Quavo, Ty Dolla $ign, and ARE WE DREAMING Unveil Video For “If I Fall”

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QuavoTy Dolla $ign, and ARE WE DREAMING (Composer – Brian Tyler) – roll out the official music video for their resilient anthem, “If I Fall,” for Paramount Animation and Hasbro Entertainment’s upcoming motion picture TRANSFORMERS ONE.

Directed by Brian Tyler (ARE WE DREAMING) and DJ Furth, the epic video for “If I Fall” features a dynamic visual aesthetic with red and blue laser themes that reflect the intense juxtaposition between Optimus Prime and Megatron. QuavoTy Dolla $ign, and ARE WE DREAMING (chorus vocals) build up the tension as they passionately deliver their verses while clips from TRANSFORMERS ONE are shown on the background screens and integrated throughout the video, serving as a backdrop to the impending fallout between the two characters. Complete with drum solos from ARE WE DREAMING, the visual perfectly encapsulates the emotional weight and energy of the track.

About the video, Tyler said, “It was so dope getting to work with legends Quavo and Ty Dolla who both killed it in the video for “If I Fall”, which has a sick sci-fi feel that brings you into the world of Transformers. The sets were epic, it felt like we were on Cybertron.”

Tyler also edited the video alongside Elizabeth Saltzman. “It’s kind of crazy directing your own music video when you are also singing on it, playing the drums, editing the cut, and creating the visual effects. Being so integrated in the entire process has been insane but amazing,” Tyler gushed. “This video is actually the first of its kind for my upcoming audio-visual project Are We Dreaming, which I direct and create all the visuals for, as well as produce the music which spans many genres but is primarily centered around bass music and hip hop. So hype for the world to see what we’ve cooked up!”

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Aubrey O’Day on Diddy’s Arrest: ‘I Never Thought I Would See This Day’

Aubrey O’Day Claims Diddy Wanted to Buy Silence in Exchange for Publishing Rights 

Aubrey O’Day has released a statement on the arrest of Sean “Diddy” Combs. O’Day spoke with TMZ: “I never thought I would see this day. We all buried this inside of us in order to be able to keep going. And not just me, but victims you don’t even know yet. We are all processing what that type of vindication can actually feel like now. Every conversation I’ve had with victims last night has been beyond moving on all levels.”

In April, Diddy fired back at Aubrey O’Day’s claims against him. O’Day stated Diddy attempted to buy her silence using her publishing.

In response, Diddy’s team told TMZ: “Aubrey O’Day got her big break because Diddy and Bad Boy cast her in their show with her group, Danity Kane. Last year, when he reassigned his portion of the publishing to Bad Boy artists, an unprecedented move within the industry and which he did not have to do, not all artists signed an NDA, contrary to what she claims.”

TMZ reported that last year when the mogul formerly known as Puff Daddy reassigned publishing rights back to Bad Boy artists, it was considered an unprecedented move within an industry known for unfairly withholding pub rights and revenue, and quite frankly, he didn’t need to do, artists were asked to sign NDAs. But O’Day says not all signed the silencing document and did not want parts of Diddy’s NDA to get back her publishing rights, which she contends wasn’t worth much. 

O’Day was signed to Bad Boy Records in the 2000s, so she had a front-row seat to who Diddy was during that time. TMZ spoke to her for their new documentary The Downfall of Diddy, premiering on Tubi, which unpacks the Bad Boy CEO’s allegations and ensuing investigation after those major raids that hit his homes in Los Angeles and Miami. 

Get this: O’Day claims she had wind of what may have been coming for Diddy as far back as September 2023. See, that’s around the time Diddy made that big announcement that he was giving his former artists (the one’s who are still alive) the rights to their music catalogs.

On the surface, however, left field felt like a generous move. However, according to Aubrey, there were strings attached behind the scenes. Aubrey O’Day claimed Diddy included as part of the deal that artists needed to sign NDAs. This maneuver was designed to silence them from speaking out on their experiences while at Bad Boy, and most certainly in the presence of Sean “Diddy” Combs. Aubrey shut that right on down. She feels her ability to talk about her time during her Bad Boy days is more valuable than what was being offered.

Not to mention, her talking now has been consistent with her energy for years. O’Day has been talking about Diddy’s behavior for a long time, and she has been sounding the alarm. No one was listening until the relatively recent accusations and civil suit brought on by singer Cassy and several others, which Diddy categorically denies even though he settled with Cassy less than 24 hours after the suit became public. And if you think that big to do about the publishing was about real money, think again. At least for O’Day, she contends the amount of cash connected to her publishing rights was disrespectfully low.

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SOCIALizing: Rubi Rose Exposes Druski Relationship As PR Stunt … He Supposedly ‘Paid For’

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That was quick. Rubi Rose just clarified the nature of her so-called relationship with Druski, revealing it was nothing more than a public relations stunt. Sheesh.

In a recent post on X (formerly known as Twitter), Rose dismissed rumors of a romantic involvement, stating that they never slept together and that their connection was purely business. “He only paid for PR,” she wrote, putting an end to the speculation about a real romance between the two.

Actually it was a bit more harsh than that. See for yourself.

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ICYMI, earlier this year, Rose and Druski had kinda confirmed their relationship or situationship back in April, even sharing intimate photos and videos on Instagram, including snapshots from a vacation in the Dominican Republic.

This led many to believe they were genuinely dating. Can’t believe anything anymore, especially on socials.

Anyway, in a later interview during Paris Fashion Week, Rose declared her single status, saying, “F*ck love,” and adding, “Okay, I’m single, guys.” Druski also reflected on their supposed breakup, describing it as a “learning situation” and confirming he was also single.

Wow.

Rose’s recent revelation now casts a new light on their relationship, suggesting it was always a calculated move rather than a genuine romantic connection.

Anything for clout or money really is a thing. Such a head scratcher because Druski is legit on his way. Superbly talented. So, if true, why?

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SEE IT: First Official Trailer For ‘Starting 5’ Netflix Docuseries Following NBA Super Stars LeBron James, Anthony Edwards, Jason Tatum, Jimmy Butler And Domantas Sabonis 

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Netflix has unveiled the first extended trailer for its eagerly awaited NBA docuseries, “Starting 5.” Released on Monday afternoon, the series will chronicle the lives and careers of LeBron James, Jayson Tatum, Anthony Edwards, Jimmy Butler, and Domantas Sabonis throughout the 2023-24 NBA season. The production is a collaboration between LeBron James’ media brand “Uninterrupted” and Peyton Manning’s “Omaha Productions.”

While Netflix had previously released a teaser, this new trailer offers the first real look at footage from the series, which is set to premiere on October 9.

The trailer showcases what promises to be an impressive deep dive into the personal and professional journeys of these NBA stars.

Here it is …

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Billie Eilish And Brother Finneas Endorse VP Kamala Harris For President On National Voter Registration Day

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In another meaningful endorsement music super star Billie Eiliesh ajust posted on “X” (former twitter) and as a collab post on Instagram, that she and her brother Finneas are voting for VP Harris and Tim Walz. She made the endorsement on National Voter Registration day, which in itself is meaningful.

Here’s what they said:

“We are voting for Kamala Harris and Tim Walz because they are fighting to protect our reproductive freedom, our planet and our democracy,” Eilish said in the video.

“We can’t let extremists control our lives, our freedoms and our future. The only way to stop them and the dangerous Project 2025 agenda is to vote and elect Kamala Harris,” Finneas added.

“Vote like your life depends on it, because it does,” Eilish said.

Here’s the link to the IG post:

https://www.instagram.com/p/DABi7rnv0EV/

The comment section of their post was buzzing with positive reinforcement with some users saying:

 “always so sensible, intelligent and supportive of causes! you are amazing, I love you both,” from one user.

“Harris 2024. Thank you Billie!” posted from another user.

Another user said, “Love you so much you two!”

So first Beyoncé then Taylor Swift and now Billie Eilish are supporting VP Kamal Harris and Governor Tim Walz. Who does Trump have again? Lil Pump and Kid Rock? LOL.

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Miley Cyrus Accused of Copying Bruno Mars ‘Flowers’ In New Lawsuit

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Yet again, Miley Cyrus is facing a new lawsuit alleging copyright infringement. This time, her 2023 hit song “Flowers” allegedly intentionally copied elements of Bruno Mars’ 2012 track “When I Was Your Man.” Yikes.

Get this, the lawsuit was filed by Tempo Music Investments, which claims to hold a share of the copyright for Mars’ song, though Mars himself is not listed as a plaintiff.

Okay so according to the suit, Tempo Music Investments claims that “Flowers” borrows from “When I Was Your Man” in terms of melody, harmony, and chord progressions. The company argues, “It is undeniable based on the combination and number of similarities between the two recordings that ‘Flowers’ would not exist without ‘When I Was Your Man.’” They are seeking an unspecified amount in damages and are also demanding that Cyrus be prohibited from performing or distributing “Flowers” in the future.

As for Cyrus, the pop star has not yet publicly responded to the lawsuit, and representatives for both Cyrus and Mars have not issued comments.

What’s more is this lawsuit marks the fourth time Cyrus has faced accusations of copyright infringement. In March 2018, Jamaican artist Michael May, known as Flourgon, claimed that Cyrus’ 2013 song “We Can’t Stop” used lyrics similar to his 1988 track “We Run Things.” May alleged that the song “misappropriated” his “musical composition/lyrical phrase” and sought $300 million in damages. The case was eventually settled out of court in 2020.

Back in September 2018, another lawsuit was filed against Cyrus and Universal Music by Ariella Asher, known as Yella the Triple Threat. She alleged that the song “23” by Mike Will Made It, which featured Cyrus, had an “infringing composition” on her 2012 song “J’s On My Feet.” This lawsuit was dropped two months later, in November 2018.

Oh but wait, Cyrus was also sued in September 2022 by photographer Robert Barbera after she posted a photo of herself on Instagram. Barbera argued that Cyrus did not own the rights to the image and that her sharing it with her large Instagram following “crippled if not destroyed the potentiality of any market for the Photograph by Plaintiff.” This lawsuit was settled in October 2022 and dismissed “with prejudice,” preventing Barbera from refiling the claim in the same court.

Looks like lawyer fees are going to start piling up.

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Colman Domingo Reportedly Circling New High Profile Film Project From Director Steven Spielberg

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Colman Domingo has been busy lately. The “Rustin” star is reportedly in early talks to join iconic director Steven Spielberg’s next project. While details about the film are scarce, as things tend to be in Hollywood, the project reportedly already has a cast that includes Colin Firth, Emily Blunt, and Eve Hewson. Deadline Hollywood has was first to report Domingo’s talks and early attachments.

What we do know is the film is based on an original story by Spielberg, with frequent collaborator David Koepp serving as the screenwriter. Spielberg’s Amblin and Universal are set to produce, along with Kristie Macosko Krieger. The project is currently slated for a May 15, 2026 release, hinting at its potential to be a summer blockbuster.

Get this, Deadline notes that the film is “in the summer tentpole zone Spielberg practically created decades ago with such films as Jaws and Raiders of the Lost Ark.” Given Koepp’s history of writing major summer films like Spider-Man, War of the Worlds, and Jurassic Park, this project may follow in the footsteps of these high-profile blockbusters. Additionally, Koepp’s work on the cult classic Death Becomes Her suggests there could be some comedic elements in Spielberg’s new film.

Though Domingo has not previously worked with Spielberg directly, he did star in the musical adaptation of The Color Purple, which Spielberg produced. This past collaboration might have influenced Spielberg’s decision to consider Domingo for his new film.

Looks like big things all around for Domingo and Spielberg.

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Ballerina Michaela DePrince’s Adoptive Mother Passes Away Within 24 Hours Of Her Daughter

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Ballerina Michaela DePrince, known for her remarkable journey from war-torn Sierra Leone to international ballet stardom, tragically passed away at the age of 29 last week. Just 24 hours later, her adoptive mother, Elaine DePrince, also passed away, leaving the family and the world in mourning.

Michaela DePrince, a principal soloist with the Boston Ballet, captured hearts with her inspiring story of resilience and determination. Having overcome incredible odds, she became a beacon of hope in the dance world, known for breaking barriers and redefining what it meant to be a ballerina.

On September 14, the DePrince family took to Facebook to share the devastating news, revealing that Michaela had passed on September 10, and Elaine, 77, died the following day during a routine procedure in preparation for surgery. The family clarified that the two deaths, though only a day apart, were unrelated. “Michaela died before Elaine, and Elaine did not know of Michaela’s passing at the time of her procedure,” they wrote, adding that Elaine had already suffered the loss of three children many years ago and, by the grace of God, was spared the pain of losing a fourth.

Elaine DePrince was instrumental in Michaela’s life, adopting her from an orphanage in Sierra Leone and nurturing her love for ballet. Together, they embarked on an extraordinary journey, with Michaela rising to prominence as a symbol of hope and perseverance in the face of adversity. Their bond was profound, and their untimely passing has left a void in the hearts of those who followed their story.

Michaela’s legacy as a trailblazer in ballet and her impact on the arts community will not be forgotten. The world grieves not only the loss of a talented artist but also the passing of her mother, who stood by her side through triumph and struggle. Their story, one of love, resilience, and inspiration, will continue to resonate for years to come.

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TikTok Back In Federal Court Fighting Law That Might Ban Popular Platform In America

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If you love TikTok and all that comes with it, have fun now because it might not last too much longer. The U.S. government clashed with the popular platform’s lawyers in federal court over a law that could ban the app by mid-January. TikTok is arguing the measure is unconstitutional and the Justice Department claiming it is necessary to eliminate a national security risk.

The legal battle took place before a panel of three judges at a federal appeals court in Washington.

Andrew Pincus, representing TikTok, argued, “The law before this court is unprecedented and its effect would be staggering,” suggesting that it would impose speech limitations based on hypothetical future risks. Additionally, an attorney for content creators who joined the challenge compared the law to banning Americans from publishing on foreign-owned media outlets.

Get this, the law was signed by President Joe Biden in April, comes after years of concern in Washington about TikTok’s ties to China. The U.S. government make a serious claim that TikTok collects sensitive user data that could be accessed by the Chinese government and that the app’s proprietary algorithm could be manipulated to shape content.

What’s more, Daniel Tenny, an attorney for the Justice Department, argued, “The problem is that same data is extremely valuable to a foreign adversary trying to compromise the security of the United States.”

Pincus contended that Congress should have opted for transparency regarding potential propaganda rather than forcing a divestiture or ban.

Interestingly, the judges also pressed the Justice Department on First Amendment concerns. Judge Sri Srinivasan noted that government efforts to curb content manipulation raise alarms regarding free speech. Tenny responded that the law does not directly target TikTok users or creators, suggesting any impact on them would be indirect.

Anyway, TikTok maintains that it does not share U.S. user data with the Chinese government and that divestment is not a feasible option. The company argues that even if divestment were possible, TikTok would lose the technology that powers the app, reducing it to “a shell of its former self.”

TikTok here or gone, it’s part of a bigger construct with the impact of social media in our lives. And that is here to stay.

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Grammy Winning Bilal Drops Cubist Torch Single “Tell Me” Ahead Of LP Release

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Today, GRAMMY Award-winning artist Bilal unveils new single “Tell Me,” the latest from his forthcoming album Adjust Brightness, out September 27. Following the success of his June Black Music Month release, Live at Glasshaus featuring QuestloveCommon, and Robert Glasper, Bilal is back with his first album of new music in eight years. The new work features 11 brand-new tracks that will take listeners on his most daring musical journey yet, marking a bold step forward in Bilal’s already innovative sound. 

“Tell Me” is a standout piece from Adjust Brightness, offering a glimpse into the forward-thinking sonic journey Bilal has crafted. The mesmerizing layered vocals are both intimate and raw, creating an abstract yet captivating listening experience. The track deconstructs traditional love ballads, weaving in unconventional structures while retaining a haunting emotional pull. Though it carries the bare and natural essence of a demo, “Tell Me” is masterfully produced, with every sonic detail honed to perfection.

I realized a long time ago that, with the specter of AI and streaming, we risk losing our humanity,” says Bilal. “With Adjust Brightness, it was like: let’s make some shit that is going to confuse the damn computer. We’re bringing a love frequency — emphasizing the warmth, the love. It’s an intimate record.

Eight years following 2015’s In Another Life, a collaboration with Adrian Younge that drew from the psychedelic verve of vintage funk, Adjust Brightness marks a bold new chapter for Bilal. This album is a giant step forward, as Bilal merges his organic, soulful roots with experimental electronic influences inspired by artists like Aphex Twin, Stereolab, and Jai Paul. The creation of Adjust Brightness was deeply inspired by a period of musical and visual experimentation. Bilal began to approach his music much like a painter approaches a canvas — focusing on moods, textures, and atmospheres rather than traditional song forms. His experiences with experimental jazz and live performances fed into this avant-garde direction, and tracks like “Sunshine” and “Humility” highlight his innovative use of atmospheric grooves, intricate beats, and sonic manipulation. Though he’s venturing into new territory, the album retains the warmth, intimacy, and emotional core that have always defined Bilal’s artistry.

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