Billie Eilish, Michelle Obama, Ariana Grande, And More Sign An Open Letter In Support Of Voting Rights

Today, Michelle Obama and her When We All Vote organization dropped an open letter in support of the For The People Act, which the Congress website says is intended “to expand Americans’ access to the ballot box, reduce the influence of big money in politics, strengthen ethics rules for public servants, and implement other anti-corruption measures for the purpose of fortifying our democracy, and for other purposes.”

A lot of famous people showed their support for Obama’s letter by signing it, and musicians whose names appear on the letter include organization co-chairs Faith Hill, Janelle Monáe, Lin-Manuel Miranda, and Selena Gomez; as well as Alicia Keys, Ariana Grande, Billie Eilish, Common, DJ Khaled, Fat Joe, Finneas, Jennifer Lopez, Joe Jonas, John Legend, Kevin Jonas, LL Cool J, Nick Jonas, and The Roots.

The letter begins, “We write to you today as citizens who love this country and care deeply about its future. And right now, the most important thing we can do to protect that future is to rise together in support of the For the People Act currently before the Senate — the most significant piece of legislation to strengthen our democracy since the Civil Rights movement.

Read the full letter below or here.

To the American People:

We write to you today as citizens who love this country and care deeply about its future. And right now, the most important thing we can do to protect that future is to rise together in support of the For the People Act currently before the Senate–the most significant piece of legislation to strengthen our democracy since the Civil Rights movement.

On January 6th, a violent mob laid siege to our nation’s Capitol, determined to overturn the results of a presidential election that their preferred candidate lost. It was a shocking and outrageous assault on our democracy–and a sobering reminder that we can no longer take our system of self-government for granted. In the months since, a new president and vice president were sworn in and some insurrectionists are now facing justice for their roles in that historic day of shame.

Yet we cannot act as if the threat to American democracy has passed.

Already this year, in state houses across the country, more than 250 bills spread across 43 states have been introduced to further weaken our democracy and make it more difficult for Americans to vote. These bills seek to make it harder to register to vote and cast a ballot by limiting early and mail-in voting and setting up more barriers that particularly impact Black, Brown, and young people. Some of these undemocratic measures have already become law, with others surely to follow.

What’s happening is this: After more Americans than ever voted in the last presidential election, some state leaders believe that silencing them is the only way to maintain their grip on power. They’re hoping to choose their voters, rather than the other way around. And if we as Americans stand idly by–if we wait for others to act or we refuse to do so with anything other than clear purpose and full-hearted patriotism–they will succeed.

Our nation was founded on the idea that as citizens, we should be able to determine our nation’s destiny. Generations of Americans have rightly organized, marched, and died to defend that ideal and expand voting and civil rights to women and minorities–a story that continues to this day. Today, the moment calls for us to take up that patriotic call to protect and expand those rights once again. And that’s why we must rally behind the passage of the For the People Act.

This bill is not about choosing one party or one issue over another. It is about commonsense reforms and best practices that make our democracy more open, more fair, and more inclusive. It is about reaffirming our founding principle that we can chart our own course as a nation.

The For the People Act is about moving closer to the America we aspire to be–a land of opportunity where every voice is heard and valued. Among the tremendous progress it promises, this bill will

  • Expand automatic voter registration, adding as many as 50 million people to voter rolls;
  • Expand same-day and online voter registration for federal elections, which are especially important for young people and first-time voters;
  • Allow for pre-registration for 16- and 17-year-olds, so that when they get their driver’s license, they are also registered and ready to vote when they turn 18;
  • Require two weeks of early voting for federal elections, including on the weekends and after work, and increased access to vote-by-mail, so no American has to decide between making their voice heard and earning a living, taking care of their family, or staying safe during a pandemic;
  • Make Election Day a national holiday, making it easier for more Americans to cast a ballot;
  • Restore the right to vote for people with felony convictions, which disproportionately impacts minority communities;
  • Strengthen federal criminal penalties for those who misinform and intimidate people at the polls;
  • Overhaul our campaign finance system to give ordinary Americans a greater voice in the political process and afford a more diverse array of people the opportunity to run; and
  • Ban partisan gerrymandering and discriminatory voter purges.

We applaud the House for passing this bill, and now we urge the Senate to follow suit and do its part to protect our democracy. And if that means eliminating or instituting meaningful reform to the filibuster–a relic of Jim Crow and an arcane chamber rule increasingly abused to create gridlock and forestall progress–the Senate should act. We cannot continue to allow the will of the majority of Americans to be overshadowed by an oppositional few fixated on maintaining power. Because make no mistake, as a recent poll showed, large majorities of Americans support this bill across party lines–including more than half of Republican voters.

So today we call on Americans of conscience and goodwill to join us in taking a stand for voting rights and to put the power more firmly in the hands of the people. We urge every American to remember how it felt to watch as our Capitol was desecrated earlier this year–and to channel that outrage into patriotic duty.

We are asking you to join us by calling on your Senators to pass the For the People Act immediately–you can join our efforts right now at http://www.WhenWeAllVote.org.

Just as those who came before us turned the crack of a baton or the spray of a firehose into a Voting Rights Act; just as those who turned literacy tests, poll taxes, and other forms of discrimination into organized, concrete, and hopeful action on behalf of their votes, we too can make our mark on history. We too can right wrongs in our time and pave the way for those who come after us.

We can do so much better as a country. But we’ll never be able to do it alone. Now is our best chance to protect and strengthen our democracy and put power back where it belongs–with the people. We ask you to stand with us.

With hope,

When We All Vote Co-Chairs, Ambassadors and Supporters.”

Chika Reflects On Her Accomplishments With A Poetic Cover Of Billie Eilish’s ‘My Future’

With her new EP dropping this week, Chika stopped by Spotify Sessions to offer up a soulful performance of her song “U Should,” along with a poetic cover of Billie Eilish‘s “My Future.” In a funny twist, Chika is up for the Grammy Award Eilish won at last year’s ceremony, Best New Artist. She noted as much in a statement accompanying the performance, saying:

I picked “My Future” by Billie Eilish as my [Best New Artist] cover for Spotify because the song is beautiful and presents an interesting opportunity to talk about where I am as an artist, especially on the heels of this nomination. My present is moving so fast that each passing moment is practically the future already. And I’m in love with the ride I’m on.

Chika’s ride started in an unconventional way, with a viral freestyle she called an “open letter to Kanye West” that wound up being shared by such hip-hop luminaries as Sean “Diddy” Combs. That exposure led to a Calvin Klein ad, a Warner Records deal, an electrifying television debut, a role in a film, a XXL Freshman placement, and her debut EP Industry Games — all before her debut album was even announced. With a new EP dropping just days before she could possibly win a Grammy Award, Chika will be a winner either way this weekend, earning that Best New Artist moniker through sheer force of will even without a trophy.

Listen to Chika’s cover of Billie’s “My Future” above.

Chika is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Billie Eilish, Taylor Swift, Cardi B, Lil Baby, And More Will Perform At The 2021 Grammys

This year is certainly an unconventional year for the Grammys. On top of working around the coronavirus pandemic, the show is holding the award ceremony much later in the year than normal. The Recording Academy was forced to delay the show from its original January 31 date following a spike in coronavirus cases in the Los Angeles area. It was rescheduled for March 14 and with just a week left until showtime, it appears things are going as planned as the Grammys have officially announced performers for the upcoming show.

The Recording Academy announced the lineup for the 63rd Grammy Award show in a string of tweets. The resulting list displays Taylor Swift, Billie Eilish, Cardi B, DaBaby, Lil Baby, Roddy Ricch, Doja Cat, Bad Bunny, BTS, and Harry Styles as some of the chart-topping acts that will take the stage next Sunday. Chris Martin, Post Malone, Dua Lipa, HAIM, Mickey Guyton, Brittany Howard, Maren Morris, John Mayer, Miranda Lambert, and Black Pumas are also slated to perform.

On the awards side of things, Beyonce leads the way for the 2021 Grammys with nine nominations. She’s followed by Dua Lipa, Taylor Swift, and Roddy Ricch, who each tallied six nominations.

Scroll down to see the announcement for each artist performing at the show.

https://twitter.com/RecordingAcad/status/1368622222219350022?s=20

The 63rd Annual Grammy Awards will air on 3/14 at 8pm EST/ 5pm EST on CBS.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

How Has The Music Industry Evolved In 10 Years?

From the rise of the internet, to political and social issues creating a more self-aware society, it’s safe to say that the world has experienced extraordinary shifts in the past 10 years.

Keeping this in mind, it’s not surprising that the music scene would also undergo changes in more ways than one. Each year, music’s biggest hits have carried a distinct style of production which becomes widely emulated, or a theme echoing hot-button topics of conversation. Additionally, industry advancements such as streaming and album bundling have changed the way music is consumed. And of course, social media places the power in the fans’ hands, helping to distinguish who tops the charts.

Ready to take a trip down memory lane? Read on as we look back at some of the biggest music trends and industry changes of the last decade.

2011

In 2011, the sounds of electropop — a hodge-podge of pop, EDM, techno, and dubstep — wash over the industry. Ordinarily viewed as just the “sound guys,” EDM producers Calvin Harris and David Guetta garner top billing with collaborations like Chris Brown’s “Yeah 3X” and “Titanium” featuring Sia. Pop stars like Pitbull and Britney Spears keep fans on the dance floor with EDM-tinged hits “Give Me Everything” and “Til The World Ends.” Kanye West, Jay-Z, and duo LMFAO also combine the electronic sound with their hip-hop and rap-heavy work, evident by Watch The Throne’s “I Can’t Stop” and LMFAO’s “Party Rock Anthem.”

In addition to getting people moving, pop music carries conceptual introspection during this time. This year not only births Adele’s stunning 21, but self-love anthems “Born This Way” by Lady Gaga and “Raise Your Glass” by Pink. Rap — which continues to rise in popularity amongst teens and college-students — also features songs about complex emotions (Lil Wayne’s “How To Love”), pushing through adversity (Lupe Fiasco’s “The Show Goes On”), and life challenges (Diddy-Dirty Money’s “Coming Home”).

2012

In a near-180 from the previous year, alternative rock and indie pop reigns supreme. Gotye’s “Somebody That I Used To Know” is the year’s best-selling song, and the band Fun dominates critically and commercially with their album Some Nights, lead by “We Are Young.” Neon Trees, Bon Iver, Alabama Shakes, and Mumford and Sons break new ground with their respective projects and accolades.

Internet virality (a trend which won’t be uncommon in the years to come) also goes to new heights. “Somebody That I Used To Know” sees a slew of covers and music video parodies upon its release, while Carly Rae Jepsen’s “Call Me Maybe” becomes an internet sensation. South Korean artist PSY’s “Gangnam Style” is so popular, it results in a change to how songs are considered for Billboard’s Hot 100 chart. Per the Harvard Business Review, tracking “listens” through YouTube videos now factors into the chart’s ranking methodology.

2013

In 2013, top-notch production is the name of the game. Hit tunes are balanced between show-stopping sounds (Macklemore and Ryan Lewis’ “Thrift Shop,” Avicii’s “Wake Me Up”), nostalgic instrumentation (Daft Punk’s “Get Lucky,” Robin Thicke’s “Blurred Lines,” Bruno Mars’ “Treasure”), and minimalist stylings (The Lumineers’ “Ho Hey,” Lorde’s “Royals”).

This year also marks the beginning of the end for digital singles and iTunes in favor of streaming, and emphasis on “vintage” ways of buying music (vinyl), which decreases the importance of CDs and pure album sales. Per Billboard, “digital track sales fell 5.7 percent from 1.34 billion units to 1.26 billion units, while digital album sales fell 0.1 percent to 117.6 million units from the previous year’s total of 117.7 million.” Non-traditional album and CD merchants like Starbucks, Urban Outfitters, and Amazon see an increase to 36.5 million units sold, in comparison to the dwindling sales of indie merchants (a drop of nearly 12 percent).

2014

While empowerment pop has always been popular, uplifting themes of self-confidence carry 2014. Children and adults enjoy songs that make them feel seen and accepted for who they are. Kids gravitate to Despicable Me 2’s “Happy” (performed by Pharrell Williams), while members of the LGBTQ+ community christen a new anthem with Ariana Grande’s “Break Free.” Taylor Swift’s new pop-heavy sound also provides a message for haters: “Shake It Off.”

Songs about body positivity are also popular. The surprise drop of Beyoncé’s fifth studio album in winter 2013 gives listeners a new catchphrase for 2014 — “I Woke Up Like This” from her song “***Flawless.” Nicki Minaj and pop star Megan Trainor drop songs about pride in their prominent posteriors with “Anaconda” and “All About That Bass.”

2015

Electronic dance music is taking over the scene again. This time, a recognizable characteristic — the drop — is center stage. This sudden change in sound or rhythm is central to hit songs both by EDM-leaning producers (Major Lazer’s “Lean On,” DJ Snake’s “You Know You Like It,” Calvin Harris’ “How Deep Is Your Love”), and pop stars (The Weeknd’s “I Can’t Feel My Face,” Demi Lovato’s “Cool For The Summer,” Zara Larsson’s “Never Forget You”). The trend continues into 2017.

This year also kicks off the re-emergence of viral dance crazes, which continues into 2021. Bruno Mars and Mark Ronson steal the show with “Uptown Funk,” while Drake becomes a meme for his moves in “Hotline Bling.” Silento’s “Watch Me (Whip, Nae Nae)” and iLoveMemphis’ “Hit The Quan” become fixtures on and offline.

2016

Dancehall and Caribbean-inspired tracks are a mainstay in 2016 pop. While Justin Bieber’s “Sorry” was released at the tail-end of 2015, it is the biggest song of 2016, per Billboard. Drake leans into this craze with his hits “One Dance” and “Too Good.” The latter is a collaboration with Bajan musician Rihanna, who drops a whine-inducing ditty, “Work,” also featuring Drake.

Additionally, Ariana Grande, Sia, and Clean Bandit create hit songs with island flavor: “Side To Side,” “Cheap Thrills,” and “Rockabye,” respectively. This trend continues until at least 2019, however, as conversations of cultural appropriation of Black music heat up, these sounds taper off. Per The Observer, modern dancehall music has always been appropriated. Reggae/dancehall superstar Sean Paul says in the interview: “It is a sore point when people like Drake or Bieber or other artists come and do dancehall-orientated music but don’t credit where dancehall came from and they don’t necessarily understand it.”

2017

R&B/hip-hop surpasses rock music as the most-listened to genre on the planet, per Nielsen Music. Its supremacy becomes exceedingly evident in 2017 with the takeover of the trap sound—classified by heavy bass, atmospheric sound and brash attitude. Migos, Future, and Rae Sremmurd’s popularity soars with trap hits “Bad And Boujee,” “Mask Off,” and “Black Beatles,” while social media superstar Cardi B breaks the mold with her major-label debut single, “Bodak Yellow.” Soundcloud-style trap rap, which employs a more ethereal, trippy sonic inspiration, is found in Post Malone’s “Congratulations” and Lil Uzi Vert’s “XO Tour Life.” The trend continues into 2018 with Juice Wrld’s “Lucid Dreams.”

Given a tepid national climate, songs featuring socially-conscious and self-aware themes become popular. Rapper Logic’s experiences with depression prompt him to pen the rap/sung collaboration “1-800-273-8255,” which increased calls to the National Suicide Prevention Lifeline by more than 30 percent. Alessia Cara, a featured artist on Logic’s song, releases her self-love anthem “Scars To Your Beautiful.” Kesha drops “Praying” in the hopes that the abused and their abusers can heal. The song was written in response to the alleged sexual assault and emotional abuse she’s experienced at the hands of producer Dr. Luke.

2018

Due to the success of Luis Fonsi’s monster hit “Despacito” the year prior, it’s no surprise that Latin pop and hip-hop completely command the airwaves in 2018. J. Balvin’s “Mi Gente” and Camila Cabello’s “Havana” were released in 2017 and continue to have chart success this year. Cardi B’s Latin-heavy rap track “I Like It” hits No. 1 on the Billboard Hot 100 charts, while Becky G, Marc Anthony, Will Smith, and Bad Bunny drop “Mala Mia” and “Esta Rico,” respectively.

2018’s crossover collaborations also find unexpected success. Zedd and Maren Morris’ ‘The Middle” receive Record and Song of the Year nominations at the 61st Grammy Awards. Florida Georgia Line and Bebe Rexha’s “Meant To Be” hits No. 2 on the Hot 100 chart, and DJ Snake’s “Taki Taki” featuring Selena Gomez, Cardi B, and Ozuna reaches one billion streams on Spotify.

2019

The theme of 2019 is that…there is no theme. Genreless music — sounds that fit an artist’s mood, vibe, or idea without boundaries or confines — encapsulates the music world. Newcomers Billie Eilish and Lil Nas X shatter expectations with “Bad Guy,” (an electropop, hip-hop-flavored dance track) and “Old Town Road” (a record-breaking country trap hit). Music superstars Ariana Grande and Tyler The Creator also take part in the sonic shattering. Her song “7 Rings” pairs Broadway with trap, while his song “Earfquake” combines R&B, hip-hop, and soul.

Self-love anthems also make major comeback, and highlight the various levels of self-acceptance. Panic! At The Disco’s “High Hopes” is about self-confidence. Self-love and exploration is the base for Selena Gomez’s “Lose You To Love Me” and Ariana Grande’s “Thank U Next,” which was popular in 2018 as well. Through her album Because I Luv You, Lizzo proves that spreading positivity is her M.O.

2020

Nothing captures 2020 in music quite like social media’s reign over the charts. TikTok, a popular video creation app, is the place for viral dance crazes to take over. Routines to Doja Cat’s “Say So” and Megan Thee Stallion’s “Savage” boost their popularity, while the dedication of Internet stans catapults Lady Gaga and Ariana Grande’s “Rain On Me” and BTS’ “Dynamite” to the top of the charts.

Despite strict social distancing rules in the age of COVID-19, dancefloor-ready tunes are an undeniable trend. Dua Lipa rules the year with her album Future Nostalgia, and “Say So” carries palpable ’70s-inspired energy. Other disco-tinged hits include Jessie Ware’s “Remember Where You Are,” Kylie Minogue’s “Say Something,” and Victoria Monet’s album Jaguar.

2021

There haven’t been too many distinguishing music trends as of late. (Especially since it feels like we’re still in 2020.) However, it appears that budding music stars are about to make their mark.

Since the beginning of 2021, singer-songwriter Olivia Rodrigo’s song “Drivers License” has been on top of the charts, and “Mood” by 24kGoldn and Iann Dior has held the second seed position for several weeks. Relative newcomers may also find success if they continue to collaborate with major stars, such as singer-songwriter Jhay Cortez with “Dakiti” (his collaboration with Bad Bunny), and rapper Yung Bleu with “You’re Mines Still” (his link-up with Drake).

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Billie Eilish And Finneas Helped Spotify Announce Their New Hi-Fi Streaming Tier

The Hi-Fi streaming experience has been touted before, with Jay-Z’s streaming service Tidal initially orienting their messaging around a lossless streaming tier, and of course, there’s Neil Young’s obsession with his Pono player and high-definition digital archives. But today, Spotify announced they will be joining the lossless streaming world too, letting Spotify Premium subscribers upgrade to Spotify HiFi, which will “deliver music in CD-quality, lossless audio format.”

According to Spotify, this has been one of the most-requested additions, and the rollout was announced with the help of Billie Eilish and her brother Finneas. “High quality audio means more info, there are things you will not hear if you don’t have a good sound system. It’s really important just because we make music that [we] want to be heard in the way that it was made,” Eilish said. Her brother added: “Anytime anyone really takes time to sit down with our music and listen to it in a really high quality way it’s very exciting because I know they are hearing everything that we intended them to.”

The service will roll out in select markets later this year, though no pricing info has been released yet. It’s a big day for the streaming platform considering they also announced a brand new exclusive podcast with Bruce Springsteen and Barack Obama.