Evidence & Boldy James Connect On “All Of That Said”

On the verge of delivering his brand new album Unlearning Vol. 1 on June 25th, Evidence has come through to drop off a new single from the project in “All Of That Said.” Enlisting Griselda lyricist Boldy James — also no stranger to spitting laid-back and hard-hitting bars over minimalist production — Evidence sets it off with a slick opening verse.

“Gangstas don’t dance all they do is this,” he raps. “Blueberry Yum Yum in Amsterdam like Ludacris / I’m the type to smoke, not the type to drink / took the day to write, used the night to think.” Matching his energy is Boldy, who continues his streak of excellence with another strong verse. “I dare a n***a on my son to try to knight the King,” he warns. “I bet he wake up in the scope of a sniper’s dream / I roll the dope up by the bean, mixed the Sprite and lean.”

Check out Evidence and Boldy’s new track now, and look for Unlearning Vol 1 to drop off at the end of the month.

QUOTABLE LYRICS

Gangstas don’t dance all they do is this
Blueberry Yum Yum in Amsterdam like Ludacris
I’m the type to smoke, not the type to drink
Took the day to write, used the night to think

Nike Air Max 97 “Puerto Rico” Coming Soon: Official Photos

Over the past couple of years, Nike has had some issues with its Puerto Rico shoes. While they aim to pay homage to the people of Puerto Rico, the shoes always seem to mess up the flag and its placement. This has led to a lot of frustration and even some sneaker cancelations. Now, in 2021, Nike is looking to right its wrongs as they have come through with the Nike Air Max 97 “Puerto Rico” which will be coming out a month before the National Puerto Rican Day Parade.

As you can see in the official images below, this sneaker has a strong resemblance to the infamous “Silver Bullet” colorway which has always been a staple of the Nike Air Max 97. On the tongue and outsole, we have some blue, red, and white highlights which is an ode to the Puerto Rico flag’s colors. The actual flag is then placed on the tongue tab, as well as the outsole, which helps add to the motif and inspiration behind the sneaker.

If you are hoping to get your hands on a pair, you will be able to cop them as of Saturday, June 5th for $175 USD. Let us know what you think, in the comments below.

Image via Nike
Nike Air Max 97
Image via Nike
Nike Air Max 97
Image via Nike
Nike Air Max 97
Image via Nike
Nike Air Max 97
Image via Nike

Dae Dae Responds To Allegations That He Stabbed A Teenager At Dunkin’ Donuts

This week, news broke that Dae Dae, the Atlanta rapper best known for his 2016 hit record “Wat U Mean (Aye, Aye, Aye),” has recently been accused by Union City police of a considerably heinous crime. Several outlets have reported that Dae Dae, born Marquavis Goolsby, has been identified as the main suspect in a stabbing that took place at a Dunkin’ Donuts in Atlanta last December.

According to The Atlanta Journal-Constitution, Dae Dae allegedly enter a Dunkin’ Donuts in South Fulton and stabbed a 17-year-old female employee after getting into a heated argument in the drive-thru.

Rapper Dae Dae backstage at at 2016 V-103 Winterfest at Philips Arena on December 10, 2016 in Atlanta, Georgia
Paras Griffin/Getty Images

A video of the violent incident has made its round on social media, which led to authorities identifying the suspect as Dae Dae. Following the altercation, Union City Police took out aggravated assault charges against Dae Dae, but they claim that they have been unable to locate Dae Dae since the stabbing took place in December. 

Check out the footage from the December Dunkin’ Donuts altercation below.

In rather uncharacteristic behavior for someone who is reportedly wanted by the police, Dae Dae recently hit Instagram to speak out in response to the allegations that have been brought against him. According to Dae Dae, he’s not related to the crime at all, and unlike the perpetrator in the video, guns his choice of weapon.

Throughout his Instagram story, the Atlanta rapper says, “Don’t go for it. That’s all I want to tell you. Don’t go for it. Don’t go for it…Cap. You know that don’t look nothing like me! Dae tote sticks, and you know this.”

He also posted a video of a local news channel reporting on the situation to his page, with the caption, “Anything To Slammer My Name Huh…They Would Wanna See Me Dead Or In Jail. It’s Crazy the Type Music I Drop Is Nun But Motivation Music They Treatin me Like A Mass Criminal…NOT EVEN Trippen Lawyer Paid Up And Ima Drop Faster On You P*ssiess…Tell That…Stay Tune WATCHTHIS.”

Despite innumerable reports that claim police are after Dae Dae for the stabbing of the teenage Dunkin’ employee in December, the Atlanta artist has repeatedly expressed his innocence and flat-out lack of involvement in the situation. Stay tuned for updates regarding this strange case. 

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What Happened To Cory Gunz?

Sometimes, what appears to be a watershed moment in an artist’s career is simply a false alarm. Just as an artist reach the point where a meteoric rise seems imminent, everything from label interference to personal setbacks can allow a rapper’s grasp of the zeitgeist to slip, taking said artist from the hottest thing out to, well, another rapper with fifteen minutes of fame quickly narrowing.

Cory Gunz, placed front and centre just as Lil Wayne’s The Carter IV era began, would deliver such a star-making turn that, despite the iconic “6 Foot 7 Foot” representing Wayne’s returns to the fray (and his working relationship with Bangladesh), it was the dizzyingly-high bar set by his Young Money signee that had people talking. 

LISTEN: Lil Wayne feat. Cory Gunz “6 Foot 7 Foot”

The son of Peter Gunz (of “(Deja Vu) Uptown Baby” fame), Peter Cory Pankey Jr had been touted as a future star for a long time prior to the track’s release, routinely finding himself in the airspace of soon-to-be greats and fully certified legends during the early stages of his career. 

Initially signed to Def Jam at the tender age of 14, Cory would bust out the gate with his acclaimed The Apprentice mixtape series in 2006. The original “Gunna”‘s lyrical sharpness and arsenal of flows insinuated that the offspring of the Love & Hip-Hop star had limitless potential. Soon after, he appeared on Rihanna’s sophomore record on “If It’s Lovin’ That You Want Part 2” before checking in with grizzled NY vets The Bravehearts later that same year.

Proving himself to be equally adept at inhabiting the pop-inflected world or the grimey backroads of the underground, Cory’s insatiable hustle and skillset would obtain him a spot in the illustrious Gangsta Grillz lineage in 2009 with Heir To The Throne. 

Bubbling off of a mixtape that spotlighted his immense abilities and saw him embrace the mountainous expectations that its title had set forth, his profile would be further raised when he found himself in venerable company as part of XXL’s freshman class of 2009 

Flanked by independent kings such as Ace Hood, Curren$y and Blu, as well as soon-to-be superstars Wale and Kid Cudi, discussions as to who   was the MVP of the group ran rampant during the blog era, but after Cory’s aforementioned crowning glory on “6 Foot, 7 Foot,” it appeared that he could be the one to embed himself at the top of the game. After all, it’s hard not to think that the crown is for the taking when a rapper outshines the man that’s been the uncontested G.O.A.T. for the previous five years. 

cory gunz and young money crew

Corey Gunz, Mack Maine and Lil Chuckee of Young Money fame attend the 2011 BET Awards -Jason LaVeris/FilmMagic/Getty Images

The galvanizing verse and his spot on Young Money’s golden-age roster notwithstanding, Cory also had the good sense to gain name recognition by exploring other promotional avenues. Featuring frequent appearances from Nick Cannon, Cory would even receive his own MTV reality show. Dubbed Son Of A Gun, the six instalments provided a massive platform for Cory and humanized him at a time when all that was really known was that he had a prodigious ability on the mic.

In subsequent interviews that followed, Cory spoke of a second season that would, as he told DJ Skee, “document the album process” but it, much like the record that he alluded to, it would never surface. 

Poised to take a frontline position in Young Money alongside Drake, Nicki Minaj and Tyga, Cory spoke candidly about how he felt he slotted into their bracketology, telling BET that “Honestly, I’m playing for one of the biggest teams. I’m like Lebron right now at the [Miami] Heat.”

Barrelling full steam ahead with the Son Of A Gun mixtape in July 2011, and linking up with marquee names such as 2 Chainz, ScHoolboy Q and Juicy J, it seemed all but a foregone conclusion that this laser-focused MC would be readying his debut album for a 2012 release.

But when the normally straight-laced MC found himself saddled with a gun charge, he’d face his first setback. In the estimations of his father, it was imperative that he cool his heels. 

“Young Money put up a lot of money, we fought and I kept Cory quiet,” Peter senior informed HipHopDX. “He didn’t put out a lot of music. We smoldered him. When you making noise and you’re popping, that’s when they make an example of you. So we either had to keep him hot and he got his ass in jail or cool him off and try to get him hot again. But now that he’s got probation, he’s out in Miami trying to work on records and get himself up again.”

Although he must’ve felt as though he was back to square one, the hype train kept chugging along as 2013’s mixtape Datz WTF I’m Talkin Bout arrived. 

As far as features went, his appearance on the 2013 Rich Gang project was supplemented by a contribution to Meek Mill’s now legendary Dreamchasers 3, and over the course of both tracks, Cory got the chance to flex his wondrous rhyming ability in the company of Busta Rhymes, Mystikal, Meek, Birdman, French Montana and Mase. 

LISTEN: Rich Gang feat. Busta Rhymes, Mystikal & Cory Gunz “Every Day”

Just as he appeared to gain a second wind, however, radio silence recommenced.

Lost in the shuffle while some of his labelmates began to morph into transcendent stars, it appeared that his sporadic features and mesmerizing freestyles during his frequent trips to varied radio stations weren’t enough for the fans to latch onto. What was needed was something substantive, and in reflection, his father and mentor told DJ Vlad that he felt that, not only did they fail to strike when the iron was hot, but that the inner turmoil stemming from Lil Wayne and Birdman’s estrangement might have also hampered the Young Money artist’s chances. 

“He had the Son of A Gun show with Nick Cannon and we had ‘6 Foot 7 Foot,’ we should’ve ran, but it didn’t happen,” Peter asserted in 2015. His album, he’s matured so much and he’s ridiculous with it, I hope he gets his due.” He continued, “There’s a situation there that affects everybody on Young Money. Now, what I feel is that whatever happens or wherever Wayne lands, Cory will be with him. But, what’s going and does it affect Cory? That’s a concern.”

nick cannon and cory gunz

Cory Gunz and Nick Cannon attend a private listening party for Gunz, 2010 – Johnny Nunez/WireImage/Getty Images

Although Wayne may have been preoccupied and therefore remiss in his duties as a label head, Cory still remained an infrequent collaborator of Wayne’s up until the latter half of the decade. In another impressive turn, Cory appeared alongside Nicki Minaj and Tunechi on “Lay it Down” before popping up on the infamous Free Weezy Album in 2015. With priorities continuing to shift, Cory’s last high profile placement came on Wayne’s Dedication 6, while in recent times– March 2021– Weezy’s YouTube channel hosted Cory’s video for “Different” to the tune of 700,000+ views.

And, as Cory told ThisIs50 during a 2019 interview, there’s still a treasure trove of music from the two that resides in the archives. 

“We got so much music man, we got some records that I be looking at him like, bro. He knows what he wants to do with it, so I’m like… I can’t tell him what to do. I can just be like, that’s fire, let’s put it out…. Me and Wayne got some shit.”

Left at the mercy of his label boss and seemingly unwilling to step on toes to push for an album release, Cory has had to be content with working in his own sphere, self-releasing projects such as 2017’s Boogie Down Productions homage of Kriminal Minded, and occasionally reigniting the public imagination when he gets the chance to freestyle on a major platform, such as Funk Flex.

However, even with what he’s claimed to be a goldmine of collabs with YMCMB’s all-stars and eternal name value, it’s possible that due to his status as a torchbearer for the bar-heavy art of MC’ing, there simply wasn’t a marketable hit that they could anchor the record around. 

“Cory’s just a lyricist, and he won’t bend. If he went in the studio and did a ‘1,2,3, ABC / I’m down with Young Money,’ who fucking knows?” His father foreshadowed in 2013. He’d probably be a star by now. But he won’t bend. We have to hope that people go back to wanting to hear from spitters, and not need to hear a hot, finger snap record. Cory’s sticking to his guns—no pun intended—and trying to be a lyricist.”

Faced with a position on the fringes of history and with one platinum plaque that is not too dissimilar his father’s, Peter senior has continually lamented over his son’s arrested artistic development. And despite many fans likely assuming that he’s left Wayne’s camp, his dad has maintained that the elusive Cory hasn’t stopped grinding.  

“People don’t believe me when I say that it’s bittersweet, ’cause I know how the industry can spit you out,” Peter declared in 2020. “You ask where he is now, he’s still on Young Money believe it or not. He’s got a million songs that he’s working on. He’s still going and hopefully one day, people will get it… Cory’s still got a lane and he just gotta put that right shit out that’ll get people’s attention.”

cory gunz and peter gunz

Cory Gunz and his father, Peter Gunz, attend Peter Gunz birthday celebration, 2018 – Johnny Nunez/WireImage/Getty Images

As of 2021, Cory is back on his grind, with March’s Tims N Hoodies tape displaying him on typically-strident form, as he hooked up with Jahlil Beats and fellow forgotten son of Young Money, Gudda Gudda, on a solid project. But with every non-canonical drop that comes without the stamp of a major release, it only reinforces the confusion and frustration that surrounds the fact that his debut is the stuff of hip-hop folklore 

Renowned as a top-tier lyricist, but lacking the enigmatic mysticism that someone like, say, Jay Electronica has (thus ensuring his coverage for the Pitchfork-hip-hop crowds of the world), the skillful but introverted Cory needs to drop that definitive statement if he’s to find the acclaim that seemed his for the taking in the early 2010s.  

But even if that moment never comes, and he must subsist with underground admiration, Cory seems to be at peace with the fact that while may not reside at the forefront of the genre, he’s managed to keep pushing forward with his soul intact.

“I’m able to look at myself in the mirror,” he said in 2019. “If I wanted to be that ‘rapper’ everybody wanted me to be, quote unquote, have the personality they wanted me to have, that’d leave me people to blame. Me moving how I want to move and keeping it just me, I’m still able to sleep good at night.”

Chloe x Halle Fire Off A Soaring Cover Of TLC’s Timeless Track ‘Waterfalls’

It’s been nearly a year since Chloe x Halle released their standout sophomore album Ungodly Hour, but the two are still making sure there’s enough music to go around. They’ve been holding fans over with a number of fun covers, and they’ve now taken a stab at a rendition of TLC’s classic song “Waterfalls.”

Chloe x Halle take the sultry cover as an opportunity to once again showcase their impressive vocal range. “This song speaks so much to who we are as artists and human beings,” the duo said about the song. “We always say music is therapy to us because the lyrics are healing. There’s something about singing these words to yourself—it turns into an encouraging mantra that makes you feel inspired after listening.” This isn’t the first time the duo have covered “Waterfalls.” Back in June of 2020, Chloe x Halle shared a medley of covers to their YouTube page featuring songs by Lauryn Hill, Aaliyah, and TLC, saying they are three artists who have “inspired” them immensely.

Ahead of sharing their rendition of “Waterfalls,” Chloe x Halle have taken on a number of other hit songs. They recently released a moving cover of “Georgia On My Mind” for the 2020 Masters Tournament. Before that, Chloe Bailey took on a cover of Cardi B’s “Be Careful,” Silk Sonic’s “Leave The Door Open,” and Rihanna’s “Love On The Brain.”

Listen to their cover of TLC’s “Waterfalls” above, exclusively on Apple Music and iTunes.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Vince Staples Reveals The Release Date For His New Album’s First Single

Vince Staples hasn’t released much new music over the past couple of years but he’s set to break his silence later this month, according to a new interview in W magazine. In addition to talking about the two projects he has coming out this year, Ramona Park Broke My Heart and Vince Staples, which is partially produced by Kenny Beats, the feature also revealed the release date for the first single from his upcoming self-titled project: June 18.

Addressing the upcoming Vince Staples project with Kenny Beats, Vince said, “[Kenny] sent me a beat that I recorded on, and it just went from there. We didn’t go into it intentionally thinking that we would end up with as much as we had. We ended up working two days a week for a month, from after Thanksgiving until before Christmas in 2020. A couple of weeks in, we looked up, and we had some stuff.”

Recently, Vince let Killer Mike hear one of the two projects, prompting the Atlanta rap vet to compliment the Long Beach native as “gifted.” While we don’t know which of the two projects Mike heard, given the groundbreaking quality of Vince’s last two efforts, 2019’s FM! and Big Fish Theory, it’s just about a sure bet that he’s going to deliver something that sounds fresh and innovative, yet true to his California roots.

Vince’s next single drops on 6/18. Until then, you can check out some of Vince’s features from the past year, including Tiana Major9’s “Real Affair,” Lil Yachty’s “In My Stussy’s,” and The White Tiger soundtrack cut, “Jungle Mantra.”

DMX’s Posthumous Album ‘Exodus’ Is A Flawed But Fitting Final Testament

The best song on DMX’s recently released, posthumous album Exodus is “Bath Salts.” It’s the song that best summarizes the album’s purpose, that gives us the best glimpse of DMX as an artist hitting middle age, taking stock, and quietly contemplating the future while celebrating his accomplishments. It’s probably no coincidence that the featured guests are Jay-Z and Nas at their absolute best, as the three rappers have been peers, rivals, friends, and the rear guard of hip-hop’s turn-of-the-millennium boom era, three of the last men standing.

It’s hard to say whether the rest of the album clears the high bar set by just its second track because it’s been so long since DMX released new music on his own accord that there’s no telling whether the rest of his guest features are the result of natural evolution or algorithmic calculation. I don’t know that the DMX would have especially wanted to work with someone like Bono on “Skyscrapers” or Moneybagg Yo on “Money Money Money.” In fact, in a recent interview, the album’s executive producer Swizz Beatz even admitted the latter was a replacement choice after the desired Pop Smoke verse turned out to be unavailable.

Swizz is as much responsible for the album’s direction as anyone, the navigator to X’s driver. There are times when it feels like Swizz’s desires dictate the sound and collaborators as much as X’s did — like in Goofy Movie when Max changes Goofy’s map so he can attend the Powerline concert instead of visiting his pop’s sacred fishing hole. When Alicia Keys pops up — bless her — it smells strongly of Swizz doing favors for people in his circle. It’s a circle that had grown to include pop-favorite multi-millionaire R&B stars like Usher, but not so much the purveyors of the gritty street sounds that informed Swizz and X’s earliest work.

And yet, there are allusions to that work all over the album, making it feel less like the slapdash, stream-baiting efforts on other posthumous releases that have come out over the past few years — way too many. Way. Way. Too. Many — and more like a DMX album proper — maybe a more mellow Grand Champ. Swizz certainly sets things off properly with “That’s My Dog,” which features X’s Ruff Ryders compatriots The LOX, each member in rare form. Then, there’s the aforementioned “Bath Salts,” on which Nas makes a rock-solid case that Swizz Beatz should absolutely executive produce as many of the next albums the Queens icon cares to make (seriously, they are batting like .800 in the past few years, why hasn’t this happened yet?).

DMX proves he can still hang with his contemporaries lyrically, and his flow, despite being worn by time, still connects like an aging NBA player polishing his finesse game as time robs him of his explosiveness. It’s when he tries to get it back that the seams begin to show. Of course, again, it’s difficult to pinpoint the issue on the missteps. The yell-raps on “Money Money Money” and the Griselda Records- featuring “Hood Blues” sound rushed and off-kilter — is this intentional? Is it the result of rust? Did DMX have trouble adjusting to these beats, which are a bit unusual in his catalog as they feature Swizz’s more recently developed swing-style drums? Or is it Swizz and his engineers being in too big a hurry to finish this project before the spotlight swung away, flying vocals onto mismatched production to take advantage of the name recognition of guests?

It certainly feels like this on the pop reaches, “Hold Me Down” and “Skyscrapers.” Fortunately, another Ruff Ryders appearance — this time from oft-overlooked members Cross and Infrared on a hilarious, hyperviolent skit — sets things right, setting the stage for the more confessional, emotive back half of the album, featuring the songs that X most likely had more of a hand in. His flow, subject matter, and voice certainly seem better suited to “Walking In The Rain” — the fact he performs the hook himself suggests that it was certainly one of the songs he finished before he passed. It’s classic DMX, a ruminative track that looks inward and backward, with X and Nas reflecting on life changes.

Likewise, on “Letter To My Son,” DMX speaks to the titular Exodus from the perspective of an elder addressing his son on the cusp of manhood — an opportunity robbed from him by his addiction. It’s a sobering thought, that X could foresee a world in which he wouldn’t have the chance to have the grown man chat with his son. Moments like this album closer suggest that maybe X wanted to use this project to say all the things he wouldn’t get a chance to say. Perhaps if he had been alive to see it finished, little would have changed from the product that ultimately came. That’s always the tragedy, isn’t it?

It’s funny; for all the dog imagery DMX has embraced throughout his life and career, he resembles nothing here so much as an old lion. He’s battle-scarred, he’s tired — but he’s no less noble and beautiful for it. He has the authority and lived experience that his advice rings true, yet he has little interest in holding the throne. Leave that for the cubs. He’s earned his place, he’s left his legacy. The only thing left is to say goodbye. The fiery father figure somehow found a way to do that, leaving behind a flawed but fitting testament to a flawed man.

Exodus is out now via Def Jam. Get it here.

Drake Ends His Cannabis Company’s Partnership With Canopy Growth Corp.

In 2019, Drake announced the launch of his cannabis company, More Life Growth Company. Today, a little over 18 months since, Bloomberg reports that More Life’s partnership with Canadian cannabis producer Canopy Growth Corp. to distribute in global markets has ended. Canopy filed to terminate the partnership in March this year. The company reportedly “derecognized” almost C$33.7 million in remaining minimum royalty obligations to More Life. Although both parties expressed excitement at the partnership in 2019, somewhere in the past year, it would appear those feelings cooled.

BlogTO, a free afternoon newspaper in Toronto, reported that Canopy’s CEO David Klein expressed discontent with the lack of attention to the brand from Drake, who was splitting his time between recording his new album Certified Lover Boy and running a pro-am basketball tournament out of his house (which may have resulted in him reinjuring his knee, causing the CLB release to be pushed back). “[More Life] has not been progressing as originally intended and we’re still working on details to determine where it goes… [and] it may be something that can’t get to where we all want it to go,” Klein was quoted in BNN Bloomberg.

Klein also wasn’t impressed with More Life’s business plan, noting that, “In many regards, at its essence, it’s almost a real estate play where More Life is going to do a lot of activity on cannabis destinations. I don’t know if that still fits anybody’s way of thinking, at least in the COVID world.” He would know: Canopy is also the business partner for both Seth Rogen and Snoop Dogg‘s weed brands. Meanwhile, the market gets more and more crowded by the day, with Jay-Z, G-Eazy, Ice Cube, and Russ all jumping in the marijuana game in the past few months. Drake’s property was apparently a low enough priority without planning to compete in destination spots, which would have looked cool, but likely struggled to sell. This leaves Drake on the outside looking in for now, as many of his peers and contemporaries look to cash in on the lucrative cash crop.

Royce Da 5’9″ Has Big Praise For King Los, CyHi, & Black Thought

When it comes to assessing bars, Detroit lyricist Royce Da 5’9″ is certainly an authority on the matter. Therefore, when he steps up to give a fellow emcee his flowers, it’s wise to pay attention. Today, Nickle took a moment of his time to give credit to King Los, with whom he previously collaborated on the absolute lyrical clinic “Everybody’s A Bitch.” In addition to Los, he also singled out CyHi The Prynce and Black Thought as being two of the game’s best living emcees.

It should be noted that Royce touched on several additional topics, seemingly spurred on by the arrival of B. Dot’s viral Top 10 list — though it’s likely that several factors fueled his decision to speak. “We gon talk about these King Los bars y’all been getting,” begins Royce. “You won’t prop them on a public platform because you don’t have to yet. I see you. Fate may have it a different way one day. Ya just never know.”

“That kind of rap should always be celebrated,” he continues. “Your list shouldn’t pander to the perceived smoke. This is bigger than you looking cool. If you’re a contributor, if not don’t read this. Brands elevate and people go ‘oh, you’re up here with us now. Welcome, now I can acknowledge you.’ But that time, I don’t even feel the same about out rapping you n***as, I’m realizing smoking you don’t mean anything. Never did.”

Royce Da 5'9"

Prince Williams/Wireimage/Getty Images

“Y’all collaborate based on numbers and smoke, what’s the upside?” he asks. “Makes perfect sense just don’t understand why nobody gave us the memo….When y’all ready to have a REAL discussion about who the best is, shoot me a DM. A real convo tho. Not the ones where being highly skilled is weaponized and used against you and Kendrick n Cole r the only exception…I’m all street n***’d out at this point.”

“Y’all dun took the goal post and moved it everywhere from ghostwriting to emasculation,” he continues. “We all made millions, we all still n***s. Now, who rap better than CyHi?? Nobody on those lists bruh. Respectfully. Black Thought should be the measuring stick to cultural longevity. He does what he wants. He’s not afraid to grow older. I refuse to hang out with 23 year olds and adopt their slang and ideologies.”

For more from Royce, as the “rant brought to you by a higher power governing the way we engage on its planet” has much more to offer, check out Nickel’s post below. 

Stephen A. Smith Hits The Knicks With A Reality Check

Stephen A. Smith is extremely passionate when it comes to the New York Knicks. Over the years, he has hit them with some harsh criticisms, especially when it comes to owner James Dolan, who has been known for making a plethora of bad decisions over the years. More recently, however, Smith has been praising the Knicks thanks to their quick turnaround which led them to the NBA Playoffs as a four-seed. Unfortunately, their good graces came to an end last night as they were bounced out of the playoffs by the Atlanta Hawks in just five games.

With reality setting in, Smith gave the Knicks some words of wisdom following what proved to be an anticlimactic return to the postseason. Smith particularly took aim at Julius Randle, stating that while Randle is a good player, the Knicks will never go far with him as their premier option.

“Julius Randle is not a No. 1 option. … Julius Randle is an elite No. 3 option, a quality No. 2 option, but damn sure ain’t a No. 1 option,” Smith explained. This effectively means that the Knicks should be looking to make a big move in the offseason. That is certainly easier said than done, and it remains to be seen if there are any free agents who could fit the bill.

Either way, this was a season to build on for the Knicks, and it will be interesting to see how they develop, moving forward.

Julius Randle

Kevin C. Cox/Getty Images