Verdine White is the iconic bassist and founding member of the legendary band Earth, Wind & Fire. He has cemented his status as a musical luminary with a net worth of $20 million in 2024, as reported by Eric Singer. His contributions to music span decades, and his influence extends far beyond the stage. White has helped shape the landscape of funk, R&B, and soul music. His journey from humble beginnings to global acclaim is a testament to his unparalleled talent, dedication to his craft, and enduring impact on the music world.
Pioneering Sound & Influence
LOS ANGELES, CA – CIRCA 1987: American bassist Verdine White, of the American band. Earth, Wind & Fire, poses for a portrait with his guitar circa 1987 in. Los Angeles, California. (Photo by Lester Cohen/Getty Images)
As the driving force behind Earth, Wind & Fire’s distinctive sound, Verdine White’s basslines have become synonymous with funk and soul music. His virtuosic playing style has set the standard for bassists across generations. Further, White’s contributions to the band’s extensive discography include hits like “September” and “Boogie Wonderland.” They have earned him critical acclaim and a place in music history as one of the greatest bassists ever.
Moreover, Verdine White’s influence on popular culture is immeasurable. His flamboyant stage presence, elaborate costumes, and dynamic performances have captivated audiences worldwide. It has also helped define the visual aesthetic of Earth, Wind & Fire. White’s contributions to the band’s songwriting and production have also played a pivotal role in shaping their unique sound, ensuring their enduring relevance and popularity across generations.
Philanthropy & Community Engagement
TORONTO, ONTARIO – AUGUST 08: Verdine White of Earth, Wind & Fire performs during the. “Sing A Song All Night Long” Tour stop at Scotiabank Arena on. August 08, 2023 also in Toronto, Ontario. (Photo by Jeremychanphotography/Getty Images)
Offstage, Verdine White is known for his philanthropic efforts and commitment to giving back to his community. Through various charitable initiatives and partnerships, he has supported causes related to education, music education, and youth empowerment, using his platform to make a positive impact on the lives of others. White’s dedication to philanthropy reflects his belief in the power of music to inspire change and uplift communities.
Continued Influence & Recognition
ST PAUL, MINNESOTA – AUGUST 04: Philip Bailey, Lionel Richie, Ralph Johnson and. Verdine White of Earth, Wind & Fire backstage during the opening night of “Sing A Song All Night Long” with. Lionel Richie and Earth, Wind & Fire at Xcel Energy Center on. August 04, 2023 in St Paul, Minnesota. (Photo by Adam Bettcher/Getty Images for Live Nation)
With a net worth of $20 million in 2024, Verdine White’s legacy as a musical pioneer and cultural icon is secure. As he continues to inspire audiences with his music and philanthropy, his influence on music and beyond is poised to endure for years. Verdine White’s contributions to Earth, Wind & Fire, and the broader music industry serve as a testament to the transformative power of creativity and the enduring legacy of true musical legends.
Today is September 21, which means that, as is the case every year, Earth, Wind & Fire will be on a lot of minds: The band’s classic 1978 single “September” starts with the lyrics, “Do you remember / The 21st night of September? / Love was changing the minds of pretenders / While chasing the clouds away.”
The big question, though, is what’s so special about the 21st of September? What happened on that date? Why did the band choose it for the song? It turns out Allee Willis, who co-wrote the song alongside Al McKay and Maurice White, has already answered that question.
“We went through all the dates: ‘Do you remember the first, the second, the third, the fourth…,’ and the one that just felt the best was the 21st. I constantly have people coming up to me and they get so excited to know what the significance was. And there is no significance beyond it just sang better than any of the other dates. So… sorry!”
In a Wall Street Journal interview in 2019, though, Willis noted she was told by White’s widow Marilyn that September 21, 1978 was the due due date of White’s son Kahbran, so that may have been a contributing factor to the lyric.
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.
Humility is often painted as a superpower that has its strength in being a cornerstone for one’s success. For it to work best, it’s sad that other dominant qualities must be submissive in its presence. Confidence works hand-in-hand with it while pride takes a back seat. The alleged beauty behind humility has been professed in numerous ways by many for centuries upon centuries. Confucius called humility the “solid foundation of all virtues” while Rick Pitino said it’s the “true key to success.” Though these examples are not wrong per se, a more accurate one, arguably, can be credited to William Law who said humility is “nothing else but a right judgment of ourselves.”
The “right judgment” portion of that quote is as subjective as ever and on her new album Jaguar II, Victoria Monét declares her own judgment of self and the world around her. The irony here is that through the project’s 11 songs, Monét’s right judgment of self actually sheds the humility that has lived beside her in a career that’s lasted over a decade. For years, Monét was known for her songwriting as she penned records for Diddy, Ariana Grande, Chris Brown, Fifth Harmony, Chloe X Halle, Blackpink, and more – all while working on her own music. It wasn’t until recently that the scales of both seemed to even out, something she wished for back in 2020. “[My] songwriting took off before my [own music] so it wasn’t like I made a decision, I was trying to do both,” she explained in Wonderland Magazine interview. “Now I’m just trying to even the playing field.”
Successful songwriters are often left to live in the shadows of the background making for a disconnect between that and their own releases. That hasn’t been the case as of late for Monét. If her 2020 EP Jaguar was the connection and spark, her debut album Jaguar II is the electric field and bright lights that rightfully resulted. Monét shines with blinding radiance on songs that find her as confident as ever from start to finish on her latest release. Whether it be through the shimmering dance number that is the Kaytranada-produced “Alright,” or the sexy and uplifting “Party Girls,” Monét finds a way to be simultaneously jaguar-like in her fearless approach and as sleek and classy as the luxury vehicle that shares her album’s namesake
At the very center of this album, comes multiple swipes at humility. Monét specifically calls out the extinction of humility in her world moments into “On My Mama.” She pierces through each line with unfiltered cockiness while allowing not an inch of doubt to creep into her statements so as to not invalidate them. More indirectly, we see Monét pop the collar of her fur coat on “Cadillac (A Pimp’s Anthem) while mocking the idea that women can’t be pimps. The tone of disgust is prominent on “Stop (Asking Me 4Shyt)” as she’s in disbelief at the requests a man makes to her for money and other items. Lastly, in what is one of the best moments on the album, Victoria Monét paints herself as a flawless gem on “I’m The One,” perfect in all ways and specifically crafted for a lover who fails to see her as this fairytale love story. Humility often calls for a level of timidness and reservation in how one presents themselves, but for Monét this moment had been over a decade in the making. There isn’t room for dimming the light that she wired tirelessly to make shine.
The Victoria Monét that lives throughout Jaguar II isn’t new by any means. Her bold approach was at the center of Jaguar where records like “Ass Like That” and “Moment” marvelously presented her worth as a diamond in the rough. Much of the same is present on Jaguar II, just refined and crafted to a level that makes the multitalented singer’s artistry more pristine than ever. With heavy production from D’Mile, who has laced irresistible and pleasing records for the likes of Ty Dolla Sign, Snoh Aalegra, Lucky Daye, HER, Mary J. Blige, Silk Sonice, and more Victoria Monét had the necessary tools, both internal and external, to achieve that excellence that is Jaguae II. As she boldly proclaimed on her latest project, Victoria Monét is the one. So yes, humility to the wind and everything else like it. Her blinding radiance looks better and makes for the ideal ingredient in her recipe for success.
Jaguar II is out now via RCA Records/Lovett Music, Inc. Find out more information here.
Victoria Monét wowed with her 2020 EP Jaguar and now her long-awaited debut album, Jaguar II, is finally approaching. She revealed the cover art and release date (August 25) last month and announced last week that she’s going on tour. Now we know a bit more about he album: specifically, the tracklist.
Monét shared that today (July 17) and the 11-track album includes features from Lucky Daye; Buju Banton; Hazel Monét; and Earth, Wind & Fire; as well as a song produced by Kaytranada. Fans were excited about the collaborators, as Kaytranada and Earth, Wind & Fire were trending topics on Twitter after Monét’s reveal.
While unveiling the tracklist on social media, Monét wrote, “I present to you: The JAGUAR II TRACKLIST!!!! I’m so happy to finally share this with you!! Look at these FEATURES [crying emojis] screaming..what is life?! from the titles alone, which songs do you think will be your favorites? I’m so curious.”
I present to you: The JAGUAR II TRACKLIST!!!!
I’m so happy to finally share this with you!! Look at these FEATURES screaming..what is life?! from the titles alone, which songs do you think will be your favorites? I’m so curious pic.twitter.com/u21Va3YQae
1. “Smoke” Feat. Lucky Daye
2. “Smoke” (Reprise)
3. “Party Girls” Feat. Buju Banton
4. “Alright” (Prod. by Kaytranada)
5. “Cadillac (A Pimp’s Anthem)”
6. “How Does It Make You Feel”
7. “On My Mama”
8. “I’m The One”
9. “Stop (Askin’ Me 4Shyt)”
10. “Hollywood” Feat. Earth, Wind & Fire and Hazel Monét
11. “Good Bye”
Jaguar II is out 8/25 via Lovett Music/RCA Records. Find more information here.
Earth, Wind & Fire drummer Fred White has died at 67. Verdine White, his brother and bandmate, shared the news on Instagram on Sunday, January 1. A cause of death has not been publicly revealed at the time of this writing. The band’s official Instagram account also confirmed the news.
Our family is saddened today
With the loss of an amazing and talented family member,
Our beloved brother Frederick Eugene ‘Freddie’ White.
He joins our brothers Maurice, Monte and Ronald in heaven and is now drumming with the angels! Child protégé, member of the EWF ORIGINAL 9, with gold records at the young age of 16 years old! He was brother number 4 in the family lineup.
But more than that at home and beyond he was the wonderful bro that was always entertaining and delightfully mischievous! And we could always count on him to make a seemingly bad situation more light hearted!
He will live in our hearts forever, rest in power beloved Freddie!! We thank you all for your love, blessings and support at this time. Soar high baby bro, we love you to the shining [stars] and back!”There was an outpouring of support in the comments section. Lenny Kravitz wrote, “Sending my love and deepest condolences to you and the family. I was blessed to have been in his presence and blessed to have been influenced by him. A true king. Rest in power.” Questlove, Jimmy Jam, Dule Hill, and Loni Love were among others sending their love.
Brothers Verdine and Maurice White, the latter of whom died in 2016, founded Earth, Wind & Fire in 1970. Fred joined the band in 1974 (as noted by Entertainment Weekly), after having proven his drumming chops outside of the family with the likes of Donny Hathaway. Before leaving the group in the ’80s, White contributed to enduring Earth, Wind & Fire hits “September” and “Shining Star.”
The group was inducted into the Rock And Roll Hall Of Fame. In December 2019, Earth, Wind & Fire were recognized by the Kennedy Center Honors. Ahead of the ceremony, Verdine, Philip Bailey and Ralph Johnson reflected on their iconic journey to that point with CBS Mornings. Watch the interview below.
NBA All-Star Weekend is about the finest talent professional basketball has to offer, but some of the biggest names in music popped up during the festivities, too. DJ Khaled, Lil Wayne, Lil Baby, Gunna, Ludacris, Migos, and Mary J. Blige performed on Saturday, and yesterday’s actual All-Star Game featured more recognizable music figures taking the stage.
Machine Gun Kelly (who was born in Houston but spent some of his formative years in Cleveland, this year’s All-Star host city) helped introduce the game’s starting lineups by getting the crowd excited, thanking “all the hard workers of this town,” cracking a couple of jokes, and handing things over to DJ D-Nice before the team lineups were properly introduced. Kelly had his fingerprints all over the weekend, as he also played during the celebrity game.
Prior to tip-off, Juno Award nominee Ryland James sang the Canadian national anthem before Ohio native Macy Gray delivered a rendition of “The Star-Spangled Banner.” Some people online noticed LeBron James seemed amused by Gray’s performance, as he was seen seemingly trying to suppress a smile as she sang.
As for halftime, the mid-game break was mostly focused on a celebration of the 75th anniversary team, although it did feature Earth, Wind & Fire performing their thematically appropriate hit “Shining Star.”
Meanwhile, Adele was spotted courtside (which makes sense given her relationship with sports agent Rich Paul) and caught the attention of the TNT broadcast crew, which prompted Charles Barkley to reckon he and Adele ought to duet. Barkley’s co-hosts quickly and definitively shot that idea down.
It’s September 21! Happy birthday and congrats to everyone who made it to today — it’s been a rough year, huh? Fortunately for us, comedian Demi Adejuyigbe, better known as Electrolemon, is back with his latest video celebrating the occasion, set as always to the funky tune of Earth, Wind & Fire’s “September.”
This time around, he goes for absolute broke, weaving in a goofy storyline about the musical Grease, performing a gravity-defying dance on the ceiling with a glittering disco ball, and having a blowout party in the front yard before hopping into a hot rod and soaring off into the sky. And even after all that, he saves the best for last, filling the credits sequence with video shout-outs from the band themselves, who congratulate him on his biggest and final “September” video.
Yup, that’s right. This is the last one — as he jokingly alludes to at the beginning of this year’s clip, he’s done this for a long time (to the point of feeling obligated to top himself every year) and he’s probably run of inspiration on this particular gag. We wish him well and thank him for his service, because these things have really brought a lot of hope and love into the world — especially as each one is accompanied by a charity drive for worthwhile causes.
This one is no exception. This time around, Demi is raffling off a painting of the Sept. 21 jersey he displays in the video, with proceeds going to Imagine Waterworks, West Fund, and Sunrise Movement. You can find out more at each respective website or at sept21st.com.
It’s September 21! Happy birthday and congrats to everyone who made it to today — it’s been a rough year, huh? Fortunately for us, comedian Demi Adejuyigbe, better known as Electrolemon, is back with his latest video celebrating the occasion, set as always to the funky tune of Earth, Wind & Fire’s “September.”
This time around, he goes for absolute broke, weaving in a goofy storyline about the musical Grease, performing a gravity-defying dance on the ceiling with a glittering disco ball, and having a blowout party in the front yard before hopping into a hot rod and soaring off into the sky. And even after all that, he saves the best for last, filling the credits sequence with video shout-outs from the band themselves, who congratulate him on his biggest and final “September” video.
Yup, that’s right. This is the last one — as he jokingly alludes to at the beginning of this year’s clip, he’s done this for a long time (to the point of feeling obligated to top himself every year) and he’s probably run of inspiration on this particular gag. We wish him well and thank him for his service, because these things have really brought a lot of hope and love into the world — especially as each one is accompanied by a charity drive for worthwhile causes.
This one is no exception. This time around, Demi is raffling off a painting of the Sept. 21 jersey he displays in the video, with proceeds going to Imagine Waterworks, West Fund, and Sunrise Movement. You can find out more at each respective website or at sept21st.com.
In mid-March, music lovers went understandably and rightfully berzerk after news that legendary R&B groups The Isley Brothers and Earth, Wind & Fire would be the next big names to hit up Verzuz, social media’s hottest head-to-head music battle. The musicians are slated to appear on the program April 4, and fans can stream the event via the Verzuz Instagram and Triller pages.
Originally a gospel quartet who became popular in the late 1950s, The Isley Brothers broke new ground in the ’70s after proving their mastery over the pop and funk sounds. They are among one of the only acts in popular music history to have singles hit the Billboard charts in five separate decades, and because of their inimitable career, they received the Grammy Lifetime Achievement Award in 2014. Earth, Wind, & Fire is considered one of the most innovative groups to ever do it, often using their work to combine elements of R&B, funk, disco, Latin, and pop. They are one of the best-selling musical groups of all time, with sales of over 90 million records, and were inducted into the Rock & Roll Hall of Fame in 2000.
Each group’s influence and legacy lives on in our hearts and headphones, and throughout the last few decades, several artists have paid homage to these acts in some way, shape, or form. You may not even realize it, but some of the most popular songs in contemporary R&B and hip-hop have celebrated these two iconic groups through song covers, samples, and interpolations.
To gear up for Verzuz on Easter Sunday, take a listen to some of the best uses of The Isley Brothers and EW&F’s work in modern songs.
Big Pun’s “Still Not A Player” Interpolates Earth, Wind & Fire’s “Beijo (Interlude)”
The late rapper’s staple song, a remix to his debut “I’m Not A Player,” is perhaps more well-known and more successful than the original. (The remix hit No. 24 on the Billboard Hot 100 in 1998, while the OG peaked at No. 57 in 1997.) The track, produced by music maker Minnesota, not only interpolates R&B crooner Joe’s “Still Not A Player,” it ties in one of the most catchy moments of EW&F’s popular interlude from their 1977 album, All N’ All. Get your best speakers out in order to hear Joe croon “Punisher…Punisher…Punisher, Big Punisher” to the original’s recognizable tune.
The Notorious B.I.G.’s “Big Poppa” Samples The Isley Brothers’ “Between The Sheets”
Christopher Wallace was no stranger to using an R&B or soul-driven sample in his work, evident by the Herb Alpert sample in “Hypnotize” and the Diana Ross sample in “Mo Money Mo Problems,” to name just a few. “Big Poppa” in particular (which in 1996 would receive two Grammy nominations) signaled a stylistic shift for the rapper by utilizing a slower, more sensual groove to pair his rhymes with, and The Isley Brothers’ baby-making hit definitely fit the bill.
Throughout the hip-hop collaboration, a loop of the piano intro from “Fantasy” can be heard in the background. While subtle in order to let Plies and Pain’s verses do the talking, the sample is undeniable. Like most songs featuring samples and interpolations from already-popular artists, Maurice White, Verdine White, and Eddie del Barrio of EW&F have songwriting credits on “Shawty.”
Thundercat’s “Them Changes” Samples The Isley Brothers’ “Footsteps In The Dark”
“Them Changes,” found on Thundercat’s 2017 album Drunk, is perhaps one of his most recognizable songs today. This is fitting, considering “Footsteps In The Dark” is one of the hallmarks of The Isley Brothers’ catalogue. The tone is instantly set with the original tune’s iconic opening drum beats. However, Thundercat makes the song his own by including lyrics with gory imagery, which we learn is symbolic of heartbreak and love lost. In a 2020 interview, the Grammy-winning musician says he’s thrilled that “Them Changes” “translated the way it did,” and that he hopes the tune “sticks around forever.”
Yo-Yo’s “You Can’t Play With My Yo-Yo” feat. Ice Cube Samples Earth, Wind & Fire’s “Devotion”
The 1991 song slingshot the rapper into the public’s consciousness, and set her apart from her contemporaries as a self-assured and strong woman. Sonically, listeners are treated to a combination of timeless throwback energy with hip-hop’s infectious rhythms, from a crinkling record noise to kick off the beat to a thumping bass that mixes in seamlessly with EW&F’s cool and collected style.
Kendrick Lamar’s ‘I” Samples The Isley Brothers’ “That Lady”
The first single off of K. Dot’s To Pimp A Butterfly was written in order to instill confidence in his listeners. While the project largely pertains to commentary on society’s negative effects on the Black community, “I” serves as a triumphant tune with a positive perspective. What makes “I”s use of “That Lady” stand out is that elements of the sample were recorded live with Ronald Isley (instead of just using the original version), which provides an unfinished yet classic feeling for the listener.
“You can actually hear him on the record with a few ad-libs that he actually did,” Lamar says of working with Isley. “We got it on camera and things like that, it’s a beautiful thing.” Isley is also a featured artist on “How Much A Dollar Cost?” from the same album.
Queen Pen’s “Party Ain’t A Party” Samples Earth, Wind & Fire’s “On Your Face”
This Teddy Riley-produced hit features a delicious twist on EW&F’s popular Spirit album cut, which is not an entirely unexpected choice given Riley’s reverence for using classic R&B samples in his ’90s production staples. (SWV’s “Right Here” samples Michael Jackson’s “Human Nature,” Blackstreet’s “Let’s Stay In Love” samples “Say You Love Me, One More Time” by D. J. Rogers.) The result of this particular production decision is a bonafide party starter that put the young rapper on the map in 1997.
Aaliyah’s “At Your Best (You Are Love)” Is A Cover Of The Isley Brothers’ Song Of The Same Name
Fresh on the scene as a budding musical ingenue, Aaliyah Haughton’s cover of The Isley Brothers’ “At Your Best” for her 1994 debut Age Ain’t Nothin’ But A Number catapulted her to stardom. Her version of the track — which was considered somewhat of a deep cut for the group — became more popular than the original ’70s version, and its remix brought the song to new heights. After her death in 2001, Ronald Isley said that the group was “devastated,” and they dedicated several performances of the song to her in the aftermath of her passing.
“I met this young lady when she was 15,” Isley said during a concert set in 2001. “She said, ‘Your group is my favorite group. I’m recording one of your songs. This is a favorite of mine.’”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
On Saturday, Verzuz made its return with a hip-hop focused battle between Wu-Tang Clan members, Raekwon and Ghostface Killah. The matchup saw fans head on a trip down memory lane through the artists’ respective catalogs, both as solo acts and with their Wu-Tang cohorts.
From Ghostface’s Supreme Clientele and Raekwon’s Only Built 4 Cuban Linx to Wu Tang’s 36 Chambers, viewers enjoyed the battle, which proved to be more of a collaborative affair if anything. Once the night came to an end, Verzuz returned with exciting announcements for the future.
We got so much on the way and can’t wait to reveal the rest, but for now… #VERZUZ
The Isley Brothers vs Earth, Wind & Fire April 4th
Shortly after Raekwon and Ghostface Killah’s battle concluded, Verzuz announced a string of matchups folks can expect to see over the next couple of months. First, the platform will welcome The Isley Brothers and Earth, Wind & Fire for an exciting Easter Sunday competition on April 4.
“Time to SHOUT for the #IsleyBrothers!” Verzuz said on Instagram, referencing their 1959 debut album, Shout! Less than three weeks later, the Timbaland and Swizz Beatz-led platform will return with a battle between Redman and Method Man for a “How High” special on April 20.
As if the pair of announcements weren’t enough, Verzuz also confirmed an untitled battle on May 8, a “Mother’s Day Special” on May 9, and a “Rematch” during Memorial Day weekend. A “Ladies Night” and two additional untitled battles were also revealed, but their dates were not shared. Participants for these matchups were also withheld in the announcement.
You can read the flyer for the upcoming Verzuz nights above.
from the titles alone, which songs do you think will be your favorites? I’m so curious 
!
The Isley Brothers vs Earth, Wind & Fire 
Redman vs Method Man