Between the biggest battle of the last 20 years, YSL’s stint in the longest criminal trial in Georgia history, and the downfall of a previously unstoppable executive, hip-hop had a pretty massive 2024. Sadly, these stories and many others garnered a lot of headlines and pushed the culture’s proliferation far outside of its musical boundaries. Many folks re-listening to “Family Matters” and “6:16 in LA” did so to catch the gaps in evidence and strategy, not to reflect on their melodic or lyrical prowesses. So it goes without saying that many of the art form’s most compelling and impressive offerings over the past 12 months or so flew completely under the radar… Even our own, for a time. But we’re very happy to admit that we slept on some gems and rounded up five of the most underrated rap albums of this year that grew on us the most.
These hip-hop projects took some time to settle in for many different reasons. They all came out pretty early in the year, back when we still had larger releases on our horizon or found ourselves completely overwhelmed by surprise diss tracks. We’ve already sung some of their praises before and want to double down on them, whereas other picks never got their proper shine. However, no matter why we initially brushed these records off, their merits in performance, production, thematic depth, catchiness, or idiosyncrasy eventually eroded any skepticism. Obviously, we missed out on a lot of hidden treasures in 2024, and looking back on everyone’s sleeper picks will be one of the year’s very last treats for the rap community. Before we head into the next quarter of the century, don’t skip out on these outstanding works.
Bruiser Wolf – My Story Got Stories
My Story Got Stories easily ranks among 2024’s funniest hip-hop albums for the enthralling and unmistakable delivery of Bruiser Wolf, one of Danny Brown’s Bruiser Brigade colleagues from Detroit. But many fans heard his storybook tone and kept their praise to only that. Despite the acquired taste that this project’s main artist and production pallet employ, don’t miss out on some of the sharpest, most clever, and most hilarious punchlines of the year. “Everything I do is monumental / It’s a cycle, period, menstrual” had us laughing all throughout 2024, and there’s plenty of heartfelt sadness and melancholy to balance out that sense of humor. Dusty samples, languid boom-bap beats, vivid street life descriptions, and quick-hitting song structures make for a whole slew of stories that walk the line between harrowing and hilarious. Also, the focus on accountability and loyalty informs the bravado with a lot of conviction.
All that said, don’t think that Bruiser Wolf’s My Story Got Stories is just a collection of old-timey, quirky, comical asides. “2 Bad” with Danny Brown and Zelooperz is one of the most ridiculously animated bangers of the year, and “I Was Taught To” with Trinidad James is a trill and low-riding cruise. Some of the stark and skipping sample flips, such as the atmospherically stretched-out vocals of “Holla At Ya Mans” and the static-laden soul on “Dope Ain’t Good” with Stretch Money, can bleed into each other on occasion. Fortunately, once you really focus on the instrumentals and verses, it all comes together as a psychedelic, rugged, and somehow unsettling album experience. It just goes to show that a whimsical perspective can bring the light out of the darkest street corners, which was an unparalleled process to undergo in 2024.
When thinking about the best rap albums of any given year, you might initially call attention to what feels deep, meaningful, or thematically significant. But then you’d have to balance that out with some of the most fun and vibrant music of that same period, and we can’t let 2024 go by without putting TiaCorine’s Almost There EP into that conversation. It’s eight tracks of no-frills plugg and rage-inspired material with some truly catchy melodies and moments, such as the phased-out and swirling buzzes on “Blick” with Key Glock and the choppy triplet embellishments on “Burnt.” What really creeps under your skin and leaps out without warning, though, is the North Carolina spitter’s vocal dynamism and flow control on here. It’s a big part of what makes these beats come alive, even as they might not hit your ears as particularly unique instrumentals.
For every deep-toned and menacing trap banger like “Give No F**k,” there’s a bubbly and sweet wave to ride on cuts like “Shamone.” Production-wise, there’s a lot here to create a solid resting place for TiaCorine’s displays: acidic synths, dense bass, sharp trap percussion, dreamy pads, and airy tones. She handles it all with a lot of charisma and surprising versatility, as her raspy growls on the Luh Tyler-assisted “Yung Joc” match the bass while her malleable flow delivery compliments the crystalline keys. All in all, Almost There occupies multiple hip-hop moods and appeals at the same time. “Olive” with Zelooperz is still one of our favorite ragers of the year, whereas “Bonnet” and “Nah He Tweakin” round the EP out with more relaxed and ethereal melodic dominance. Despite its short length and simple nature, this is one of rap’s most satisfying batches of ear candy in 2024.
Quadeca – SCRAPYARD
By the time our mid-year list rolled around, Quadeca’s new mixtape SCRAPYARD was already burrowing itself into our brains. Still, a lot of that appeal came down to the enduring catchiness and emotional resonance of the Los Angeles native’s 2023 EPs leading up to the full album. The tender bossa nova and alt-tinged hyperpop fusions of “A LA CARTE” featuring brakence, the brief yet minimally glitched-out confidence of “I MAKE IT LOOK EFFORTLESS,” and the jittery distortion on “GUESS WHO?” were leftovers from last year that, when we initially listened to SCRAPYARD, ranked head and shoulders above its newer offerings. Eventually, the controlled chaos of genre mixes, mood swings, and production techniques of the whole package really settled in as an expressive, cathartic, and engrossing full-length.
Harcore Quadeca fans finally got “BEING YOURSELF” on an official release, introducing its cavernous bass and fluttering flows to a whole new base. “PRETTY PRIVILEGE” draws from – and evolves – the emo-trap tradition with rich hand percussion and intoxicating electric guitar tones. Perhaps the biggest grower is “U TRIED THAT THING WHERE UR HUMAN,” whose initially off-putting whispers perfectly prelude an ambient, folky, lo-fi beat that gives more singer-songwriter than seasoned MC. Add a soulful boom-bap cut in “WAY TOO MANY FRIENDS” and you’ve got one of the most creative, undefinable, and colorful albums of 2024 in any genre. Maybe that’s why the 24-year-old’s latest LP took some time to grow. It’s not solely hip-hop – or any genre, for that matter. Yet its assembly of disparate scraps to craft an earthy sound not only creates amazing rap music as a result, but also excellently embodies the art form’s ethos.
A week after Tierra Whack dropped her long-awaited debut full-length album WORLD WIDE WHACK, Kendrick Lamar lit the rap game on fire and reset the year for our minds. It was honestly a huge disservice and misstep on our part, as the Philly native came through with the vibrance and wonder that she’s known for while adding some new flourishes to her arsenal. For example, “MS BEHAVE” is one of her most brash and bass-heavy songs yet, and “X” continues this dark and primal percussive journey. Longtime fans still got some of the low-key, crisp, and perky jams they love such as “DIFFICULT” and “INVITATION,” in addition to Tierra’s most diverse and organically fused sonic pallet yet. The project travels from triumphant and egocentric excess to down-trodden and despondent tribulations, although it never loses its personal and intimate charm. In other words, it fittingly and progressively expands Whack World.
Nevertheless, Tierra Whack’s experimentation and songwriting focus on WORLD WIDE WHACK doesn’t automatically jump out at you. Somber interludes like “NUMB” and “BURNING BRAINS” are pretty unassuming at first, and only reveal their powers once the stickiness of other tracks wears off on you. Maybe you can attribute this to the thin trap drums on a lot of beats here, or to the washed-out aesthetics that cloak much of each song’s atmosphere. But you eventually realize what’s taking all that extra space up, and it’s the 29-year-old’s captivating personality and presence. It’s sometimes understated, but those partially obscured moments always pair up with relatable lyricism and grounded themes of identity, contradiction, and emotional volatility. It might not be the most bombastic or instantly gratifying LP of 2024, but it certainly stands among its most vulnerable and varied.
Cavalier – Different Type Time
Finally, we wanted to shout out Backwoodz Studioz for backing one of the best lyrical displays of 2024. Cavalier’s Different Type Time reflects the passions of a rapper unsatisfied with the perfectionist rat race of the music industry, and these 21 tracks reflect that level of frustrated inspiration with grace. Boom-bap permeates throughout calm and collected instrumental clouds on cuts such as “Can’t Leave It Alone” with Eric Jaye, and the project overall feels like a particularly healing piece of underground hip-hop. Of course, jazzy passages and reflective ambiance define much of this LP as well. It makes more fiery fare like “Doodoo Damien” hit that much harder, especially when the Brooklyn-born and New Orleans-based lyricist weaves intricate rhyme schemes together with raw perception wise beyond his years. Since it’s such a familiar sound, it’s up to the listener to dig through the diamonds in these verses.
As much as the pen dominates Different Type Time, Cavalier also crafted some of the most gorgeous soulful fusions of hip-hop this year, such as “Think About It” with Billzegypt. There’s such an immediate and in-your-face approach to a lot of the mixing behind the instrumentation and percussion here, adding this live feel to narratives of struggle that turns them into consistently evocative songs. Even though 2024 had more daring or widespread challenges to rap’s status quo, this album shows off the power of tradition, homage, and fundamental ingenuity with no need for invasive bells and whistles. It’s a very blunt record in that sense, even if the bars here will always warrant a rewind. For those listeners looking for the furtherance of the culture’s linguistic excellence, storytelling prowess, and foundational elements, this offers even more.
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.
Summer has officially arrived, and the past four weeks have brought a bounty of new hip-hop to soundtrack your warm weather activities. From hard-hitting gutter anthems, to genre-bending party starters, here are the best hip-hop albums of June 2024.
Channel Tres — Head Rush
Channel Tres
Channel Tres’ first album for RCA Records is a cool collection of Compton house and techno that doesn’t just invite you to shake off your inhibitions — it demands it. While it might be a bit heady and left-of-center for rap traditionalists, it’s just the latest breadcrumb in a long trail of projects combining rap and dance music sensibilities going all the way back to Jungle Brothers‘ “I’ll House You” and Queen Latifah’s “Come Into My House.” It’s a fine addition to that canon while also challenging the conventions of hip-hop and traditional Black masculinity. “Gold Daytonas” is my favorite, but the most digestible tracks are “Cactus Water” and “Need U 2 Know.”
Lupe Fiasco — Samurai
Lupe Fiasco
Lupe Fiasco returns with an unabashedly nerdy album — does he make any other kind — with a head-scratching concept supported by head-nodding production and some genuinely thought-provoking beats. The concept is classic Lupe overthinking, extrapolating on a vignette from an Amy Winehouse documentary to build out an entire hypothetical on the title track (“What would it be like if [Winehouse] was a battle rapper?”), and indulging in Lupe’s own love for anime and Japanese culture to unpack his own ambitions and contradictions. It’s one of his more autobiographical projects, but as always, it works on multiple levels, giving it all the replay value of a classic anime like Cowboy Bebop.
Megan Thee Stallion — Megan
Megan Thee Stallion
Mining Meg’s tribulations of the past few years, Megan is impressive for its unflinching reflection of her personal pain and growth, as well as for returning the Houston Hottie to her roots. While her past projects got caught up in chasing pop appeal, here, she mostly sticks to the Texas trap that got her on the map, tapping Southern stalwarts like UGK and Big KRIT for lyrical support. Subjects on the album range from self-love — in more ways than one (contrast “Down Stairs DJ” with “Worthy”) — to Meg’s geeky interests (“Mamushi” dabbles in J-Rap, while “Otaku Hot Girl” samples one of her favorite anime). The high points are still the defiant challenges to her biggest detractors on “Hiss” and “Cobra.”
NxWorries — Why, Lawd?
NxWorries
If great things are worth waiting for, then Anderson .Paak and Knxwledge’s second project as a group is well worth the wait. Where their first masterpiece was something of a pimping handbook, its follow-up finds .Paak soul-searching through the process of divorce. He’s back on the streets and finding that the more things change, the more they stay the same. Described by some fans as a West Coast jazz rap version of Marvin Gaye’s infamous divorce album Here, My Dear (although, we’ve technically already had one of those — with the same name, no less — from Terrace Martin), Why Lawd? finds our guys lamenting not just the loss of love, but also just how hard it is out here to find a new one. Knxwledge outdoes himself, providing production that comes across as contemporarily cool in addition to being potentially timeless.
Overall, some of the biggest artists in hip-hop have helped provide us with the best rap albums of 2024. However, we have also gotten some incredible albums from underground talent as well. Even artists who started their careers as YouTubers have helped contribute some dope projects to the table. In 2023, during hip-hop’s 50th anniversary, there were some who tried to act as though the genre was in a bad place. That somehow there was a lack of quality music being produced. That turned out to not be the case whatsoever and we got some incredible music. In 2024, things have gotten even better with artists like Vince Staples, Rapsody, and even ScHoolboy Q giving us some of the best records of the entire year. Having said that, let’s dive into the 25 best rap albums of 2024.
My colleague Derrick Rossignol is right; writing about beef and hate for the past six months has been exhausting. We here at Uproxx would much rather focus on the positives — especially when it comes to hip-hop, which has been about as innovative and productive as it has ever beeen in 2024.
Whatever coast you claim, whichever generation you consider yourself part of, no matter why you listen to hip-hop in the first place — to party, to think, to hype yourself up, or to escape into a gangster fantasy where you’re the toughest person in your town — there has been an embarrassment of riches with respect to the sheer volume of hip-hop releases this year, and its quality.
So, yes, the bloodsport was enjoyable while it lasted (for some of us), but when the dust has settled, you still need something to listen to. Whether you’re catching up, revisiting favorites you forgot about in the chaos, or just setting up your summer listening playlist, we’ve got you covered. Here are the best hip-hop albums of 2024 so far, presented in alphabetical order and including the entries from the best albums of 2024 so far list.
21 Savage — American Dream
Slaughter Gang/Epic
21 Savage’s first solo album in over three years arrived at the top of the year to end a brief run of collaborative albums that included Savage Mode II with Metro Boomin and Her Loss with Drake. American Dream, his third solo album, presents all the sides of 21 Savage that we’ve come to love over the years. His menacing demeanor lives on tracks like “Redrum” and “Dangerous” and his charm is captured on “Prove It” and “Should’ve Wore A Bonnet” while honesty prevails with “Just Like Me” and “Dark Days.” 21 Savage’s long-awaited solo return checks all the expected boxes and elevates the rapper to a higher status, making an American Dream turn global and reach his birthplace of London where he performed for the first time at the end of 2023. — Wongo Okon
Anycia — Princess Pop That
Anycia
Following a 2023 year that put her on the map, Atlanta rapper Anycia stepped in 2024 with a point to prove. In a matter of four months, it was seen and received thanks to her debut album Princess Pop That. She excels in a lane occupied by few where a cool and calm demeanor delivers the intended messages with a crispness that sends a chill down the spine. Anycia means every word she says as records like “Type Beat,” “Bad Weather,” and “Splash Brothers” prove. That’s Pop That side of Anycia, the Princess that is Anycia uses the Cash Cobain-assisted “That’s Hard” and the splashy “Squigi” to get her point across. What Princess Pop That gives you is duality and evidence that Anycia has plenty to show in the coming years of her career. — W.O
Benny The Butcher — Everybody Can’t Go
Benny The Butcher
Benny The Butcher’s Def Jam debut didn’t usher a change in style or approach for the Buffalo rapper. If anything, his new home allowed him to more comfortably do what we’ve seen him excel at for much of the last decade. On Everybody Can’t Go, Benny puts up a fine display of rapping alongside Lil Wayne on the haunting “Big Dog” all to deliver a riveting and championing tale of a double life on “One Foot In” with Stove God Cooks. “Pillow Talk & Slander” with Jadakiss and Babyface Ray unites different generations of rap for a moment of introspection and celebration. Everybody Can’t Go opens a new era for Benny and promises many more bright moments to accompany the ones he put forth years prior. — W.O.
Bossman Dlow — Mr Beat The Road
Bossman Dlow
Few rappers in 2024 have been as fun to listen to as Florida rapper Bossman Dlow rapper is. His Mr Beat The Road project is a 17-track compilation of exaggerated money spreads, pretentious claims about his ability to make money, entertaining adlibs, and catchy bars and punchlines. For Bossman Dlow, it all started with the success of “Get In With Me,” a convincing how-to on bossing up, increasing your cash flow, and living like a star. The standout single doesn’t even scratch the surface of Mr Beat The Road though. “Boss Talk” puts his title as head honcho on full display while “Mr Pot Scraper” paints him as a hustler like no other. “Come Here” with Sexyy Red is flirtatious fun and “Lil Bastard” with Rob49 sounds the alarm on Bossman Dlow’s inescapable arrival. Mr Beat The Road is a welcome party worth attending and remembering. — W.O.
Buddy — Don’t Forget To Breathe
Buddy
In an era of so many rappers employing therapy and its associated lingo as a stylistic shortcut to being truly vulnerable, honest, and confessional on records, Buddy’s Don’t Forget To Breathe is, fittingly, a breath of fresh air. The Compton rapper not only takes the time to get to know himself after his decade or so in the game — letting listeners in on the process — but displays his expansive taste with a lush musical palette incorporating groovy R&B instrumentation over head-nodding hip-hop rhythms. “Buddy A Fool” is a self-aware self send-up, “Got Me Started” is a confident slick talk session, and “You 2 Thank” bridges the gap between post-G-funk and diasporic excellence. — Aaron Williams
Chief Keef — Almighty So 2
Chief Keef
There’s no denying Chief Keef’s impact on modern-day hip-hop. All of what exists today, for better or for worse, would be different or absent without Chief Keef. At 28 years old, he’s a rap veteran when many at that age are just a few years into their careers, and many who checked into the game at 17 years old, like Keef did, fizzled out shortly after they could legally drink. So Keef’s continued relevance for more than a decade is impressive, as is his fifth album, Almighty So 2. Originally announced back in 2019, the album’s arrival five years later is a great gift to fans. What makes it better are splashy features from Tierra Whack, Sexyy Red, Quavo, and others, as well as sharp bass-rattling production supplied by Keef himself. — W.O.
Flo Milli — Fine Ho, Stay
Flo Milli
If Ho, Why Is You Here? was Flo Milli’s fun-loving introduction to the rap biz, and You Still Here, Ho? was her concentrated effort to prove she could consistently make hits, Fine Ho, Stay is a self-possessed declaration of her own permanence as a fixture in the limelight. It’s also a rock-solid display of her rhyme prowess; while she does her fair share of pop-friendly crooning on “Can’t Stay Mad,” songs like “Clap Sum” and “Neva” can easily be argued as the result of her time spent on the road with some of rap’s most practiced contemporary spitters like Benny The Butcher and Gunna. — A.W.
Fredo Bang — Yes, I’m Sad
Fredo Bang
It’s been three years since Baton Rouge rapper Fredo Bang emerged with his breakout hit “Top,” which was later boosted by a remix from Lil Durk. He stands tall on his own through honesty and vulnerability, as depicted on his Yes, I’m Sad project. The takeaway from it is that all that glitters ain’t gold, a message Fredo puts forth successfully through songs like “Come Thru” and the project’s sincere title. Still, the gold is very much present in Fredo’s world on “Ring Ring” with Kevin Gates and “Sideways” with NLE Choppa. Fredo’s Yes, I’m Sad acknowledges the hardships in his life, but also pushes himself to do something about and improve the circumstances, a mindset that brings more value to the project. — W.O.
Future and Metro Boomin — We Don’t Trust You and We Still Don’t Trust You
Future X Metro Boomin
In 2017, Future did something no other artist had ever done before: He released Future (a trap-heavy, bass-knocking rap album) and Hndrxx (a softer, more confessional, and R&B-inspired effort) in consecutive weeks, becoming the first artist to release a pair of Billboard 200 chart-topping albums in the same week. Fast-forward seven years, and Future and Metro Boomin’sWe Don’t Trust You and We Still Don’t Trust You are modeled the same way, respectively. Future’s ability to channel both sides of his artistry and deliver the very best of them multiple times in his career is a feat accomplished by few and dreamed of by many. But for now, we can remember these albums as two of music’s best releases in 2024 and one being the catalyst for hip-hop’s biggest war in decades. — W.O.
GloRilla — Ehhthang Ehhthang
GloRilla
Girls just wanna have fun. For all the hand-wringing about the lack of substance in hip-hop these days (from people who happily did their Stanky Leg and bumped “Tipsy” back in the day), rap music has always been about turning up at parties. Rappers like GloRilla remember this — or, at least, keep the spirit of the function alive in their music — making catchy hits that won’t elicit boos for the DJ who plays them. Ehhthang Ehhthang might be light on deep topics and cultural criticism, but while it runs on club anthems like “Yeah Glo!” and “Wanna Be,” it does have some deceptively heartfelt moments, as well. Even its title is a clever callback to so-called substantive rap, adding a country twist to the title of Lauryn Hill’s 1999 smash hit. — A.W.
Gunna — One Of Wun
Gunna
The current era of Gunna’s career is one nobody could have predicted five years ago. Once-guaranteed collaborations with Young Thug, Future, Lil Baby, and others are now a thing of yesterday. Today, as Gunna’s fifth album One Of Wun displays, the Atlanta rapper makes the most of his inner circle as the variety and availability of past resources have run dry. One Of Wun is as flashy, slick, and smooth as we’ve known Gunna to be. It’s confirmation that he can present that persona when he pleases. “On One Tonight” is one of Gunna’s best outputs in years while “Hakuna Matata” glides with ease and hits corners with impressive finesse. “Today I Did Good” is a surprisingly bright track that showcases the change in Gunna’s life. One Of Wun escapes the dark of yesterday and runs toward the light at the end of the tunnel, which remains bright for Gunna. — W.O.
J. Cole — Might Delete Later
J. Cole
Nearly a decade after his fellow hip-hop heavyweights, aka Drake and Kendrick Lamar, did it, J. Cole delivered a surprise album of his own with Might Delete Later. Cole surprised fans with the project on the weekend of his annual Dreamville Festival and weeks after Kendrick challenged both Cole and Drake for rap’s crown on his “Like That” verse. The strong output from Cole failed to truly shine thanks his lukewarm Kendrick Lamar diss in “7 Minute Drill,” its eventual removal from streaming services, and Cole’s apology for even responding in the first place. Nonetheless, Might Delete Later is still a strong body of work. “Crocodile Tearz” is an impressive display of Cole on the offensive, and “HYB” with Bas and Central Cee presents Cole in a fun and laid-back state worth bringing out more often than he does. Long story short, Might Delete Later is worth keeping in rotation for a while. — W.O.
Kenny Mason — 9
Kenny Mason
In the four years since Kenny Mason dropped his debut album, Angelic Hoodrat, he’s seen a fairly prodigious jump in his public profile, landing feature placement on tracks from the likes of J. Cole and JID, touring the nation with Danny Brown and Jpegmafia, and garnering widespread acclaim for his unique blend of grunge, shoegaze, and punk rap. On 9, he expands on that genre gumbo, incorporating features from such wide-ranging sources as trap upstart Babydrill and chillwave pioneer Toro Y Moi. More mellow than alt-rap screamers like Trippie Redd and XXXtentacion, but more introspective than Atlanta peers like Gunna and Young Nudy, Kenny’s in a class of his own, bridging gaps between what works and what’s possible. — A.W.
Kyle — Smyle Again
Kyle
The recent resurgence of jungle and drum & bass is making me feel young again, and a large part of the reason for that renaissance is Southern California native Kyle. Last year, his album It’s Not So Bad evoked the sounds of the Y2K British rave scene with a palette of 2-step and garage, and Smyle Again (named after his breakout 2015 mixtape Smyle) continued to mine that fertile era from a more hardcore angle. Like its predecessor, it borrows the skittering forceful riddims of 2000s UK EDM and pairs them with the sunny, beach-bred cheeriness Kyle is known for. The result is one of the year’s more innovative projects. — A.W.
LaRussell & Hit-Boy — Rent Due
LaRussell
How exactly does one settle on just one LaRussell project when he’s so prone to releasing multiple in a year’s span? It certainly helps when he brings one of the West Coast’s premiere beatmakers, Hit-Boy, along for the ride. Although Rent Due is only seven songs and 18 minutes long, both collaborators bring their A-games, going in like… well… the rent’s due. What truly impresses is the versatility of the album, from the airy uplift of “Lead Me To The Water” to the boisterous street stomp on “Another One.” The two California natives have unsurprisingly great chemistry and if HB wants to drop another four projects with LaRussell, I don’t think anyone will complain. — A.W.
MIKE — Pinball
MIKE
MIKE’s drowsy lyrical ruminations have always defied easy categorization, even as they’ve illustrated his broad range of cultural and stylistic influences. In the past, this has often resulted in dense, borderline opaque listens that can get mired in murky soul samples and abstract rhymes. Pinball is a different story, though. Like the arcade games it’s named after, Tony Seltzer’s beats on Pinball instead gives MIKE a lively, bouncy background for his cerebral lyrics, bringing more energy out of him and making it sound like he’s actually having a lot of fun. It’s a needed reminder that thoughtful hip-hop needn’t be boring or super serious to get its point across. — A.W.
Rapsody — Please Don’t Cry
We Each Other/Jamia Records
In my interview with Rapsody about her new album, Please Don’t Cry, I called it her best and THEE best hip-hop album of the year so far. I may end up revising that opinion by December, but the bar is going to be really hard to clear. Combining lessons she’s learned from therapy, endless reiteration of ideas, and some of her production teams’ finest work to date, Rapsody has crafted a masterclass in vulnerability, honesty, and lyrical dexterity. “Stand Tall,” “Diary Of A Mad B*tch,” “A Ballad For Homegirls,” and “Forget Me Not” are the sorts of honest, “real” rap writing that fans have been begging for for years. — A.W.
Schoolboy Q — Blue Lips
Schoolboy Q
At this point, few of us, if any, should be complaining about the long wait between Top Dawg Entertainment projects. The last few years have brought projects such as Ab-Soul’s Herbert, Isaiah Rashad’s The House Is Burning, and of course, SZA’s SOS after five-year gaps — an approach that seems to be the recipe for producing some of those artists’ most heartfelt, innovative works to date. Schoolboy Q turns out to be no exception. His latest also arrives five years after its predecessor, Crash Talk, bringing with it the very soul of Los Angeles’ experimental jazz history. An eccentric compilation that never stays in one vibe too long, Blue Lips presents a portrait of a matured, sophisticated gangster. — A.W.
Skilla Baby — The Coldest
Skilla Baby
Detroit rapper Skilla Baby, fresh off a 12-month run that boosted his stock thanks to songs like “Mama” and “Bae,” showed what he’s really made of on The Coldest. Often mislabeled as a rapper with song’s solely for the ladies, Skilla Baby embraces the title with the flirty and infatuated “Whole Package” with Flo Milli as well as “Wifey” alongside NoCap. However, Skilla Baby is more than just a ladies’ man. He’s a certified hustler on the grim “Mike Jack” and he’s successful one who can brag about his wins on “Richie.” Skilla Baby has the type of duality that one should admire and The Coldest puts it all on full display. — W.O.
Tierra Whack — World Wide Whack
Tierra Whack
World Wide Whack is perhaps one of the most anticipated hip-hop debuts of the last five years, and it doesn’t disappoint. Tierra Whack had the world in the palm of her hand after her EP Whack World introduced the public to the colorful inner universe of the Philadelphia creative, but then reality stepped in. Tierra’s experiences since then inspired World Wide Whack, which despite its whimsical stylings contains some of her most heartrending music yet. “Two Night” and “27 Club” deliver a one-two punch of empathetic pleas for a more measured reception for the sort of creative personalities that have suddenly become a quite endangered species. — A.W.
Vince Staples — Dark Times
Vince Staples
Hometown bias aside, I have long believed that Long Beach rapper Vince Staples has been one of rap’s most quietly insightful, innovative voices since 2014, when I first heard him on Common’s Nobody Smiling single “Kingdom.” Since then, his confidence in his artistic vision has only grown, while his already prodigious talents sharpened in his efforts to bring that vision to grungy, cinematic life. Dark Times is the culmination of that growth, presenting a version of Vince that pairs his photographic observations of life at the bottom of the American pyramid with a collection of instrumentals destined to shatter the last (stupid) arguments against him — you can’t say he picks bad beats now. — A.W.
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.
For the second monthly installment of The Best Hip-Hop Albums, we had to dig a little deeper than we did in March, thanks in part to fewer releases overall. However, while there were fewer albums from established, well-known acts, plenty of up-and-coming artists took the opportunity to stake their claims on gaining a foothold in the public consciousness.
Thanks to Drake and Kendrick Lamar, it was an uphill battle. While Kendrick’s contribution to their ongoing feud didn’t arrive until the end of the month, Drake’s antics were more than enough to keep us all at our favorite digital water coolers, discussing his distasteful use of AI, and whether he still has the juice to survive another confrontation with a lyrical heavyweight with a longer history of critical support.
But even with those two sucking up all the oxygen, there were still plenty of new releases worth checking out if beef wasn’t your thing. Here are the best hip-hop albums of April 2024.
Anycia — Princess Pop That
Anycia
The Atlanta newcomer got plenty of attention thanks to Latto’s verse on “Back Outside,” but Anycia’s first-ever mixtape bears more than enough proof that she’s bigger than beef. Her herky-jerky flow, smoky vocal timbre, and unabashed bluntness are versatile enough to tackle both boisterous boasts and unfiltered heartbreak, while the choice of production keeps the energy level high through all 14 tracks.
Future & Metro Boomin — We Still Don’t Trust You
Future / Metro Boomin
The second half of Future & Metro’s double disc project focuses more on the singing than the rapping, so there was a strong argument that this leaves it in Wongo’s territory, but we did include it in the Best New Hip-Hop of the week, so it qualifies for the month. Besides, thanks to contributions from ASAP Rocky, J. Cole, and Lil Baby, it still has more than enough bars for anyone who wants them.
GloRilla — EhhThang EhhThang
GloRilla
Hip-hop can be a lot of things: Angry, menacing, political, and thoughtful. But I think at its core, what people want most from rap music is for it to be fun. GloRilla understands this and aims to feed this impulse directly on her first mixtape since 2020’s independent P Status. The project allays concerns that she might have been just a one-hit wonder with song of the summer potentiates “Wanna Be” featuring Megan Thee Stallion and “Yeah Glo!” while providing introspection on “Aite” and “High AF.” Will you find dizzying feats of virtuoso lyrical gamesmanship here? No. But hip-hop has always been way more than just rappity-rap wordplay and “fight the power” ethos. Sometimes, you just want to turn up. That’s when you turn on GloRilla.
J. Cole — Might Delete Later
J. Cole
I also debated not including this one, solely based on Cole’s decision to pull “7 Minute Drill” from DSPs as a sort of self-fulfilling prophecy. Fortunately for him, there are still 11 other solid tracks, including the nostalgic Dipset callback “Ready ’24” and “H.Y.B” with Bas and Central Cee. Intricate wordplay may not be your thing, but Cole’s latest scratches that very specific itch, despite distracting him from following through on his promise to bring The Fall-Off to fruition.
Skilla Baby — The Coldest
Skilla Baby
The Michigan rapper follows up his 2023 collaborative project Controversy with Tee Grizzley with a solid solo effort. The Coldest finds him using his choppy flow to detail his misadventures in the streets with a cool-headed charisma that makes what should be worn-out material sound fresher than ever. A slew of guest stars, from Flo Milli to Rob49, join him on trunk-rattling production, but he never lets anyone steal the spotlight, proving that he’s a star in the making.
The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.
What a month. March 2024 was largely defined by a string of controversies, conflicts, and conspiracy theories, which kept us a tad bit too busy for some of our typical in-depth musical coverage.
But there were also so many good hip-hop albums, I didn’t want the month to end without at least tipping my cap to the array of innovative releases that would have normally been given the RX seal of approval if there weren’t 1,000 other things going on.
And so, I present to you, loyal readers of Uproxx – and newcomers, too – to the first edition of the Best Hip-Hop Albums of the Month. Let’s call it an extension of my weekly column, designed to collect and rightfully praise the projects that impressed us the most over the past 30 or so days. After all, who says new albums only deserve a week’s worth of attention?
Flo Milli – Fine Ho, Stay
Flo Milli
Although it’s technically the Alabama rapper’s second studio album, her latest release completes a trilogy begun by her fan-favorite 2020 debut mixtape, Ho, Why Is You Here?. The new album expands on the world-building she did on it and its 2022 follow-up (and her debut album) You Still Here Ho?, the album contains contributions from Anycia, Cardi B, SZA, Gunna and Monaleo. Still, Flo Milli remains the star of the show, showing off an impressive degree of growth and polish across 14 tracks, including her latest breakout hit, “Never Lose Me.”
Kenny Mason – 9
Kenny Mason
It’s almost impossible to truly categorize what kind of music Atlanta native Kenny Mason actually makes. An amalgamation of Atlanta staples like trap, the Southern-fried funk rap of Outkast, the gloomy grunge of early-90s Nirvana, and soulful, blurry-eyed Bandcamp boom-bap, Kenny vividly details teenaged malaise, early adulthood angst, and stressful street trials without any part seeming trivial or melodramatically heightened in comparison to the others. 9’s guestlist is as eclectic as its subject matter, tapping Babydrill, Toro Y Moi, and Veeze.
Kyle – Smyle Again
Kyle
Longtime readers of my Best Hip-Hop of the Week column will likely be aware that this album combines two of my favorite things in hip-hop at the moment: A fellow West Coast native and the ongoing Black reclamation of EDM. Despite its title, Kyle’s latest doesn’t rehash the content or sound of his breakthrough 2015 mixtape; rather, it revisits its spirit, in a full-circle moment that allows the Ventura product to reflect on his career and have a little fun in the process. Utilizing an eclectic soundscape that draws on UK 2-step and garage, Smyle Again is a unique gem no one should overlook in the search for truly original hip-hop.
Schoolboy Q – Blue Lips
Schoolboy Q
Q’s first new album in five years is a gritty review of his journey so far through the eyes of a weathered vet. Sonically adventurous, it swerves erratically from blue-era Miles Davis jazz to menacing, guttural street Gothic opera, never settling into one mode for too long – or indeed, for very long at all. Yet, Q’s grizzled, paranoid flow holds everything together generating order in the chaos as he takes stock of his successes, which would be surprising if not for the perseverance he needed to exert to survive long enough to enjoy them. “Yeern 101” is a standout.
Tierra Whack – World Wide Whack
Tierra Whack
I haven’t been as devastated by a rap album since Rexx Life Raj’s 2022 album The Blue Hour. Where Whack’s colorful costumes and whimsical backing tracks might lure listeners into a false sense of upbeat security, the themes she tackles here – depression, grief, imposter syndrome, and survivor’s remorse – practically hollowed me out. “Two Night” and “27 Club” are a harrowing one-two punch that let the album linger on the terrifying implications of anointing – and leave you longing for the rest of the story, for the catharsis that even Whack can’t promise. I hope she’s doing okay.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Overall, there were a ton of great tracks that came out this year that could receive recognition for being one of the best rap songs of 2023. However, this year, we have decided to narrow down a list of 40 songs. On Christmas Eve, this is perfect reading for when you are around the Christmas tree, sipping egg nog and trying to debate with your friends on some of the best music. With the list below, we are encompassing a diverse array of artists from numerous subgenres. Be sure to sound off in the comments section below if you agree with this year’s choices.
40. Kevin Gates – Breakfast
Once some of the shock value and hilarity of Kevin Gates’ sexually charged yet surprisingly romantic anthem “Breakfast” wore off, lots of people were surprised by just how much they genuinely liked the song underneath. Though the sensual food metaphors aren’t exactly poetic they contrast well with the much more blatant and direct eroticism throughout the song and it all comes packaged in a surprisingly catchy series of refrains. The song isn’t just good at grabbing your attention right away, but holding onto it with catchy songwriting and one memorable lyrical gem after another.
– Lavender Alexandria
39. Lil Uzi Vert – Flooded The Face
“Flooded The Face” is a song that probably had a lot of people thinking that Lil Uzi Vert’s The Pink Tape would go in a different direction. Unfortunately, that did not happen. However, this song serves as a reminder of what could have been. Incredible beat, fast flows, and a steady and focused-sounding Uzi that we miss very dearly. Oh how we wish the whole album sounded like this.
– Alex Cole
38. J Hus ft. Drake – Who Told You
The lines between rap music made on either side of the Atlantic have been blurring for years now and in one of the biggest crossover moments of the year, afroswing superstar J Hus recruited Drake for an infectious single. The track is a full embrace of the desire to dance, coming to the defense of even the hardest of rappers also having the desire to get down. Drake comes to the track with one of his signature morphing accents and lends a snappy and equally danceable verse to this impressively fun song.
– Lavender Alexandria
37. Yeat- Bettr Off
Yeat has been one of the biggest breakout stars of the entire year and this song was a huge factor in that. His album Afterlyfe was a massive success that brought him into the mainstream. On “Bettr Off,” Yeat showcases why his flow has people in awe. We also get some dark production that adds to the artist’s mystique. It is a song that provides a stark contrast to a lot of other records we have heard this year. Yeat is the antithesis to the chorus of people saying the genre is stagnant.
– Alex Cole
36. Conway The Machine – Super Bowl ft. Juicy J & Sauce Walka
In February of this year, Conway the Machine, Sauce Walka, and Juicy J got together for “Super Bowl.” The track sees the trio capitalize on their lyrical dexterity, coming in focused to diligently unpack their feats. Overall, they stick to the customary themes of money, women, and getting “rich out the streets,” but their precision makes for a standout track and all-around legendary team-up. Conway’s signature gritty flow grounds boastful bars while the two Southern spitters offer sleaze and intensity. “Super Bowl” served as the lead single for the Buffalo MC’s third studio album Won’t He Do It. The project, which he unleashed in full in May,markedhis first release under his independent label Drumwork Music Group following his 2022 departure from Griselda Records.
– Caroline Fisher
35. Bas – Khartoum ft. Adekunle Gold
Across hip-hop’s 50-year history, the world has unfortunately remained rife with conflict, displacement, war, and injustice. Yet, despite all the pain and loss, the genre remains a beacon to unpack these systemic issues and raise a voice in the name of peace. Bas’ “Khartoum” with Adekunle Gold, off of the former’s brand-new album We Only Talk About Real S**t When We’re F***ed Up, speaks to the Dreamville MC’s home country of Sudan, where much of his family still lives. Khartoum, the nation’s capital, is among many areas affected by civil conflict between military forces within governance. Specific anecdotes of his cousin’s plight, news reports, and comparisons to the invasion of Ukraine crystallize Bas’ pained but universal message of bringing light to the world’s dark corners of international atrocities.
Thanks to a great chorus from Adekunle Gold and a breezy but melancholy Afrobeat instrumental, “Khartoum” still retains its power and listenability through its songwriting. Bas’ sole verse here, as he told us in our interview with him, was something he wrote when the weight of this war and his family’s pain became something impossible to not address, especially as many major media companies in the U.S. overlooked it. It’s an aching message that searches for peace, dialogue, and empathy rather than to wallow in the overbearing tragedy of this situation. Still, the song remains catchy, impactful, and balanced in its approach, qualities that show just how much care went into its creation.
– Gabriel Bras Nevares
34. Offset & Cardi B – Jealousy
Offset and Cardi B unveiled “Jealousy” in July, teaming up to take shots at their haters. Listeners expected the couple to address ongoing rumors and speculation about their high-profile relationship, but instead, received one big read of their critics. The duo appears to have gone their separate ways since the release, but regardless, managed to prove that melding their flows could have great results. They laid out their boastful, menacing bars in a fun accompanying music video, inspired by Baby Boy and featuring Taraji P Henson. The single also came just in time for the announcement of Offset’s second solo album, Set It Off. After giving listeners a taste of what was to come with “Jealousy,” he went on to drop the full album in October.
– Caroline Fisher
33. Rick Ross & Meek Mill – Shaq & Kobe
Nothing about “Shaq & Kobe” is particularly groundbreaking. Rappers comparing themselves to the biggest NBA stars of today and yesterday is nothing new and even references to the legendary team up of Kobe Bryant and Shaquille O’Neal will feel familiar for rap fans. But what Meek Mill and Rick Ross bring to the table on this absolute banger is a hunger that you don’t often see in even the best of rap songs. The intensity and ferocity they deliver is deeply impressive and feels like both rappers throwing it back to their younger, feistier selves, kicking off their collaborative album with an absolute bang.
After all of these years, Lil Tecca is still putting out catchy songs with fun lyrics and earworm production. While his album output may not be outstanding, his singles are always worth a listen. “500lbs” proved to be an incredible return for the artist as he immediately captured our attention. The song is one of his catchiest to date and will give “Ransom” a run for its money. If you like to have fun, then this Tecca track scratches the itch.
– Alex Cole
31. Travis Scott – My Eyes
Remember when we said that catchy grooves make for quality Travis? The same applies when he opens up. In a way, this is a modern-day version of what many consider his magnum opus, “90210,” from Rodeo. Every bar is not flawless or on the level of some of the other great storytellers. But, there is something about the atmosphere that this song creates. Bon Iver and Sampha’s minuscule but perfectly placed contributions are great. However, the chef’s kiss of this song has to be the transcendent transition, which leads to Travis’ blistering rapping about what is weighing heavy on him.
– Zachary Horvath
30. MoneyBagg Yo – Motion God
At the end of April, Moneybagg Yo unveiled his song “Motion God” alongside an idyllic accompanying music video, allowing his laid-back flow and singing voice to take center stage. The easygoing track features bass-heavy trap-inspired production by T-Head and Skywalker OG, which lends itself well to his braggadocious bars. The Memphis native’s rhymes are grounded by an undercurrent of gratitude and persistence, rounding out the song’s boastful lyrical content and creating a well-loved layer of relatability. This depth set the tone for his Hard To Love mixtape, which he dropped a few months later, and made for a standout track across the year overall. The song was the fourth single released ahead of the mixtape, which the MC announced in May and delivered in full in June.
– Caroline Fisher
29. Quavo & Takeoff – Patty Cake
Quavo’s Rocket Power was a heartfelt tribute to his late friend, nephew, and bandmate, Takeoff. His sophomore release possessed easily the most vulnerable material we have heard from the Migos member. It was a great moment for the hip-hop world to hear this record for that reason alone. But, there was also some quality, including “Patty Cake” with Take. The horn-laced instrumental added to the triumphant harmony between sound and flows. Both trade bars exceptionally well like they always have, but this one certainly had more emotional weight, even with it being a more hype track.
– Zachary Horvath
28. Drake – Stories About My Brother
The mixed response to For All The Dogs must have lit a fire under Drake because he came harder than he has in years with Scary Hours 3. The most impressive effort of the six tracks is “Stories About My Brother,” on which the Toronto rapper reflects on his feud with Joe Budden, the difference between himself and his competition, and more, all over a melodic Conductor Williams beat. He keeps the bars on track with the refrain: “Let me tell you ‘bout my brother, though.”
– Cole Blake
27. Veeze – Safe 2
Veeze dropped an album of the year contender with Ganger. This is an album chock-full of bangers. However, it was the album’s softest song “Safe 2,” that made our list. The beat here is just gorgeous as it creates a stunning atmosphere that almost feels like a serene water level in Super Mario 64. As for Veeze, he offers a spirited and introspective track that is a nice reprieve from the hedonistic bars that fill the album. Of all of Veeze’s songs, this is the one that might surprise you the most.
– Alex Cole
26. Young Thug ft. Drake – Jonesboro
Young Thug’s BUSINESS IS BUSINESS is considered his “vault” album, composed of many older tracks due to his time in prison for the YSL RICO case. Regardless, it still contains some of his best recent material, of which “Jonesboro” is a shimmering highlight that aesthetically stands uniquely alone amid his entire catalog. Moreover, the song contains a tender, dramatic, and soulful sample flip of Smokey Robinson’s “The Humming Song (Lost For Words)” courtesy of Metro Boomin. It’s one of the most emotive and regal instrumentals that Thugger’s ever rapped over, switching between boom-bap swings and trap percussion. Through it all, he keeps up with acrobatic flow switches, a passionate vocal performance, and as usual for the Atlanta trap pioneer, a lot of personality.
While this record isn’t full-blown conscious or introspective, Thug pairs this production with a few heartfelt and engagingly descriptive moments. Of course, its title refers to Jonesboro South, now Cleveland Avenue, which are the demolished housing projects that he grew up in. Young Thug details kids dying due to violence over drugs, living like a cat with nine lives, and his diamonds being louder than ambulances. However, more than anything, it’s his delivery and his narrative of rising above it all that makes this track so compelling. Sure, the more traditional hip-hop subject matter of today still shows up in resonant, ear-catching, and enjoyable ways. But there’s a certain evocative tinge to “Jonesboro” that’s hard to explain, and one that hits hard amid Jeffery’s current plight.
– Gabriel Bras Nevares
25. Ken Carson – Fighting My Demons
Ken Carson delivered a fantastic album with A Great Chaos. As for the track “Fighting My Demons,” this was an immediate standout. From the opening line of the track to the off-the-wall production, Carson gives us a descent into madness. A song that feels like being dragged through the eighth ring of hell, “Fighting My Demons” carried Opium’s entire roster this year. At this point, Carson needs to be considered as a potential star for the next decade to come.
As we mentioned with Ice Spice, getting Nicki Minaj on your already successful song’s remix can be a game-changer. Sexyy Red couldn’t express enough gratitude when Papa Bear’s mom agreed to turn “Pound Town” into “Pound Town 2,” despite not initially feeling aligned with the track. Thanks to her never-ending creativity, Minaj was able to pen the perfect, salacious bars to match her collaborator’s energy. Much to her credit, Sexyy capitalized beautifully off the virality that came from her work with the “Barbie Dreams” artist, leading to future successes with titles like “SkeeYee” and “Hellcats SRTs.”
– Hayley Hynes
23. Danny Brown & JPEGMAFIA – Shut Yo Bitch Ass Up/Muddy Waters
Next on our list is one of the wildest, most innovative, and most versatile rap songs of the year from one of 2023’s best full-length offerings. “Shut Yo B***h A** Up / Muddy Waters” sees Danny Brown and JPEGMAFIA trading verses– and instrumentals– about how much better they are than the rest of the rap game. We can’t say we disagree on this track. This is one of those two-parters where the chemistry between each artist is so strong that the beat switch feels inevitable rather than forced. Plus, Danny and Peggy come through with some of the most quotable lines on all of SCARING THE H*ES on this cut. In a sea of Andy Kaufman MCs still posting on KTT, this duo really feels like the only lighter in Rykers.
That creativity shows up in the production, too: samples include an old walkie-talkie beep, a prank video with a particularly offended victim, and Parliament’s groovy track “Funkentelechy.” “Shut Yo B***h A** Up” has one of the most bombastic and heavy hitting beats you’ll ever hear Danny Brown ride, with creative record scratches, buzzy synths, and tough-as-nails drums. “Muddy Waters” is led by JPEGMAFIA’s wordplay-laden chorus, a unique flip of the previous instrumental, and classic boom-bap-style percussion. All this is tied up in a beautiful bow with many pop culture and chronically online references and amazing rhyme schemes. This is one of the most addictive songs on this list, and with not a second wasted, there’s always something visceral to find within no matter how much you overplay it.
– Gabriel Bras Nevares
22. Gunna – Rodeo Dr
Whatever Gunna put out in the wake of taking a plea deal in the still-ongoing YSL RICO indictment was bound to warrant attention, but with “rodeo dr,” he confirmed that snitching allegations won’t be enough to keep him from returning to his place in hip-hop. His first single, “fukumean,” may be the bigger hit, but “rodeo dr” corroborates Gunna’s staying power and ability to take his recent controversies and reflect them into his catchiest flows yet.
– Cole Blake
21. Drake & Central Cee – On The Radar Freestyle
Drake and Central Cee stole the show in the summer when they dropped their “On The Radar Freestyle.” While it may not be an official song, it may as well be one. Drake’s flow and his infamous “combination” pronunciation make this an instant classic. Central Cee sounds great on the track as well, and this was undoubtedly one of the best moments in hip-hop this year.
– Alex Cole
20. Lil Yachty – Strike (Holster)
Lil Yachty really was all over the place creatively this year, but in a good way. After dropping Let’s Start Here. many were not sure if he was going to stick with the psychedelic rock sound. But, he went back into his rapping bag just three months later with “Strike (Holster).” This one evokes the quirkiness of 2022’s “Poland.” The warbly drawn out flow mixes very well with the lowkey woozy beat. The warmth synths add just that extra layer of character to an already fun single.
– Zachary Horvath
19. A$AP Rocky – RIOT
In July of this year, ASAP Rocky unleashed “RIOT (Rowdy Pipe’n),” enlisting Pharrell Williams, who co-produced the track. It was joined by a fittingly boisterous self-directed visual only a few days later. The song is set to appear on ASAP Rocky’s upcoming LP Don’t Be Dumb, which is expected to drop in the early months of 2024. The project was previously thought to be dropping in August of 2023, but fans have still yet to hear it. To be fair, the Harlem hitmaker has gotten wrapped up in a high-profile trial and recently welcomed his second child with Rihanna, who also happens to be named Riot. The bouncy track and other singles have managed to hold fans over, keeping them excited while they await the full release.
At the beginning of November, Benny the Butcher and Lil Wayne came through with “Big Dog.” The two lyrical legends joined forces to spit bars about the fruits of their labor, emphasizing the many perks that have come along with their success. The Buffalo native reflects on rising to the top and taking his whole crew with him, asserting his position as the leader of his pack. Tunechi lends an unsurprisingly sharp verse packed with puns, wrangling up all of his witticism for the canine-themed track. “Big Dog” will be featured on the Griselda linchpin’s upcoming project Everybody Can’t Go, which is expected to drop in January 2024. It also preceded Benny the Butcher’s fan-favorite appearance on Lil Wayne and 2 Chainz’s album Welcome 2 Collegrove, “Oprah & Gayle.”
– Caroline Fisher
17. Bad Bunny – PERRO NEGRO
In 2022, Bad Bunny’s Un Verano Sin Tialbum practically broke the Billboard chart thanks to its sweeping success. While Latin music lovers are still enjoying that, Benito pleased his fans with not only an appearance on Drake’s For All The Dogs but also his surprise project, nadie sabe lo que va a pasar mañana in October. The Spanish album didn’t quite reach the same debut numbers as its predecessor, but viral tracks like “MONACO” and “PERRO NEGRO” are bound to be blasting at clubs and soundtracking Instagram Stories well into summer 2024.
– Hayley Hynes
16. redveil & JPEGMafia – Black Enuff
You might think of redveil as a new, promising face on the scene, but with tracks like “black enuff,” we’d call him nothing less than a leader today. On this track, he tackles the concept of being “black enough,” a reference to how hip-hop and other genres– and society at large, for that matter– box in expressions of self-identity to fit into an easily sellable package. The P.G. County, Maryland spitter and Peggy blast anyone looking to put a price on their work and craft, or on that of any other Black individual. Through an infectious Nigerian dance-folk sample from Alhaji Waziri Oshomah’s “Jealousy,” cutting verses, unrestrained conviction, and an absolute monster of a bass-heavy beat, they make a banger out of a battle cry.
Furthermore, it’s this fusion of influences and appeals that musically speaks to the song’s principal message. There’s also a very unique and palpable fire in redveil and the Baltimore rapper’s performances, and it’s so gratifying to hear a recording that sounds just as energized as a live show. It’s part of the genius behind “black enuff,” as they set themselves apart as undeniably skilled, uncompromised, and outspokenly defiant to an era that commercializes their art more than ever. Given each artist’s incredible material over the past few years, plus the fact that redveil is 19 years old and JPEG is as fresh as ever, we’d agree with anyone calling them the future of hip-hop. But for our money, they are also some of the best among its present form– and that’s a gift we must cherish.
Paint the town red is an expression in American slang which means to be reckless or to be wildly extravagant. That was Doja Cat’s motto all throughout 2023. The California multi-talent churned some stomachs, but had everyone bumping this song that went No. 1 on the Billboard Hot 100. In fact, it broke the dry spell of a rap song not going number one. Doja made this song for the haters that mercilessly critiqued her for her personal changes. Pair that with the great sample flip of Dionne Warwick’s “Walk On By” and you have a great feel-good tune.
– Zachary Horvath
14. Nas & 50 Cent – Office Hours
It seems like just yesterday when Nas and 50 Cent were running the streets of New York with their fast-paced rhymes and foolish antics, but even into their late 40s and beyond, both creatives continue to impress us. Amid his red-hot album run with Hit-Boy, the Illmatic hitmaker tapped Fif to join him in the studio on “Office Hours,” marking their first session since 2002. Back then, they poured their hunger and ambition into “Too Hot” and “Who U Rep With” together, though their relationship later took a turn for the worse after 50’s “Piggy Bank” diss track. Thankfully they’re now back on good terms, and with any luck, we’ll hear them trading bars over more of Hit’s beats soon.
– Hayley Hynes
13. Noname – Hold Me Down
Noname doesn’t hold anything back when it comes to the music she releases, so there’s always going to be controversy. Whether that’s from the more predictable callout of Beyonce, Kendrick Lamar and more on “namesake” or the controversial inclusion of Jay Electronica on “balloons,”she gave rap fans plenty to discuss. But the standout moment from her new album Sundial comes right near the beginning when she executes her definitive formula to absolute perfection. With heavenly backing vocals and an unflinching series of bars about poisoned American institutions, “hold me down” sees her doing exactly what she does best.
– Lavender Alexandria
12. Dave & Central Cee – Sprinter
“Sprinter” marks a first time, groundbreaking collaboration for Central Cee and Dave. The track stands out as an experimental masterpiece that unquestionably succeeds. The U.K. rappers both pack out the track with clever and humorous wordplay, and swiftly compliment each other’s verses back and forth. The seamless rhythmic exchange tells a narrative that is straightforward, yet entertaining. It’s a song that’s simply about the concept of transporting girls from one location to another, and having to use a sprinter van to solve the problem of having a lot of girls willing to party with them. The sprinter van becomes a symbolic solution to the logistical dilemma. The innovative and playful lyrics not only showcase the artistic synergy between Central Cee and Dave, but also is a genuinely enjoyable track to listen to. It also was accompanied by a music video, which further amplifies the vibes of the song. The song showcases Dave and Cee in their elements… It’s a story of them adjusting to fame and the simple pleasures (and problems) that come with it. This song has infinite replay value, and definitely earned a spot as one of the best songs of the year.
– Tallie Spencer
11. Lil Durk ft. J. Cole – All My Life
Lil Durk and J. Cole’s collaborative single “All My Life” is an inspirational song that has surely made its mark this year. The single appears on Durk’s album Almost Healed, and showcases a powerful fusion of gritty realism and inspirational upliftment. The lyrics, coupled with a children’s choir as the chorus, add a layer of emotional depth, emphasizing the resilience required to overcome life’s adversities. In a genre often characterized by its challenges, the track stands out for its introspective narrative as Lil Durk reflects on his journey, triumphing over struggles and defying those who doubted his success. The accompanying music video serves as a visual testament to the song’s themes, reinforcing the message of perseverance and accomplishment. “All My Life” not only resonates with fans for its catchy hook, but also for its motivational resonance. Ultimately, the song has been nominated for best melodic rap performance at the upcoming Grammy awards. It offers a compelling narrative that transcends conventional hip-hop storytelling, and was one of Durk’s and Cole’s biggest songs of the year.
– Tallie Spencer
10. Travis Scott – I KNOW
When Travis can land a sticky melody, it has arguably produced some of his best material throughout his career. While it might be a conventional pick at number 10, this is a complete song. It has a unique way of showing how he is dealing with addictions to drugs and alcohol with the earworm chorus. On top of that, the eerie beat from OZ, Coleman, Buddy Ross, 206Derek, and Travis is equally entrancing. It has everything you want in a hit song from La Flame.
– Zachary Horvath
9. Kendrick Lamar & Baby Keem – The Hillbillies
When Kendrick Lamar teamed up with Baby Keem to make his long-awaited post-DAMN return to music, it was a pretty serious affair. Their collaboration family ties was confrontational and the team-up on Mr. Morale that succeeded it was deeply personal and vulnerable, but the writing was always on the walls that the cousins could have more fun than they were letting on. That exuberance is on full display with “The Hillbillies.” The song is lively and buoyant as the pair trade off bars throughout, filling it with hilarious self-aware references and witty cultural double-entendres. The result is just about the most fun you can have listening to a song this year.
– Lavender Alexandria
8. Nicki Minaj & Ice Spice – Princess Diana
Before she finally unleashed her Pink Friday 2 LP, Nicki Minaj kept busy with some impressive guest verses. One of her biggest was with Ice Spice on the “Princess Diana (Remix),” which helped catapult the Bronx baddie to new levels of fame thanks to the Queen of Rap’s influence. Not only did the infectious song’s April arrival inject some much-needed life into the music industry, but it also helped set the scene for Spice and Minaj’s next joint effort, “Barbie World.” This year reminded us just how much a co-sign (not to mention a feature) from the Trinidadian can do for an up-and-comers career, proving that her influence hasn’t diminished, despite taking a lengthy hiatus after 2018’s Queen.
– Hayley Hynes
7. Earl Sweatshirt & MIKE – Sentry
After hinting at having a full-length album in store together for years, Earl Sweatshirt and The Alchemist finally made good on that promise in 2023. They kicked off Voir Dire’s promotion with “Sentry,” a characteristically gritty and morose effort featuring Earl’s frequent collaborator, MIKE. Over Alchemist’s haunting production, Earl flexes his lyrical talents while reflecting on his mental state, complexities of his ancestral lineage, and place in hip-hop, all while juxtaposing these themes with his intentionally blasé demeanor.
– Cole Blake
6. Latto – Put It On Da Floor
Latto had one of the biggest songs of the year. “Put It On Da Floor,” served as a dynamic addition to her repertoire, showcasing the Atlanta rapper’s distinctive style and lyrical ability even further. She debuted the song at Coachella earlier this year and received a positive response. Positioned as a standalone release, the track has made a significant impact within the rap landscape. It garnered tons of attention on TikTok for it’s opening line “Rip me out the plastic I been acting brand new,” sparking a challenge that involved users “ripping themselves out the plastic.” The song has an infectious beat and combined with Latto’s assertive delivery, its a song to remember. Latto’s unapologetic demeanor crafts a high-energy anthem that resonates with just about everyone. Furthermore, the song saw a notable remix with Cardi B, who hopped on “Put It On Da Floor Again.” This further helped propel the single into new heights, with Cardi’s signature quotable verse, with lines like “These hoes don’t do enough that’s why I always do the most.” Lyrically, Latto employs themes of success and dominance. “Put It On Da Floor” cements Latto’s stature as one of the leading ladies in hip-hop.
– Tallie Spencer
5. Drake ft. J. Cole – First Person Shooter
It’s been over a decade since Drake and J. Cole first linked up on 2011’s “In The Morning,” and the growth of both artists is more apparent on “First Person Shooter” than ever. Trading in the sappy sentimentality of that song, here they’re confidently in charge, going verse for verse with one another over a commanding beat orchestrated by Boi-1da, Vinylz, Tay Keith, and more. Before it ends, Drake references his almost-guaranteed ascent past Michael Jackson for the most No. 1’s on the Billboard Hot 100.
– Cole Blake
4. Gunna – fukumean
Gunna still hasn’t completely cleared his name from the snitching allegations plaguing him after taking a plea deal in the YSL RICO trial. However, he still managed to make one of the most impressive comebacks we’ve seen in 2023. His featureless project, a Gift & a Curse found the Atlanta-based creative getting more vulnerable than ever before about the ups and downs he’s experienced since his arrest. Of course, Wunna made room on his tracklist for a viral club anthem in the form of “fukumean” as well, setting the tone for an impressive summer of hip-hop.
– Hayley Hynes
3. Tyler, The Creator – Sorry Not Sorry
Even when he drops his loosies, Tyler, The Creator still proves himself as one of the best musicians working today. While pretty much any cut from The Estate Sale warrants mention here, the sheer weight, significance, skill, and grandiosity of “SORRY NOT SORRY” practically speaks for itself. Instrumentally, this might be the best sample flip of the year thanks to T’s use of “He Made You Mine” by Brighter Side of Darkness. It’s a gentle drum beat with wailing synthesizers, wondrous vocal harmonies, and a lot of lush instrumentation throughout. Of course, we have to mention the track’s final crescendo, accentuated by wild ad-libs and building vocal chants to take its stressfully tense drum build to its highest level of intensity and soften us back to Earth.
Nevertheless, great production is a law of physics in the Hawthorne, Los Angeles native’s world. Where “SORRY NOT SORRY” really shines is in its messaging, lyricism, topical focus, and rapping performance from Tyler, The Creator. From the perspective of his success, he “apologizes” to those along the way: his family, friends, lovers, fans, planet, ancestors, and more. But most importantly, the 32-year-old does not apologize for himself. Tyler toes a fine line between reflection and invigorated hunger, looking back between his journey and his current state to conclude that he doesn’t regret a thing in his search for greatness. Once achieved, though, it allowed him to help these people while continuing on his own path. On a record whose music video sees him killing off his eras and ushering in a new one, the man sometimes known as Wolf Haley crafted one of his best-ever expressions.
– Gabriel Bras Nevares
2. Sexyy Red – SkeeYee
Sexyy Redd’s track “SkeeYee” has become a pivotal song in her breakout year. The song has made national waves with its infectious energy and distinctive meaning. “SkeeYee” has truly become a catchphrase that has made its way in every room from parties and the club, to locker rooms and stadiums. Catchy lyrics such as “if you see me and you tryna see what’s up,” have made rounds to the point where you can’t help but sing along when the song comes on.
In the broader context of Sexyy Redd’s career, 2023 has been a defining year. From securing a spot on Drake’s latest album to concluding a successful 20-city tour and dropping her acclaimed debut mixtape, Hood Hottest Princess, Redd has solidified her status as a rising star. “SkeeYee” further catapulted her into the spotlight, resonating widely on social media. People definitely doubted her, however with several big moments this year, it’s clear that she has an indescribable magnetic appeal.
– Tallie Spencer
1. Killer Mike – Scientists and Engineers ft. Future, Andre 3000, & Eryn Allen Kane
When we look back at 2023, we doubt that any other track will encapsulate its output and represent contemporary rap better than “SCIENTISTS & ENGINEERS.” It’s a dream for fans of the genre: an Atlanta affair inspired by many styles with Killer Mike, André 3000, Future, and a gorgeous Eryn Allen Kane feature. These MCs’ verses sum up the current state of hip-hop better than any other big track this year while reviving the funky, woozy, and boundlessly creative Dungeon Family days. It teeters on the edge of despondent and triumphant, conscious and braggadocious, otherworldly and grittily grounded, in order to champion rappers building their lavish lives out of centuries of struggle, loss, and uphill battles.
Mike, 3 Stacks, and Hendrix all craft verses that tackle the lessons learned on their individual rags to riches stories in order to “live forever.” André pontificates on the unknown and his artistic legacy, Fewtch paints opulent pictures of the material wealth he earned through sharing his pain, and the Run The Jewels lyricist acknowledges the most dangerous game in America while standing on his will to play it– and win. Across its runtime, the production switches from psychedelic synth arpeggios, trap drums, heavenly backing vocals, gentle guitar licks, and other lush embellishments. “SCIENTISTS & ENGINEERS” represents a big chunk of what the genre’s concerned with right now, whether in its most artistic and socially indignant spaces or in the most visible and successful lanes. Few tracks this decade– let alone this year– have accomplished this duality as compellingly, skillfully, and powerfully as this one.
Fat Joe used to have beef with 50 Cent. However, these days, the two are on good terms. In fact, Joe is on good terms with a lot of people. He has proven to be a very positive force in the hip-hop world. Overall, he shows love whenever he can, and it is really great to see. For instance, he was on the BET segment Diggin’ In The Crates, where he revealed his love for Get Rich Or Die Tryin’. Despite having beef with Fif at the time, he can now appreciate what a masterpiece the project is.
“One of the greatest albums of all time,” Fat Joe explained. “And it’s crazy ’cause I had beef with him and I wouldn’t allow myself to hear it, wouldn’t let DJs play it. But I knew that it was G-Unit. Recently J. Cole came out at his concert and said it was the greatest album of all time. Nas came out and said, ‘Yo this changed the game.’ And it’s a fact.”
Fat Joe went on to credit 50 Cent for all of the various facets to the record. Needless to say, you can see his reverance for the artist. “His flows, his melodies, his beats, the energy Hip Hop music had never felt,” Joe noted. “That energy that he was coming with, it was like yo, this is that — you got that dangerous thing to it. He teamed up with Mr. Professional, Dr. Dre and Eminem. See, 50 Cent woulda still been amazing but he’d have came with those New York beats that was really really good, but once again, Dr. Dre makes everything iPic. He makes everything crystal clear. He just gives you that professionalism like you on a podium or something.”
Be sure to let us know your favorite track from Get Rich Or Die Tryin’, in the comments section below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will always keep you informed on your favorite artists.
July is now upon us, which means it is now time to reflect on the best hip-hop albums of the year so far. In any given year, you will have fans trying to make the argument that “this year is weaker than last year.” Or they will try and insinuate that music isn’t hitting like it used to. However, a few months down the line, those same listeners look back on the year that was and come to realize that a lot of great music was released.
So far, 2023 has fallen victim to these same premature criticisms. Although, it is important to remember that there has been more than a few quality releases. Some of the biggest artists have dropped already, and plenty more great albums are on the horizon. Having said that, here are our picks for the 15 best hip-hop albums of 2023, so far.
15. NBA YoungBoy – Richest Opp
If NBA Youngboy isn’t the best rapper in the game, he’s undoubtedly one of the most industrious and relentless artists in the music industry. Ever since his release from house arrest in 2022, the rapper has been making up for lost time with an impressive string of projects. While some of his recent efforts, like I Rest My Case, ventured into new sonic territories, Richest Opp, his third solo venture this year, sees the Louisiana native returning to his roots.
Released as a fiery response to Lil Durk’s Almost Healed, with a hope to go head-to-head on the Billboard charts (as it turned out, Lil Durk was only dropping a single that day), NBA Youngboy is out for blood on Richest Opp. The track “F*ck The Industry” sets the tone for the entire project, as he takes aim at industry heavyweights such as Drake and J Cole, among others. While revenge clearly occupies his thoughts, NBA Youngboy’s vulnerability shines through in songs like “Hurt My Heart” and “Father,” providing listeners with a multi-dimensional portrait of the artist beyond the attention-grabbing controversies. At this stage, Richest Opp stands as a powerful showcase of NBA Youngboy’s skills as an MC, displaying his ability to explore different flows and utilize the elasticity of his melodies to convey a wide range of emotions.
Rap divas such as Nicki Minaj, Latto, Ice Spice, and Cardi B have come through with hot new singles in 2023, however, none of them have given us an album yet. Rather, it’s rising star Sexyy Red who’s delivered what we consider to be the most impactful female hip-hop project of the year so far. Hood Hottest Princess arrived at the beginning of June in its 11-track glory, paving the way for the St. Louis native to reach new heights thanks to co-signs from acts like NLE Choppa and Travis Scott.
Throughout her album, Red connects with Sukihana on “Born By the River,” Juicy J and ATL Jacob on “Strictly for the Strippers,” and of course, Nicki Minaj and Tay Keith for “Pound Town 2.” Her lyrics are characteristically controversial, and in the accompanying music videos we’ve seen so far, the 25-year-old spends plenty of time working on her twerking. While not everyone agrees with her straightforward, NSFW nature, Hood Hottest Princess earned Red an 8/10 ranking from Pitchfork, who have praised her for paying homage to icons like Gucci Mane and Trina.
Amidst the menacing shadows of a RICO case that threatens to lock him away for life, Young Thug seems unfazed, treating it like just another day at the office. Merely a week after his (former?) friend and collaborator Gunna dropped his album, A Gift & A Curse, Thugger wasted no time and swiftly followed up with his third studio album, Business Is Business. Helmed by the talented executive producer Metro Boomin, this latest opus from Young Thug is a treasure trove of previously unreleased gems, songs that had been locked away.
While the project may not venture into uncharted sonic realms, as Thug has boldly done in the past, Business Is Business gifts fans with a seamless auditory experience from start to finish. It’s crystal clear that the industry’s unwavering support for Thug has only grown stronger over the past year, with heavyweights such as Future, Drake, Nicki Minaj, and Travis Scott gracing the tracklist.
The album’s very essence, comprising tracks that Thug safeguarded over the years, serves as a testament to his timeless approach to crafting hits. “Jonesboro” flawlessly marries Metro’s eerie production with Thug’s haunting recollections of Cleveland Ave. And let’s not forget the infectious earworms like “Oh U Went” featuring Drake and “Hellcat Kenny” featuring Lil Uzi Vert, destined to dominate summer playlists.
In the grand scheme of things, Business Is Business does not exploit recent controversies for attention-grabbing rhymes or delve into Thug’s innermost struggles during his recent hardships (for obvious reasons). Instead, it capitalizes on the mounting anticipation surrounding the long-awaited Metro Thuggin collaboration. All things considered, it’s a damn good album.
– Aron A.
12. YEAT – AfterLyfe
Yeat has certainly risen to become one of the most interesting characters in hip-hop today. Overall, he is known for spitting some truly unique flows, all while choosing the most off-the-wall beats. After scoring a huge hit with “Sorry Bout That,” the Oregon artist has been steadily dropping a consistent stream of albums. However, none of them have been better than his 2023 effort AfterLyfe. Over the course of this lengthy tracklist, Yeat gives fans a plethora of unique and new sounds. One could just look at the song “Nun I’d Change” where he gets into cyberpunk territory with the production choices. “Bettr Off” is another banger on the album where Yeat showcases his versatility as well as his ability to craft catchy tracks.
Throughout the album, Yeat doesn’t mind experimenting with sounds and going for more melancholic offerings. The album’s closer “Myself” is a great example of this. Moreover, you can’t help but appreciate how he features alter egos of himself. While some may roll their eyes at this, it is simply a way for the artist to showcase the wild flows he can pull off, seemingly out of nowhere. Even if you hate this style of rap, AfterLyfe is a must-listen. You may just be surprised.
– Alexander Cole
11. Kaytramine – Kaytramine
Kaytranada and Aminé have teamed up as an official duo for their new album, Kaytraminé, which aims to soundtrack listeners’ tropical summer jaunts throughout the next two months. Partnering together for the first time since Kaytranada provided production on three songs off of Aminé’s 2015 mixtape, Calling Brio, the two have given fans a blend of Aminé’s often quirky yet infectious delivery with Kaytranada’s bouncy, varied production. The 11 tracks feature a star-studded group of guest artists including Snoop Dogg, Big Sean, Freddie Gibbs, and more.
Pharrell Williams provides arguably the most interesting contribution, popping up on the album’s lead single, “4EVA.” He lends a groovy chorus that, when meshed with Aminé’s characteristically fun and flirty bars, ties together one of the best songs from the entire project. Add in more highlights across the tracklist like “letstalkaboutit,” and “Master P,” and you’ve got one of the best albums of the year thus far.
– Cole Blake
10. Killer Mike – Michael
Killer Mike brought listeners his sixth solo effort, Michael, in June. The album works to chronicle Killer Mike’s childhood, channeling his musical influences of gospel, soul, funk, blues, and more. He calls the album his “come home moment musically” and a “submission to God,” taking an introspective approach to putting together the pieces of his childhood that have made him the artist he is today. Michael also features various high-profile features from Andre 3000, Young Thug, CeeLo Green, and more.
The LP’s gospel-infused tracks serve as a testimony to his upbringing, featuring messages about learning tough lessons and grappling with the Black experience. Compelling themes of religion, loss, and triumph are woven throughout, making the album stand out in his vast discography. The album also features an array of intricate piano arrangements and choral ensembles, making it a sonically unique offering from the artist. Michael sees Killer Mike explore a more vulnerable, raw side of his lyricism, cementing its place as a fan favorite.
– Caroline Fisher
9. Lil Durk – Almost Healed
Few trap albums this year are as self-aware and hard-hitting as the Chicago MC’s latest offering. Lil Durk’s Almost Healed sees Smruk balance a thin line, loyalty to the streets and acknowledgement of its cyclical pain, with blunt but heart-wrenching detail and skill. “I send money to jails, I send money for funerals, even though they goin’ to hell for all them n***as they killed,” he raps on the track “Pelle Coat.” “You know I’m part of my brother ‘nem forever ever, ever, I’m goin’ to hell.” For every threat to his opposition or bar about his wealth or hedonism, he recognizes his personal flaws and aims to fix them.
Family, friends, freedom, and fame are at the core of the album’s most emotive moments (like “All My Life” with J. Cole) and its most boisterous bangers (like “War Bout It” with 21 Savage). The production elevates these themes with both layered melodic instrumentation and minimal takes on sharp snares and booming bass. Through it all, Durk can’t let go of his past, but finds the knowledge and empathy to make the best out of his situation. It’s a hard contrast to achieve, but one that’s always compelling here.
– Gabriel Bras Nevares
8. Conway The Machine – Won’t He Do It
In May, Conway the Machine dropped off his third studio album, Won’t He Do It. The 14-track record was the first he released under his new independent label Drumwork Music Group after his departure from Griselda. The album also follows his 2022 LP God Don’t Make Mistakes. Listeners watch Conway the Machine count his blessings on Won’t He Do It, trading his signature diabolical bars for verses centered around living the good life. The album also features appearances from fellow Griselda OGs Westside Gunn and Benny the Butcher.
Conway the Machine called the album a showcase of him “in [his] versatile bag,” successfully flexing his affinity for experimentation. The rapper came in hot with the album’s lead single, “Super Bowl,” in February. He tapped Sauce Walka and Juicy J for the track, kicking off the Won’t He Do It with unmistakable levels of energy and lyrical dexterity. Conway the Machine is focused on his most recent release, which serves as the first of a two-part series.
– Caroline Fisher
7. Talib Kweli & Madlib – Liberation 2
Their initial Liberation collaboration emerged at the top of 2007, slyly making its way online as a free download. It was quickly removed and officially released that Spring, and the collision of Talib Kweli and Madlib took Hip Hop by storm. The two acclaimed artists are respected as solo acts, but together, the expectation of excellence floats in the ether. Nearly two decades after Liberation arrived, “The Libs” returned once again for the follow-up, Liberation 2. This project has been anticipated for years, and it was certainly worth the wait.
Madlib’s production credits need no introduction, especially his illustrious collaborative efforts. He’s released projects with emcees like MF Doom, J Dilla, and Freddie Gibbs, etching his way into production royalty. Pair that talent with a Black Star legend like Kweli, and you have a record that ignores trends and focuses on the heart of Hip Hop. “The materialism and debauchery that is stereotypically associated with Hip-Hop has lost some of its luster,” said Kweli via Hypebeast. “Madlib and I have been consistent in our messaging. Never has there been a better time for such honest, message-driven music that pays tribute to the sounds that came before us.”
The album’s message was evident as the spoken word “Assata’s Code” defined the revolution. Amani and Diani, the Rap star’s daughters, make appearances, along with a bevy of talent from Africa. Some familiar names also show face, including Westside Gunn, Q-Tip, Goapele, and a posthumous addition from Mac Miller. This is one you’ll want to spin more than once in any mood, and even if we have to wait another decade, fans are rooting for a Liberation 3.
– Erika Marie
6. Gunna – A Gift & A Curse
There was a lot riding on Gunna’s return to the music world. After having been incarcerated for almost a year in the YSL Rico case, fans were curious about what he would have to say. Overall, his peers as well as former fans were accusing him of being a snitch. Moreover, he was being accused of snitching on a beloved fellow artist in Young Thug. Needless to say, the odds were stacked against him. However, with his comeback tape A Gift & A Curse, Gunna proved that he can stand above his peers when push comes to shove.
Throughout the project, Gunna gives us a ton of insight into where he is mentally. On tracks like “Back To The Moon,” “Back At It” and “I Was Just Thinking,” Gunna takes direct shots at those who have put dirt on his name. Additionally, he gave us one of the best songs of the year with the incredibly catchy “fukumean.” The Atlanta rapper’s hunger throughout the album makes this one of the best listens of the year so far. Naturally, people are going to compare this project to Young Thug’s and Lil Durk’s. These comparisons are valid. However, the context behind this project is a bit different and you have to appreciate Wunna’s ability to overcome adversity.
– Alexander Cole
5. Larry June & Alchemist – The Great Escape
Much like the collaborative milestone we received this year from Madlib and Talib Kweli, two more Hip Hop giants made magic when The Alchemist and Larry June dropped their acid-jazz ladenThe Great Escape. From beginning to end, this joint venture harmonizes perfectly. June’s chilled-out appeal enables Al to transition into his well-known prestige rap aesthetics, birthed from their first serendipitous collaboration on 2020’s “Rainy Night in SF.” Rich with all the offerings that support an emotional landscape of chilled vibes, The Great Escape is just as its title suggests. You may not find the likings of mainstream, radio Hip Hop here, but June’s lyrics sketch rich imagery that elevates to a vivid art form.
That said, what makes The Great Escape stand out can also be its Achilles heel. Each track floats effortlessly from one to the next; however, some may complain that Al’s productions come across too similar throughout. Yet, the creatives seemed to have a purpose behind this, as The Great Escape is a body of work that one can listen to while taking a mental adventure. The dreamy piano melodies, partnered with Alchemist’s perfected rhythms and June’s hypnotic tone, result in a record that does the culture justice.
– Erika Marie
4. Black Thought & El Michels – Glorious Game
Last year, legendary member of The Roots, Black Thought teamed up with Danger Mouse for an acclaimed collaborative album called Cheat Codes. That was the perfect name for an album where it felt like both the production and rapping was so consistently good, it was almost cheating. This year Black Thought teamed up with New York soul band El Michels Affair on a collaborative album called Glorious Game, but Cheat Codes would have been just as fitting of a name.
From the album’s most reserved and intimate points to its most bombastic and lively the production and instrumental performances are rich. The band does a truly wonderful job of assembling dynamic platforms over which Black Thought can work. And work he does, weaving together detail rich stories of street life and meditations on his dramatic come-up. The album is on the shorter side but it’s an all killer no filler approach that will surely leave you begging for more.
– Lavender Alexandria
3. Lil Yachty – Let’s Start Here
For rap fans, the biggest shock of the year so far came when Lil Yachty dropped his new album Let’s Start Here back in January. Without announcing any intent to switch genres, Yachty shifted his style drastically. The album is a Funkadelic-inspired embrace of classic psychedelic rock and soul music. While many rappers from Logic to Vic Mensa to Kid Cudi have tried to crossover into the world of rock music, none do it as well as Yachty.
That comes from Yachty’s clear admiration for the greats of the style. He brings along collaborators like Daniel Caesar, Foushee, and Mac DeMarco to craft a vision of vintage psych rock that feels inspired by the classics without just worshiping them. Opening track “the BLACK. seminole” and closer “REACH THE SUNSHINE” are born of the legacy left by black rap stars but also aim to push their styles forward. From the dense and often genuinely experimental instrumental diatribes to the rousing and unpredictable compositions, nothing about the album even remotely resembles hip-hop. But Let’s Start Here isn’t impressive just because of where Yachty started, because where he ended up is deeply exciting regardless.
– Lavender Alexandria
2. Billy Woods & Kenny Segal – Maps
Using the past to define the present is nothing new for billy woods– he’s been painting an image of his otherwise blurred self with vivid references to long-since overthrown heads of state, violent acts of colonialism left off the history books, and retired football players for nearly two decades. He’s been at it so long that on his new concept album, Maps, woods can use his own songs to present the new. On the album’s opener he references a History Will Absolve Me lyric while evoking the perpetuity of the previously discussed indifference of God. Across the next 16 tracks, woods catalogs his experiences getting back on the road following the coronavirus pandemic and the anxiety, isolation, and listlessness that comes with it.
In making the journey, woods brings along his Hiding Places collaborator, Kenny Segal, for their first effort together since 2018. Across the project, Segal brings a diverse pallet of production that incorporates bleak jazz loops with, at other times, more ominous layered synths and hard-hitting drums. By the end of Maps, woods presents a Philip Marlowe-esque image of himself returning to New York, connecting only with his cat as he looks out at a city that becomes more unrecognizable by the day. Altogether, the combined forces of woods and Segal present another high point in the discography of both artists as well as one of the best hip-hop albums of the year thus far.
– Cole Blake
1. Danny Brown & JPEGMafia – Scaring The Hoes
No other album so far this year is as exciting, creative, complete, or unique as this experimental gem in the underground. Well, to call Peggy and Danny underground at this point probably gives a wrong impression that downplays their impact. Not only do both showcase the talent, skill, and influence they achieved in their storied careers, but they’re coming for the whole rap game’s head here. They’re tired of all the posturing, the weak albums, and the conservative and close-minded sheep mentality both online and in the streets. The duo expresses that with often hilarious and always astounding bars, referencing every corner of pop culture from politics to sports, movies, and more of every notoriety level.
The beats also do the talking, with the most creative sample flips, drum patterns, vocal chops, and addictive melodies you’ll hear all year. JPEGMAFIA and Danny Brown beat hip-hop artists at their own boastful game with the former’s chaotic and uncompromising production and bars and the latter’s idiosyncratic perspective, flow, and delivery. No vision was better executed so far this year than SCARING THE HOES, and other rappers should indeed be scared of this testament to the craft, versatility, and bright future of hip-hop.
– Gabriel Bras Nevares
Which of these albums is your favorite? Let us know in the comments below. Also, let us know if we’re missing anything on this list.
