Three years ago today (January 8), Jazmine Sullivan released her acclaimed and enduringly compelling album Heaux Tales. Moreover, it has a lot of smooth, emotive, soulful, and musically proficient highlights, plus some notable collaborations with the likes of H.E.R. and Ari Lennox. However, perhaps none rank greater than her link-up with the one and only Anderson .Paak on “Price Tags,” which is one of the more thematically consistent cuts on the record. On it, the 36-year-old talks about wealth, material success, sexual empowerment, and relationship dynamics. It’s a pretty versatile song when looking at these themes, but most importantly, it’s an infectiously groovy jam with a lot of lush instrumentation and catchy melodies.
Furthermore, Jairus “J-Mo” Mozee put together a pretty impressive production from behind the board, highlighting both featured artists’ talents. The crisp and simple drum beat is consistently nasty, and offers some funky and stark contrast from the traditionally lavish backing elements. These include an ear-worm, high-pitch key sample, vocal harmonies, light guitar strums, and cavernous bass. Jazmine Sullivan shines with a dynamic performance, and the “Stand Up” singer shows off her range from soaring cries to sultry temptations. On his end, Anderson .Paak proves himself as one of the most charismatic vocalists working today with a sassy and impassioned verse.
Jazmine Sullivan’s “Price Tags” With Anderson .Paak: Stream
Meanwhile, this follows a successful but sometimes turbulent 2023 for the Philly native, who had her set canceled at the Leimert Park Juneteenth Festival due to a stampede. Hopefully 2024 brings Jazmine Sullivan more luck, and finally brings the return of NxWorries that Anderson .Paak’s been teasing for so long. As we look forward to what these stars will do this year, we have this throwback to remind us of their talent and skill. If you’ve never heard “Price Tags” before, find it and the rest of Heaux Tales on your preferred streaming service and peep some notable lines down below. Also, as always, log back into HNHH for more great music recommendations, new or old, around the clock.
Quotable Lyrics Lookin’ at your exes, all of ’em ballplayers, (All ballplayers) 2012 Lexus, it still ain’t paid off yet, (Still ain’t paid off yet) Pullin’ out my wallet, no credit cards in it, If I let you play, you gon’ have a ball with it (Fallin’, fallin’, fallin’, fallin’)
Jazmine Sullivan’sHeaux Tales Tour got started last week, but it’s gotten off to a bumpy start. While the first show in Vancouver was cancelled because of local COVID safety measures, Sullivan played at Portland and Seattle stops, before laboring through a show in Oakland on Tuesday when she began to feel not so great. She cancelled last night’s show in Sacramento despite testing negative for COVID, because she was “feeling extremely under the weather,” saying on Twitter that she didn’t want to “give a subpar performance.”
Credit to Sullivan, who felt symptoms and started playing it safely from there. Because today, the “Pick Up Your Feelings” singer tweeted that she has indeed tested positive for COVID and is canceling tour dates for at least the next week. “I’m truly sad to have to cancel more shows but health and safety come first for myself, my team, and all of you,” she said.
This means that tomorrow’s show in LA, plus next week’s shows in Phoenix and Denver are likely canceled and perhaps more from there while she recovers. Sullivan said that ticket holders would be contacted via email about rescheduling. You can read her statement in full below and we wish her a speedy recovery.
You can read her statement in full below:
“Hi Everyone,
My Doctor confirmed that I’m positive with COVID. I am taking every precaution to isolate myself. I’m truly sad to have to cancel more shows but health and safety come first for myself, my team, and all of you.
LA’s show tomorrow will unfortunately be cancelled and we are likely cancelling show for the next week based on my condition and the condition of my crew. We will let you know when the tour will resume once we have made that decision.
As soon as we have in regards to tickets and rescheduling, ticket holders will be notified via email.
Thank you so much for understanding and support and I’ll be seeing you very soon.
Upon posing on the daring album cover for Heaux Tales -– with a statuesque Jazmine Sullivan in her translucent biker shorts glory -– the Philly-bred singer-songwriter put longtime fans on notice that they were in for a new era. On Heaux Tales, Sullivan’s first effort in six years that comes in 5th in the 2021 Uproxx Music Critics Poll, she unlocks personal terrain through unflinching narratives of insecurities, sexual conquests, and materialism. Leading a fellowship of close friends who share spoken vignettes of their most esteemed and regrettable experiences as women, Heaux Tales finds Sullivan becoming a new vanguard of feminism in music, giving voice to Black women who are still in search of themselves.
On previous albums Fearless, Love Me Back, and Reality Show, Sullivan had all the makings of a rising soul icon, with ambitious songwriting, genre-bending production, and belty vocals. In comparison to Heaux Tales, her content was bereft of intimate portraits that she sought for Black women listeners, an intention that she aimed to reach during her post-Reality Show hiatus. Taking a breather from music to shake the aftereffects of leaving an abusive relationship, Sullivan returned with profound strength, seeking to interview her friends about their own trials in love and loss. With her sister circle willing to record their innermost thoughts and conversations as interludes on Heaux Tales, their words give an intrinsic, meditative texture to the EP.
“For this project, it was important for me to share the stories of the women I love and hold dear to my heart. I feel like they are just as banging and dynamic as me. And I want to give space and opportunity to women, period. I feel like we get caught up in thinking there’s “only one” of us.”
Rapt with harrowing interludes that center one woman at a time — with gospel-tinged “Donna’s Tale” practically being a sermon on ‘tricking’ in relationships –- Heaux Tales is an R&B canon of solidarity. Mirroring spoken interludes in piercing, soul-baring song form, Sullivan honors the resilience of Black women, with respect for their most vulnerable musings. On album opener “Bodies,” she acts as a guilt-ridden conscience following a drunken night out and sobering morning where Sullivan doesn’t recognize who she’s woken up beside. While triggering, “Bodies” resonates with Black women who endure their own personal misogynoir about “pilin’ up bodies on bodies on bodies.”
Sullivan’s vocals act as a sinew for the expressive, conversational therapy of Heaux Tales, where listeners are invited to relate to honest monologues without shame. Raised by a playwright mother and poet grandmother, Sullivan closely followed her matriarch’s teachings, scripting emblematic ballads that trace each tale. Instead of Sullivan titling her friends’ ruminations as interludes, she lauds them as ‘tales,’ preserving their messages and putting them center stage.
In the introductory interlude, “Antoinette’s Tale,” Sullivan’s friend and podcaster Antoinette Henry tackles the patriarchy by revering women’s ownership over their sexuality. The interlude shifts into lead-single “Pick Up Your Feelings” a searing call to men to let go of control and broken relationship ties. Like the beatnik production on “Pick Up Your Feelings,” during the Heaux Tales performance round-up earlier this year, Sullivan was occasionally seen donning ’60s-esque mod attire and hairstyles, which can be interpreted as an homage to the legacy of Black women in R&B and soul.
Segueing into “Ari’s Tale,” narrated by Shea Butter Baby delight Ari Lennox, the singer recalls being mesmerized under the sexual dominance of a former partner, praising various deities and hypnotically repeating “this is just my truth.” Before joining Lennox on the salacious, sex-amped anthem “On It,” Sullivan grapples with sexual infatuation over haunting a Key Wane production on “Put It Down.” While controversial for its message of sponsoring undeserving men, “Put It Down” rings true with women who’ve been disoriented in the throes of lust.
Following “Donna’s Tale,” where Sullivan’s godmother Donna Anderson reveals lessons in ‘tricking,’ Heaux Tales lands into its sole collaboration with a male artist. Featuring Anderson .Paak, one-half of Silk Sonic, “Price Tags” is a raspy, harmonic ode to women getting their money up by taking advantage of naïve men.
“Price Tags” is trailed by “Rashida’s Tale” where Sullivan’s friend Rashida Northington describes a moment of infidelity where she cheated on her former fiancée with a friend of the couple. Sullivan’s vocals softly cascade in the background of Northington’s account, arriving at “Lost Ones” where the singer reveals that “sometimes it’s too late to make amends.” On Heaux Tales, there’s no room for judgment, just women coming face-to-face with deep-rooted taboos. There’s power in acceptance.
In an interview with Pitchfork, Sullivan spoke about women taking accountability for their mistakes in order to give themselves grace:
“In order to move on and heal and enjoy the life that you’re still living, you have to forgive yourself. I was going through that process while making the project, and I want other women who I know are feeling the same way to know that it’s okay. Learn from your mistakes and move the eff on.”
Heaux Tales takes those mistakes and turns them into passages of healing. With Sullivan’s robust vocals being an anomaly in the current age of R&B. the album is an embodiment of #ProtectBlackWomen, venturing through unguarded stories that transform into empowering wisdom.
As Sullivan’s strongest effort yet, Heaux Tales instantly garnered widespread critical acclaim for its truth, the singer nabbing two 2021 Soul Train Awards for Album of the Year and Best R&B/Soul Female Artist. At the 2021 BET Awards, Sullivan won Album of the Year, and in the 63rd Grammy Awards in 2022, the vocalist will be up for Best R&B Album, Best R&B Performance, and Best R&B Song, the latter two nominations for “Pick Up Your Feelings.”
With minimalist soundscapes, Jazmine Sullivan’s evocative impact shines through. Leading a crusade of Black women through their plights, Heaux Tales is a stirring gaze into the unapologetic future of feminism.
It’s been nearly a year since Jazmine Sullivan released her comeback album Heaux Tales, which detailed her love life and self-growth with radical honesty. Not only did the LP become a fan-favorite, but it also earned Sullivan an impressive three Grammy nominations for Best R&B Album, Best R&B Performance, and Best R&B Song. Now, she’s gearing up for a two-month North American tour.
Sullivan’s 25-date tour kicks off on Valentine’s Day in Vancouver and comes to a close in late March in Chicago. Check out her 2022 The Heaux Tales Tour dates below.
02/14/2022 — Vancouver, BC @ Commodore Ballroom
02/15/2022 — Portland, OR @ Roseland Theater
02/17/2022 — Seattle, WA @ Paramount Theatre
02/20/2022 — San Francisco, CA @ The Fillmore
02/22/2022 — Oakland, CA @ Paramount Theatre-Oakland
02/23/2022 — Sacramento, CA @ Ace of Spades
02/25/2022 — Los Angeles, CA @ Hollywood Palladium
02/26/2022 — Phoenix, AZ @ The Van Buren
02/28/2022 — Denver, CO @ Summit
03/02/2022 — Irving, TX @ The Pavilion at Toyota Music Factory
03/04/2022 — Houston, TX @ Bayou Music Center
03/06/2022 — New Orleans, LA @ Fillmore New Orleans
03/08/2022 — Nashville, TN @ Marathon Music Works
03/09/2022 — Atlanta, GA @ Coca-Cola Roxy
03/12/2022 — Raleigh, NC @ The Ritz
03/13/2022 — Charlotte, NC @ The Fillmore Charlotte
03/16/2022 — Boston, MA @ House of Blues Boston
03/17/2022 — Brooklyn, NY @ Kings Theatre
03/20/2022 — Washington, DC @ The Anthem
03/22/2022 — Cincinnati, OH @ Bogart’s
03/23/2022 — Cleveland, OH @ House of Blues Cleveland
03/25/2022 — Detroit, MI @ The Fillmore Detroit
03/27/2022 — Toronto, ON @ The Danforth Music Hall
03/29/2022 — Minneapolis, MN @ Fillmore Minneapolis
03/30/2022 — Chicago, IL @ House of Blues Chicago
Tickets to Sullivan’s The Heaux Tales Tour go on sale 12/3 at 10 a.m. local time. Get them here.
It’s been just a few months since Jazmine Sullivan returned to release her critically acclaimed album Heaux Tales, which detailed all that the singer learned about herself in the six years since her last record. Continuing to share her new music, Sullivan brought her soulful track “Pick Up Your Feelings” to a captivating performance on Jimmy Kimmel Live!.
Joined by a full band, Sullivan belted out each lyric with candor while showcasing her powerful vocal range. Her performance follows a busy couple of months for the singer. Not only is she on the heels of her Heaux Tales release, but Sullivan was also invited to deliver the National Anthem at this year’s Super Bowl game.
Ahead of her late-night performance, Sullivan sat down with Uproxx for a conversation about all she learned while recording Heaux Tales. Sullivan said the process helped her understand that she doesn’t have to carry the weight of the world on her shoulders as a woman:
“Especially as a woman, because we feel like we have to do everything perfectly and just be perfect. We have the world on our shoulders normally anyway so we feel like we have to live up to a certain standard and, as a woman growing up, I always felt that way. This process and making the project helped me to do that by listening to the tales of other women, my girlfriends, and older women. And, just knowing that we’re human and we don’t have to be perfect and just allow ourselves to figure things out.”
Watch Sullivan perform “Pick Up Your Feelings” on Jimmy Kimmel Live! above.
When we first met Jazmine Sullivan, she was just a young woman figuring life out. Now years later, she arrives with a fresh perspective on her first project in over five years, Heaux Tales.
The thing that was missing back then from now, as Jazmine simply puts it, is grace. Grace is such a wonderful thing because it allows one to stop, breathe, think, and experience emotions that otherwise could never be bothered to be dealt with. Thoughts and feelings that are “swept under the rug” so to speak, because who has time for…feelings? (LOL) Heaux Tales unapologetically unveils what every woman goes through when that pause is taken and an honest conversation is had with the self about sex and the reality of relationships — and there’s power in that.
The stories Jazmine sings are inspired by close friends and family within her circle. She beautifully narrates the kind of freedom to be had on the other side of self-love and self-care, such as “Lost One” or everything Ari Lennox discloses on “Ari’s Tale.”
In a conversation with Uproxx, Jazmine further divulges on the meaning of Heaux Tales, shares the women in her life who inspire her the most, and also tells us what it was like performing at the Super Bowl with H.E.R.
Jazmine, we missed you and you dropped Heaux Tales during a pandemic after years of silence. Was there any hesitation about releasing this project considering everything?
We wanted to be sensitive obviously with everything that was going on so we did have talks about when to put the project out when was the best time to release music. We decided on the beginning of this year and I’m happy. I’m happy with the time that we came out. I feel like it was a good time. I feel like people were home and they kind of want it. They were able to listen in a way, because of the pandemic that maybe if we were all out and about, people may not have had the attention span to do so. I felt like it was good for that reason.
Considering Heaux Tales and everything that you learned from the relationship you went through during the second album at 24, what would you tell your 24-year-old self now?
I would tell my 24-year-old self to love yourself enough to let go of any situation that’s not making you better. And also, not to take it so hard on yourself that you don’t know everything. I think when you’re younger, you kind of beat yourself up. You think that you’re supposed to know things and honestly, you don’t really know until you grow and go through it. Now that I’m older, I definitely have a lot more grace for myself. The things that I don’t know where I mess up at, I have grace.
Do you remember the first time you gave yourself grace and allowed yourself to breathe for a second.
It’s really been during the process of Heaux Tales because it’s hard not to beat yourself up. Especially as a woman, because we feel like we have to do everything perfectly and just be perfect. We have the world on our shoulders normally anyway so we feel like we have to live up to a certain standard and, as a woman growing up, I always felt that way. This process and making the project helped me to do that by listening to the tales of other women, my girlfriends, and older women. And, just knowing that we’re human and we don’t have to be perfect and just allow ourselves to figure things out.
Do you think that men and women can be more honest about their relationships and what they want nowadays?
I think men have been honest and could be honest about everything in their lives because society doesn’t judge men the way that they do women. But I do feel like now there’s a movement with women where we are not being ashamed of our experiences and in fact, proud of them. Because now we’re realizing that without those experiences, we wouldn’t be who we are today. I feel like women are kind of taking up space and being bold about who they are and what they’ve done and what they’ve learned and come through. I just wanted to add to that movement by adding these stories.
Who are some of the women that inspire you?
Definitely my mother, she’s amazing. She is perfect… darn near at everything. She’s so creative and she’s the reason that I sing. I watched her battle cancer and go through chemo so gracefully. She’s just amazing to see. Also, my girlfriends, watching them grow from when we was 14 and 15 to now in our early thirties has been a pleasure and an honor, and they’ve taught me so much as far as being a woman. Mothers and partners and stuff like that. So I definitely just look up to them as well.
I’ve noticed you and Drake don’t have any songs together, but I feel like…
You noticed that.
Yes! And I was just thinking, back when you came out, I feel like you and Drake were out around the same time. I remember I was in college and I think it was just a really big moment in music.
I’ve never met Drake. I love Drake. I love his music and I definitely would do something if he wanted to. I actually haven’t even thought about a particular song, but I think that would be dope.
I feel like “Lost One,” just lives in the same energy as…
Him or maybe Frank Ocean. Either one.
Speaking of Frank, you were on his Endless project. Tell me about your relationship with Frank.
Oh, I love him. I’m such a super fan. When he calls me, I’m always down to go work with him. I really just want to go and listen to his music before it comes out. I will literally be like, okay, what you going to play me to hear? But he’s amazing and he’s a freaking genius. We enjoy working together. I would love to actually do a full collaboration one day because most of the time I’m just singing background vocals and stuff like that. I would love to do an actual song with him.
The streets need it! I also want to talk about your relationship with Issa Rae, because you sang “Insecure” with Bryson Tiller for the Insecure soundtrack. I also saw that tweet where you said you wanted to work with her on something for Heaux Tales. Is there an update on that?
We have been in communication through texts. I believe she’s working on some things now. She’s definitely busy doing so many projects. I think it’s just about schedules and trying to see if we can actually get together to come up with the body of what we want to do. We both love each other and respect each other and what each other does. Hopefully, we get the time to actually create it.
We’re still thinking about that. I definitely would love it to be visual. I want to bring the characters to life. I think that people actually seeing these women talk about their tales and talk about their lives would just enhance Heaux Tales and what it means to women to see themselves. So maybe a short film, maybe episodes of the women.
Let’s talk about Super Bowl because I thought that that was so dope. I’ve been waiting for people to just recognize you. I feel like Super Bowl was that moment like, yes, that’s Jazmine Sullivan. Tell us about you getting that call to go do Super Bowl and the feelings that you were feeling when you were performing.
I was super shocked. First, to get the call, I had never even thought that my career would take me to the Super Bowl. I thought it was cool to blend the two sounds with Eric Church, being a country singer, and me being a soul R&B artist. I had never heard him before we actually did the song, but I definitely thought, he was a good country artist and I thought it’ll be nice to blend our sounds together. I actually wasn’t nervous until I started singing. I didn’t realize how huge the impact was until I opened my mouth to sing. Then I was like, “Oh my God, it’s millions of people watching me right now.” It hit me right at that moment and then I got super nervous. So, it was amazing. It was a once-in-a-lifetime accomplishment. I was just so happy that my parents were there to see me do that. They put so much energy and effort into me being a singer and the fact that we all got to share that moment meant everything.
What did your mom and dad say when you told them, “I’m about to perform at the Super Bowl.”
Oh, everybody screamed. My dad doesn’t scream, but he screamed on the inside. Everybody was super excited because I just put my project out maybe two weeks before I got that call. I wasn’t thinking about that at all. I just wanted people to enjoy my work. Then I got such an overwhelming, great response for the project and then that opportunity came. It was blessing after blessing. We were all just super grateful.
H.E.R. was also there performing at the Super Bowl too and y’all collab a lot. Tell me about your relationship with H.E.R. and how it felt to do Super Bowl with her.
We’re, first of all, are just fans of each other first and foremost. When I was on my hiatus, I was just watching H.E.R. dominate and was just amazed, like everybody else, at just how gifted she was. All the instruments she plays and how well she sings. When I was making my songs, she was the first person that kind of came to my head to do the collaboration. I called her. She loved the song and finished it so quickly. Our relationship just grew from there. We’re always just trying to text each other and just encourage her and let her know, just how amazing she is.
It was definitely a moment to do that with her because we’re two Black women. She’s in her early twenties and I’m in my early thirties. We just out here representing for women in general and Brown women and doing our thing and try to bring, real talent, vocals, with her instruments. You’re trying to bring that to the forefront. I love so much that she did “America The Beautiful” first and then I did the “Star-Spangled Banner.” It was a moment for us.
I love that for you guys. The song “Girl Like Me” you two have, I feel like a lot of women feel that way. Is that something that you guys have sat down and talked about with each other?
I had started writing a song, some time ago. I wrote maybe the verse and the hook and the bridge, and I was like, it needs something. I just thought about it real quick and H.E.R. just kind of popped up in my head. I was nervous to actually send it to her because I knew I had been away from the industry for a minute. I just didn’t know if anybody would even care to work with me. When she responded so quickly, I was so happy that she did. She added her part and it just elevated the song so much.
It basically highlights her relationship with the media and fans. As a kid, I didn’t realize how awful the media treated her and just women period. For you, when you started and you entered the business what can you say about the pressure of being in the industry back thing? I feel like today, there seems to be a little bit more empathy and an emphasis on mental health. It was just very, very misogynistic. I didn’t realize it back then.
I have to look at the documentary. I would say that I was sheltered from a lot that was going on in the industry because my mom was so protective of me and my energy and everything that happened around me. She protected me from really knowing exactly what was going on, but definitely, there’s a different pressure with women than there has been with men historically. I can definitely imagine that for a pop artist, especially as big as she was, that there was so much pressure for her to be and act and look a certain way. It takes a toll on you as a person. I just pray for her. I know that the pressure, especially at her level was, it was too much. That’s why I’m an advocate for taking breaks. My breaks are a bit excessive.
But I’m an advocate for taking a break when you need it for your mental health because the world and the industry could be so cruel to people and they just don’t care. If you giving them something, they feel like they can make money off of it or exploit you in any way and they will and not care about you as a person. And so sometimes you have to take a second away from whatever it is that’s doing that to you. It could be a relationship. It could be your job. It could be social media sometimes. You need to take a break when you need to.
Absolutely. It’s hard. Especially if you’re a workaholic. It’s hard. Sometimes I feel guilty for taking breaks.
It’s a catch 22. It’s hard. It’s hard being a woman, man. You just feel like you got to work extra hard to be seen, but then at the same time, you have to, sometimes you know you need to take a break for yourself, but then you don’t feel like you can. So you’re just stuck in the middle of that cycle. So it’s hard.
Megan Thee Stallion sampled your song for her song “Circles” and she’s around the same age you were when you came out. She’s kind of going through her own thing that we’re all witnessing.
I know that it’s hard for her to do what she’s doing, but she’s doing amazing. Just stay focused, don’t let anybody come to take you off of the path that you’re on. Definitely keep God first.
Missy Elliott gave you a shout-out recently and told us a story about Whitney Houston that whenever you were 15, she was like, she didn’t believe that that was you singing.
I have never heard that story, first of all. So Missy probably got a thousand stories of people that we don’t even know about.
She has to write a memoir at some point.
Yes.
I read that you actually — I don’t know if it was a text message or was it a phone call — that you actually got a chance to speak with Whitney?
I was at dinner with Kim Burrell and somehow Whitney came up. She was like, have you ever talked to her? I was like, no. She’s just like, Oh, let me call her. I’ll get her on the phone. I was like, huh? So she got on the phone and we spoke for literally a second, but it just made my night to hear from her. Everybody knows what Whitney means to music and it was amazing to be able to hear from her and actually speak to her.
Do you remember what you guys talked about for that brief moment?
I don’t. I think she may have said that she heard me sing or something like that. My mouth probably dropped and I probably stopped listening. I probably was in shock, to be honest.
I would probably react the same exact way. What song can’t you wait to perform live with an audience when we open up?
I think “Bodies” will be cool to perform live and see people sing the lyrics to. Probably “On It” because I’m seeing so many people who love “On It.” It definitely would be different for me because I don’t really do a lot of sexy songs. I think it’ll be fun to do that live.
Let’s talk about that song. You said you don’t do a lot of sexy songs, but what made you switch it up for this with Ari Lennox? I think we’ve all been waiting for that one to drop!
The project was about women being free, especially around their sexuality and not feeling the shame. That was definitely a song where there was no shame attached to it. Ari is a fellow Aries sister, she might be a little spicier than me, but it naturally fit in with her tale and what she was talking about with her tale. I just thought I needed that moment of being super sensual and sexual and doing it confidently.
