage

It isn’t exactly surprising, then, to see it inch up another rung of the ladder toward that coveted diamond status. Our Generation Music reports that the Watch The Thone single has been officially made eligible for octuple platinum status, meaning it has sold over eight million album-equivalent units. At this rate, Jay-Z and Kanye West are well on their way to a diamond plaque, which would mark their first time achieving the impressive sales milestone.

Though it’s unlikely we’ll ever be watching The Throne make new music as a duo, it cannot be denied that their brief run as a collaborative group continues to impact the game to this day. And to think, “In Paris” began as a simple loop on FL Studio, one that Hit-Boy still has saved to this day. Congratulations to Kanye West and Jay-Z for another platinum plaque, and may the road to diamond be a relatively brief one. Perhaps fans oughta channel Jay and Ye during their joint-touring days and simply queue up “In Paris” again and again and again. 

NBA YoungBoy’s Arrest Caught On Camera

NBA-YoungBoys-Arrest-Is-Caught-On-Camera

Louisiana rapper NBA YoungBoy had five stars on him. During a recent arrest, police went Grand Theft Auto-mode on him and footage has revealed just how intense the takedown was. NBA YoungBoy’s Arrest Is Going Viral A new footage of the police tracking down the Never Broke Again star has gone viral. Helicopters and a […]

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G Herbo & Yungeen Ace Team Up With NUSKI2SQUAD For “Live On (Thuggin Days) [Remix]”

NUSKI2SQUAD has been the one to watch in the past year but it was in recent times that his single, “Live On (Thuggin Days).” The song is his breakout anthem that’s been making rounds across the Internet heavily in the past few months. However, like many breakout hits that have slowly picked up steam across YouTube and other platforms, it was only right that he revamped the track with a little boost from two familiar artists, G Herbo and Yungeen Ace. The two rappers connect with NUSKI for the official remix of the track, tackling the piano-laden production with aggression and pain.

NUSKI2SQUAD previously worked alongside Yungeen Ace on “Millions” from his debut project, Lost Child

Quotable Lyrics
Retaliation, who gon’ retaliate? We kill n***as
I’m missin’ gang, yell they name out like they here, n***a
And when we slide, opps gon’ feel it ’til they fear, n***a
Yeah, this song for the real n***as