On this date 37 years ago, Scott Sterling aka DJ Scott La Rock of Boogie Down Productions was shot and killed in the South Bronx.
In an attempt to break up a fight on 167th and University Avenue near the Highbridge Housing Projects in the South Bronx, Scott Sterling, known to the world as DJ Scott La Rock of the mighty Boogie Down Productions, was shot and killed, he died on the scene.
The shooting was the first of its kind in Hip Hop, with BDP being one of the main artists to usher in the “Golden Era”, it was a shock to the entire Hip Hop community to have KRS-1’s DJ shot in cold blood. Ironically, this happened during the apex of their classic debut album Criminal Minded, where Scott and Kris were posing with pistols, rifles, and no smiles. Sterling’s death fueled KRS to start the Stop The Violence Movement, which was widely publicized with the By All Means Necessary album, and the star-studded “Self Destruction” single.
RIP to Scott La Rock! He Still Lives Thru His Music!
Using a classic Boogie Down Productions sample without permission will no longer be an issue for Kanye West, who settled a lawsuit this week in regards to the uncleared classic.
Court records obtained by HipHopDX show a stipulation and order of voluntary dismissal of the suit was filed on Monday (August 19). Billboard reported that the only part of the settlement that was made public was that both parties would have to take responsibility for their own legal fees.
The suit was filed against Ye in 2022 by Phase One Network over the sample of Boogie Down Productions’ “South Bronx” on “Life of the Party,” the track featuring André 3000 on the Donda LP. The song was originally released on Ye’s $200 Stem Player and arrived on streaming services as a bonus song on the deluxe edition of Donda.
BDP founder KRS-One did not file the lawsuit because Phase One, who actually owns the rights to BDP’s iconic 1986 debut album Criminal Minded where South Bronx is one of the lead singles, filed the suit for the uncleared sample. Phase One claims that West’s team reached out to clear the sample, but an agreement was never reached, so according to the suit, West went on to use the sample with no clearance.
Phase One alleged “Life of the Party” helped inflate sales of the Stem Player, which moved around 11K units in its first 24 hours, amassing about $2.2 million. The company was seeking a share of the profits while blocking further use of the “South Bronx” sample.
Kanye West has reached a settlement in a copyright lawsuit regarding his use of an uncleared sample from the catalog of Boogie Down Productions in his song, “Life of the Party.” Both sides will pay their own legal bills, but in announcing the settlement, no further details were made public. Phase One Network, which owns Boogie Down’s copyrights, originally filed the lawsuit back in 2022, alleging Ye used the 1986 song “South Bronx.”
“The communications confirmed that ‘South Bronx’ had been incorporated into the infringing track even though West had yet to obtain such license,” Phase One’s lawyers wrote. “Despite the fact that final clearance for use of ‘South Bronx’ in the infringing track was never authorized, the infringing track was nevertheless reproduced, sold, distributed, publicly performed and exploited.”
BERLIN, GERMANY – JULY 1: Kanye West attends the Anonymous. Club fashion show during Berlin Fashion Week SS25 at Tempodrom on July 1, 2024, in Berlin, Germany. (Photo by Matthias Nareyek/Getty Images)
West’s team argued that KRS-One previously promised other artists that they “will not get sued” for sampling Boogie Down’s catalog. He apparently made the comments during the 2006 documentary, The Art of 16 Bars. KRS-One said: “I give to all MCs my entire catalog.” Phase One wasn’t moved by the argument, instead saying it was irrelevant as Boogie Down didn’t own their own recordings. “Movants cite to no law to support such a theory. KRS-One also could not have placed the Work in the public domain as he did not own it,” they wrote.
Despite settling with West and the Yeezy brand, Phase One will still continue to take legal action against the company behind the Stem Player platform West used to release Donda. West is still facing numerous lawsuits regarding uncleared samples in his music. Be on the lookout for further updates on Kanye West and those legal cases on HotNewHipHop.
Back in November 2022, Kanye West was sued by rights holders over an unauthorized sample of pioneering rap group Boogie Down Productions’ 1987 hit “South Bronx” on Kanye’s album, Donda. The sample allegedly appeared on the song “Life Of The Party” after Kanye first submitted, then retracted, a licensing request the year before.
According to Billboard, that lawsuit has now been settled. Both sides have agreed to dismiss the case, with each paying their own legal fees, although the terms of the settlement and any exchange of rights, royalties, etc. were not revealed.
Phase One Network, the group that owns Boogie Down’s copyrights, had alleged “final clearance for use of ‘South Bronx’ in the infringing track was never authorized,” but that “the infringing track was nevertheless reproduced, sold, distributed, publicly performed and exploited.” Meanwhile, Kanye’s lawyers argued that BDP frontman KRS-One had promised the free use of his catalog to “all MCs” in the 2006 documentary The Art of 16 Bars, in which he publicly stated “you will not get sued” for sampling his music.
Of course, KRS does not own the catalog which he freely offered, so his standing to make such a claim was derided as “bizarre” by Phase One’s attorneys. While Kanye West has since been dismissed from the case, the lawsuit will still continue against the makers of Kanye’s Stem Player, KANO, who were included for their role in distributing the album. A spokesperson for KANO told Rolling Stone in 2022, “The KANO and STEM team were assured by Kanye and Yeezy that they would provide music with ‘all intellectual property rights, licenses and consents.’”
Produced primarily by the Blastmaster KRS himself along with the Human 808 D-Nice, Edutainment is arguably one of BDP’s best albums before KRS began to venture into solo projects. The title was definitive of its contents; education through the entertainment of Hip-Hop music. This album was also the most populated in terms of members of Boogie Down Productions, with appearances from Ms. Melodie, her sister Harmony, Jamal Ski, D-Nice, Willie Dee, Mc Boo, and Kris’ brother Kenny Parker. Prior to this, BDP only consisted of D-Nice, KRS, and the late DJ Scott La Rock.
The 21 song track listing included songs and skits, which were called “Exhibits”, where The Teacha and Black Power icon Kwame Ture spoke to cheering crowds about various subjects pertaining to Black people. Joints like the premier single “Love Is Gonna Getcha”, “Breath Control II”, and “Blackman In Effect” not only showed Kris’ cultural and political knowledge, but magnified his lyrical ability to adapt to any subject. “100 Guns”, which was remade by Ja Rule and Fat Joe during their beef with 50 Cent, further solidified the album’s street cred. From “Beef”(healthy eating) to “30 Cops Or More”(police brutality), Edutainment carried the appropriate title for what was in store for its listeners.
Supreme salute to KRS, the whole BDP crew from that era, and the entire BX. Peace!
On this day in 1988, Boogie Down Productions dropped one of the best and most influential albums of all time. It was widely seen as one of, if not the first, politically conscious efforts in Hip Hop.
KRS-One was initially popular for fueling the Juice Crew vs. BDP beef on wax and expanding intellectual Hip Hop music through 1987, with the release of Criminal Minded. However, when BDP’s DJ Scott La Rock was shot and killed in the South Bronx, it profoundly affected the Brooklyn native, which resulted in a drastic rethinking of his on-record persona. The “Blastmaster” began to talk about many of the issues plaguing the black community, like police brutality, government corruption, and institutionalized racism. Later on, he gave birth to his “Stop the Violence” Campaign. By All Means Necessary was one of the first albums the group made after Scott La Rock’s death that would have a lasting effect on generations to come.
As “The Teacher,” on perhaps one of the most influential tracks from the LP, “Stop the Violence,” he spits,
“I look, but it doesn’t coincide with my books/Social Studies will not speak upon hard hitting crooks/It’s just the Presidents, and all the money they spent/All the things they invent, and how their house is so immaculate/They create missiles, my family’s eating gristle/Then they get upset when the press blows the whistle”
As a plea to end violence in Hip Hop, which still hasn’t been heeded, KRS-One took on the role of the spearhead of Hip Hop’s Stop The Violence Movement, choosing the single “Self Destruction” as the lead single.
With classic tracks like “Nervous,” nearly every track on the album had a distinct narrative, and even the album cover art and the theme were Malcolm X (By Any Means Necessary) inspired. On the track “Jimmy,” the rapper became the first rapper to speak on the AIDS/HIV epidemic that plagued Black and Brown communities in America. In the song “Illegal Business,” Kris gives the masses a startling perception of the drug trade and how it corrupts the police and the government.
Salute to KRS and the Boogie Down Productions crew for giving us this epic piece of Hip Hop history!
“It’s not about a salary, it’s all about reality..”
On this day in 1962, Scott Monroe Sterling known widely as DJ Scott La Rock of the famous Boogie Down Productions was born in the Bronx borough of New York City. Scott La Rock was the producer for rap icon KRS-One until his untimely death on August 27th, 1987.
La Rock was born in the Bronx, New York City, New York and was raised by his mother Carolyn Morant. As a child, he moved from Queens to the Morrisania neighborhood in the South Bronx then to the Morris Heights projects. La Rock attended Our Savior Lutheran High School where he was a great student and athlete. He originally intended to attend Castleton State University to play basketball but decided to switch his focus to music upon graduation. In college, he used to DJ at a local bar called Dugan’s Bar on Friday nights. From there his musical career blossomed.
La Rock graduated college in 1984 and returned to New York City. He worked a few jobs in the city while at night spinning records at the Broadway Repertoire Theatre. Through his work as a social worker, La Rock met his future partner in crime Kris Parker aka KRS-One at the Franklin’s Men’s Shelter. The two, along with Derrick Jones or DJ D-Nice, formed Boogie Down Productions.
In 1987 the group released their first LP, Criminal Minded, which has become a classic Hip Hop album. Criminal Minded has been ranked by The Source as one of the 100 Best Rap Albums. Rolling Stone ranked it as one of the 500 greatest albums. Complex Magazine ranks the track South Bronx from the album as #9 on their list of best diss-songs of Hip Hop.
La Rock life came to a stretching halt in 1987 due to senseless street violence. In an effort to support his friend and partner DJ D-Nice, La Rock was shot in the neck and died of his wound. As the story goes, La Rock, DJ D-Nice, Scotty “Manager Moe” Morris, DJ McBooo, and BDP bodyguard Darrell rolled up to the Highbridge Homes Projects in the South Bronx. They were there to handle a problem between D-Nice and a man who’s ex-girlfriend we was acquainted with at the time. After they handled their disagreement, bullet began to fly toward the white on red Jeep CJ-7 that they were riding in. La Rock was hit and later died at Lincoln Hospital within one hour of being shot.
KRS-One’s Stop the Violence Movement was a direct result of La Rock’s murder. Despite the loss of La Rock, KRS-One kept the Boogie Down Productions name alive and continued to release music and grow to be one of the most respected voices in Hip Hop. DJ Scott La Rock’s righteous legacy lives on forever through his music and the empire that he helped shape. Take some time today to listen to his classic album and pay some respect to his greatness.
On this date in 1993, KRS-One and the rest of the Boogie Down Productions crew dropped the Sex And Violence album, which was the fifth and last album put out by the pioneering Bronx-based Hip Hop collective.
The album produced less than lackluster sales, partially, according to KRS, because of his incident where he threw PM Dawn rapper Prince B off the stage during one of their performances. Kris also used this album to address his beef with X-Clan because of KRS’ proclamation of humanism rather than embracing X-Clan’s aggressive form of Afrocentricity.
This album touched on many of the social issues of the time, including the rape trial of Mike Tyson on “Say Gal,” “Build And Destroy,” where he addressed his humanist views and “13 And Good,” where Kris talks about the commonality of statutory rape.
Salute to “The Teacher” and the rest of BDP including Prince Paul, Heather B and Kenny Parker for making this album an underground classic!
As we observe and celebrate the life and acomplishments of Dr. Martin Luther King Jr. on the date of his birth, we must recognize the posthumous impact Dr .King on the minds of those generations that succeeded him, including that of the Hip Hop community. His cultural influence, the cohesive force of his voice and his undying love for all of mankind makes Dr. King’s works so attractive to the creatives and aficianados of Hip Hop music.
Some artists may have mimicked his commanding vocal tone, while some have even adopted proactive stance on civil and human rights, but here, we have come up with a list of songs from some of the fans’ favorite artists who have put a piece of the King via his speeches in their music.
Grandmaster Flash and the Furious Five – “The King” (Sampled “I Have A Dream” speech)
Boogie Down Productions – “Love’s Gonna Getcha” (Sampled “Been To The Mountaintop” Speech)
Common feat. Will I A.M. – “A Dream” (Sampled “I Have A Dream” Speech)
dead prez – “Malcolm Garvey Huey” (speech reference unknown)
Tyga – “Careless World” (Sampled “Been To The Mountaintop speech)
The world has come to stand and acknowledge the 50-year mark of the assassination of a man who is defined as being the most influential civil rights leader in American history, Dr. Martin Luther King Jr. On April 4, 1968, as he stood on the balcony of Lorraine Motel in Memphis, Dr. King was fatally struck with a bullet by James Earl Ray, an unlawful racist. The striking assassination of Dr. King follows a sturdy 14-year reign serving as a dominant figure in the civil rights movement fighting for the security of legal rights for African Americans. It was a fight drilled with nonviolence and civil disobedience, being burgeoned by the vile acts of racial segregation, disenfranchisement, and exploitation of all hanging from the centerfold of racism.
The powerfully symphonic voice of Dr. King in his iconic “I Have A Dream” speech delivered at the 1963 March on Washington sets the tone for emotional empowerment. It is currently the most sampled Dr. King audio recording in hip-hop history. In honor of Dr. Martin Luther King Jr and his sound legacy. Here are nine hip-hop songs sampled by the legendary leader’s voice.
1. Sadat X “Return of the Bang Bang” (2010)
Reigning from the silver-tongued posse who is bound to their divine blackness is Sadat X of Brand Nubian on the solo tip with “Return of the Bang Bang.” The unorthodox emcee takes to the mic to drop insight about his daily journey as a seasoned vet returning to the game. In his signature abstract style, Sadat uses Dr. King’s “I Have a Dream” passage to serve rightful diction in his tunnel of bars. “Return of the Bang Bang” is featured on Sadat’s 2010 sequel gem Wild Cowboys II.
2. Heavy D & the Boyz “A Better Land” (1989)
One of the golden era’s finest, the late Heavy D is pouring his soul out in rhyme in “A Better Land” with his boyz about improving the meager conditions of impoverished communities. The telling track starts with a sample of Dr. King’s “I Have A Dream” speech that ends with one of his most acquainted quotes, “We hold these truths to be self-evident that all men, are created equal.”
3. Edo G feat. Masta Ace “Wishing” (2004)
Donald Trump is not the first President of the United States to be highly scorned by most of his country. Back in 2004, George W. Bush was in office, turning America’s dream into a nightmare with his jest-like measures. Edo G and Masta Ace took to the mic to release their wishes while demanding intrinsic change in the American way. After Masta Ace crops the title of a dreamer, Dr. King’s infamous line about his dream for freedom and justice in Mississippi hoards the track.
4. Cyhi Da Prynce “Ring Bellz” (2010)
Cyhi Da Prynce is honoring his cultural edge through the barrels of black history in “Ring Bellz” a song from his 2010 mixtape Royal Flush. While mixing his braggadocios persona with black excellence, the G.O.O.D. music wordplayer takes it from Fredrick Douglass to Stokely Carmichael, with the profound words from Dr. King’s beloved speech leading the track.
5. Common feat. will.i.am “A Dream” (2006)
Chicago’s renowned poet in rhyme Common teamed up with will.i.am of The Black Eyed Peas for a true hip-hop measure that reflects on the progression and condition of blacks in a known racist America, the way Dr. King stood sturdy for titled “A Dream.” Owning the same desire for nation zenith, just as King, it was sensible for the abstract collab to start with King’s pacifying “We gonna work it out” saying.
6. Grandmaster Flash and The Furious Five “The King” (1988)
With Melle Mel being heralded as one of hip-hop’s earliest conscious rappers, the lingering legacy of Dr. King has certainly played a role during hip-hop’s infancy. The hip-hop pioneer rocks the mic with delight honoring the deeds of Dr. King by recognizing the Civil rights icon’s brightest accomplishments while calling for the bells of freedom. “He brought hope to the hopeless, strength to the weak.”
7. Wu-Tang Clan “Never Let Go” (2014)
Known for their supremely motivational rap hymns, the Wu-Tang Clan hit the masses with a dream driven tune in signature fashion. Docking off of their sixth studio album A Better Tomorrow is “Never Let Go” an ode to survival during challenging times. Before Masta Killa leads and after U-God anchors the track, a courteous potent chunk of Dr. King’s “I Have a Dream” speech is heard where the beloved leader makes one of his most bracing points, “For many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.”
8. Boogie Down Productions “Love’s Gonna Get’cha (Material Love)” (1990)
Emphasis is something KRS-One has mastered as a lyricist. Amid the prime of Boogie Down Productions‘ fourth studio album Edutainment comes its top single “Love’s Gonna Get’cha (Material Love),” a song that serves as a warning about the detrimental lust that comes with chasing after material things. To throw emphasis on “movin’ on,” the voice of Dr. King chanting the phrase from his final speech “I’ve Been to the Mountain Top.”
9. Immortal Technique feat. Chuck D, Brother Ali, and Killer Mike “Civil War” (2011)
Budding off of the musically factious Immortal Technique‘s 2011 compilation album The Martyr is “Civil War” featuring Chuck D, Brother Ali, and Killer Mike, an unapologetic effort to audibly express “trying to survive cultural assassination,” the great PE lead makes it clear in the chorus. The track samples a selection of King’s final speech, where the iconic leader encourages the destruction of fear in exchange for glory.
Dr. King’s call for sound justice fused into a faithful dream for African Americans has thrived its way into hip-hop culture out of the purpose of nature. The infancy of hip-hop culture is a result of movements that brewed during Dr. King’s time. Movements that were centered in the fight for justice and art of freedom such as the Black Panther Party and Black Arts Movement, who all commonly owned a desire to climb the path of racial justice. The youth of hip-hop’s beginnings dreamed of topnotch mobility out of the hood, reversing the culture of police brutality, and several cases of discrimination ceased. Now, since the culture has grown into a universal phenomenon, Dr. King’s dreamy element of justice is emblematic in hip-hop whenever he is sampled on a track.
