billboard charts

These Were 2022’s Most-Streamed Songs Across All Platforms

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Last year was full of great songs. Many acts returned with long-awaited new material, from hitmakers Beyonce and Blackpink to indie bands Alvvays and Big Thief. Records were broken by pop powerhouses such as Harry Styles with Harry’s House and Taylor Swift with Midnights.

Today, January 11, the Billboard Charts Twitter account shared the most-streamed songs across all platforms. Coming in at No. 1 is “Industry Baby” by Lil Nas X featuring Jack Harlow with 877.2 million streams. Following is Styles’ “As It Was” with 763.4 million. Then, there’s the Glass Animals hit “Heat Waves,” which was revived after being released in 2020, followed by “We Don’t Talk About Bruno” from the film Encanto.

At No. 5 is “Enemy” by Imagine Dragons and JID, followed by Justin Bieber and The Kid Laroi’s “Stay.” Kodak Black’s “Super Gremlin” is at No. 7. Future, Drake, and Tems take No. 8 with “Wait For U.” “Me Porto Bonito” by Bad Bunny and Chencho Corleone follow, and finally Bad Bunny takes the next spot as well with “Titi Me Pregunto.”

It’s no surprise Bad Bunny takes up two spots on this list — “Spotify Wrapped” deemed him the world’s most-streamed artist of last year. Meanwhile, he also got a nod from Apple Music, who named him their 2022 Artist Of The Year.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Music Streaming Set A New Record By Crossing The Trillion-Play Threshold In 2022, With R&B And Hip-Hop At The Helm

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Musicians and industry professionals have a well-documented obsession with chart placement. However, now in the dawn of streaming, there’s a growing pressure to deliver in other analytical ways, including streaming numbers. With physical albums sales continuing to fall, artists like Billie Eilish, Drake, and Ed Sheeran have all dominated across streaming platforms.

Although, traditional music medium such as vinyls seeing a huge spike in popularity, with artist like Taylor Swift and Adele (much to the displeasure of independent artists) including it in their album rollouts, streaming remains in the top spot of music activity. In fact, according to Luminate, the entertainment and data insight company behind Billboard‘s chart tracking, “on-demand song streams (audio and video combined) increased 12.2% to 1.268 trillion,” marking “the first time that yearly U.S. on-demand audio streams surpassed 1 trillion.”

The report revealed that “29% of all on-demand audio streams in the U.S. in 2022 were R&B/hip-hop songs.” No further information was provided for what role other genres play in this milestone.

Digital streaming platforms have like Apple Music and Spotify have continued to introduced new features to increase users’ app usage. Last year, Apple Music introduced Apple Music Sing, which gives subscribers an elevated experience with their favorite songs through enhanced karaoke abilities. While, Spotify expanded their Spotify Wrapped data points to include mood breakdowns and personality points of users most popular songs.

The Weeknd’s Six-Year-Old Song ‘Die For You’ Has Cracked The Hot 100 Top 10 For The First Time Thanks In Part To TikTok

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Over the weekend, The Weeknd commemorated one year of Dawn FM with a video for “Is There Someone Else?.” Coupled with the video’s release was this tweet: “I wonder… Did you know you’re experiencing a new trilogy?” Before we walk with The Weeknd into an enticing future, there’s reason to revisit his past.

Billboard revealed its newest Hot 100 chart (dated January 14) today, January 9. It’s unsurprisingly that Taylor Swift’s “Anti-Hero” has returned to No. 1 for a seventh total week after debuting there in late October, but it is surprising to see The Weeknd’s 2016 Starboy hit “Die For You” at No. 8 — which is now his 16th top-10 single on the chart.

“The Weeknd’s ‘Die for You’ vaults 26 to 8 on the Hot 100, led by 67.3 million in airplay audience (up 3%) and 9.9 million streams (up 10%),” the publication additionally relayed. “The song hits the Hot 100’s top 10 over six years after its original release on The Weeknd’s album Starboy, sparked by interaction on TikTok (which does not presently contribute to Billboard‘s charts). That buzz helped lead to the song’s airplay promotion and prominence, as the track holds at its No. 4 Radio Songs high.”

The Weeknd owns six career No. 1 Hot 100 singles, including the record-breaking “Blinding Lights” and “Starboy” (the latter featuring Daft Punk). Fellow Starboy track “I Feel It Coming” (also featuring Daft Punk) peaked at No. 4 on the chart.

“Die For You” isn’t the only The Weeknd song in this week’s Hot 100 top 10, either. His collaborative track “Creepin’” with Metro Boomin and 21 Savage, off of Metro Boomin’s December No. 1 album Heroes & Villains, sits at No. 6. It peaked at No. 5 last month.

‘SOS’ Logged A Fourth-Straight No. 1 Week On The ‘Billboard’ 200 Chart And SZA Is Beside Herself

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Last week, SZA kept the SOS train rolling by dropping a different version of the album, including revamped singles “PSA” and “Open Arms.” She also cleared up the phantom rumor that she had beef with Taylor Swift, and ironically enough, SOS now has something in common with Swift’s Midnights: breaking records previously held by Adele.

SOS sits atop the Billboard 200 chart dated January 14, its fourth-straight week at No. 1 since debuting there on December 19. According to Billboard, SZA’s sophomore offering is “the first album by a woman to spend its first four weeks at No. 1 in a year, since Adele’s 30 ruled for its first six weeks (December 4, 2021 through January 8, 2022-dated charts) and is the first album by a woman to have four consecutive weeks at No. 1 since 30‘s six week-run at No. 1.”

When Swift’s Midnights debuted at No. 1 in late October, it moved the most first-week equivalent album units since Adele’s 30 in 2015. (Midnights remains at No. 2 on this week’s chart.)

SOS is also the first R&B album by a woman to have four weeks at No. 1 since February of 2008, when Alicia Keys’ As I Am notched a fourth and final nonconsecutive week atop the list (Feb. 16, 2008),” Billboard additionally relayed. “More strikingly, SOS is the first R&B album by a woman to spend its first four weeks at No. 1 in nearly 30 years, since Janet Jackson’s Janet. ruled for its first six frames (June 5-July 10, 1993).”

The feat is not lost on SZA.

“I don’t have sh*t to say but thank you to God my ancestors my family my team and ALL OF YOU THAT RIDE FOR ME ! ESPECIALLY CAMP [tent emoji]!!” SZA captioned an Instagram post on Sunday, January 8. “Y’all my family too [white heart emoji] we have so much more to come.”

She also tweeted, “4 weeks at number one is INSANE. Thank you God and thank you everyone for riding for me.”

As for what’s still to come, SZA’s teased “Kill Bill” video should drop any day now. Her SOS Tour is slated to kick off on February 21 at the Jerome Schottenstein Center in Columbus, Ohio, with Omar Apollo serving as the opener.

SZA’s ‘SOS’ Claims A Third Week At No. 1 And Joins Beyoncé In The Record Books

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SZA is starting 2023 on top: SOS, her highly anticipated and highly successful sophomore album, dropped on December 9, debuted at No. 1 on the Billboard 200 chart dated December 24, and she hasn’t relinquished the position.

According to Billboard, SOS has logged its third consecutive week at No. 1 on the chart dated January 7, with 128,000 equivalent album US units earned during the week ending on December 29. The publication additionally relayed, “SOS is the first R&B album by a woman to spend three weeks at No. 1 since Beyoncé’s self-titled effort also spent its first three weeks atop the list in 2013. (R&B albums are defined as those that have hit Billboard’s Top R&B Albums chart.)”

Last week, SZA teased a video for “Kill Bill” to reward her fans for making the track her first career No. 1 on Billboard‘s Streaming Songs chart and second career Hot R&B/Hip-Hop Songs chart No. 1.

Elsewhere on this week’s Billboard 200 chart, Taylor Swift’s Midnights remains at No. 2 for a fourth-straight week. The album had previously spent five weeks at No. 1, including a record-breaking debut. Michael Bublé’s Christmas comes in at No. 3, with Metro Boomin’s Heroes & Villains (No. 4) and Nat King Cole’s The Christmas Song (No. 5) rounding out the top 5.

SZA Dropped Cheeky Swimsuit Photos To Celebrate ‘SOS’ Spending A Second Week At No. 1

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SZA has every reason to celebrate this holiday season. On top of appearing on Saturday Night Live, going viral with a parody track, and finally releasing her long-awaited sophomore album SOS, December keeps proving fruitful for the “Nobody Gets Me” singer. Yesterday, it was revealed that SOS topped the Billboard 200 for a second week.

It appears SZA spent the holiday in Hawaii. To commemorate her latest feat, she shared some pictures of herself on location, wearing a swimsuit that left little to the imagination. In the post’s caption, SZA appeared to reference a post celebrating the first week the album went No. 1 that had since been deleted. However, she was still in good spirits for the second consecutive week.

“Lol instagram randomly deleted my post last week .. but APPARENTLY ITS STILL TRUE THIS WEEK,” she said. “number 1 two weeks in a row .. God is incredible. I won’t repeat it all but thank you everybody for supporting me and speaking power n love into me. It’s 9:43 in Hawaii. I couldn’t ask for anything more. Life is beautiful and what it should be.”

Also in the post were other notable accomplishments, like the fact that SOS is the first album by a Black woman artist since Beyoncé’s 2013 self-titled surprise album two spend its first two weeks at No. 1. There is also a stat in there that notes that SZA and Taylor Swift are the only women artists to have at least 20 songs charting simultaneously on the Billboard Hot 100.

Check out the celebratory post above.

SZA’s ‘SOS’ Owns No. 1 For A Second Consecutive Week Despite Her Fear Nobody Would Like It

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SZA can exhale. During an interview with Rolling Stone last week, she shared that she “never thought in a million years that people would like” SOS, her sophomore album, before its highly hyped December 9 arrival. Well, SOS became her first career No. 1 album last week with 318,000 first-week equivalent album units, per Billboard, and Barack Obama probably contributed to those numbers.

SZA held firm at No. 1 on the new Billboard 200 chart dated December 31 for a second consecutive week. According to the publication’s Luminate data source, SOS netted 180,000 equivalent US album units in the week ending on December 22.

Tracks “Kill Bill” and “Nobody Gets Me” also debuted at Nos. 3 and 10, respectively, on last week’s Billboard Hot 100. “Blind” came in at No. 12, with “Low” at No. 17, “Love Language” at No. 21, “Seek & Destroy” at No. 24, “Snooze” at No. 29, and “Used” featuring Don Toliver at No. 30. Elsewhere on the Billboard charts, “Kill Bill” notched SZA her first career No. 1 on the Streaming Songs chart and second career No. 1 on the Hot R&B/Hip-Hop Songs chart.

This week’s Billboard 200 top five is rounded out by Taylor Swift’s Midnights (No. 2), RM’s Indigo (No. 3), Metro Boomin’s Heroes & Villains (No. 4), and Michael Bublé’s Christmas (No. 5). Drake and 21 Savage’s record-setting Her Loss collaborative album fell out of the top five to No. 6.

SZA will take SOS on the road with opener Omar Apollo for her first-ever arena tour beginning February 21, 2023 in Columbus, Ohio.

SZA Has Landed Her First No. 1 Album As ‘SOS’ Debuts On Top Of The ‘Billboard’ 200 Chart

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SZA wrapped up 2022 with one of the year’s highlight albums, the long-anticipated SOS. In a recent interview, SZA revealed she wasn’t sure how the album would be received, saying, “I never thought in a million years that people would like it. My dad’s visiting right now, with my mom. Everybody came down to make sure I didn’t lose my mind if the album went bad once it came out. And now we’re just hanging out, ’cause it didn’t go badly!”

Indeed, people have enjoyed the LP and now the charts are reflecting that: On the new Billboard 200 chart dated December 24, SOS is No. 1, making it SZA’s first chart-topping album of her career. To claim the spot, it overtook Metro Boomin’s Heroes & Villains, which debuted at No. 1 last week. Previously, 2017’s Ctrl topped out at No. 3 while SZA’s 2014 Z EP peaked at No. 39.

Star power played at least some part in the album’s success: People were really excited about Phoebe Bridgers featuring on “Ghost In The Machine” and the album also features appearances from Travis Scott, Don Toliver, and Ol’ Dirty Bastard. It was almost busier than that, as SZA wanted to get Bad Bunny, Billie Eilish, Doja Cat, Drake, Finneas, Frank Ocean, Halsey, Harry Styles, Kacey Musgraves, Kendrick Lamar, Olivia Rodrigo, Rosalía, Tyler The Creator, and others on the album, too.

Bad Bunny’s ‘Un Verano Sin Ti’ Now Has The Most Total Weeks At No. 1 In Over Five Years

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Bad Bunny’s latest album, Un Verano Sin Ti, has performed tremendously on the charts since it was released back in early May. Just last week, it became the biggest album of the year so far by passing the Encanto soundtrack for the most weeks at No. 1 on the Billboard 200 chart, with 10. Now, the journey continues: On the new Billboard 200 dated September 24, Un Verano Sin Ti is once again No. 1, for the eleventh total week.

This is now the most total weeks at No. 1 in over five years, when Drake’s Views had 13 non-consecutive No. 1 weeks on charts dated between May 21, 2016 and October 8, 2016. Un Verano Sin Ti is No. 1 thanks to 97,000 equivalent album units earned (down 3 percent from last week). That total consists primarily of streaming equivalent albums units, 94,000 of them, equaling 131.66 million on-demand official streams of the LP’s tracks.

Meanwhile, Nav had a strong debut, unable to top Bad Bunny but still entering the chart at No. 2 with Demons Protected By Angels, while Ozzy Osbourne’s Patient Number 9 debuts at No. 3 and Kane Brown’s Different Man premieres at No. 5. YoungBoy Never Broke Again also had a big leap, rising from No. 71 all the way to No. 6 this week after its first complete charting week.

The Famously Profane Eminem Achieves ‘Billboard’ Christian Chart Glory With His First No. 1 Song

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Eminem is a notably explicit rapper with some of the most controversial lyrics in mainstream music history. In fact, his words (and the marketing practices of the entertainment industry more broadly) were once the topic of a congressional hearing in 2001, with one representative saying, “When you hear the words about raping your mother or killing your mother, I think that the industry should be embarrassed that that’s award-winning entertainment.”

Back then, it may have seemed unlikely that Em would ever top any Christian music charts, but here in 2022, that’s just what he’s done. On Billboard‘s latest Hot Christian Songs chart, DJ Khaled’s “Use This Gospel (Remix)” featuring Kanye West and Eminem debuts at No. 1. This gives Em and Khaled their first leaders on that chart and Ye his fifth.

The “Use This Gospel” remix has multiple lines in which Em expresses his love for God, including, “Bible at my side like a rifle with a God-given gift / Every single day I thank God for / That’s why I pay so much homage / Praises to Jesus,” and, “So my Savior, I call on / To rescue me from these depths of despair / So these demons better step like a stair / Because He is my shepherd / I’m armed with Jesus, my weapon is prayer.”

So, while a lot of Eminem’s past material may not have been gospel-chart-worthy, his latest is, despite how odd that may read as a headline.