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Why Did Mase Fall Out With Diddy?

December 13, 2023 by newhiphopnews

Diddy has been in the news constantly in the past several weeks, regarding several salacious improprieties in both his business and personal relationships. While it’s no secret that misfortune has befallen many of Diddy’s known collaborators, Mase has remained one of the most fascinating figures in the rap mogul’s orbit. Mase has been lucky enough to escape from his tumultuous tenure at Bad Boy records. However, the prolific performing artist has maintained a years-long feud with Diddy, mostly due to financial and business disagreements.

Mase Attempts To Leave Bad Boy

Mase first quit music in 1999 to pursue his newfound passion as a minister. During his time at the Bad Boy label, several unfortunate events transpired which prompted the “Can’t Nobody Hold Me Down” rapper to find God. Some of these events may include the violent and untimely death of labelmate The Notorious B.I.G. in 1997. At the time, the Bad Boy label also dealt with a number of legal issues, leading to the incarceration of several artists. Shyne, for instance, faced a conviction for armed assault in connection to a 1999 shooting incident.

Mase came out of retirement on two occasions. Once in 2004 with an album titled Welcome Back, and again in 2009 with a non-album single titled “Get It” and later, Double Up. Unfortunately, his 2009 reemergence was halted by label antics, prompting Mase to crash Diddy’s live radio interview with V103’s Ryan Cameron. Mase stormed into the interview, armed with documents that the rapper claims absolved him from his label requirements, allowing him to function as a free agent. Diddy allegedly signed the documents, allowing Mase to perform as a featured artist on other rappers’ songs. It was later revealed, however, that Bad Boy Records had kept the publishing rights to all of Mase’s music, retaining control over the minister’s career on the mic.

The Beef Escalated Over The Years

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In the years since the initial spat, Diddy and Mase have each taken public shots at one another. In 2020, Mase took to Instagram to lament that Diddy refused to sell him back his publishing rights, even going so far as to claim that he offered the mogul over $2 million for the entire catalog. The rapper-turned-minister even put his frustration on wax in a 2022 track titled “Oracle 2: The Liberation of Mason Betha.”

In the track, Mase raps “Yeah, I’m just a Harlem n***a reppin’ down a Vegas strip with my own Suge. You from Mt. Vernon, n***a, go and rep your own hood… You ain’t no architect, you just a n***a who know how to market death.” Diddy reacted to the track by branding Mase a “fake pastor.” He also asserted that Mase still owed the label a $3 million album advance for a project that he never delivered.

The Beef Is Over… For Now

As of this writing, the most recent update in the ongoing Mase vs. Diddy saga came in September of 2023, when Diddy claimed the pair had made up. During a Billboard interview, Diddy stated, “You know, we’re brothers and brothers fight. I love him and that’s it,” in response to a query about whether the two had reconciled. Of course, we’ve heard the pair sing this tune before, so there’s no telling if and when this beef could heat up again.

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Diddy’s Former Bodyguard Roger Bonds Calls Mogul “Emotionless”

December 12, 2023 by newhiphopnews

Diddy’s former head of security Roger Bonds plans to tell his side of the story on an upcoming episode of The Danza Project. In an exclusive trailer provided to Hot New Hip Hop, Bonds, who previously corroborated Cassie’s claims of Diddy’s abuse before walking back on his comments, sat down for a tell-all where he shared his perspective on the matter. The show’s co-host, Danza, doesn’t hold back on asking the questions that have been on our minds. He presses Bonds over whether he witnessed Diddy’s abuse. Then, he dives into the wild allegations regarding male escorts that the world uncovered in Cassie’s lawsuits.

Danza also asks if Cassie might be exaggerating about whether Diddy has some “fruitiness in him.” Bonds neither confirms nor denies it. “I have seen things that will make you question things,” Bonds says.

Elsewhere in the episode, he also claims Diddy never reciprocated the same level of loyalty that he displayed towards the mogul. Despite spending holidays together and forming a tight relationship, Roger recalled a time when Diddy downright doubted his ability to make a similar income without him. “Knowin’ Puff, he’s emotionless,” he said in the episode. Additionally, he recalls Diddy telling him, “All I care about is my bitches. I don’t know how to be your friend.”

Roger Bonds To Appear On The Danza Project

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Following the string of lawsuits filed against him, Diddy vehemently denied any wrongdoing. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation, and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday,” Diddy said in a statement. “Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family, and for the truth.”

The full episode of The Danza Project’s episode with Roger Bonds will go live this Friday. By the looks of the trailer, it’s going to turn heads. Bonds worked for Diddy from 2003 to 2012, so he’s undoubtedly been by Diddy’s side through plenty of highs and lows. His recent appearances in the media have indicated that he’s not holding his tongue when it comes to his former boss.Check out the trailer for Bonds’ interview on The Danza Project, which debuts on December 15th exclusively on their YouTube channel.

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Former Bad Boy President Harve Pierre Is Accused Of Sexual Assault And Grooming In A New Lawsuit

November 22, 2023 by newhiphopnews

Harve Pierre, the former president of Bad Boy Entertainment, is facing a lawsuit accusing him of grooming and sexually assaulting his assistant, Rolling Stone reports.

The complaint was filed in New York County Supreme Court and it reads in part, “Pierre used his position of authority as plaintiff’s boss to groom, exploit, and sexually assault her. Pierre engaged in a year-long pattern of grooming plaintiff, leading to sexual harassment of plaintiff, and sexual assault.”

The plaintiff, who remains anonymous, alleges Pierre sexually assaulted her multiple times in 2016 and 2017, which caused physical, emotional, and psychological injuries, as well as pain and suffering. She is seeking damages that will “fully and fairly compensate” her.

The suit also lists Bad Boy Entertainment, Bad Boy Records, and Combs Enterprises as co-defendants, saying, “Defendants knew or should have known that Pierre was unfit to be in a position of authority before Pierre sexually assaulted plaintiff.” The suit claims the companies did not “properly supervise” Pierre.

A Bad Boy spokesperson told Rolling Stone, “We have recently become aware of a lawsuit filed in New York by a former employee. The allegations are from many years ago that were never brought to the attention of the company. Neither the plaintiff nor the executive are current employees of the company. We are now investigating the allegations, and our top priority is the safety and well-being of our employees.”

This comes just days after Bad Boy founder Diddy settled a rape and physical abuse lawsuit filed against him by Cassie.

Craig Mack’s “Project: Funk Da World” Turns 29

November 20, 2023 by newhiphopnews

In 1994, after a slow, but steady ascent in his musical career, Craig Mack released his breakout single “Flava In Ya Ear.” That song marked the beginning of the rapper’s rise and ended up as the lead single from his debut album. The album in question is called Project: Funk Da World and it turned 29 years old in September. Project: Funk Da World is the first of three albums Craig Mack released, and it is also the most successful. The rapper sadly passed away in 2018 due to heart failure, but through his musical works, his legacy lives on. Project: Funk Da World remains the most exceptional of them all, standing as a testament to Mack’s talent and creativity.

How Project: Funk Da World Was Conceived

craig mack debut album project funk da world — CHICAGO – SEPTEMBER 1994: Rapper Craig Mack performs at the Riviera Theatre in Chicago, Illinois in September 1994. (Photo By Raymond Boyd/Getty Images)

Project: Funk Da World was released on September 20, 1994, under Bad Boy Records. It was during this period that Bad Boy Records, founded by Sean “Puff Daddy” Combs, started gaining traction in the Hip Hop industry. Craig Mack had a raw talent and unique style that convinced Puff Daddy to sign him to Bad Boy Records. Subsequently, Project: Funk Da World was released, marking Craig Mack’s debut full-length album release.

Craig Mack Dishes Out A Funk-Rap Debut

The album’s title suggests a fusion of funk and Hip Hop elements, and it surely delivers on its promise. A union of funk-inspired beats with Mack’s lyrical world created a sound that was both groovy and impactful. Craig Mack employed a sharp, lyrical style and showcased his confidence and dexterity. He also demonstrated his proficiency throughout the album, riding each groovy beat effortlessly. At its heart, Project: Funk Da World is a party record, just as much as it is a proper rap album. It is evident in the undeniable bounce present throughout the album’s runtime. Overall, Project: Funk Da World was a brave attempt at a fusion rap album, and Craig Mack successfully executed his ambitious goal.

Collaborators On The Album

Funk Da World would not be the sonic delight it is without the input of the people who worked on it alongside Craig Mack. It took a village, backed by the production talents of Easy Mo Bee, Rashad Smith, Sean Combs, Lenny Marrow, and Mack himself. They all came together to create a cohesive body of work marked by infectious funk beats. Evidently, the beats provided a vibrant backdrop for Mack’s energetic and charismatic delivery.

However, the only artist featured on the 11-track album is Puff Daddy, who appears on the track “Making Moves With Puff.” Two other songs were released as singles. These were: “Get Down,” and the popular lead single, “Flava in Ya Ear.” Peaking at number nine on the Billboard Hot 100, “Flava in Ya Ear” was the most successful single of Mack’s career.

A Critical Success

Project: Funk Da World received mostly positive reviews from critics and listeners who praised the skillful rhymes of Craig Mack. Moreover, the album’s production was especially lauded for its unique take on a funk-rap hybrid. The album, alongside The Notorious BIG’s Ready To Die, contributed to the early success of Bad Boy Records. Unfortunately, as Ready To Die was released just a week before Mack’s album, it attracted most of the attention. As a result, Funk Da World did not attain the heights of commercial success it had the potential to reach, despite its critical acclaim.

Craig Mack Lives On

While Craig Mack did not enjoy the same longevity as some of his peers, his debut album remains a classic in the Hip Hop community. It not only established him as a notable rapper but also played a crucial role in shaping the early identity of Bad Boy Records. The rapper may be gone now, but there’s no erasing his album. Without a doubt, Project: Funk Da World will continue to live on as a significant work in Hip Hop history.

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Former Bad Boy Group B5 Demand Publishing Rights From Diddy

November 15, 2023 by newhiphopnews

B5, an R&B group that released two albums as artists under Diddy at Bad Boy Records, is demanding their publishing rights back. They revealed that they haven’t heard from Diddy despite his offer to give other artists like Mase, The Notorious B.I.G., and The LOX, among others their rights back. They discussed the situation during an appearance on the We In Miami podcast.

The group explained that they “didn’t hear anything, we didn’t get no calls [or] nothing like that, from that.” They added: “Puff — Diddy, yeah, we all want our publishing too.” The crew continued: “We were so young at the time; we didn’t understand the business of it. But, you know, now looking back, it’s like, ‘Damn, why our names wasn’t on the credits?… Where the percentages at? Where the [publishing] at?” They also remarked that they left the label due to “not seeing eye to eye.”

B5 & Diddy At BET Studios

NEW YORK – JULY 19: Diddy and B5 (Brian, Dustin, Patrick, Kelly, Carnell) on the set of BET’s 106 & Park at BET Studios on July 19, 2007 in New York City. (Photo by John Ricard/FilmMagic)

Even artists who have gotten their rights back from Diddy have complained about the Bad Boy boss. Mark Curry, who featured on the 2001 hit, “Bad Boy For Life,” remarked that his rights are worthless this late. “What’s it worth now? He gave me mine back a long time ago … That’s disrespectful — I said why don’t you just keep it and pay me? I don’t want the publishing; I want the money,” he said on Instagram.

B5 Address Status Of Publishing Rights

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He continued: “Diddy gave the publishing back. So what? It has no value… I want him to give me a million cash and then I can plan the rest of my life out well. Ever had somebody owe you $50… when you needed it back… they didn’t pay you… then by the time they do pay you… the $50 doesn’t mean the same as it did when you needed it?” Be on the lookout for further updates on further updates on B5 and Diddy on HotNewHipHop.

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What Is Lil Kim’s Best-Selling Album?

November 13, 2023 by newhiphopnews

In the annals of hip-hop history, few moments are as pivotal as the emergence of Lil Kim with her debut album, Hard Core. In 1996, a diminutive dynamo from Brooklyn shattered the glass ceiling with a velvet glove wrapped around a mic and a lyrical sledgehammer. Hard Core was not merely an album. It was a cultural manifesto that challenged the male-dominated rap industry with its unfiltered portrayal of female sexuality and prowess.

At a time when the voices of women in hip-hop were often relegated to the chorus, Lil Kim seized the narrative, commanding center stage with unapologetic bravado. Her debut was a tour-de-force. It was an audacious blend of gritty beats and glamorous life, all delivered with a streetwise flow. Hard Core was a declaration that the Queen Bee could not only navigate but dominate the rap landscape with potent and provocative bars.

Lil Kim’s fearless approach to music and image crafted an indelible blueprint for female empowerment in the genre. Hard Core etched her name in history as a rapper and trailblazer for a movement of women in music. It was a crowning achievement that heralded the arrival of female rappers taking control of their artistry, narratives, and sexuality.

Hard Core: A Manifesto Of Feminine Power

When Hard Core hit the shelves, it was immediately clear that Kim was rewriting the playbook for what a female rapper could embody in hip-hop. The album’s tracks were an unapologetic showcase of her lyrical ingenuity and a fearless declaration of her sexuality. In songs like “Big Momma Thang” and “No Time,” she exuded confidence and control, flipping the script on the genre’s traditionally male-centric narratives.

The production of Hard Core was a perfect marriage of Lil Kim’s audacious lyrics with lush, hard-hitting beats that would define the era’s East Coast sound. With the legendary Notorious B.I.G. as an executive producer and contributions from a slew of top-tier talent like Sean “Puff Daddy” Combs, Jermaine Dupri, and Ski, the album was both a commercial juggernaut and a critical darling. Tracks such as “Crush on You” featuring Lil’ Cease and the platinum-selling “Not Tonight (Ladies Night Remix)” were not only hits but anthems that resonated with women everywhere, each beat and bar a step towards the empowerment of female voices in the industry.

Chart Success & Critical Acclaim

Hard Core catapulted Lil Kim from rising artist to hip-hop royalty. Its commercial success mirrored the boldness of its content. The album debuted at No. 11 on the Billboard 200. It was a remarkable achievement that underscored Lil’ Kim’s appeal beyond the traditional hip-hop circles. It wasn’t long before the RIAA certified it double platinum, confirming over two million copies sold. It’s a milestone for any artist and a groundbreaking accomplishment for a female rapper at the time.

The singles from Hard Core blazed their own trails through the charts. “No Time” soared to the top of the Billboard Rap Songs chart. “Crush on You” and “Not Tonight” found substantial success, with the latter’s remix becoming a Top 10 hit on the Billboard Hot 100. These tracks weren’t just commercially viable. They were cultural moments that extended Lil Kim’s influence from the streets to the mainstream.

Critical reception of Hard Core was equally laudatory, with reviewers praising Lil Kim’s unyielding delivery and the album’s production quality. The boldness of her lyrical content, which challenged societal norms and expanded the space for female expression in hip-hop, was particularly noted. Hard Core earned Lil’ Kim nominations for prestigious awards. This further validated her artistry and the album’s significance in the broader music landscape.

A Legacy Etched In Hip-Hop History

More than two decades after its release, Hard Core stands as a seminal work in hip-hop. It’s echoes are felt in the genre’s continued evolution. Lil Kim’s debut was not just about the records it broke. It was also about the barriers it shattered, opening doors for a new generation of female artists unafraid to express their sexuality and assert their place in a male-dominated field. Her fearless approach laid the groundwork for the candid and unapologetic styles of countless MCs who followed in her footsteps.

Hard Core‘s cultural impact transcends music. It further influenced fashion with Kim’s iconic aesthetic that combined haute couture with streetwear. It became a trend that persists in today’s fashion landscape. Her influence on the visual language of female empowerment in music videos is undeniable.

The album’s legacy is also evidenced by its samples and references that continue to permeate hip-hop music. This is a testament to its enduring relevance. Lil’ Kim’s pioneering work on Hard Core set a precedent for authenticity, inspiring artists to share their truths without compromise. It remains a touchstone for discussions about gender in music and the portrayal of women in media.

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Tupac Was Extremely Close To Signing With Bad Boy Records According To His Brother

October 18, 2023 by newhiphopnews

Tupac’s mystique will never die and this recent news drop is another reason why. More and more information about the murder of the legendary artist continues to come out. We finally have more headway on who committed the crime and we are sure more will be unearthed. This latest bit of information circles back to Tupac’s musical career. As most people know, he was a part of Death Row Records. It is the label that associates itself with names like Dr. Dre, Snoop Dogg, Suge Knight, Nate Dogg, and so many other legends. However, Tupac had a chance to join another iconic music group.

According to HipHopDX, the brother of the late rapper, Mopreme Shakur recently spoke with The Art of Dialogue. In the interview, Mopreme revealed some interesting news. When ‘Pac was released from jail in 1995, he was seriously considering joining Bad Boy Records. Mopreme said, “There was a point ‘Pac was considering going to Bad Boy before his relationship with Death Row. He wanted to be on a Black label… He wanted to be with the brothers.”

Mopreme Shakur Explains What Went Down With Tupac

However, it never worked out that way, obviously. What ultimately led to Tupac inking the contract with Death Row, was some battle of powers. Namely, Diddy had more say and control, according to Mopreme. “Over time, things happened, and ‘Pac started seeing things. Biggie was on Puffy’s label so with them two, it was Puffy calling the shots. There was some legitimate problems there.” It would have been incredible to see both of the biggest rappers in the world be on the same label. Who knows what material we could have gotten.

What are your initial thoughts on Mopreme Shakur saying that Tupac was really close to signing with Bad Boy Records? Do you think that he should have inked the deal? Would this have changed the landscape for hip-hop labels going forward? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your thoughts and opinions in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Tupac, as well as everything else going on around the music world.

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The Notorious B.I.G.’s Debut “Ready To Die” Turns 29

September 25, 2023 by newhiphopnews

Brooklyn, New York, in the early ’90s: The brownstone-laden streets of Bedford-Stuyvesant throbbed with an unmistakable energy. Bodegas and barbershops doubled as discussion forums, with Hip Hop as the preferred topic of debate. This was an era of boomboxes and lyrical bravado, where every street corner and park bench might be the stage for the next big talent. Enter Christopher Wallace, a figure poised to encapsulate this energy, transforming it into an album that would soon reverberate far beyond those same streets.

Few could have predicted the cultural tidal wave that was Ready to Die. Released in 1994, this masterpiece wasn’t merely another album. Biggie Smalls emerged not as a mere rapper but as a raconteur par excellence. His tales, though uniquely his, resonated with thousands who saw fragments of their own stories within his lines. The musings of a young Black man navigating the treacherous terrain of the American dream, punctuated with wit, charm, and a heavy dose of reality—Ready to Die wasn’t just an album but a statement.

Part of Ready to Die‘s allure was its audacity, much like Biggie himself. The very title served as a stake in the ground, a prophetic and sardonic claim that life was never promised, but the music could be immortal. The album sits today as a cornerstone of Hip Hop history, and 29 years on, it’s anything but an artifact.

The Architecture Of A Classic

What makes this album a masterpiece is not just Biggie’s magnetic voice or street-corner philosophies but the veritable dream team of producers and features that flanked him. Names like DJ Premier, Lord Finesse, and Bluez Brothers may not have been Billboard chart-toppers, but they were architects in the house of Hip Hop. With an eclectic roster of talents, the production feels like a symphony that resonates from Brooklyn’s brownstones to Atlanta’s suburbs. Further, tracks like “Juicy” and “Big Poppa” are masterclasses in beatsmithing.

Moreover, while many rappers of the era often succumbed to the temptation of linguistic showmanship, Biggie’s lyrical mechanics were cut from a different cloth. His wordplay was far from mere verbal gymnastics. It was a tightly choreographed ballet of metaphors and life lessons. Tracks like “Gimme the Loot” and “Things Done Changed” are dissertations on the duality of the human condition, navigating a world as dangerous as it was compelling.

Cultural Impact & Legacy

Notorious B.I.G. 1995 (Photo by Chris Walter/WireImage)

No amount of intricate production or lyrical dexterity would’ve mattered if the album hadn’t set the charts ablaze. Fortunately for Biggie and Hip Hop history, Ready to Die did just that. Certified quadruple Platinum, this debut oeuvre was less an entry into the market and more of a hostile takeover. Critics offered more than nods. They penned raving reviews that often invoked comparisons to previous benchmarks in Hip Hop.

Additionally, the album served as the roots for a tree that has extended its branches far into the various subgenres of modern Hip Hop. From the confessional stylings of Kendrick Lamar to the gritty realism of Pusha T, the ripples of Ready to Die are discernible. Not to forget, this record was the cornerstone on which Bad Boy Records built its empire. Several artists from the label owe a degree of their success to the groundbreaking nature of this project.

Ready To Die Continues To Resonate

The staying power of Ready to Die is nothing short of astronomical. Decades have rolled by, yet the album’s soul is as untamed as ever. It’s not just another album gathering digital dust in the sprawling archives of streaming platforms. It’s a living, breathing entity. A forerunner in every “best of” list and forever pulsing in the veins of a culture that refuses to forget its heroes. Biggie’s opus remains a stylistic and thematic blueprint in a climate that has witnessed the explosion of subgenres and hybrid sounds.

Almost three decades on, the incalculable contributions Biggie made to the industry and the culture at large have yet to be eclipsed. His lyricism is still studied, his flow still imitated but never duplicated. The irony? An album that so explicitly flirted with death has proven immortal. The staying power of Ready to Die is more than a tribute to an artist taken from us far too soon. It remains deeply rooted in its formative icons and a cornerstone in the ever-expanding cathedral of Hip Hop.

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Charli Baltimore: A Look At A Hip Hop Queen

September 25, 2023 by newhiphopnews

The Hip Hop scene in the ‘90s and early 2000s was teeming with talent. Rap icons like Jay-Z, Nas, and Lil’ Kim, among others, were at the forefront in that era and helped usher a new generation of artists into a much bigger spotlight. A name that doesn’t come up as often, however, is Charli Baltimore, the pioneer female rapper. Indeed, the East Coast Hip Hop star and unsung rap queen is vastly underrated.

While she has appeared in the media several times over the years, there’s so much worth praising the star for. She’s often mentioned for her romantic relationship with The Notorious B.I.G., but her music is rarely referenced. Nonetheless, between the late ‘90s and early 2000s, Charli Baltimore was a formidable rapper in her own right. She rightly deserves her flowers. Moreover, she should be recognized for contributing to the Hip Hop scene during the formidable era.

Background

JaRule, Charli Baltimore & Ashanti (Photo by Gregg DeGuire/WireImage)

Charli Baltimore was born Tiffany Lane on August 16, 1974. Her introduction to the world of Hip Hop came through her romantic relationship with The Notorious B.I.G. Importantly, Lane had no prior experience with rap or Hip Hop at the time. However, she soon started developing an interest in it after spending time with Biggie. As time passed, Biggie encouraged her to pursue a rap career, as he saw promise in her. She eventually took him up on his offer and later adopted the stage name Charli Baltimore. Her moniker was particularly chosen to reference the main character of the 1996 action thriller film The Long Kiss Goodnight.

Charli Baltimore: Her Ascent

The rapper’s foray into the music industry began with her debut single, “Money,” released in 1998. The song piqued listeners’ interest and quickly garnered Charli Baltimore some recognition. That same year, she was also featured on Harlem rapper Cam’ron’s track “Horse & Carriage (Remix)” alongside Big Pun, Wyclef Jean, and Silkk The Shocker. She built up traction from these releases and in August 1999, dropped her debut album, Cold as Ice. It remains her sole album. In the 2010s, she released two mixtapes: Natural Born Khronicles (2012) and Hard 2 Kill (2013).

Cold as Ice did not see a public release. Instead, it was released promotionally and did not appear on the Billboard charts. Regardless, it was a moderately successful album and helped propel Charli Baltimore forward. The two standout tracks from the album are “Stand Up,” featuring Ghostface Killah, and “Feel It.” Beyond these, Baltimore was a vivid musical storyteller and even recorded an entire 50 Cent diss mixtape once. She also ventured into reality television in 2019, starring in WEtv’s Growing Up Hip Hop alongside her daughter, Siaani Love.

Conclusion

Charli Baltimore is recognized as one of the pioneering female rappers of the late 1990s and early 2000s. Her presence in the male-dominated world of Hip Hop also contributed to greater visibility for women in the genre. She is celebrated for her lyrical ability and impressive delivery of bars despite her limited experience when she debuted. Throughout her career, Baltimore collaborated with prominent Hip Hop and R&B artists. She is a part of the late ‘90s Hip Hop legacy and should be much more appreciated.

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Bad Boy Artist Mark Curry Isn’t Impressed By Diddy Signing Over Publishing Rights

September 6, 2023 by newhiphopnews

Earlier this week, it was announced that Diddy was giving publishing rights back to many of the artists on his Bad Boys label. The LOX, Ma$e, Faith Evans, 112, and the estate of The Notorious B.I.G. are all expected to have the publishing rights to their music returned to them. The announcement was foreshadowed by Ma$e’s podcast co-host Cam’ron who broke the news on Instagram that Ma$e would be getting his rights back.

As it turns out, not every rapper involved is happy with the arrangement. One of the label’s former artists Mark Curry, is calling the move an empty gesture. He posted a video to Instagram reacting to the move. In the video, he claims that Diddy held onto the rights for as long as they had value and then signed them over after. “That’s disrespectful. I said why don’t you just keep it and pay me? I don’t want the publishing; I want the money,” he said in the video. He elaborated in the caption. “Diddy gave the publishing back.:. So what.. it has no value… I want him to give me a million cash and then I can plan the rest of my life out well,” it reads. Check out the full post below.

Mark Curry Calls Out Diddy For Rights Move

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While some of Diddy’s own artists may be dissolution with him, he still receives plenty of industry love. It was just announced this week that he would be honored with the Global Icon award at next week’s MTV VMAs. The award will be accompanied by a performance from the rap legend.

That appearance comes at a good time as Diddy just announced his feature-packed new album. The project will contain the final ever feature from The Weeknd alongside a number of other impressive collaborations. It’s also scheduled to be released just a few days after the award ceremony. What do you think of Mark Curry’s criticisms of Diddy? Let us know in the comment section below.

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