The Best Hip-Hop Albums Of April 2024

best hip hop albums GloRilla_Future_Anycia(1024X450)
Getty Image/Merle Cooper

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

For the second monthly installment of The Best Hip-Hop Albums, we had to dig a little deeper than we did in March, thanks in part to fewer releases overall. However, while there were fewer albums from established, well-known acts, plenty of up-and-coming artists took the opportunity to stake their claims on gaining a foothold in the public consciousness.

Thanks to Drake and Kendrick Lamar, it was an uphill battle. While Kendrick’s contribution to their ongoing feud didn’t arrive until the end of the month, Drake’s antics were more than enough to keep us all at our favorite digital water coolers, discussing his distasteful use of AI, and whether he still has the juice to survive another confrontation with a lyrical heavyweight with a longer history of critical support.

But even with those two sucking up all the oxygen, there were still plenty of new releases worth checking out if beef wasn’t your thing. Here are the best hip-hop albums of April 2024.

Anycia — Princess Pop That

Anycia

The Atlanta newcomer got plenty of attention thanks to Latto’s verse on “Back Outside,” but Anycia’s first-ever mixtape bears more than enough proof that she’s bigger than beef. Her herky-jerky flow, smoky vocal timbre, and unabashed bluntness are versatile enough to tackle both boisterous boasts and unfiltered heartbreak, while the choice of production keeps the energy level high through all 14 tracks.

Future & Metro Boomin — We Still Don’t Trust You

future x metro boomin we still don't trust you cover
Future / Metro Boomin

The second half of Future & Metro’s double disc project focuses more on the singing than the rapping, so there was a strong argument that this leaves it in Wongo’s territory, but we did include it in the Best New Hip-Hop of the week, so it qualifies for the month. Besides, thanks to contributions from ASAP Rocky, J. Cole, and Lil Baby, it still has more than enough bars for anyone who wants them.

GloRilla — EhhThang EhhThang

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GloRilla

Hip-hop can be a lot of things: Angry, menacing, political, and thoughtful. But I think at its core, what people want most from rap music is for it to be fun. GloRilla understands this and aims to feed this impulse directly on her first mixtape since 2020’s independent P Status. The project allays concerns that she might have been just a one-hit wonder with song of the summer potentiates “Wanna Be” featuring Megan Thee Stallion and “Yeah Glo!” while providing introspection on “Aite” and “High AF.” Will you find dizzying feats of virtuoso lyrical gamesmanship here? No. But hip-hop has always been way more than just rappity-rap wordplay and “fight the power” ethos. Sometimes, you just want to turn up. That’s when you turn on GloRilla.

J. Cole — Might Delete Later

j cole might delete later
J. Cole

I also debated not including this one, solely based on Cole’s decision to pull “7 Minute Drill” from DSPs as a sort of self-fulfilling prophecy. Fortunately for him, there are still 11 other solid tracks, including the nostalgic Dipset callback “Ready ’24” and “H.Y.B” with Bas and Central Cee. Intricate wordplay may not be your thing, but Cole’s latest scratches that very specific itch, despite distracting him from following through on his promise to bring The Fall-Off to fruition.

Skilla Baby — The Coldest

Skilla Baby

The Michigan rapper follows up his 2023 collaborative project Controversy with Tee Grizzley with a solid solo effort. The Coldest finds him using his choppy flow to detail his misadventures in the streets with a cool-headed charisma that makes what should be worn-out material sound fresher than ever. A slew of guest stars, from Flo Milli to Rob49, join him on trunk-rattling production, but he never lets anyone steal the spotlight, proving that he’s a star in the making.

The Best Hip-Hop Albums Of March 2024

best hip hop albums of march 2024
Getty Image/Merle Cooper

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

What a month. March 2024 was largely defined by a string of controversies, conflicts, and conspiracy theories, which kept us a tad bit too busy for some of our typical in-depth musical coverage.

But there were also so many good hip-hop albums, I didn’t want the month to end without at least tipping my cap to the array of innovative releases that would have normally been given the RX seal of approval if there weren’t 1,000 other things going on.

And so, I present to you, loyal readers of Uproxx – and newcomers, too – to the first edition of the Best Hip-Hop Albums of the Month. Let’s call it an extension of my weekly column, designed to collect and rightfully praise the projects that impressed us the most over the past 30 or so days. After all, who says new albums only deserve a week’s worth of attention?

Flo Milli – Fine Ho, Stay

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Flo Milli

Although it’s technically the Alabama rapper’s second studio album, her latest release completes a trilogy begun by her fan-favorite 2020 debut mixtape, Ho, Why Is You Here?. The new album expands on the world-building she did on it and its 2022 follow-up (and her debut album) You Still Here Ho?, the album contains contributions from Anycia, Cardi B, SZA, Gunna and Monaleo. Still, Flo Milli remains the star of the show, showing off an impressive degree of growth and polish across 14 tracks, including her latest breakout hit, “Never Lose Me.”

Kenny Mason – 9

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Kenny Mason

It’s almost impossible to truly categorize what kind of music Atlanta native Kenny Mason actually makes. An amalgamation of Atlanta staples like trap, the Southern-fried funk rap of Outkast, the gloomy grunge of early-90s Nirvana, and soulful, blurry-eyed Bandcamp boom-bap, Kenny vividly details teenaged malaise, early adulthood angst, and stressful street trials without any part seeming trivial or melodramatically heightened in comparison to the others. 9’s guestlist is as eclectic as its subject matter, tapping Babydrill, Toro Y Moi, and Veeze.

Kyle – Smyle Again

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Kyle

Longtime readers of my Best Hip-Hop of the Week column will likely be aware that this album combines two of my favorite things in hip-hop at the moment: A fellow West Coast native and the ongoing Black reclamation of EDM. Despite its title, Kyle’s latest doesn’t rehash the content or sound of his breakthrough 2015 mixtape; rather, it revisits its spirit, in a full-circle moment that allows the Ventura product to reflect on his career and have a little fun in the process. Utilizing an eclectic soundscape that draws on UK 2-step and garage, Smyle Again is a unique gem no one should overlook in the search for truly original hip-hop.

Schoolboy Q – Blue Lips

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Schoolboy Q

Q’s first new album in five years is a gritty review of his journey so far through the eyes of a weathered vet. Sonically adventurous, it swerves erratically from blue-era Miles Davis jazz to menacing, guttural street Gothic opera, never settling into one mode for too long – or indeed, for very long at all. Yet, Q’s grizzled, paranoid flow holds everything together generating order in the chaos as he takes stock of his successes, which would be surprising if not for the perseverance he needed to exert to survive long enough to enjoy them. “Yeern 101” is a standout.

Tierra Whack – World Wide Whack

tierra whack world wide whack
Tierra Whack

I haven’t been as devastated by a rap album since Rexx Life Raj’s 2022 album The Blue Hour. Where Whack’s colorful costumes and whimsical backing tracks might lure listeners into a false sense of upbeat security, the themes she tackles here – depression, grief, imposter syndrome, and survivor’s remorse – practically hollowed me out. “Two Night” and “27 Club” are a harrowing one-two punch that let the album linger on the terrifying implications of anointing – and leave you longing for the rest of the story, for the catharsis that even Whack can’t promise. I hope she’s doing okay.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.