Today In Hip Hop History: Method Man’s Debut Album ‘Tical’ Turns 30 Years Old!

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tumblr 296f3d7c39584f89628186762696e202 24ee5598 1280

On this day in Hip-Hop history, Method Man released his debut solo LP Tical. Sticking to RZA’s plan on industry domination, Method was the first to roll out his solo LP after the ridiculous success group debut Enter the Wu-Tang (36 Chambers). In the early years of the Wu, Method Man had grown become the public face of the group. His larger than life persona and a multitude of styles won over the hearts and ears of fans after the groups first single “Protect Ya Neck” had “Method Man” on it’s B-side.

Tical delves deeper into the sinister villainous style previewed on 36 Chambers. Method Man creates a dark anti-hero on this album who hungers for the career of wack rappers and perpetrators. It was truly a violent introduction to one of the most outrageous members of the Wu, second only to ODB in theatrical personality.

Considered a “two-man show” by critics, the album was almost entirely produced by RZA. As the Wu’s architect, RZA created specific sounds for each member. Method unique sonic was the most film inspired. Meth continued to build a character likened to the many crime bosses and master villains that starred in his beloved Kung-Fu flicks. Aside from the image, lyrically the album is on another level. Method Man flawlessly juggles synonyms and metaphors with a flow that weaves in and out of the beat to create a hardcore symphony of Shaolin style.

Commercially, the album was a hit and only added on to the cipher of success revolving around the Wu-Tang Clan. The album peaked at #4 on the Billboard 200 and #1 on the Top R&B/Hip-Hop chart selling a million copies within a year of its release. It kick-started a wave of successful solo albums and keep afloat RZA’s five-year plan to becoming the greatest rap group in history.

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Today in Hip-Hop History: The Beastie Boys’ Dropped Their Sophomore LP ‘Licensed To Ill’ 38 Years Ago

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tumblr d7e2bfd4d0dc1b4cfe12f2ff20a32938 4ba2a1bc 1280

On this date 38 years ago, Adam Horowitz (Ad Rock), Adam Yauch (MCA), and Michael Diamond (Mike D) aka The Beastie Boys, dropped their sophomore LP Licensed To Ill, on the Def Jam Imprint under Columbia Records.

On the heels of the successful LL Cool J Radio album and the cult classic flick Krush Groove, Def Jam head honcho Russell Simmons decided to head in the most unconventional direction with the quasi-punk rock/Hip-Hop trio for Def Jam’s follow-up to those monumental releases. The original title of this release was Don’t Be A Faggot, but Columbia Records pushed Simmons to change the homophobic title.

Rated as one of The Source Magazine‘s Top 100 Best Albums, Licensed To Ill received the coveted five-mic status, a precedent for Jewish Hip Hop artists. In less than six months after its release, this critically acclaimed project earned the Beastie Boys a platinum plaque, lead by the singles “Brass Monkey,” “No Sleep Til Brooklyn,” “Hold It Now, Hit It” and the storytelling smash “Paul Revere.”

Unfortunately, crew member MCA lost his battle with cancer in 2012, which actually caused a resurgence in the album’s popularity and sales.

Salute to Def Jam, Russell Simmons, Ad Rock, Mike D and the continued legacy of MCA for creating such a timeless Hip Hop classic!

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Today In Hip Hop History: Prodigy Dropped His Debut Solo Album ‘H.N.I.C.’ 24 Years Ago

TodayInHipHopHistory:ProdigyReleasesHisDebutSoloAlbum'H.N.I.C.'YearsAgo

TodayInHipHopHistory:ProdigyReleasesHisDebutSoloAlbum'H.N.I.C.'YearsAgo

On this day at the turn of the century, Prodigy, the lyrical half of the legendary QB duo Mobb Deep, dropped his debut LP, H.N.I.C., released under the Loud/Violator/Steve Rifkind Co./Infamous Records imprints.

Produced by behind-the-board experts like his partner Havoc, The Alchemist, Rockwilder, and Just Blaze, this album became the first part of the P’s H.N.I.C. (Head Nigga In Charge) trilogy. It also inspired other similar album titles in the 21st century from premiere artists such as Kendrick Lamar (Y.H.N.I.C.) and Wiz Khalifa (O.H.N.I.C.).

Prodigy showed off his versatility on this project, which included love songs(“Trials Of Love”), renewed history tracks (“Infamous Minded”), crew love tracks(“Can’t Complain”, “Dealt With The Bullshit”), and of course, the album-leading, no chorus having “Keep It Thoro”.

Salute to Prodigy in his physical absence, however, his music will forever be etched in Hip Hop History!

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Meek Mill Says He is ‘No Diddy Gang,’ Justin Combs Reacts

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Meek Mill001

Well, this is a switch-up. With Diddy news swirling online, one of his biggest friends, Meek Mill, has joined the “No Diddy” trend. A video has hit online showing Meek claiming he is “No Diddy Gang.”

“No Diddy Gang, Meek Milly in real life — don’t ever disrespect me, ya heard?” Meek said.

One of Diddy’s sons, Justin COmbs, saw the message and had a swift response: “SMH [facepalm emoji}”

This past September, Meek Mill wanted his name cleared. Hitting X offered $100,000 to an investigative team to find evidence linking him to Diddy’s legal troubles. The message came in response to frequent accusations and jokes flying across social media.

“I wanna hire an investigative team 100k cash to find out every specific detail involving meek mill name to ‘Diddy’ case,” Meek wrote. “I also want them to look at who is powering the media involving ‘meek’ anything to do with buddy!

“‘Something not right,’” he finished.

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Quincy Jones Cause of Death Revealed as Pancreatic Cancer

Quincy Jones Didn't Want To Work With Elvis Because He Was 'Racist'

Quincy Jones Didn't Want To Work With Elvis Because He Was 'Racist'
Michael Buckner/Variety/Shutterstock

Quincy Jones’s cause of death has been revealed to be pancreatic cancer. According to TMZ, Jones’ death was confirmed by death certificate to the Los Angeles County Department of Public Health.

There were no additional factors listed as a cause of death.

Legendary music producer Quincy Jones was laid to rest in an intimate ceremony in Los Angeles a week after his passing at age 91.

According to The Associated Press, the 28-time Grammy-winning composer and arranger was remembered by his family in a small, private gathering that included his seven children, his brother, two sisters, and close relatives. While the location of his burial remains undisclosed, the family expressed deep appreciation for the global tributes and condolences received.

The family shared in a statement they are “enormously grateful for the outpouring of condolences and tributes from his friends and fans from around the world. Details for a memorial celebration of Mr. Jones’ life will be announced at a later date.”

Jones, whose profound impact on music stretched across genres and decades, died peacefully at his Bel Air home on Nov. 3, surrounded by loved ones.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” a statement from the family said. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones infused his genius into jazz, pop, film, and television, leaving an indelible mark on modern music and culture. Born in Chicago on March 14, 1933, Quincy Delight Jones Jr. rose from modest beginnings to become one of the most prolific and respected producers, composers, and arrangers in music history. As a young man, Jones attended the prestigious Berklee College of Music in Boston but left early to pursue his dreams. He began his career as a jazz trumpeter, working with legends like Dizzy Gillespie, before transitioning into arranging and conducting, which would become his true calling.

Jones was instrumental in crafting the sounds of numerous artists and producing some of the most influential albums of the 20th century. His work with Michael Jackson remains legendary, especially their collaborations on Off the Wall (1979), Thriller (1982), and Bad (1987), albums that redefined pop music and made Jackson a global superstar. Thriller became the best-selling album of all time, solidifying Jones’ reputation as a producer with an unparalleled ear for hits.

Beyond his work in pop, Jones was an accomplished film and television composer, scoring notable films such as The Color Purple (1985) and In the Heat of the Night (1967) and the TV series The Fresh Prince of Bel-Air. His groundbreaking arrangements and compositions earned him 28 Grammy Awards from 80 nominations, making him one of the most decorated artists in Grammy history.

Jones was also a pioneering advocate for social change, using his platform to support civil rights and champion diversity in the entertainment industry. His influence transcended music; he was a mentor, a cultural ambassador, and a visionary who brought together artists from all walks of life. In 1993, he was awarded the Grammy Legend Award, a fitting tribute to his status as one of the most transformative figures in music.

Rest in peace to Quincy Jones.

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Happy 60th Birthday To Joseph “Rev Run” Simmons Of Run-D.M.C.!

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Today marks the 60th birthday of one of America’s favorite television dads as well as one of the most influential emcees ever! Joseph “Rev Run” Simmons of the legendary Run-D.M.C. is one of Hip Hop’s most recognizable figures, beginning his career as DJ Run “The Son of Kurtis Blow” before joining forces with Darryl “D.M.C.” McDaniels and the late Jason “Jam Master Jay” Mizell and forming the Grammy Award winning trio. He is also the younger brother of Hip Hop’s first mogul and co-founder of Def Jam Recordings, Russel Simmons.

Run has appeared in three feature Hip Hop films as himself alongside D.M.C. and JMJ; 1985’s Krush Groove, 1988’s Tougher Than Leather and the 1993 Hip Hop comedy Who’s The Man? In 2004, Run was ordained as a Pentecostal minister by Hollis Queens’ Rev. E. Bernard Jordan and adopted the moniker “Reverend Run”. After his ery public life transformation, Run appeared on several reality shows with his family, starting with MTV’s Run’s House, which featured his family and their everyday life. The show was a fan favorite, living on MTV for four seasons. Simmons has also created three other cable series, two premiered in 2014; Rev Run’s Renovation which runs on both the DIY Network and HGTV, and Rev Run’s Sunday Suppers for Cooking Channel, the other Rev Runs Around the World premiered on the Travel Channel in 2016.

Run is also an esteemed member of the Rock N’ Roll Hall Of Fame after being nominated and voted in unanimously in 2009.

Salute to Rev Run on his born day and may he be granted many more birthdays hereafter!

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Today In Hip Hop History: Jay-Z Dropped ‘The Black Album’ 21 Years Ago

TodayinHip HopHistory:JAY ZDropped'TheBlackAlbum'YearsAgo

TodayinHip HopHistory:JAY ZDropped'TheBlackAlbum'YearsAgo

On this day in Hip-Hop history, Brooklyn’s own Jay-Z released he would-be retirement album The Black Album. Although there was virtually no pause between The Black Album and new Jay-Z music (collaboration albums with both R. Kelly and Linkin Park were released the following year), this album is easily the greatest retirement project of all time.

In its entirety, this album sounds more like a greatest hits album than the eighth project of an illustrious career. Starting with the first track, “December 4th”, this album takes the listener on a nostalgic journey. This opening tale of Hov’s origin sets the tone of the album and properly introduces Jay to an industry that he feels has taken him for granted. This album is an opus to Jay’s distaste with the rap game as a whole. On numerous tracks, specifically “Encore” and “What More Can I Say”, Hov can be heard stating his frustration with being the one punch man (a fictional superhero who can defeat any opponent with merely one punch causing him to become bored with superhero work) of Hip Hop.

Aside from staking his claim as the greatest, Hov spent this album perfectly juggling his unique brand of bragging with the dropping of street knowledge you couldn’t pay for. Singles “Change Clothes” and “Dirt Off Your Shoulder” are perfect examples of the particular swagger Jay-Z brought to rap. His mature yet flamboyant lyricism is on par with the life described by Robin Leach. As the album progresses, Jay begins more and more to put his would-be competition in its place with sheer willpower. From “Threats” to “Lucifer” it seems Jay is directly challenging the rest of the rap world to get on his level before they never again get the chance.

The album ends with two songs that could interchangeably be used as an outro. Both “Allure” and “My 1st Song” show Jay-Z coming to terms with the final chapter of his career coming to a close, even if he was planning a comeback.

Featuring production from Kanye West, Just Blaze, The Neptunes, Timbaland, 9th Wonder, Rick Rubin, DJ Quik, and even Eminem, it’s easy to see why this album is as amazing as it is. Aside from the prolific production team, Jay-Z put together one of his most successful albums without any features (aside from a hook sung by Pharrell). Commercially, the album peaked at #1 on both the Top R&B/Hip-Hop chart and the Billboard 200 chart (where it appeared twice, each for a week). The album also went triple platinum in the United States and made appearances on music charts of eight different countries.

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Graff Rap: Five MCs That Are Known Wall Writers

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Screenshot 2024 11 13 at 7.29.57 PM

“Cause I’m playin ball or bobbin’ in the hall/ or just writin’ my name in graffiti on the wall..”

– Rakim “My Melody” circa 1986

Very few of today’s Hip Hop enthusiasts understand the history and impact of aerosol art or graffiti on the culture that we all know and love. As the eldest of Hip Hop’s original four pillars, its visual self expression is rooted in some of the roughest streets of New York and Philadelphia, depending on who you ask.

Then you have the youngest of the four pillars, emceeing, which is the verbal expression of the street culture and the euphemism “the handwriting on the wall” is told from the POV of the MC. In the 80s and 90s, there several of the era’s most prolific emcees began their “careers” in Hip Hop as graff artists. Some of them have continued to pursue their love to paint and some will give you a tag when you request an autograph.

The Source has decided to compose a list of five emcees that you may or may not know have hand styles for miles and Old Gold can control!

KRS -ONE

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Brooklyn-born/Bronx-raised Hip Hop legend KRS-One was a graffiti writer before he was known as the “Blastmaster” of Boogie Down Productions, scribing his name all over the streets of Brooklyn and the Bronx during his time at a men’s shelter where he met the late DJ Scott La Rock.

Fat Joe

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The Bronx is widely known to have produced some of MYC’s greatest graffiti writers and Fat Joe aka Joey Crack aka CRACK TS is a part of that legacy. The Terror Squad was originally a street crew and with graffiti being apart of their outfit, you could find CRACK TS pieces and throw ups near Forest Projects as late as 1993 when Joe dropped his first single “Flow Joe”. Above, you can see a throwie that CRACK painted in Lil Wayne’s home.

MF DOOM

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One of the most revered and worshipped figures on the Hip Hop landscape is the late MF DOOM. Formerly known as Zev Love X from the conscious trio KMD, DOOM later established himself as a solo artist, but his assumed nom de plume DOOM became more of a staple of his identity. DOOM throwies could be found around lower Manhattan, Queens, Brooklyn and even other countries with his CM(Criminal Minded) crew inscribed in his piece. The DOOM throwie is still a seminal piece of the MF DOOM/Metalface brand and will be always be one of the most recognizable throws in the graff game.

DJ KAY SLAY

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The illustrious “Drama King” DJ Kay Slay(R.I.P.) was an integral part of the graffiti culture long before he was known for terrorizing the mixtape scene in the late 90s and early 2000s. Known among writers as Dezzy Dez aka DEZ TFA, Slay appeared in the 1983 NYC graffiti introduction documentary Style Wars as a 16-year-old graff expert, even schooling a younger artist named TRAP to the tricks of the trade almost four decades ago. No, he isn’t an emcee, but we had to pay homage to a true pioneer of Hip Hop culture. Rest In Paint Kay Slay

TAME ONE

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As one half of the lyrical Newark-based duo The Artifacts, TAME was just as active with a can, if not more, as he was on the mic. As a member of NJ graff crew BOOM SKWAD, TAME’s name could be seen as large as full productions and as small as marker tags all over Newark, East Orange and Irvington while he and El Da Sensei worked their two albums , 1994’s Between A Rock And A Hard Place and 1997’s That’s Them. TAME ONE aka Raheim Brown will forever be remembered as one of the best bombers to pick up a mic. R.I.P.

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The Source Magazine Remembers The MOVE 9 Bombing 39 Years Later

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Screenshot 2024 11 13 at 11.14.19 AM

Today marks the 39th commemoration of the bombing at 62nd and Osage Avenue in West Philadelphia in 1985

MOVE, which was originally called the Christian Movement for Life, was founded in 1972. Its founder, John Afrika born Vincent Leaphart on July 26, 1931 in the Mantua neighborhood of West Philadelphia, was functionally illiterate, so he dictated a document called The Guideline with Donald Glassey, a social worker from the University of Pennsylvania with whom he collaborated with. Glassey’s notes would eventually become the document. Afrika along with his mostly Black followers wore their hair in locs, advocated a political ideology that aims to create an ecologically sustainable society rooted in environmentalism, non-violence, social justice, grassroots democracy and a return to a hunter-gatherer society, while stating their opposition to science, medicine and technology. As John Afrika himself had done, MOVE members also changed their surnames to Afrika to show reverence to it, which they regarded as their mother continent.

All living beings, things that move, are equally important, whether they are human beings, dogs, birds, fish, trees, ants, weeds, rivers, wind or rain. To stay healthy and strong, life must have clean air, clear water and pure food. If deprived of these things, life will cycle to the next level, or as the system says, ‘die’.”
– John Afrika

John Afrika’s MOVE members lived in a commune in a house owned by Glassey in the Powelton Village section of West Philadelphia. They staged bullhorn-amplified, profanity-laced demonstrations against institutions which they opposed morally, such as zoos, and speakers whose views they opposed. MOVE made compost piles of garbage and human waste in their yards which attracted rats and cockroaches; they considered it morally wrong to kill the vermin with pest control. MOVE attracted much hostility from their neighbors, the majority of whom were African-Americans. Thier activities drew close scrutiny from law enforcement authorities and the police department engaged in a shootout on August 8, 1978, in which Officer James J. Ramp was struck and killed. Afrika and MOVE contend that Ramp was not shot by a member, but by one of the police department’s own men.

After that shootout, the MOVE 9 members Chuck, Debbie, Delbert, Eddie, Janet, Janine, Merle, Mike and Phil Afrika, were sentenced to 30-plus years for the killing of Ramp. Law enforcement officials obtained indictments on the implicated members of MOVE and, on May 13, 1985, attempted to arrest them, which led to an armed standoff with MOVE and subsequent death of the group members by the Philadelphia Police Department. During the raid, John Afrika was killed along with six other adults and four children when the Philadelphia Police Department head of bomb disposal, on board a Pennsylvania State Police helicopter, dropped a satchel containing a gel-based explosive on a fortified bunker occupied by members of MOVE. The resulting explosion started a fire that resulted in the destruction of 65 homes in the neighborhood. The order was given by city officials to “let the fire burn”. The explosion, fire, and shootout killed all but two members of MOVE who were present, leaving Ramona and Birdie Afrika severely burned. Birdie was released while Ramona went on to serve her maximum sentence of 7 years in prison.

In his new book to be released April 21, 2015 entitled “Writing on the Wall”, edited by Joanna Hernandez, political prisoner Mumia Abu-Jamal compares the issues of the MOVE 9 to the current era 30 years later with police brutality still being a major issue of our time.

I don’t mean bombing people…not yet, that is…I mean the visceral hatreds and violent contempt once held for MOVE is now visited upon average people; not just for radicals and revolutionaries, like MOVE.”
-Mumia Abu-Jamal (Political Prisoner)

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Today In Hip Hop History: Wu Tang Clan’s Ol Dirty Bastard Passed Away 20 Years Ago

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TodayinHipHopHistory:ODBWasBornYearsAgo

20 years ago today, the Hip-Hop community lost one of its most eccentric, yet essential personalities that the game has ever known. Russell Jones, better known to the world as Ol’ Dirty Bastard, passed away just two days shy of his 36th birthday.

Ironically, Dirty took us through his 36th Chamber at the inception of his unprecedented career with his gold certified Return To The 36th Chamber debut in March of 1995. The Osiris of the WTC legacy followed up with another solo album entitled N***a Please as well as a posthumous release.

Ol’ Dirty will always be remembered by his loved ones and his fans as an original personality who wasn’t afraid to storm the stage during the Grammys, pick up food stamps in a limo on MTV, or repeatedly declare on The Arsenio Hall Show that the Blackman is God.

This Friday, which would’ve been the Wu Tang co-founder’s 56th birthday, his family is hosting a special screening of th A&E special documentary A Tale Of Two Dirty’s in his hometown of Brooklyn, where there will also be a panel discussion about the documentary and the impact of mental health.

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