As a rapper, Shyne has largely flown under the radar recently. Especially as he is now actively focused on the political scene in his native country, Belize. However, once upon a time, he was bumping out great music, and his self-titled debut album is still a classic Hip Hop body of work. The former member of Bad Boy Records gained prominence in the late ‘90s and early 2000s.
Unfortunately, legal troubles impeded his growth. He was ultimately deported from the US after serving time between 2001 and 2009. Despite these circumstances, however, his self-titled debut album was released in 2000, and even after 23 years, it is undeniable that he dropped a gem. Overall, Shyne’s rollercoaster life and career have truly been one for the books.
The Build-Up To Shyne
Shyne was discovered by DJ Clark Kent in 1998 and signed to Bad Boy Records soon after being introduced to Sean Combs. Before releasing his debut album, the rapper made guest appearances on some 1999 tracks, including “From Scratch” by Mase and “Reverse” by Puff Daddy. Even back then, Sean “Diddy” Combs was one of the most influential figures in the music industry. As a result, Shyne’s affiliation with him made the young rapper’s debut album highly anticipated in the Hip Hop community. Shyne was recorded between 1999 and 2000 and was subsequently released on September 26, 2000, under Bad Boy Records.
Music From The Perspective Of Shyne
The album’s background is rooted in Shyne’s life experiences, as well as the musical atmosphere of the late ‘90s and early 2000s. Shyne, originally from Belize, had a unique background that added to his appeal. In addition, his raspy voice and gritty lyrics set him apart. Shyne’s debut album also came when Hip Hop was evolving and exploring new sounds and styles. As a result, his album explicitly reflects the diverse influences of that era. Particularly, his collaboration with Barrington Levy exemplifies the experimental nature of Shyne.
Furthermore, his storytelling ability is showcased through his vivid and raw lyrics on the album. Addressing themes such as crime, struggle, and survival, he paints a picture of the challenges faced in urban environments. Additionally, the album reflects a “gangsta” persona, a common theme in Hip Hop during that era. Shyne dons that persona well, and his lyrics effectively portray a streetwise, tough image throughout the album.
Production & Feature Credits On Shyne
The production of Shyne was a collaborative effort involving several talented producers, including The Neptunes, Chucky Thompson, and Mario Winans, among others. Each producer contributed to the album’s diverse sonic palette, bringing Shyne’s vision to life. Moreover, the rapper’s Belizean heritage and love for reggae music are apparent in the album’s production.
Notably, many songs on Shyne contain samples, with the most popular songs being “Bad Boyz” and “Bonnie and Shyne.” The sampled tracks on “Bad Boyz” are “Here I Come” by Barrington Levy and “Nightclubbin” by Grace Jones, while on “Bonnie & Shyne,” Grace Jones’ “La Vie En Rose” is sampled. In addition to his track being sampled, Barrington Levy is credited as a featured artist on “Bad Boyz,” as well as “Bonnie & Shyne.” The only other guest appearance on the album is by Slim of 112, who features on “Get Out.”
The Rapper Shynes On
LOS ANGELES, CALIFORNIA – JUNE 26: (L-R) Shyne and Sean ‘Diddy’ Combs perform onstage during the 2022 BET Awards at Microsoft Theater on June 26, 2022 in Los Angeles, California. (Photo by Paras Griffin/Getty Images for BET)
Despite mixed reviews from critics, the album was a commercial success upon its release. It reached the number five spot on the Billboard 200 chart, so evidently, listeners took a liking to it. Regardless of the legal challenges Shyne faced soon after the album dropped, the album’s impact on the music industry was undeniable. Twenty-three years later, it is still felt strongly, and its representation of the Hip Hop culture of that era remains noteworthy. Likely, Shyne may never drop another album, as he has moved on to the political arena. However, with the influence of his self-titled debut album, his legacy as a rapper holds firm.
On September 13, 1994, Notorious B.I.G., alongside producers Easy Mo Bee, DJ Premier, Poke of the Trackmasters, and none other than “Puffy” (as Diddy was called then) as the executive producer, released the Hip Hop masterpiece known as Ready To Die.
As Big’s debut album, this highly anticipated release shows the lyrical prowess of the Bed-Stuy big man, and besides Method Man’s assistance on the epic “The What?” track, Mr. Wallace made it happen all by himself. Other than Nas’ Illmatic, no other solo emcee accomplished that feat during that era on the East Coast. Recognized as “The King Of New York” and as seen on a vintage 1995 Source Magazine cover, Big’s legacy was etched in stone with this LP.
Timeless classics from that four and a half mic-er include the DJ Premier produced “Unbelievable,” the back and forth storytelling adventures of “Warning” and “Gimme The Loot,” and the eerie title track itself were just a few of the highlights of this legendary project. That’s not to forget the mainstream success of singles such as “One More Chance,” the Brooklynplayalistic sound of “Big Poppa,” and of course the hood inspirational, Mtume-based “Juicy.”
We only had the chance to get one more album(prophetically named Life After Death) out of one of the game’s greatest lyricists before he was prematurely killed in Los Angeles in 1997. Still, this album will always remind us that B.I.G. was “Ready to Die” because his talent was and will always be larger than life.
Salute to Big (RIP), Premier, Easy, Poke, Lord Finesse, Diddy, Lil’ Kim, and the entire Wallace family for this classic masterpiece!
With over 20 million records sold, Faith Evans remains one of R&B’s most respected acts. With a smooth voice, she captivated listeners worldwide through her storytelling. Often singing about the topic of heartbreak, Faith Evans’s hits often resonate with the general public. The legend, however, has not been as musically active in recent years. Instead, she’s focused on appearing on television.
Besides her entertainment career, Faith has received much attention for her relationship with former Bad Boy producer Stevie J. The pair initially became friends in the ’90s while working together. Stevie was an in-house producer for the hitmaking label, which Evans was signed to then. After decades of friendship, they tried their odds with love. Unfortunately, their romantic relationship proved extremely turbulent. From domestic assault arrests to their on-and-off-again romance, there was no telling what would come of their union. They eventually married in 2018, but Stevie filed for divorce in late 2021. Only recently was their split finalized, but all the viral attention still doesn’t take away from Evans’s impressive career and discography. Here is a list of seven of her biggest hits to prove it, in no particular order.
7. “You Used To Love Me” (1995)
“You Used To Love Me” is the debut single from her Evans’ debut album Faith. A brilliant introduction to the plethora of R&B hits she would release, Faith Evans showed off her storytelling capabilities with the song. On the track, she delivered a heartbreaking and honest note about her feelings. Evans reminisced about how a former love used to cherish her but didn’t anymore. The song peaked at No. 24 on the Billboard Hot 100 chart and was certified Gold by the RIAA. The song was also featured in the 2009 biopic, Notorious, about the life of The Notorious B.I.G. In the film, the track is played when Evans’s character discovers the rapper is cheating on her.
6. “I Love You” (2001)
Although this song was reportedly initially written for Jennifer Lopez, its success proved it landed in the right hands. “I Love You” samples Isaac Hayes’ 1976 song “Make a Little Love to Me” and is one of Faith Evans’s most notable hits. On this record, the R&B songstress croons about being in love with her partner and how he’s the only one for her. Additionally, although Lopez missed having this track as her own, she is listed as a songwriter alongside Anthony Best, Michael Jamison, and Bobby Springsteen.
5. “Love Like This” ft. Carl Thomas (1998)
“Love Like This” is the lead single from her second album, Keep The Faith. It starts with a catchy beat as Evans sings about a kind of love she hasn’t experienced before. It quickly became one of her biggest commercial successes, charting well in Europe. In the United States, “Love Like This” remains her highest-charting single as a solo act. It peaked at the seventh spot on the Billboard Hot 100 and is an R&B staple.
4. “Can’t Believe” (2001)
“Can’t Believe” is another of Faith Evans’ hits centered around heartbreak. Along with Carl Thomas, the duo melts their different voices to create an emotional mix. As expected from a buttery number, “Can’t Believe” scored very well with R&B fans. The early 2000s hit was featured on Evans’ third album, Faithfully.
Faith Evans’s infectious chorus on this record has made it an evergreen classic. Evans’s voice became the defining factor that solidified its timelessness, elevating the song considerably. The original version of this Twista track features CeeLo Green, but Evans’ version is widely popular. In a perfect Hip Hop and R&B blend, sprinkled with a gospel feel, it’s easily one of the most memorable tracks in both artists’ catalogs.
“Hope” is a song about longing for a better life and staying optimistic through every storm. The Faith Evans-assisted version was featured on the soundtrack of the Samuel L. Jackson-led biographical drama Coach Carter. Proving its timelessness, the song later received a huge resurgence on TikTok. Users on the social media app utilized the song in a viral movie-ending trend.
2. “Heartbreak Hotel” – Whitney Houston ft. Faith Evans, Kelly Price (1998)
When R&B powerhouses like Whitney Houston, Faith Evans, and Kelly Price unite for a track, then it’s sure to be a vocal masterclass. Thus is the tale of “Heartbreak Hotel,” the soothing number by the three vocalists. Music lovers over the years have highlighted this track as one of the most impressive R&B collaborations of all time. Evans’s vocals blossomed on this simultaneously beautiful and heartbreaking song about a lying and cheating partner.
1. “I’ll Be Missing You” – Puff Daddy ft. Faith Evans, 112 (1997)
Yet another emotional track with Faith Evans at the heart of it all, “I’ll Be Missing You,” is one of the most memorable hits of the ’90s. Mourning the loss of her husband, The Notorious B.I.G., Evans sang from a place of sadness and loss on this record. Joined by R&B group 112 and Diddy, the classic song samples The Police’s hit song “Every Breath You Take.”
“I’ll Be Missing You” is one of Hip Hop history’s greatest songs. The Grammy-winning track became a global hit record upon release, topping charts worldwide. It also debuted at the No. 1 spot on the Billboard Hot 100. In addition to this, it spent a staggering 11 weeks at the top spot and is one of the best-selling songs of all time.
In the summer of 1993, a young record exec who was known as “Puff Daddy” started a label called Bad Boy Records which premiered two records to launch the label; the first being the premier track from the legendary Notorious B.I.G. called “Party & Bullshit”. The song appeared on the soundtrack of Who’s The Man, a movie with Hip Hop’s who’s who starring Yo! MTV Raps‘ Ed Lover & Dr. Dre.
Biggie Smalls became one of the most prolific MCs in the history of the culture and is arguably one of the best that the game has ever seen. Before B.I.G. became “Notorious”, Biggie and Junior Mafia were only about “Party & Bullshit”. Salute to B.I.G., Diddy, Bad Boy, and the whole Brooklyn.
It isn’t easy for MCs to smoothly leave the music industry once fully engrained in it. One hit song is life-changing, propelling an artist from often impoverished circumstances to the top of the world. Even a “one-hit wonder” can change their family’s life off of the track’s notoriety. As a result, plenty of creatives hang onto the music industry far after their relevancy has passed, praying that they can re-create that musical magic. Their home, social circle, and way of life become engrained in grandiosity.
However, rapper Mase is a rare exception to this standard. Merely two years after his hit studio album Harlem World, he famously retired from hip-hop to pursue a calling from God. Even if the world was screaming out the hook to “Feel So Good,” the New York-raised personality wasn’t feeling it. He dropped it all to become an ordained minister while continuing his studies at Clark Atlanta University. During an interview with Funkmaster Flex, he announced his retirement, stating, “I told everyone that I don’t plan to be here for long. I planned to use rap as a stepping stone.” He continued, “It takes a great person to walk away from money. When my whole heart isn’t in it, I can’t do it.”
However, Mase’s departure from hip-hop had been in the works for a long time. He spent his adolescent years in The Bronx after being born in Jacksonville. However, his mother sent him back to Jacksonville after he began getting in trouble in the streets. While living in Jacksonville as a teenager, he began attending church. He wouldn’t spend much time back in Florida, returning to New York by the time he was 15. However, it was enough time for Mase to be influenced by the Christian lifestyle he was entrenched into.
Like many other MCs, Mase’s teenage aspirations revolved around the world of sports. After returning to New York, he pursued a career as a basketball player. He was the star point guard at Manhattan Center High School in the early 1990s. However, Mase would eventually pivot into a rapper career when he realized he wouldn’t make it to the NBA. His big break in the industry came in 1996 when he began rapping for Diddy (Puff Daddy at the time) at the Hard Rock Cafe. Shortly after, he would sign a $250,000 deal with Bad Boy Records.
Mase & Diddy Have Had An Extended Beef
NEWARK, NEW JERSEY – MAY 12: Mase attends DJ Cassidy’s Pass The Mic Live! at Prudential Center on May 12, 2023 in Newark, New Jersey. (Photo by Shareif Ziyadat/Getty Images)
By the time he was ready to retire, Mase’s inscribed deal for Bad Boy Records would be the source of beef between the two MCs. Mase felt that his contractual obligations to the label still existed after his retirement, which caused him to construct a series of subtle disses at Diddy. However, the two would eventually reconcile their differences, that is, until the 2020 Grammys. After receiving the Icon Award, he blasted the Grammys. He boldly stated, “Truth be told, hip-hop has never been respected by the Grammys. Black music has never been respected by the Grammys to the point that it should be.”
After his speech, Mase would re-ignite his opinions on Diddy’s treatment of his artists under Bad Boy Records. He told Vibe, “Your past business practices knowingly has continued purposely starved your artist and been extremely unfair to the very same artist that helped u obtain that Icon Award on the iconic Badboy label.” While Diddy remained silent for a long time regarding the beef, he eventually came out in 2022 to defend his name on The Breakfast Club. He accused Mase of being a “fake pastor” who “went and conned people.” Lastly, he claimed that Mase owed him $3 million.
He Quit Hip-Hop To Focus On Ministry
Even after Mase retired from the hip-hop industry to pursue a religious career in ministry, he straddled between being a rapper and a pastor. Five years after his supposed retirement, he returned with the 2005’s self-explanatory Welcome Back. However, he hasn’t released a solo project since then. Outside the occasional release of a new single or a feature, Mase’s recent life has been focused on moving forward with his religious relationship. In 2021, he became the head of the Gathering Oasis Church. In addition, Cam’ron and Mase recently re-kindled their relationship as co-hosts on the It Is What It Is sports talk show.
The Notorious B.I.G. would’ve turned 51 years old on May 21st. Setting the gold standard for East-Coast hip-hop, we’re looking back on his greatest hits. At a time when the West Coast was taking over the rap scene, Biggie turned the rap world on its head with the multitude of hits off of Ready To Die. Featuring a discography full of infectious rhythms and dark narratives, Biggie was rapping about gang violence and family struggles amidst larger-than-life beats. Working under the tutelage of Bad Boy Records and Diddy, his career was an unfortunately brief but impactful sabbatical. Passing away 26 years ago due to a drive-by shooting, his haunting sophomore album Life After Death was released a month after his passing. Operating as a hit-making machine and a complex poet, he’s widely held as one of the greatest MCs ever.
“Hypnotize” (1997)
Released shortly before Biggie’s untimely death, “Hypnotize” quickly became an East-Coast anthem. From the menacing beat to the braggadocios lyricism, everything about the track exudes inordinate confidence. Biggie states, “Sicker than your average,” and “Girls walk to us / wanna do us / screw us.” Everything about “Hypnotize” encourages the audience to walk with their held up high. It’s why Conor McGregor walks out to the song before each of his fights. It’s why the song is still blasted on summer afternoons. The track reached the top of the charts and remained one of Biggie’s biggest hits.
“Juicy” (1994)
There’s arguably never been a greater album intro than “Juicy.” Many fans’ introduction to the Brooklyn MC, the song is an anthem about making it out of hard times. He’s talking down on those who “Called the police on me when I was just tryin’ to make some money to feed my daughter” or “To all the people that lived above the buildings that I was hustlin’ in front of.” Signed by Diddy and Bad Boy Records leading up to the release of Ready to Die, he references the two of them as akin to a superhero duo on the track. “Juicy” is the third song in his discography to eclipse 500 million streams on Spotify and is undeniably one of Biggie’s biggest hits.
“Big Poppa” (1994)
In contrast to many of Biggie’s more menacing hits, “Big Poppa” opts for sensuality amidst smooth guitar chords. A summertime jam through and through, the track is quickly approaching 800 million streams on Spotify. It would reach No. 6 on the Billboard Hot 100 charts upon its release. The track is best known for its earworm hook, solidifying his ability to thrive under various sonic styles. A sensual track in nature, Biggie analyzes his changing relationships with women before and after his fame.
“Mo Money Mo Problems” (1997)
Collaborating with Diddy and Mase, “Mo Money Mo Problems” thrived in its nationwide accessibility. Blending hip-hop, soul, and pop elements, the hit track immediately appealed to a broader audience than Biggie ever had. It showed in the numbers, sitting amongst the biggest songs in his discography. While Ready to Die saw Biggie reveling in his newfound wealth, “Mo Money Mo Problems” sees the rapper processing the realities of his new lifestyle.
“Notorious Thugs” (1997)
The hit “Notorious Thugs” saw Biggie collaborate with the iconic Midwest rap group Bone Thugs-N-Harmony. The collaboration yielded a unique moment in Biggie’s discography. He was blending the grittiness of the Brooklyn streets with the more melodic approach of Bone’s melodic Hip Hop flare. Narratively, “Notorious Thugs” sees Biggie reflecting on his days of street life. He’s at the top of the world, stating, “I’m in the fast lane, from L.A. to Tokyo / I’m so fancy, can’t you taste this gold?”
“Who Shot Ya?” (1994)
“Who Shot Ya?” was widely controversial upon its release. Many interpreted the track’s aggressive lyricism as a diss to Tupac Shakur after he was shot. However, Biggie would maintain that the track was recorded before his passing. One of the deeper cuts on his debut album, “Who Shot Ya?” was added to Ready to Die‘s remaster. Ultimately, the song also contributed to the rising beef between the West and East Coast.
“Nasty Girl” (2005)
Released posthumously as a single from the album Duets: The Final Chapter, “Nasty Girl” features Diddy, Nelly, Jagged Edge, and Avery Storm. Biggie had enough material to last over a decade over his passing, with “Nasty Girl” becoming one of his biggest hits to date. Essentially, the track sees each membered feature reflecting on their relationships with women. However, the main narrative of the track is the stacked feature list. Nearing a decade after its passing, the effort to complete Duets: The Final Chapter speaks volumes about his influence on the hip-hop scene.
On September 8th, Diddy and Jermaine Dupri Verzuz will finally happen. This highly anticipated matchup between the two hitmakers has been a long time coming. Last year, the two went on Instagram Live to discuss a potential Verzuz-like event. Though Timbaland nor Swizz Beatz have confirmed the alleged battle, apparently it is taking place at Madison Square Garden.
In an Instagram post, the Bad Boy founder tells veteran rappers Busta Rhymes and Fabolous about the planned event. “September 8th at the Garden, n***a. We’re gon’ have you out the rafters flying out the sky,” he says enthusiastically. Since the Verzuz platform came out, fans have wanted to see who would come out on top between Bad Boy Records and So So Def.
This Verzuz event will be like no other. Fans always have their own songs that they want to hear. Diddy and Jermaine Dupri will perform 20 of their biggest hits to date. With two of the strongest catalogs in hip-hop, we’ve created a list of five songs from both Bad Boy and So So Def that we want to hear during Diddy-Jermaine Dupri’s Verzuz battle.
Diddy – “All About The Benjamins” Ft. Lil’ Kim, The L.O.X., And The Notorious B.I.G.
”It’s All About The Benjamins (Remix)” should be considered a New York Anthem. With all artists hailing from different boroughs, Puff Daddy, Lil Kim, The L.O.X., and the Notorious B.I.G. created one of the most recognizable anthems in hip-hop history. Some would argue that it’s the Bad Boy founder’s best song. From the star power attached to the record to the infectious production, “All About The Benjamins” is undoubtedly a definitive record in Diddy’s illustrious career.
Puff Daddy is more of a producer than a rapper, but his verse on “It’s All About The Benjamins (Remix)” is certainly a stand-out. In 2020, Jadakiss spoke to Talib Kweli on the People’s Party podcast where he detailed writing Diddy’s verse for the hit song. It reached the number two spot on the Billboard Hot 100 and number one on the rap charts.
Jermaine Dupri – “Money Ain’t A Thang” Ft. Jay-Z (1998)
The East and the South combine for “Money Ain’t A Thang.” At this time, New York’s grip on Hip Hop was at its height, although Atlanta currently wears Hip Hop’s crown. ”Money Ain’t A Thang” is a feel-good song and the video matches the energy.
Like Diddy, Jermaine Dupri is a producer first, but his rapping skills are nothing to sleep on. With Jay-Z on the track, JD had to come with his best. Many thought The Blueprint rapper even wrote his verses for him, but the So So Def founder confirmed that he penned his own lyrics. The song was nominated for Best Rap Performance by a Duo or Group at the 1999 Grammy Awards. It’s still considered one of Jay-Z’s best songs. ”Money Ain’t A Thang” embodies the late 90s Hip Hop sound. It’s no doubt that it’s an important song in both artists’ catalogs.
The Notorious B.I.G. – “Juicy” (1994)
Hip Hop shifted when The Notorious B.I.G. made “Juicy.” Although hesistant to jump on the record, it’s a good thing Biggie trusted Diddy’s intuition. Diddy, alongside Poke of the Trackmasters, sampled the funk and soul group Mtume’s song “Juicy Fruit” for Biggie and the rest is history. Not only is the production fantastic, but the Brooklyn rapper’s lyrics are iconic. His rags-to-riches story details his ascent in rap, from reading Word Up! Magazines to sipping champagne when he’s thirsty. Almost 30 years later, “Juicy” remains a classic anthem that many would argue is the greatest Hip Hop song of all time. There’s no way Diddy doesn’t play this during the Verzuz.
Bonecrusher – “Never Scared” Killer Mike & T.I. (2003)
To this day, “Never Scared” can be heard at any sporting event. From the production to the lyrics, you can feel the energy in the song. Jermaine The song features fellow Atlanta rappers, Killer Mike and T.I. ”Never Scared” is Bonecrusher’s biggest hit, marking his only entry on the Billboard Hot 100. The song peaked at number 26 chart, although its impact is everlasting.
“Never Scared” ultimately carried Bonecrusher’s debut album, AttenCHUN!, to number one on Billboard’s R&B/Hip-Hop albums charts. Over the years, it’s become a mainstay in pop culture, especially video games, such as Madden NFL 04. On top of that, the song is cemented in Atlanta’s sports history ever since the Braves used it as their anthem in the 2003 MLB season. “Never Scared” stands as an iconic song in So So Def’s storied history, even if Jermaine Dupri didn’t produce the song.
Diddy – “I Need A Girl (Part One)” Ft. Loon & Usher (2002)
Diddy’s ability to weave through hip-hop and R&B effortlessly remains one of his strongest traits as a producer. On “I Need A Girl (Part 1), he delivered a quintessential 2000s R&B hit with the help of Usher and Bad Boy artist Loon. While both part 1 and 2 were incredibly successful in their own right, the former boasts an incredibly personal verse from Diddy that takes inspiration from his break-up from Jennifer Lopez.
”I Need a Girl (Part Two)” also achieved great success as it reached number four on the Hot 100. Not too many artists have had the opportunity to say that both parts of one song became top-five hits. ”I Need a Girl (Part One and Two)” are crucial to Bad Boy’s reign into the 2000s.
Jagged Edge – “Let’s Get Married (Remix)” Ft. Rev. Run (2000)
Jagged Edge’s “Let’s Get Married” is a certified R&B hit but, the remix turned it into a classic Hip Hop record. The addition of Rev. Run from Run DMC fame gave the record a face-lift. The King Of Rock rapper’s appearance was a surprising edition and made “Let’s Get Married (Remix)” a staple in So So Def’s catalog.
Craig Mack – “Flava In Ya Ear (Remix)” Ft. The Notorious B.I.G., LL COOL J, Busta Rhymes,& Rampage (1994)
Though Craig Mack’s “Flava In Ya Ear” received a Grammy nomination, the remix is more popular. ”Flava In Ya Ear (Remix)” is one of the best posse cuts in Hip Hop. Craig Mack, Biggie, LL Cool J, Rampage, and Busta Rhymes make for a memorable collaboration. Diddy’s infamous intro to the song puts the Bad Boy stamp on it. It’s definitely one of the label’s greatest hits, especially since it was included on Bad Boy’s 10th Anniversary…The Hits album.
Dem Franchize Boyz – “I Think They Like Me (Remix)” Ft. Jermaine Dupri, Da Brat & Bow Wow
So So Def signed artists that captured eras in Southern hip-hop. Dem Franchize Boyz, for instance, became catalysts to the rising snap sound that informed the viral dance moves that came from the South. “I Think They Like Me” ft. Jermaine Dupri, Da Brat, and Bow Wow served as a remix to “Oh I Think They Like Me.” With its infectious production, the record brings life through the speakers at every function while the “snap ya fingers” dance was an inevitable accompaniment to this song. It reached number 15 on the Billboard Hot 100 chart and topped the Rap Songs chart. The So So Def founder is behind many of Atlanta’s hits!
112 – “Peaches & Cream” (2001)
112 was an important part of Bad Boy’s success. In the early 2000s, they were one of the leaders in R&B. ”Peaches and Cream” added to their hit-filled catalog. This sexy song, produced by Diddy, makes you want to dance whenever it comes on. ”Peaches and Cream” falls in line with the rest of Bad Boy’s records that make you move.
It’s clear Diddy specializes in making music like this. 112 was nominated for a Grammy for Best R&B Performance by a Duo or Group With Vocal in 2002. ”Peaches and Cream” also reached the number four spot on the Billboard Hot 100 chart. It even stayed in the Top 40 for over six months! Another Bad Boy hit makes for one of the best records of the 2000s.
Youngbloodz – “Damn!” Ft. Lil’ Jon (2003)
The Atlanta duo, YoungBloodz will be remembered for “Damn!” Jermaine Dupri executive produced the duo’s album, Drankin’ Patnaz but Lil Jon produced the hit single. Lil Jon’s energy can be heard and felt throughout the track. There was even a dance to this as you can see many people doing it throughout the video. ”Damn!” is YoungBloodz’s best song as it reached number four on the Billboard Hot 100. Many believe it is one of the best Hip Hop songs of the 2000s and in So So Def’s catalog.
Today, we take a moment to celebrate the life and legacy of rapper Craig Mack on his heavenly birthday. As a pioneer in the hip-hop industry, Mack’s influence on music and culture remains indisputable. The East Coast emcee is remembered for his megahit “Flava in Ya Ear”—a track that still resonates with fans today. His untimely passing stunned a community, but his legacy lives on through his music, the stories from his loved ones, and his fans who champion his career. The Bad Boy hitmaker was unlike any other, so let’s revisit the rise of Craig Mack.
Craig Mack: The Beginnings
Craig Mack and Pharrell Williams during Star Trak Hosts Weekly Neptunes Party at the Coral Room at Coral Room in New York City, New York, United States. (Photo by Johnny Nunez/WireImage)
Born on May 10, 1971, Bronx-born, Long Island-bred rapper Craig Mack was destined for greatness. He first showcased his lyrical prowess under the moniker MC EZ in the late 1980s, releasing his debut single, “Just Rhymin’,” in 1988. However, it wasn’t until the early 1990s that Mack’s career took a significant turn.
In 1992, a chance encounter with Sean “Diddy” Combs resulted in Mack joining the fledgling Bad Boy Records label. Mack’s raw talent, hunger, and unique voice caught Diddy’s attention. When that happens, it sets the stage for a successful partnership. As the first artist signed to the label, Mack played a crucial role in shaping the sound and image of Bad Boy Records.
Success With Bad Boy & Global Stardom
The year 1994 marked a turning point for Mack as he dropped his groundbreaking single “Flava In Ya Ear.” This track, produced by Easy Mo Bee, quickly became a fan favorite. “Flava In Ya Ear” became an instant hit, reaching No. 9 on the Billboard Hot 100 chart and earning a Grammy nomination. Just like that, Craig Mack was a superstar.
Following the success of his debut single, Mack released his first studio album, Project: Funk Da World, in September 1994. The album, featuring production from Diddy and Easy Mo Bee, debuted at No. 21 on the Billboard 200 chart. As Bad Boy Records’ first release, Project: Funk Da World set a high standard for the label’s future artists, including The Notorious B.I.G., who later released his debut album Ready to Die.
Despite his initial success, Mack’s career began to falter as The Notorious B.I.G. quickly overshadowed him on the Bad Boy roster. His second album, Operation: Get Down, released in 1997, failed to achieve the same level of acclaim as his debut. Eventually, Mack parted ways with Bad Boy Records, but his contributions to the label’s early success and hip-hop genre cannot be understated.
His Death & Controversy
Craig Mack’s later years were marked by controversy and personal struggles. In the early 2010s, he became involved with the Overcomer Ministry, a South Carolina-based religious group led by self-proclaimed prophet Ralph Gordon Stair. Mack’s association with the group raised eyebrows, particularly due to Stair’s controversial teachings and criminal charges.
Then, in 2018, Craig Mack passed away at 46 due to heart failure. His sudden death left the hip-hop community in shock and mourning. Fellow artists and fans alike paid tribute to the rapper’s life and career, highlighting his impact on the music industry. Despite the controversies that followed him, Mack’s legacy remains undeniable. As one of the founding artists of Bad Boy Records, he helped shape the sound of a generation and paved the way for countless artists. Today, on his birthday, we remember and honor the extraordinary talent and lasting influence of Craig Mack.
Craig Mack’s Enduring Legacy
CHICAGO – SEPTEMBER 1994: Rappers Saafir, Craig Mack, The D.O.C. and Notorious B.I.G. poses for photos backstage after their performance at the Riviera Theatre in Chicago, Illinois in September 1994. (Photo By Raymond Boyd/Getty Images)
In the years following his passing, rapper Craig Mack’s influence continues to echo throughout the hip-hop community. His contributions to the growth of Bad Boy Records left an indelible mark on the genre. Many current artists cite Mack as an inspiration, drawing from his unique approach to music.
A testament to his impact, the 25th anniversary of Project: Funk Da World in 2019 saw a resurgence of appreciation for Craig Mack’s work. Fans and artists took to social media to express their admiration for the rapper’s trailblazing career. His music remains an essential part of hip-hop history and will leave its mark for generations to come.
Sean “Diddy” Combs’s net worth finally reached a billion in October 2022. Replacing Kanye West on the Forbes list, the American rapper, actor, producer, and record executive first worked as a talent director at Uptown Records before founding his own record company, Bad Boy Records, in 1993. At Bad Boy Records, he would sign iconic artists such as Notorious B.I.G, Mase, and more. In addition, he’s released a wide portfolio of multi-platinum albums.
Despite growing up in a violent environment that directly impacted his family, he rose above the circumstances. He developed a keen entrepreneurial spirit at 12 years old when he began working as a vendor for a local newspaper company. Throughout the years, Diddy’s expanded his portfolio to include a number of ventures and investments, including Revolt TV, Ciroc, and more. Below, we broke down exactly how Diddy accumulated a billion-dollar net worth by 2023.
Diddy Got His Start at Uptown Records
NEW YORK, NEW YORK–NOVEMBER 12: Hip-Hop Producer/Executive/Label Head Andre Harrell relaxes in a nightclub VIP area by chatting with Sean “Puffy” Combs on November 12, 1994 in New York City. (Photo by Al Pereira/Getty Images/Michael Ochs Archives)
After graduating from high school, Diddy initially enrolled in business school at Howard University. However, he dropped out after two years after talking his way into an internship at New York’s Uptown Records. During his first experience in the music industry, he developed artists such as Jodeci and Mary J Blige. Diddy was able to move up the corporate ladder into an executive position.
However, Diddy was fired from Uptown Records in 1993 and embarked on the next chapter of his career. Harrell, who fired Diddy, later clarified in the Bad Boy documentary Can’t Stop Won’t Stop: A Bad Boy Storythat he “fired Puff only to make him rich. I told Puff he needs to go and create his own opportunity.” Either way, Diddy’s termination would inspire him to his own record label.
Founding the Bad Boy Entertainment Record Label, he brought artists such as Notorious B.I.G, Carl Thomas, and Faith Evans with him. In addition, he utilized his industry notoriety to begin creating his own music. He produced Notorious B.I.G’s Ready to Die and Life After Death, the two respective albums now amongst the holy grail of rap albums. In addition, he released Platinum albums such as No Way Out and Forever. While Diddy’s sound was rooted in hip-hop, his penchant for soul and R&B fused into his sound. At Bad Boy Records’ peak, it was worth over $100 million.
His Alcoholic Beverage Company Is His Most Profitable
MIAMI BEACH, FL – DECEMBER 01: Sean “Diddy” Combs attends press conference for Ciroc Vodka at Fontainebleau Miami Beach on December 1, 2009 in Miami Beach, Florida. (Photo by Carlos Marino/FilmMagic)
While seemingly every famous rapper has delved into the alcoholic industry, Diddy was the pioneer of the trend. Back in 2007, he took over Ciroc Vodka as a majority owner. He would utilize his image to pivot the brand from a minor player to a multi-billion dollar powerhouse. The brand has branched out significantly from its original product offerings including various flavors and ready-to-drink products. Ciroc launched four flavors of vodka-spiked, ultra-premium canned cocktails. In an interview with Forbes, Diddy stated, “When it came to our innovation, we wanted to disrupt the market. When I was looking at the landscape, it wasn’t giving me luxury. We’re making the category sexy.”
Diddy owes the bulk of his net worth to Ciroc Vodka, where he’s making an estimated $60 million per year. However, Ciroc is not his only venture into the alcoholic beverage space. In addition, he owns the luxury tequila brand DeLeon. All of these brands fall under the umbrella of Combs Wines & Spirits. All of his companies fall under his recently re-branded Combs Global, which contains a portfolio that ranges from alcohol to cannabis products. The two billionaires in hip-hop, Diddy and Jay-Z have each had highly successful ventures into the alcoholic beverage world.
Diddy Disrupted the Clothing Industry
Sean “Diddy” Combs during Sean “Diddy” Combs Launches Sean John Elite Footwear Collection in Miami at Dolphin Mall in Miami, Florida, United States. (Photo by Rodrigo Varela/WireImage)
If alcohol has been Diddy’s primary source of net worth, then clothing is a close second. Back in 1998, he launched the Sean John clothing brand under the umbrella of sportswear. The brand would soon branch out into other lanes of fashion. Once exceeding $450 million in sales on an annual basis, Sean John was one of the premiere clothing brands in the US. However, the brand went starkly downhill after Diddy sold his majority stake in the company back in 2016. By 2021, Sean John had filed for bankruptcy. It would take Diddy re-purchasing the brand for $7.5 million to save it.
The billionaire’s clothing initiative began in a cubicle at Bad Boy Records. Jeffrey Tweedy, Sean John’s president for two decades, spoke about the initial process in an interview with GQ. He stated, “I got several calls from [Diddy] about starting a brand. He had a three-year plan already laid out, from what the collection looks like to what we do with it to where we market it how we market it to who we put it on. Diddy had done his homework.”
Diddy Is Building A Black-Owned Media Powerhouse
LOS ANGELES, CALIFORNIA – OCTOBER 25: Rapper Sean ‘Diddy’ Combs attends the REVOLT & AT&T Summit on October 25, 2019 in Los Angeles, California. (Photo by Scott Dudelson/Getty Images)
Diddy has also dived into the television network space. Launched in October 2013, Revolt TV was created with the intention of being “unapologetically hip-hop.” The network has lived up to that mantra, giving hip-hop artists the opportunity to promote their work through mediums such as Revolt-hosted podcasts, music video blocks, and covering social justice issues targeting African Americans. More recently, Diddy has expressed interest in acquiring a majority stake in BET as Paramount Global explores a potential sale. The initiative is a part of Diddy’s long-term vision to own a black-owned media powerhouse.
While rappers such as Childish Gambino and 50 Cent have had successful ventures into acting, Diddy was one of the first hip-hop acts to dive into the networking side of television. At the time, Comcast agreed to carry minority-owned networks as part of its deal to purchase a minority-stake of NBCUniversal. This is when Diddy came in with Revolt, a network that he announced on the steps of Notorious B.I. G’s childhood home.
Diddy Proven To Be An Intelligent Investor
LOS ANGELES, CA – FEBRUARY 27: Mark Wahlberg (L) and Sean Combs visit Extra at The Grove on February 27, 2013 in Los Angeles, California. (Photo by Noel Vasquez/Getty Images for Extra)
Outside of driving his own businesses, Diddy has proved to be an intelligent investor. For example, he’s currently a partner of Aquahydrate, one of the biggest water companies in the world. Investing a cool $20 million in the company along with Mark Wahlberg. Both are now part of a company that’s worth over $2 billion.
Diddy has also begun to invest in the cannabis market. Back in November of 2022, he acquired the licenses to buy various weed businesses in three different states. The overall deal was worth around $185 million. The deal would make Diddy the owner of the largest black-owned cannabis company in the nation. His dive into the industry was rooted in steadfast anger, as he expressed his frustration at the lack of Black representation in the industry. In an interview with the Wall Street Journal, he stated “Two percent? All the years, all the pain, all the incarceration…to me, it was important to do a big deal like this.”
Diddy’s Net Worth Surpassed $1 Billion in 2022
HOLLYWOOD, CALIFORNIA – MARCH 27: Sean ‘Diddy’ Combs speaks onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood, California. (Photo by Neilson Barnard/Getty Images)
Of course, Diddy’s business ventures haven’t had a 100% success rate. For example, he attempted to move into the auto parts world by creating the SJC Wheels Company back in 2005. At the time, the worlds of lavish cars and hip-hop were tied together. Therefore, the move had some definite promise on the surface. However, the company’s highly expensive line of wheels would fail to appeal to its target audience. SJC Wheels would file for bankruptcy a year after its inception.
From failed business ventures to getting fired from Uptown Records, Diddy would use these experiences to mold him into one of the hardest workers to come out of the music industry. From the alcohol to fashion industries, Diddy and Jay-Z’s ability to succeed with a wide-range of business ventures stands them from the rest of the crowd. Replacing Kanye West as America’s second hip-hop billionaire in 2022, his wealth and notoriety have continued to shoot up with age.
Bad Boy Records is one of the most iconic labels of all time. Home to arguably the greatest rappers, The Notorious B.I.G., the New York label has racked up hits. In the late ’90s to mid-2000s, Bad Boy controlled the game. With artists like 112, Craig Mack, Mase, The LOX, and Faith Evans, Puff Daddy, as he was known back then, took the label to new heights.
In what is Diddy’s biggest song to date, “I’ll Be Missing You” recently garnered much attention. Famed rockstar Sting was on Power 105.1’s The Breakfast Club in 2018, where he admitted that Diddy pays him $2,000 daily for sampling his song for the tribute track. Diddy sampled Police’s 1983 song, “Every Breath You Take.” After going viral, Puff returned to say he actually pays $5,000 per day but later admitted he was joking.
Regardless, Bad Boy Records’ catalog continues to dominate playlists. The label has been studied and dissected for decades, so here are our choices for the best records Bad Boy has released.
10. “Whoa!”- Black Rob
”Whoa!” is one of those songs that you can’t forget. Black Rob easily made one of the best songs in the 2000s. The Harlem native dropped two albums under Bad Boy, Life Story, and The Black Rob Report. ”Whoa!” appeared on Life Story, a certified platinum album.
9. “Peaches & Cream” – 112
112 is one of the best groups R&B has seen. When you think of the group, “Peaches & Cream” instantly comes to mind. It was one of the biggest records of the 2000s. The song was nominated for a Grammy in 2002. ”Peaches & Cream” was up for the prestigious award in the Best R&B Performance by a Duo or Group with Vocal. That year, “Survivor” by Destiny’s Child took home the gramophone trophy. ”Peaches & Cream” stayed in the Top 40 on the Billboard Hot 100 chart for over six months.
8. “Hypnotize” – The Notorious B.I.G.
Known as one of the greatest Hip Hop songs of all time, “Hypnotize” was the last song we heard from Biggie. He was killed a week after releasing the track. ”Hypnotize” landed in the No. 2 spot on the Billboard Hot 100. At the 1998 Grammys, Big was nominated for Best Rap Solo Performance for the hit record. ”Men in Black” by Will Smith won that category that year. The song reached international success as “Hypnotize” was the Brooklyn MC’s first Top 10 hit in the United Kingdom. It went 2x platinum in the U.K. and platinum in the United States.
7. “I’ll Be Missing You” – Puff Daddy ft. Faith Evans & 112
This is easily Diddy’s best song. In “I’ll Be Missing You,” the Bad Boy founder reminisces on his late friend, The Notorious B.I.G. He grabs Faith Evans, Biggie’s wife, to sing the hook while 112 contributes vocals in the background. Diddy made a relatable song about losing someone he truly loved. We all can relate to death, making this song popular worldwide. Sauce Money reportedly wrote Diddy’s verses after Jay-Z turned it down.
”I’ll Be Missing You” won a Grammy in 1998 for Best Rap Performance by a Duo or Group. It also spent 11 weeks in the No. 1 spot, giving Diddy & Bad Boy another hit. As discussed earlier, Diddy said he paid Sting $5,000 daily royalties for the song, but ultimately that wasn’t true.
6. “I Need A Girl (Part One)” – Puff Daddy ft. Loon & Usher
Diddy made a real heartbreak anthem with “I Need A Girl (Part One).” It was one of the best songs of the 2000s. During this time, he was going through a breakup with Jennifer Lopez. Diddy has been open about this time in his life as he was in a dark place after his split with the Maid in Manhattan actress. The third verse in the song is mostly about her. Usher nails the chorus while Loon delivers on his verse.
5. “One More Chance (Remix)”- The Notorious B.I.G. ft. Mary J. Blige & Faith Evans
Biggie made a smooth hit with “One More Chance (Remix).” The video was just as fun as the song, with many people making appearances. Big also had multiple people singing the chorus, even radio host Miss Jones. This song and video defined the ’90s as Big captivated the era’s sound, style, and music. Another hit for Bad Boy as they were running the ’90s.
4. “Flava In Ya Ear (Remix)”-Craig Mack ft. The Notorious B.I.G., LL Cool J, Busta Rhymes
Craig Mack will always be remembered for “Flava In Ya Ear.” He even scored a Grammy nomination for Best Rap Solo Performance in 1995. The remix is what made people pay attention. Craig Mack got on a track with three other heavyweights in Biggie, LL COOL J, and Busta Rhymes—and did his thing! ”Flava In Ya Ear” is one of those songs you must mention when discussing ’90s Hip Hop.
3. “Big Poppa” – The Notorious B.I.G.
”I love it when you call me Big Poppa.” That line is one of the most infamous lyrics in Hip Hop. Though “Juicy” was a big hit, “Big Poppa” earned The Notorious B.I.G. a Grammy nomination. It lost Best Rap Solo Performance in 1996 to “Gangsta’s Paradise” by Coolio. ”Big Poppa” was a popular song throughout the entertainment world. It was repeatedly sampled in movies, TV shows, and commercials. Once again, Big has one of the best songs on Bad Boy and one of the best in Hip Hop history.
2. “Mo Money Mo Problems” – The Notorious B.I.G. ft. Mase & Puff Daddy
”Mo Money, Mo Problems” is one of the biggest Hip Hop songs ever. The video is pretty iconic as well. The way they flipped Diana Ross’ “I’m Coming Out” can’t go unnoticed. ”Mo Money Mo Problems” was released after Biggie’s death, to which he set another record. He is the only artist in music history to have two No. 1 posthumous hits. The song received a Grammy nomination in 1998 for Best Rap Performance By a Duo or Group.
1. “Juicy” – The Notorious B.I.G.
An unforgettable track from The Notorious B.I.G. is still a favorite decades after its release. Bad Boy took off with Biggie, and “Juicy” was Big’s first official introduction to the mainstream world. After initially not wanting to do the record, Diddy assured him this would be life-changing. And the rest is history!
Though Diddy founded Bad Boy, The Notorious B.I.G. carried the label on his shoulders. Without Big, there might not be a Bad Boy. He’s the reason the label will forever be remembered. Let us know your favorite Bad Boy song in the comments.
