Joe Budden Begs Kai Cenat And Streaming ‘F*ckity F*cks’ To ‘Shut Up For A Change’ In A Rant About The 2024 Grammys

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Joe Budden 2022
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At the 2024 Grammys last Sunday, February 4, Killer Mike won Best Rap Performance (“Scientists & Engineers“), Best Rap Song (“Scientists & Engineers”), and Best Rap Album (Michael). Killer Mike was predictably euphoric, but Twitch streamer Kai Cenat had trouble accepting that anyone beat out Travis Scott’s Utopia or Drake and 21 Savage’s Her Loss for the award. But Joe Budden doesn’t care to hear another word from Cenat.

On the February 7 episode of The Joe Budden Podcast, the host played a clip from Cenat’s Twitch stream in which he reacted to Killer Mike’s victory, saying, “Who decided this motherf*cker? Who the f*ck decided this motherf*cker? Her Loss?! Utopia?! Metro Boomin?!”

Budden laughingly mocked Cenat’s outrage and said, “Shut your ass up. Yo, y’all lil streaming n****s don’t always run sh*t. Shut the f*ck up! We don’t care about none of that little streaming, moshpit, marked car whatever you n****s is doing over there.”

Budden continued, “U-f*cking-topia. U-nope-ia, n***a. I’m just so happy that the streaming — that the little f*ckity f*cks finally, finally have a look-in-the-mirror moment and say, ‘Oh, it’s not about us.’ No, adults are out, n***a. N****s got pocket handkerchiefs in. N****s got fly sh*t on. Yeah, real execs, business people, you little f*ckity f*cks. Shut up for a change! I’m so sick of these n****s. We only get to do this once a year. Listen, we gotta rush behind Killer Mike. Killer Mike won. We gotta let these n****s know what the f*ck we really think.”

Watch both clips below.

Benzino On Why He Created The Source Awards: “We Control The Narrative”

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In a candid revelation, Benzino recently shared the origin story behind the creation of the Source Awards. According to him, the motivation for establishing the awards show stemmed from the Grammys’ historical lack of recognition and respect for the hip-hop genre. In a statement that echoes the sentiments of many in the industry, Benzino shed light on the enduring struggle hip-hop faced in gaining acknowledgment from mainstream award ceremonies.

“The reason we made the Source Awards: the Grammys weren’t giving hip-hop respect at all. This has been going on forever,” Benzino asserted, laying the longstanding frustration within the hip-hop community regarding the Grammy Awards. His words reflect a sentiment shared by artists who have often found themselves overlooked or under-appreciated by traditional award platforms. Moreover, Benzino’s observation extends beyond mere frustration, delving into the perceived intentional actions by the Grammys to provoke and disappoint hip-hop artists. “Thats why the Source Awards was important because we control the narrative,” he said. “What the Grammys just did was f**ked up, stop supporting.”

Read More: Benzino Fires Back After Joe Budden Rehashes Rumor He Slept With Transgender Model

Benzino Speaks Out

Furthermore, his remark, “they do things on purpose to piss hip-hop off,” unveils a deeper layer of systemic bias. Some believe this has persisted within the Grammy voting process for years. This perspective challenges the integrity of the awards system, suggesting a deliberate sidelining of hip-hop artists. While acknowledging the importance of artists like Killer Mike, Benzino raises questions about the recent Grammy decisions. Especially in awarding three of the hip-hop and rap category Grammys to Mike. His skepticism suggests a broader critique of the Grammys, urging the hip-hop community to reconsider its support for an institution that may not truly represent its interests.

Moreover, Benzino’s call to “stop supporting” the Grammys resonates with a growing sentiment within the hip-hop industry. The idea of empowering the community to control its narrative, as exemplified by the Source Awards, becomes a rallying cry for artists to seek recognition and validation from platforms that genuinely appreciate the genre’s cultural significance. In conclusion, Benzino’s candid remarks provide a critical perspective on the Grammys’ treatment of hip-hop. As the hip-hop community grapples with ongoing challenges and strives for equitable recognition, Benzino calls for collective action. He urges artists and fans alike to reassess their support for award platforms that may not fully embrace the essence and impact of hip-hop music.

Read More: Benzino Admits He Had Help Writing Eminem Diss Track

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Joe Budden Was Disgusted By Travis Scott And Playboi Carti’s 2024 Grammys Performance: ‘Get The F*ck Off The Stage’

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Travis Scott Grammys 2024
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Travis Scott’s Utopia — Circus Maximus Tour recently wrapped after months of generating headlines, including the fact that he performed “FE!N” 10 times in a row. Scott explained during a December appearance on The Tonight Show Starring Jimmy Fallon that he chose to repeatedly run through the song because “I have, like, the best fans in the world, and I go off the energy they give me, and they were wild that night, and so I just got even wilder.”

Meanwhile, Joe Budden hates it.

Scott performed “FE!N” with Playboi Carti, the featured artist on the Utopia track, during the 2024 Grammys last Sunday, February 4, and Budden was less than impressed.

“What the f*ck is Travis and his man doing up here?” Budden said in a clip making the rounds on X (formerly Twitter). “You two bozos, get the f*ck off the stage when n****s got beautiful women and tuxedos on, honestly. You up there smashing sh*t.”

Budden added, “All that sh*t look different when it ain’t a thousand little white kids jumping up and down. Ay, when there are grown people here, all that, ‘Fein! Fein! Fein!’ That’s what you wanted to win over Killer Mike?” (Scott’s Utopia was nominated for Best Rap Album, which Killer Mike won for Michael.)

Budden called Scott “stupid” before continuing to mockingly imitate Scott’s performance. And just when you think it couldn’t get any more brutal, Budden brought Carti into the criticism.

“And then you bring your man out,” he said. “This is how I knew I was in the f*cking matrix. You bring your man out, Playboi Carti, the crowd just stares silent. Playboi Carti looked confused. Like, ‘Y’all don’t know who I am?’ No, n***a! You got a f*cking mask on! Who the f*ck are you under there? You are not at South By Southwest [SXSW] anymore. We can’t recognize you bozos by the stocking mask you’re wearing. I hate these n****s, man. All of ’em!”

But it wasn’t all hate. Budden added, “I love that song, but not when the tuxedos are out. Take that sh*t to the dirty Coachella grass, n****.”

Watch the clip below.

Kid Cudi Reflects On 16 Years Since “Day N Nite” Being Released

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In a heartfelt celebration of a milestone in his musical journey, Kid Cudi recently took to social media to mark the 16th anniversary of his hit single, “Day ‘N’ Nite.” The Cleveland rapper, known for his genre-defying approach to music, shared a poignant post on Instagram. He expressed gratitude and reflecting on the profound impact the song has had on his life and the lives of many others. “16 years ago, I released a song that changed my life and many others’ lives at the same time,” Kid Cudi wrote in his Instagram post.

Moreover, the acknowledgment serves as a testament to the enduring resonance of “Day ‘N’ Nite” and its significance in shaping the trajectory of his career. The artist’s reflective tone invites fans to join him in commemorating a defining moment in his musical evolution. In the post, Kid Cudi expressed appreciation for the individuals who played a pivotal role in the song’s success. He thanked every person who not only listened to the track but also actively contributed to its spreading influence by recommending it to friends. Furthermore, the rapper’s acknowledgment of the collective effort in amplifying the song’s reach reflects the collaborative nature of music appreciation and how it can shape an artist’s trajectory.

Read More: Kid Cudi Addresses Rich Paul’s Comments About His Relationship With Cleveland

Kid Cudi Appreciates His Fans

 
 
 
 
 
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Moreover, Kid Cudi claimed that he knew the song was going to be special. This adds an interesting layer to the narrative. Kid Cudi’s confidence in the uniqueness of “Day ‘N’ Nite” showcases the intuition and artistic vision that often accompany groundbreaking creations. It becomes a testament to the artist’s vision and belief in the power of his work, even when faced with the uncertainties of the music industry. As Kid Cudi showed his appreciation he also sent love to all those who played a role in the early days of his career. This acknowledgment extends beyond the immediate success of “Day ‘N’ Nite” and recognizes the magical synergy of the people who contributed to his artistic journey during its nascent stages.

Moreover, the 16th-anniversary celebration encapsulates more than a mere acknowledgment of time passed. It represents a profound appreciation for the enduring impact of art. Kid Cudi’s humility and gratitude shine through as he recognizes the collective magic created by those who resonated with “Day ‘N’ Nite” and contributed to the foundational moments of his career. In conclusion, Kid Cudi’s social media post stands as a poignant tribute to the transformative power of music. As fans and collaborators join him in reflecting on the 16th anniversary of “Day ‘N’ Nite,” it becomes a celebration not just of a hit single but of the enduring magic that music weaves into the fabric of our lives.

Read More: Maple Leafs Drop Kid Cudi Track As Goal Song Over Drunk Driving Lyric

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JERMAINE DUPRI AND SO SO DEF RECORDINGS INKS MULTI-YEAR DEAL WITH CREATE MUSIC GROUP

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JERMAINE DUPRI AND SO SO DEF RECORDINGS INKS MULTI YEAR DEAL WITH CREATE MUSIC GROUP

Jermaine Dupri is making moves- and taking his talents with him. This week, So So Def Recordings, Inc. has inked a multi-year deal with Create Music Group. The newly minted partnership will bring the legendary label and all its recordings, publishing, as well as its historic So So Def Recordings back catalog to Create Music Group. In addition, the new collaboration will launch new music and new artists under the direction of Dupri, who will also serve as the new Creative Director for Create Music Group.

Furthermore, Dupri will transition from CEO of So So Def Recordings to Chairman & Founder, and has appointed Bryan Patrick Franklin as the new CEO and Joe Romulus Esq as Head of Legal Business Affairs.  As Creative Director, Dupri’s plans include focusing on expanding the company’s impact on the cross-section between music and culture. Regarding the new deal, the GRAMMY® Award-winning producer and hall of fame songwriter commented, “I have been looking for a home for the entire So So Def brand so I can continue to do what I started.”

“Jermaine has been one of the most successful and impactful forces in music for the last three decades,” said Jonathan Strauss, Founder and CEO of Create Music Group. “We are honored that he and his team have decided to partner with us for both his catalog and future output.”

Fans are the ones who will benefit the most from this new partnership as they plan to roll out tons of new music, while introducing new talent for the world to embrace, ushering in a “new day” at So So Def Recordings.

Established in 2015, Create Music Group is a data-driven media and technology company focused on empowering artists and creators. Named #2 on the Inc 5000 Fastest Growth Companies in America in 2020, its industry-leading platforms enable rights holders, distributors, artists and brands to identify and secure monetization opportunities and build new audiences, specifically on emerging social media platforms such as TikTok.

The post JERMAINE DUPRI AND SO SO DEF RECORDINGS INKS MULTI-YEAR DEAL WITH CREATE MUSIC GROUP first appeared on The Source.

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