redveil is an artist who has been making some huge waves over the course of the last few words. Despite being a young artist, he approaches his music with a ton of maturity. Overall, the fans believe he is a fascinating figure, and he continues to win over new people. Moreover, he has already found himself in feuds with people like Anthony Fantano of The Needle Drop. Once you are talked about on those levels, you are clearly doing something right, even if it is coming from a critical lense.
Recently, the artist revealed that he will be coming through with a brand-new EP that has been called playing w/fire. This is set to drop on April 19th, which is in exactly two weeks from now. However, as a way to drum up some hype for this new project, redveil has delivered a new single that features JPEGMAFIA. JPEGMAFIA is coming off of a stellar performance with his Danny Brown collaboration Scaring The Hoes Vol.1. On redveil’s “Black Enuff,” he certainly keeps his momentum going.
redveil & JPEGMAFIA Have Great Chemistry
With this brand-new song, you get a whole bunch of energy from both artists. The drumming here is phenomenal, with some 808s added for extra bass. Additionally, there are some nice textures throughout, including guitars that create an impenetrable wall of sound. Vocally, redveil expertly maneuvers his production with the help of JPEGMAFIA. The two work well with one another, and it will leave fans wanting more future collaborations.
If you are a redveil fan, this song will leave you very excited for his new EP. It will be out soon, so don’t worry too much about whether or not he will release a second single. In the meantime, let us know what you think of this new song, in the comments down below. Additionally, stay tuned to HNHH for the latest news and updates from the music world.
Quotable Lyrics:
Who been putting in minimal pain?
Already showed ’em it’s up and it’s stuck
Wear my scars, who the fuck is ashamed?
Never me, I’ma keep it a buck
You get charred if you step in my range
So you might as well stay in the cut