On this date in 1994, Brand Nubian’s Lord Jamar and Sadat X, without the group’s founder, Grand Puba, released the New Rochelle-based crew’s second album Everything Is Everything on the Elektra imprint.
Two years after Puba got a taste of the solo artist life with his Reel To Reel LP, Dotty and Lord J along with DJ Sincere put their heads together to put out an album that was almost exclusively produced by Lord Jamar himself. There weren’t a bunch of guest appearances besides fellow 5%er Busta Rhymes on the “Nubian Jam” and DITC’s Buckwild, who produced Sadat’s solo track “Alladat”. Despite the lackluster reception and commercial success of the project, the album produced two solid singles; “Word Iz Bond” and “Hold On”, which were featured on a number of syndicated television series. The single “Lick Dem Muthaphuckas” was featured on the Menace 2 Society soundtrack.
Salute to Jamar, Dot, Sincere, Buckwild for creating this important piece Hip Hop History!
On this day in Hip-Hop history, Brand Nubian founder Maxwell Dixon a.k.a. Grand Puba, was born today in 1966.
Grand Puba made his musical debut with the group Masters of Ceremony. The group’s first album Dynamite was released in 1988 and had an excellent critical reception. However, due to the lack of sales, the group disbanded shortly after the album’s release. This was when Puba emerged as the lead emcee of Brand Nubian.
Shortly after the 1990 release of the group’s debut, genre-less album One for All (which spanned reggae to Hip Hop to new jack swing), Grand Puba again parted ways from his group and embarked on a solo career. He recorded and released two albums, Reel to Reel, in 1992 and 2000 in 1995. Reel to Reel had much commercial success peaking at #28 on the Billboard 200 and toting the #1 hit single “360 Degrees (What Goes Around).” 2000 was also a success reaching the #48 spot on the Billboard 200 and its single “I Like It (I Wanna Be Where You Are)” hitting #91 on the Billboard Hot 100 chart.
In 1997, Grand Puba returned to Brand Nubian, and the group released Foundation in 1998. This album marked the reunion of the four original members. It was the first time they appeared together since their debut. This was their most successful album as a group peaking at #59 on the Billboard 200 chart, and the single “Don’t Let It Go To Your Head” reached #53 on the Billboard Hot 100 and was their highest climbing track.
In 2001 Grand Puba released Understand This, and in 2009, he released his fourth solo album Retroactive featuring production from Q-Tip, Large Professor, and Kid Capri. Over the years, Grand Puba has worked with Beanie Sigel, Missy Elliot, Mary J. Blige, and more. He was even sampled on the hook on the 2Pac record “Old School.”
We here at The Source would like to wish Grand Puba a happy born day. May you see many more years of success and prosperity!
Today in 1993, Brand Nubian released their sophomore album, In God We Trust on Elektra Records as a follow up to their five mic classic All For One.
With Grand Puba embarking on a solo career and a year into the success of his Reel to Reel album, Sadat X and Lord Jamar kept it all mathematical, dropping the science taught by the 5% Nation, which was the original objective of the four-man squad from New Rochelle, New York. Whether they were proudly saluting the 5% by singing their rendition of the Nation’s anthem”The Enlightener”, police brutality “Black and Blue” or just beating down punks “Punks Jump Up”, the Native Tongues affiliates always bring their lyrical A-game to the table when it’s time to go in the booth.
Salute to Sadat and Lord J for this timeless classic!
The world has come to stand and acknowledge the 50-year mark of the assassination of a man who is defined as being the most influential civil rights leader in American history, Dr. Martin Luther King Jr. On April 4, 1968, as he stood on the balcony of Lorraine Motel in Memphis, Dr. King was fatally struck with a bullet by James Earl Ray, an unlawful racist. The striking assassination of Dr. King follows a sturdy 14-year reign serving as a dominant figure in the civil rights movement fighting for the security of legal rights for African Americans. It was a fight drilled with nonviolence and civil disobedience, being burgeoned by the vile acts of racial segregation, disenfranchisement, and exploitation of all hanging from the centerfold of racism.
The powerfully symphonic voice of Dr. King in his iconic “I Have A Dream” speech delivered at the 1963 March on Washington sets the tone for emotional empowerment. It is currently the most sampled Dr. King audio recording in hip-hop history. In honor of Dr. Martin Luther King Jr and his sound legacy. Here are nine hip-hop songs sampled by the legendary leader’s voice.
1. Sadat X “Return of the Bang Bang” (2010)
Reigning from the silver-tongued posse who is bound to their divine blackness is Sadat X of Brand Nubian on the solo tip with “Return of the Bang Bang.” The unorthodox emcee takes to the mic to drop insight about his daily journey as a seasoned vet returning to the game. In his signature abstract style, Sadat uses Dr. King’s “I Have a Dream” passage to serve rightful diction in his tunnel of bars. “Return of the Bang Bang” is featured on Sadat’s 2010 sequel gem Wild Cowboys II.
2. Heavy D & the Boyz “A Better Land” (1989)
One of the golden era’s finest, the late Heavy D is pouring his soul out in rhyme in “A Better Land” with his boyz about improving the meager conditions of impoverished communities. The telling track starts with a sample of Dr. King’s “I Have A Dream” speech that ends with one of his most acquainted quotes, “We hold these truths to be self-evident that all men, are created equal.”
3. Edo G feat. Masta Ace “Wishing” (2004)
Donald Trump is not the first President of the United States to be highly scorned by most of his country. Back in 2004, George W. Bush was in office, turning America’s dream into a nightmare with his jest-like measures. Edo G and Masta Ace took to the mic to release their wishes while demanding intrinsic change in the American way. After Masta Ace crops the title of a dreamer, Dr. King’s infamous line about his dream for freedom and justice in Mississippi hoards the track.
4. Cyhi Da Prynce “Ring Bellz” (2010)
Cyhi Da Prynce is honoring his cultural edge through the barrels of black history in “Ring Bellz” a song from his 2010 mixtape Royal Flush. While mixing his braggadocios persona with black excellence, the G.O.O.D. music wordplayer takes it from Fredrick Douglass to Stokely Carmichael, with the profound words from Dr. King’s beloved speech leading the track.
5. Common feat. will.i.am “A Dream” (2006)
Chicago’s renowned poet in rhyme Common teamed up with will.i.am of The Black Eyed Peas for a true hip-hop measure that reflects on the progression and condition of blacks in a known racist America, the way Dr. King stood sturdy for titled “A Dream.” Owning the same desire for nation zenith, just as King, it was sensible for the abstract collab to start with King’s pacifying “We gonna work it out” saying.
6. Grandmaster Flash and The Furious Five “The King” (1988)
With Melle Mel being heralded as one of hip-hop’s earliest conscious rappers, the lingering legacy of Dr. King has certainly played a role during hip-hop’s infancy. The hip-hop pioneer rocks the mic with delight honoring the deeds of Dr. King by recognizing the Civil rights icon’s brightest accomplishments while calling for the bells of freedom. “He brought hope to the hopeless, strength to the weak.”
7. Wu-Tang Clan “Never Let Go” (2014)
Known for their supremely motivational rap hymns, the Wu-Tang Clan hit the masses with a dream driven tune in signature fashion. Docking off of their sixth studio album A Better Tomorrow is “Never Let Go” an ode to survival during challenging times. Before Masta Killa leads and after U-God anchors the track, a courteous potent chunk of Dr. King’s “I Have a Dream” speech is heard where the beloved leader makes one of his most bracing points, “For many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.”
8. Boogie Down Productions “Love’s Gonna Get’cha (Material Love)” (1990)
Emphasis is something KRS-One has mastered as a lyricist. Amid the prime of Boogie Down Productions‘ fourth studio album Edutainment comes its top single “Love’s Gonna Get’cha (Material Love),” a song that serves as a warning about the detrimental lust that comes with chasing after material things. To throw emphasis on “movin’ on,” the voice of Dr. King chanting the phrase from his final speech “I’ve Been to the Mountain Top.”
9. Immortal Technique feat. Chuck D, Brother Ali, and Killer Mike “Civil War” (2011)
Budding off of the musically factious Immortal Technique‘s 2011 compilation album The Martyr is “Civil War” featuring Chuck D, Brother Ali, and Killer Mike, an unapologetic effort to audibly express “trying to survive cultural assassination,” the great PE lead makes it clear in the chorus. The track samples a selection of King’s final speech, where the iconic leader encourages the destruction of fear in exchange for glory.
Dr. King’s call for sound justice fused into a faithful dream for African Americans has thrived its way into hip-hop culture out of the purpose of nature. The infancy of hip-hop culture is a result of movements that brewed during Dr. King’s time. Movements that were centered in the fight for justice and art of freedom such as the Black Panther Party and Black Arts Movement, who all commonly owned a desire to climb the path of racial justice. The youth of hip-hop’s beginnings dreamed of topnotch mobility out of the hood, reversing the culture of police brutality, and several cases of discrimination ceased. Now, since the culture has grown into a universal phenomenon, Dr. King’s dreamy element of justice is emblematic in hip-hop whenever he is sampled on a track.
In the golden age of hip-hop, Brand Nubian emerged as a powerful and influential force, blending socially conscious lyrics with a distinctly soulful sound. In the 1990s, the group, with founding members Grand Puba, Sadat X, and Lord Jamar, actively soared to prominence by delivering thought-provoking messages layered over booming beats, resonating with fans, and occasionally sparking controversy. With classic albums like One For All and In God We Trust, Brand Nubian’s impact on shaping the culture and the genre is undeniable. However, as time has marched forward, the whereabouts and endeavors of this trailblazing trio have become a source of curiosity for fans. Here’s a brief look into where the trio have been in recent years.
Since the final collaborative days of Brand Nubian, Grand Puba has navigated a versatile solo career, showcasing his distinctive flow and lyrical prowess. As a solo artist, he released five studio albums, with the most recent venture being 2016’s Black From The Future. Grand Puba’s solo work often delves into socio-political themes, mirroring the conscious lyricism that defined Brand Nubian. Unfortunately, these political messages have led to controversy for the group, as many fans consider the pro-Black rhetoric explored on Brand Nubian records analogous to Five-Percenter talking points. Critics often characterize the Five-Percenter movement as antisemitic, with prominent figures like Louis Farrakhan frequently facing criticism for promoting hateful conspiracies in the name of Black separatism.
In recent months, Grand Puba has taken to social media to promote musical ventures from both his son and daughter, who perform under the stage names Stunna Gang and Pretty Hoopz, respectively. Puba has also reunited with his Brand Nubian cohorts for viral performances on web series’ such as Live On The Front Porch.
Sadat X
NEW YORK, NY – APRIL 15: Sadat X of Brand Nubian performs at 5 Spot on April 15, 2018 in New York City. (Photo by Johnny Nunez/WireImage)
Sadat X has maintained a prolific solo career both during the height of Brand Nubian’s fame and in the years after the group disbanded. As a solo artist, X has released a staggering 12 full-length LPs, with the most recent record Science Of Life premiering in 2022. The rapper also holds a prolific place as a community leader in his home of New Rochelle, New York. Outside of rap, Sadat X has taught in elementary school and coached children’s basketball. The “Slow Down” vocalist has also received training as a firefighter, with the intention of volunteering when the community calls on him.
As a solo act, Sadat X has also appeared in prominent placements on tracks such as “Show Business” by A Tribe Called Quest, “Come On” by The Notorious B.I.G., and “Stay In Ya Lane” by Marley Marl. The rapper faced firearm possession charges in 2005, but the legal battle fortunately did little to tarnish the respected MC’s reputation. The hip-hop iconoclast is also a noted wine connoisseur, as evidenced by his creation of the web series True Wine Connoisseurs in 2009.
Lord Jamar
NEW YORK, NY – JUNE 01: Lord Jamar attends the YO! MTV Raps 30th Anniversary Live Event at Barclays Center on June 1, 2018 in New York City. (Photo by Johnny Nunez/WireImage)
Lord Jamar, the Brand Nubian rapper with the most clear-cut and unambiguous ties to the Five-Percenter movement, has experienced a significant amount of controversy in his career. His debut solo album, released in 2006 is titled The 5% Album, as a clear nod to his political leanings. In 2013, the rapper received backlash for releasing the Kanye West diss record “Lift Up Your Skirt” which many fans perceived to be homophobic. The track contained lyrics such as “Instagram Black man looking half a f**, with the blazer and dress, I’m just amazed at the mess. Pioneer of this queer sh** is Kanye West” and “I rebuke all this gay sh**, some are scared to say sh**.”
The Brand Nubian rapper has also made a number of polarizing comments on his podcast Yanadameen Godcast with cohost Rah Digga. On the pod, Lord Jamar has made claims that white rappers such as Eminem are guests in hip-hop culture and that Black Lives Matter does not adequately represent the needs and desires of the black community. In December 2020, Lord Jamar unequivocally expressed his disbelief that 6 million Jews were killed during the Holocaust. During an interview with Rizza Islam, Jamar stated “Check the records: There wasn’t even six million Jews in Europe at that time. There was about 500,000 over there, in Germany, in Europe, there was no six million, so what are we talking about? Stop it.”
On December 4, 1990, Brand Nubian released their classic Five Mic debut album One For All on Elektra Records. Boasting production Dante Ross, Skeff Anslem, the SD 50s (Stimulated Dummies), Jam as well as their own hands on the boards, Brand Nubian arguably released one of the most influential debut albums in Hip Hop history. The Source Magazine’s Record Report of All For One gave the LP a perfect rating, stating AFO, “overflows with creativity, originality, and straight-up talent. […] the type of record that captures a whole world of music, rhymes, and vibes with a completely new style.”
Over 30 years ago, Grand Puba Maxwell of the Masters Of Ceremony linked up with the Gods Derrick X and Lord Jamar Allah, recruited X’s childhood pal Alamo as the DJ to form the four-man crew of Brand Nubian. The crew pioneered the sound of the Gods, infusing the knowledge and wisdom of the 5% Nation in their lyrical content, and used the music to attract many young Black youths of that era to Black consciousness. Together the quartet has only released this album, but Lord J and Derrick X, who is now known as Sadat X, have dropped two additional projects under the Brand Nubian flag. Even with all of their respective solo endeavors, their collective impact on the culture of the rap game is forever embedded in the fabric of Hip Hop.
Salute to Puba, Lord Jamar, Sadat, Alamo, Stud Dougee(RIP), Dante Ross, Skeff, and everyone at Elektra who was involved in bringing the people such an important part of Hip Hop history!
On this day in Hip-Hop history, Brand Nubian founder Maxwell Dixon a.k.a. Grand Puba, was born today in 1966.
Grand Puba made his musical debut with the group Masters of Ceremony. The group’s first album Dynamite was released in 1988 and had an excellent critical reception. However, due to the lack of sales, the group disbanded shortly after the album’s release. This was when Puba emerged as the lead emcee of Brand Nubian.
Shortly after the 1990 release of the group’s debut, genre-less album One for All (which spanned reggae to Hip Hop to new jack swing), Grand Puba again parted ways from his group and embarked on a solo career. He recorded and released two albums, Reel to Reel, in 1992 and 2000 in 1995. Reel to Reel had much commercial success peaking at #28 on the Billboard 200 and toting the #1 hit single “360 Degrees (What Goes Around).” 2000 was also a success reaching the #48 spot on the Billboard 200 and its single “I Like It (I Wanna Be Where You Are)” hitting #91 on the Billboard Hot 100 chart.
In 1997, Grand Puba returned to Brand Nubian, and the group released Foundation in 1998. This album marked the reunion of the four original members. It was the first time they appeared together since their debut. This was their most successful album as a group peaking at #59 on the Billboard 200 chart, and the single “Don’t Let It Go To Your Head” reached #53 on the Billboard Hot 100 and was their highest climbing track.
In 2001 Grand Puba released Understand This, and in 2009, he released his fourth solo album Retroactive featuring production from Q-Tip, Large Professor, and Kid Capri. Over the years, Grand Puba has worked with Beanie Sigel, Missy Elliot, Mary J. Blige, and more. He was even sampled on the hook on the 2Pac record “Old School.”
We here at The Source would like to wish Grand Puba a happy born day. May you see many more years of success and prosperity!
On this day in Hip-Hop history, Brand Nubian founder Maxwell Dixon a.k.a. Grand Puba, was born today in 1966.
Grand Puba made his musical debut with the group Masters of Ceremony. The group’s first album Dynamite was released in 1988 and had an excellent critical reception. However, due to the lack of sales, the group disbanded shortly after the album’s release. This was when Puba emerged as the lead emcee of Brand Nubian.
Shortly after the 1990 release of the group’s debut, genre-less album One for All (which spanned reggae to Hip Hop to new jack swing), Grand Puba again parted ways from his group and embarked on a solo career. He recorded and released two albums, Reel to Reel, in 1992 and 2000 in 1995. Reel to Reel had much commercial success peaking at #28 on the Billboard 200 and toting the #1 hit single “360 Degrees (What Goes Around).” 2000 was also a success reaching the #48 spot on the Billboard 200 and its single “I Like It (I Wanna Be Where You Are)” hitting #91 on the Billboard Hot 100 chart.
In 1997, Grand Puba returned to Brand Nubian, and the group released Foundation in 1998. This album marked the reunion of the four original members. It was the first time they appeared together since their debut. This was their most successful album as a group peaking at #59 on the Billboard 200 chart, and the single “Don’t Let It Go To Your Head” reached #53 on the Billboard Hot 100 and was their highest climbing track.
In 2001 Grand Puba released Understand This, and in 2009, he released his fourth solo album Retroactive featuring production from Q-Tip, Large Professor, and Kid Capri. Over the years, Grand Puba has worked with Beanie Sigel, Missy Elliot, Mary J. Blige, and more. He was even sampled on the hook on the 2Pac record “Old School.”
We here at The Source would like to wish Grand Puba a happy born day. May you see many more years of success and prosperity!
