It’s been a busy year for Taylor Swift. Last summer, the singer released her eighth album, Folklore, which became one of the best-selling releases of 2020 and eventually took home a 2021 Grammy for Album Of The Year. Her run continued with the December release of Evermore, which also topped the charts. And earlier this month, Swift dropped her third album in less than 12 months with the re-recorded version of Fearless, her 2008 sophomore album, which, like, the other two, has topped the Billboard charts.
Fearless (Taylor’s Version) debuted atop the Billboard 200 with 291,000 units sold in the chart dated April 24. This number is comprised of 179,000 pure album sales and 109,00 streaming equivalent album units. It makes her the first woman with three No. 1 albums in less than a year. Prior to this, the fastest a female recording artist was able to net three chart-topping projects was 14 months, when Donna Summer did it with Live And More (November 11, 1978), Bad Girls (June 16, 1979), and On The Radio: Greatest Hits Volumes I & II (January 5, 1980).
Elsewhere, the new No. 1 ties Swift with Madonna for the second-most No. 1 albums over her career: nine, leaving her just two behind Barbra Streisand, who holds the most among women with 11. Swift also earned the biggest week of 2021 in terms of units sold, as well as the biggest week for a country album since Luke Bryan’s 2015 album Kill The Lights.
Further down the chart, DMX’s The Best Of DMX jumped from No. 73 to No. 2, following the rapper’s tragic death. Ariana Grande’s Positions also re-entered the top-10, thanks to the release of its vinyl LP and cassette, which helped boost the album from No. 17 to No. 6.
In less than a week, Taylor Swift will release her first re-recorded album, Fearless (Taylor’s Version). The singer has been teasing this project since the end of 2020, when a previous contract with Big Machine, her old label, allowed her to re-record her first six albums. Why? In part because she currently does not own the rights to them. In addition to the new versions of the songs from her 2008 sophomore album, Fearless (Taylor’s Version) will also include seven previously-unheard songs. She shared the first such release — “You All Over Me” with Maren Morris — at the end of last month. As for the other six songs, they remained untitled until Saturday, when Swift debuted the full tracklist for the upcoming project.
You cracked the codes and guessed all the From The Vault titles. Here’s the full track list, my friends. pic.twitter.com/lC3awlRmm2
I’m really honored that @KeithUrban is a part of this project, duetting on That’s When and singing harmonies on We Were Happy. I was his opening act during the Fearless album era and his music has inspired me endlessly.
The singer revealed a second guest appearance on the album: country singer Keith Urban. He appears on a track entitled “That’s When.” After sharing the news, Taylor spoke about the collaboration. “I’m really honored that @KeithUrban is a part of this project, duetting on That’s When and singing harmonies on We Were Happy,” she said. “I was his opening act during the Fearless album era and his music has inspired me endlessly.” She added, “I’m counting down the minutes til we can all jump into this brave world together, filled with equal parts nostalgia and brand newness.”
Fearless (Taylor’s Version) is out 4/9 via Republic Records. Pre-order it here.
In recent weeks, R&B legend Anita Baker has spent some time on Twitter sharing thoughts about her ongoing battle to take back control over her master recordings, which has apparently not gone in her favor so far. Now, Baker has found herself a supporter in Taylor Swift, who herself has famously had some legal drama about her own masters.
On March 9, Baker tweeted, “Miraculously… i have out-lived *ALL, of my Artists Contracts. They no longer ‘Own’, My Name & Likeness. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me. Unfortunately, They’re gonna make me Fight 4 it. I’m Prepared, 2 do that. Please Dont advertise/buy them ABXO.”
More recently, she gave props to Swift yesterday for how she handled her situation by re-recording her back catalog, writing, “Her creations bought & sold Again & Again, wouldnt even let her do *A Buy Out*…Taylor Swift *re-recording, her Catalog/Taylor’s Version. The GoodFight Go… Gurrrrl.” That got a response out of Swift, who wrote, “I’m cheering you on in your fight to get back your work, and appreciate your support so much!! Thank you.” Baker answered back, “This Solidarity is a Beautiful Thing! Thank You.”
Miraculously… i have out-lived *ALL, of my Artists Contracts They no longer “Own”, My Name & Likeness. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me Unfortunately, They’re gonna make me Fight 4 it. I’m Prepared, 2 do that. Please Dont advertise/buy them ABXOpic.twitter.com/PXe9xzsJK0
Her creations bought & sold Again & Again, wouldnt even let her do *A Buy Out*…Taylor Swift *re-recording, her Catalog/Taylor’s Version. The GoodFight Go… Gurrrrl… pic.twitter.com/u8tV0ztomI
Meanwhile, after Baker’s initial tweet, Chance The Rapper also chimed in with a message of support and a call to all of his fans, writing, “DO NOT LISTEN TO NO ANITA BAKER TIL THEY GIVE HER HER MASTERS BACK. TELL YO MAMA TO TELL A MAMA.”
DO NOT LISTEN TO NO ANITA BAKER TIL THEY GIVE HER HER MASTERS BACK TELL YO MAMA TO TELL A MAMA https://t.co/IrnNLn1eZW
There were a lot of winners (and losers and surprises) at this year’s Grammys, with two prime examples being Taylor Swift and Beyonce. Swift’s Folklore picked up the trophy for Album Of The Year while Beyonce snagged some awards as well, which helped her get more all-time Grammy wins than any singer ever. Now the pair have gotten in touch and recognized each other for their achievements, as Swift revealed today that this morning, she woke up to flowers from Beyonce.
Swift shared photos of the gift on Instagram today. With the flowers was a note, which reads, “Taylor, Congratulations on your Grammy. It was great seeing you on Sunday night. Thank you for always being so supportive. Sending love to you and your family. B.” Sharing the letter, Swift wrote, “Woke up to flowers from the queen of grace & greatness @beyonce and suddenly it’s the best Friday EVER. Thank you B and congratulations on your epic achievement Sunday night!!”
Reflecting on the Grammys after the fact, Swift collaborator Aaron Dessner had only kind things to say about Swift, as he wrote in an extensive message, “I am constantly humbled by and grateful for our friendship and collaboration. It’s such a strange thought that this time last year, we hadn’t even begun our journey together, since you are now such a big part of my life. You have restored my faith in music and the ways in which it can help me and others. In a year of such uncertainty and fear, I’m eternally grateful for the music we made. You generously shared your songwriting genius with me and others on these records — and made everyone involved feel appreciated and confident in their work. I can’t say enough positive things about you as an artist and a person.”
At every Grammy Awards ceremony, there are winners and losers.
Here, though, “loser” is a relative term. If you’re an artist who is doing so well that you’re at the Grammys at all, it’s hard to imagine that you’re anything but a winner. That said, if you’re particularly confrontational, “loser” might be what you call somebody who was nominated for an award and did not win that award. On the flip side, you could say that some artists didn’t lose: they won the right to keep their title of nominee (at the cost of not getting promoted to winner).
Then there are cases where you don’t need to glass-half-full the truth to declare somebody was a winner, whether they went home with a trophy or two or otherwise excelled during music’s biggest night. Last night’s Grammys ceremony was full of people who had different levels of success, so let’s get into who thrived and who didn’t quite do that, as well as who offered some of the evening’s biggest surprises.
Winner: Megan Thee Stallion
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Meg had one of the best winning percentages of the night, taking home three of the four Grammys for which she was nominated — she won Best Rap Performance, Best Rap Song (both for “Savage”), and Best New Artist, but didn’t claim Record Of The Year.
Outside of the awards themselves, Meg was notary-like with how she put her stamp on the evening. She and Cardi B made more modest-minded music admirers mad with a performance of “WAP” (more on that in a second). Even the Grammy Meg didn’t win, she kind of did win it. While Billie Eilish accepted the Record Of The Year trophy, she got behind the podium and mostly spoke about how Meg should have won it instead of her.
Loser: The structural integrity of “WAP”
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It’s true that “WAP” was probably the biggest song of 2020. It’s also true that it wasn’t made for TV (or for any audible medium at all, according to Ben Shapiro). So, when it was revealed that Cardi B and Megan Thee Stallion would be performing the hit during the Grammys broadcast, fans were ready to see a non-insignificant portion of the song left on the cutting room floor. That was true to the extreme. The lyric sheet for this version of the track looked like a brand new Madlibs book. I’m sure Cardi and Meg did all they could to bring “WAP” to the Grammys and they still delivered an entertaining few minutes of television, but the performance came across like they didn’t secure the rights to the song, so they got as close to actually performing it as they could without getting into legal trouble.
Loser: Jhené Aiko
As is tradition, the Grammys took a very long time. Even before the actual ceremony, there was the also-lengthy Grammy premiere ceremony, which the Recording Academy roped Aiko into hosting. Between that and the actual show, it was a long, grueling day for Aiko and she didn’t even end up winning any of the three Grammys for which she was nominated.
Thankfully, Aiko is an optimist. The hosting gig was a personal triumph for Aiko, as she wrote on Twitter, “i conquered a major fear of public speaking today by hosting the freaking Grammy Premiere Ceremony!!” She was even cool with not taking home a trophy, as she tweeted, “i know what its like to lose… do u? do u?! lol,” later adding, “what a crazy day! but its all good. love you all so much.”
i conquered a major fear of public speaking today by hosting the freaking Grammy Premiere Ceremony!! thank you @RecordingAcad for having me!! see u at the show after i take this lil cat nap
In some ways, the Grammys are a popularity contest: If some no-name (not Noname) from the middle of nowhere made one of the year’s best songs, they’re probably not going to win a Grammy for it. The Recording Academy further proved that with their pick for Song Of The Year, as HER took home the prize over people like Beyonce, Roddy Ricch, Taylor Swift, Post Malone, Dua Lipa, and Billie Eilish. While HER is certainly a successful artist and “I Can’t Breathe” is an impactful song built on meaningful social justice themes, she’s not exactly a household name and her victory certainly left many viewers feeling like Michael Bluth:
Winners: Fans of normalcy
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Over the past year-plus, pretty much every aspect has been entirely different than it was pre-pandemic. That includes The Grammys, but the fact that the ceremony even happened at all is a grounding force. Yes, the show wasn’t really like previous broadcasts in any way, but it was also as close to normal as any sort of live music event has been since early 2020. Considering the circumstances, the Recording Academy excelled with their broadcast. Delayed ceremony aside, one thing music fans have been able to count on towards the start of the year is finding out what music and artists the Recording Academy “secret commitees” deserve to be honored, for better or worse.
Losers: Fans of normalcy
That said, the whole thing was a bit weird, right? During performances, there were probably too many cuts to Trevor Noah and other artists in the room to forcefully drive home the point that everybody was actually there IRL. Those shots just hit different when it’s just one or two people side-stage instead of a big seated audience. Then, when the performances were done, the golf-level applause didn’t make the Grammys seem as epic as they usually do. Going the NBA route and piping in artificial fan noise wouldn’t have been a bad move.
The Recording Academy faced an impossible problem, but they still managed to put on a functional and entertaining show that offered plenty of highlights and made you forget this is an atypical Grammy year. Ultimately, though, it often felt less than grand, which, again, is really nobody’s fault.
Winner: Performance aesthetics
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Sure, let’s flip this topic of Grammy normalcy around one more time. Usually, artists and their crews only have a few minutes to get an elaborate performance set-up onto the singular Grammy stage at the Staples Center. This year, though, the set-up made things different, arguably better. The multiple stages on-site allowed for performers to get their own look going in their own space, all with minimal time between performances. In an aesthetic highlight, Taylor Swift, Jack Antonoff, and Aaron Dessner were all able to take to a mini cabin in a mystical-looking forest, for example, it feels like that something that gorgeous may not have been possible in a traditional Grammy year. Lil Baby’s cinematic performance that addressed police brutality definitely wouldn’t have been an eighth as impactful on a traditional stage.
Surprise: Jojo Rabbit
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Taika Waititi himself would agree with this pick, as it seemed like he didn’t really expect the Jojo Rabbit soundtrack to win Best Compilation Soundtrack For Visual Media over films like Frozen 2 and Eurovision Song Contest: The Story Of Fire Saga. Waititi offered a simple “Lol wtfffff” on Twitter in reaction to the news, and during his acceptance speech, he noted, “I guess they’re just giving Grammys to anyone now! I’ll take it, thank you.” He went on, “It was so long ago, I can barely remember anything about making that movie — but it seems like it’s never going to go away, and I’m happy about that.”
So, if you don’t remember the Jojo Rabbit soundtrack, it’s OK because Waititi probably doesn’t either.
Winner/Loser: Masks
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Whether this is a winner or loser is a matter of perspective. Audience shots at awards shows are usually the most fruitful vine from which to pluck plump, dank memes of celebrities who didn’t expect the camera to be on them at a share-worthy moment. In that regard, music fans and internet jokesters lose. Masks could be seen as a major victory for artists who didn’t pick up a trophy, though, considering a wearable specifically made to cover the lower half of your face makes it a heck of a lot easier to hide your disappointment when you come away from a category empty-handed. Frustrated cursing no longer has to be under your breath!
Winner: The entire Carter family
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The Beyhive would never let me hear the end of it if I declared Beyonce a loser, so thankfully, she had an amazing night. For years, she has been climbing up the all-time Grammy wins list, and she made history this year by picking up more trophies to become the woman and singer with the most Grammy victories.
That would have been enough to get her on this list, but that was just one aspect of a multi-pronged night for Bey. She and Megan Thee Stallion became the first women to win Best Rap Performance with “Savage,” and on top of that, her daughter Blue Ivy managed to become one of the youngest Grammy winners ever. Jay-Z was the only member of his immediate family to not directly win a Grammy this year, except even that’s not quite true since he has a writing credit on the “Savage” remix.
So, in what was perhaps the least surprising takeaway from the evening (or from any day, really), the Carter family is doing quite well.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Well… we’re finally here. After a brief postponement, the 63rd annual Grammy Awards will be taking place on Sunday, March 14. As with many awards shows nowadays, things will be presented a bit differently than we’re used to. Per The Recording Academy’s website, there will be a virtual red carpet ceremony and premiere ceremony, where artists like Burna Boy, Lido Pimienta, Rufus Wainwright, and more will perform.
The circumstances don’t negate the ceremony’s esteem, however, and some of the biggest names in music could take home some serious hardware. Given The Recording Academy’s commitment to diversifying their business and the industry at large, there are a handful of exciting nominations and possibly historic wins music fans may be treated to this year. They say “it’s an honor to be nominated,” and that certainly rings true this time around.
Read on to discover some major nomination moments and potential milestones that the 2021 Grammys hold.
Legendary Nominations
The Biggest Pool Of Potential Honorees
There were 23,207 entries submitted for nomination consideration this time around, which is more than ever before. After the nominations were announced in November, Recording Academy Chair and Interim President/CEO Harvey Mason Jr. said that this year’s honorees are “proof that the creative spirit continues to be alive and well.”
Women Rule Country and Rock
Here’s a first: never before in the history of the Grammys have there been only women or women-fronted acts nominated in the Best Rock Performance and Best Country Album categories. Phoebe Bridgers, Fiona Apple, Brittany Howard, Grace Potter, HAIM, and Big Thief are up for Best Rock Performance, while Ingrid Andress, Brandy Clark, Miranda Lambert, Ashley McBryde and Little Big Town could win the Best Country Album honor.
Best New Artists Bring Heavy Representation
Even more exciting: every nominee in the Best New Artist category is either a woman or a person of color. They include country singer Ingrid Andress, indie rock singer-songwriter Phoebe Bridgers, rapper Chika, alternative act Noah Cyrus, rapper D Smoke, rapper/singer Doja Cat, deejay/producer Kaytranada, and rapper Megan Thee Stallion.
BTS Breaks Barriers
BTS is the first K-Pop act and the first South Korean group to be recognized by the Recording Academy. They are nominated for Best Pop Duo/Group Performance category for the 2021 ceremony, thanks to their song “Dynamite.”
The Potential Milestones
Taylor Goes For Three
If Folklore goes home with an Album Of The Year win, Taylor Swift would become the first woman to win the honor three times. Previously, Swift won the night’s top award in 2010 for Fearless and in 2016 for 1989. She would join Stevie Wonder and Frank Sinatra as the third solo artist in history to achieve the feat. (Paul Simon has won Album Of The Year three times, but one of those wins came for a Simon & Garfunkel album.)
Queen Bey Watches The Throne(s)
After securing nine nominations this year, Beyoncé became the second-most nominated artist in Grammy history, tying with Sir Paul McCartney. (The only other musicians with more nominations are Quincy Jones and her husband JAY-Z, who are tied for first.) If Bey wins three of those gramophones, she ties with bluegrass musician Alison Krauss for the most wins by a female artist in the show’s history. (If she wins four, of course, that means the record now belongs to her.) We also have to mention that her daughter, Blue Ivy Carter, is up for a “Best Music Video” nomination for her appearance in “Brown Skin Girl.” If the video wins, Blue would become one of the youngest Grammy winners ever.
Potential Sister Success
Haim’s Women In Music, Pt. III is up for Album Of The Year. If the group wins the night’s biggest honor, they’d be the first all-female group in 15 years to win the award. The last time this was achieved was at the 49th ceremony in 2006, when The Chicks’ Taking The Long Way nabbed the win. This would also be the first time since then that sisters would be winning Album Of The Year together. (Haim’s members are all sisters, while Martie Erwin Maguire and Emily Strayer from The Chicks are sisters.)
Dua and Posty’s Potential Big Three Wins
Dua Lipa and Post Malone have the potential to join an exclusive squad of just eight musicians who have won Album, Record and Song Of The Year in the same night. (Paul Simon, Carole King, Christopher Cross, Eric Clapton, Dixie Chicks, Bruno Mars, Billie Eilish, and Adele, twice.) Dua’s Future Nostalgia and “Don’t Start Now” and Post’s Hollywood’s Bleeding and “Circles” are up for the honors.
Female Rappers May Reign Supreme
If either Megan Thee Stallion, Doja Cat, or Chika wins in the Best New Artist category, she will become the first female rapper to win in 22 years, and just the second to win (after Lauryn Hill). Nicki Minaj and Iggy Azalea were nominated in the category in 2012 and 2015, while genre-bending musician Lizzo, who began her career rapping and singing, was nominated in 2020.
Roddy Ricch and Megan Thee Stallion’s Groundbreaking Chances
There are a few possible milestones wins in the Best Rap Song category. If Roddy Ricch wins for “The Box,” he will be the youngest recipient of the award. (He is 22 years old.) If Megan Thee Stallion wins Best Rap Song and/or Best Rap Performance for “Savage (Remix),” she’ll be the first female winner in both of those categories. And how sweet would it be to share the honor with her idol and collaborator, Beyoncé?
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The 2021 Grammys are less than a week away (airing on March 14), and the nominations are a reflection of 2020’s whirlwind. In a year that was riddled by heartache and isolation, artists either dug deep into quarantine-induced loneliness that birthed relatable tunes or went the opposite route to provide cheerful music to give fans some temporary relief.
This time around, Beyoncé leads the charge with nine nominations. This brings the most nominated artist in history’s career total to 62. She’s up both as a solo artist (among others, “Black Parade” is up for four categories including Record Of The Year) as well as her “Savage” collaboration with Megan Thee Stallion (also up for Record Of The Year).
Following Beyoncé are Taylor Swift (whose total now rises to 41), Dua Lipa, and Roddy Rich, with six nods each. But there are still other artists who could walk away with some trophies, including Fiona Apple, Phoebe Bridgers, and Nas. While there are a few deserving names missing from this year’s nominations (The Weeknd, Summer Walker, and The Chicks were among the most shocking), the Grammys continue to make improvements on its diversity efforts. BTS made history as the first K-pop act to be nominated and women rightfully dominated the country and rock categories.
Check out our predictions below for how the biggest and most coveted categories could play out.
Best Rap Album
D Smoke – Black Habits
Freddie Gibbs & The Alchemist – Alfredo
Jay Electronica – A Written Testimony
Nas – King’s Disease
Royce Da 5’9″ – The Allegory
Who Will Win? Nas
Who Should Win? Freddie Gibbs
With all the standout rap albums released last year, it was quite surprising when The Recording Academy opted to nominate more traditional, older artists instead of highlighting the genre’s newcomers. Nevertheless, this category is filled with decades of remarkable talent. While D Smoke, Jay Electronica, and Nas were all favorites for the “rappity rap” sector of music lovers, it’s Freddie Gibbs’ Alfredo that is an immediate standout. Linking up with esteemed producer The Alchemist, Gibbs doesn’t waste a single breath on his tight bars while dishing out a rap master class.
Best Rap Performance
Big Sean Featuring Nipsey Hussle – “Deep Reverence”
DaBaby – “Bop”
Jack Harlow – “What’s Poppin”
Lil Baby – “The Bigger Picture”
Megan Thee Stallion Featuring Beyoncé – “Savage”
Pop Smoke – “Dior”
Who Will Win? Megan Thee Stallion and Beyoncé
Who Should Win? Lil Baby
This category features all strong contenders, from the late Pop Smoke’s “Dior” continuing his posthumous reign to Jack Harlow’s “What’s Poppin” showcasing just how effortless his flow is. And of course there’s “Savage,” which finds Megan Thee Stallion teaming with her idol Beyoncé. The latter seems like the promising win here based on how massive it was, but Lil Baby shouldn’t be ignored. The rapper is at his most vulnerable on “The Bigger Picture,” as he sheds light on police brutality occurring both in his native Atlanta and across America. But what makes this protest anthem so insightful is that Lil Baby turns the mirror on himself and tries to correct the wrongs he’s done with his own violent lyrics.
Best Alternative Music Album
Fiona Apple – Fetch The Bolt Cutters
Beck – Hyperspace
Phoebe Bridgers – Punisher
Brittany Howard – Jaime
Tame Impala – The Slow Rush
Who Will Win? Fiona Apple
Who Should Win? Fiona Apple
2020 proved that alternative music still has a deserved place in mainstream music, with all five artists in this category creating some of the strongest tunes of their esteemed careers. The Slow Rush is Kevin Parker at his most refined as he imagines lush soundscapes, and both Brittany Howard’s Jaime and Phoebe Bridgers’ Punisher are graciously intimate. But not much else compares to the shocking rawness of Fiona Apple’s Fetch The Bolt Cutters. Of course, honesty has been Apple’s M.O. since her 1996 debut, but she turns the volume on max on her latest record. The most beautiful moments of Fetch The Bolt Cutters are its messiness, from Apple’s crackled, unedited vocals to the clamoring production. That kind of “zero f*cks given” energy should be commended.
Best Pop Solo Performance
Justin Bieber – “Yummy”
Doja Cat – “Say So”
Billie Eilish – “Everything I Wanted”
Dua Lipa – “Don’t Start Now”
Harry Styles – “Watermelon Sugar”
Taylor Swift – “Cardigan”
Who Will Win? Dua Lipa
Who Should Win? Doja Cat
This entire category is filled with fun pop moments, with Harry Styles inviting us to blissful paradise on “Watermelon Sugar” to Billie Eilish giving another dose of relatability on “Everything I Wanted.” Dua Lipa’s catchy earworm “Don’t Start Now” seems to be the biggest contender here, but Doja Cat’s “Say So” was just as inescapable. 2020 was a major year for the triple-threat, and it was partly due to the virality of “Say So.” After it dominated TikTok (whose dance challenge creator Haley Sharpe was featured in the video), the single literally soared onto the charts. Tacking on remix queen Nicki Minaj, “Say So” became both rappers’ first No. 1 single and also made history as the first collaboration by two female rappers to top the Hot 100. Doja Cat’s genre-bending talents combined with this song’s sheer ubiquity are surely worthy of that golden gramophone.
Best Pop Vocal Album
Justin Bieber – Changes
Lady Gaga – Chromatica
Dua Lipa – Future Nostalgia
Harry Styles – Fine Line
Taylor Swift – Folklore
Who Will Win? Taylor Swift
Who Should Win? Dua Lipa
Dua Lipa, Taylor Swift, and Harry Styles arguably gifted us with the best albums of their career in 2020, but something’s telling me that The Recording Academy will award Swift’s beloved Folklore. But let’s not rule out Lipa, who was one of the few artists in recent memory who perfectly executed a proper album era. Not only did Future Nostalgia redefine what ‘80s and ‘90s pop mean in a millennial age, but the promotion — from the visually stunning videos to the accompanying remix album that was just as good as the original — took the compelling songs to new heights.
Best Progressive R&B Album
Jhené Aiko – Chilombo
Chloe x Halle – Ungodly Hour
Free Nationals – Free Nationals
Robert Glasper – F*** Yo Feelings
Thundercat – It Is What It Is
Who Will Win? Jhené Aiko
Who Should Win? Chloe x Halle
R&B has been in the shadows of rap for the past few years, but the genre surpassed its sibling in 2020. That hasn’t been made more clear than with this category, whose name changed from Best Urban Contemporary Album to Best Progressive R&B Album to dismiss the negative connotations the word “urban” brings. Jhené Aiko’s Chilombo being an industry favorite makes it a predicted winner here, but the brilliance of Chloe x Halle’s Ungodly Hour is too hard to surpass. The duo’s sophomore album is a journey of their grown womanhood, as they explore sexuality, rising above failed relationships, feeling petty in the moment, and embracing their imperfections. And it’s all tied together with heaven-sent harmonies, otherwordly production that continues the Afro-Futurism conversation, and smart songwriting. Now, who dared to question if R&B is dead again?
As Record Of The Year is awarded for the final recorded product of a single, it’ll be fair for Megan Thee Stallion and Beyoncé’s “Savage” remix to take the win. The teamwork is between not only the two artists but also the producer and engineer, and it gave way to the catchiest song of 2020. “Savage” was already a standout from Megan’s Suga EP, which was followed by a massively viral moment once TikTok got hold of it and a new dance craze was born. So when Beyoncé decided to hop on the remix months later, the world was stopped once again. What’s better than the two biggest mainstream artists from Houston reveling in all things classy, bougie, and ratchet? But as we bring up catchiness, Dua Lipa’s “Don’t Start Now” also deserves a major hat tip.
Best New Artist
Ingrid Andress
Phoebe Bridgers
Chika
Noah Cyrus
D Smoke
Doja Cat
Kaytranada
Megan Thee Stallion
Who Will Win? Phoebe Bridgers
Who Should Win? Megan Thee Stallion
There are so many deserving artists in this category, including Kaytranada, Chika, and Doja Cat. But Phoebe Bridgers growing into such a major indie darling may give her the win here, and The Recording Academy has a history of shocking the audience when it comes to Best New Artist wins. Still, Megan Thee Stallion’s unwavering dominance in 2020 cannot be ignored. She’s grown into more than just a rapper: she is an advocate for Black women, a businesswoman who has scored multiple partnerships, a philanthropist who gives back to her community, and is leading the charge of unapologetic new-gen women rappers.
Song Of The Year
Beyoncé – “Black Parade”
Roddy Ricch – “The Box”
Taylor Swift – “Cardigan”
Post Malone – “Circles”
Dua Lipa – “Don’t Start Now”
Billie Eilish – “Everything I Wanted”
H.E.R. – “I Can’t Breathe”
JP Saxe Featuring Julia Michaels – “If The World Was Ending”
Who Will Win? Taylor Swift
Who Should Win? Dua Lipa
Like Record Of The Year, this category is also overflowing with strong contenders that range from timely matters of racial inequality to heartbreaking ballads. Seeing as this win is for songwriters though, Taylor Swift getting a gramophone for “Cardigan” makes the most sense. But let’s not knock out Dua Lipa too quickly; the sheer pop perfection of “Don’t Start Now” should get the recognition here. An unofficial sequel to 2017’s “New Rules,” the lead single to Future Nostalgia captures the album’s nu-disco spirit while elevating Lipa to new pop star territory.
Album Of The Year
Jhené Aiko – Chilombo
Black Pumas – Black Pumas (Deluxe Edition)
Coldplay – Everyday Life
Jacob Collier – Djesse Vol. 3
Haim – Women In Music Pt. III
Dua Lipa – Future Nostalgia
Post Malone – Hollywood’s Bleeding
Taylor Swift – Folklore Who Will Win? Taylor Swift
Who Should Win? Taylor Swift
Ah, Album Of The Year, the coveted Grammy that nearly every artist vies for at some point in their career. It’s also one of the most unpredictable categories as it can either go to the year’s most popular artist (see Adele in 2017 and Bruno Mars in 2018) or the year’s underdog (Kacey Musgraves in 2019 and Billie Eilish in 2020). Taylor Swift is often seen as both, with her likability swaying from overhyped to not credited enough. But there’s a reason why UPROXX chose Folklore as 2020’s best album. Jacob Collier, Haim, and Dua Lipa are all strong contenders here, yet Swift’s effort finds her at her most vulnerable. The singer-songwriter’s pen has always been sharp, and on Folklore she strengths her storytelling while also providing comfort (for herself and other listeners) in the wake of 2020’s darkness.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
This year is certainly an unconventional year for the Grammys. On top of working around the coronavirus pandemic, the show is holding the award ceremony much later in the year than normal. The Recording Academy was forced to delay the show from its original January 31 date following a spike in coronavirus cases in the Los Angeles area. It was rescheduled for March 14 and with just a week left until showtime, it appears things are going as planned as the Grammys have officially announced performers for the upcoming show.
The Recording Academy announced the lineup for the 63rd Grammy Award show in a string of tweets. The resulting list displays Taylor Swift, Billie Eilish, Cardi B, DaBaby, Lil Baby, Roddy Ricch, Doja Cat, Bad Bunny, BTS, and Harry Styles as some of the chart-topping acts that will take the stage next Sunday. Chris Martin, Post Malone, Dua Lipa, HAIM, Mickey Guyton, Brittany Howard, Maren Morris, John Mayer, Miranda Lambert, and Black Pumas are also slated to perform.
On the awards side of things, Beyonce leads the way for the 2021 Grammys with nine nominations. She’s followed by Dua Lipa, Taylor Swift, and Roddy Ricch, who each tallied six nominations.
Scroll down to see the announcement for each artist performing at the show.
Idris Elba is best known for his acting work, but he’s also well-established in the music world. He performed at Coachella in 2019, he co-starred in a Stormzy video later that year, and also in 2019, he dropped a mixtape. In recent times, he’s been working on music and it looks like he has a Megan Thee Stallion collaboration on the way.
In an interview with CapitalFM’s The All-New Capital Weekender (as Billboard notes), Elba revealed he has a track with Meg and Davido on the way: “I’m putting out quite a bit of music, man. I’ve been really focused in coming out of last year into this year, trying to put more music out, so expect more. I’ve got a tune with Frankie Wah coming, I think it’s gonna be good. […] I got a sneaky tune with Meg Thee Stallion and Davido, shout out to the fanatics.”
He also added that he hopes to get on a track with his Cats co-star Taylor Swift, saying, “I’ve known Taylor a few years. People see the album sales, the awards. What they don’t see is the hard work. She is an incredibly hard-working person, she isn’t resting on her achievements. To perform live with her would be fun and hopefully we can make that happen.”
Watch Elba talk about his upcoming projects below.
It’s no secret that Taylor Swift is a prolific musician. On top of releasing two surprise albums in 2020, the singer began re-recording her entire discography. Because she continues to turn out hits, Swift has broken a handful of charting records. Some of her historic feats are less positive, however, like when her song “Willow” broke Tekashi 69’s record for the biggest fall from No. 1 on the Billboard Hot 100 chart. But now, it looks as though the singer is competing with Lil Wayne to secure yet another chart record.
Swift released her newly-recorded version of her 2009 track “Love Story” last week, which debuted at No. 11 on the Billboard Hot 100 chart. The song marked her 51st song to land a spot in the top 20, which officially ties with Lil Wayne for the second-most top 20 songs in the chart’s history.
Though the two may be competing for the second-most top 20 entries, Taylor Swift still leads the pack when it comes to Hot 100 chart entries among female artists. She continues to hold the most Hot 100 songs compared to any other female musician in history.
.@taylorswift13 extends her record as the female artist with the most entries in Hot 100 chart history (129).
Lil Wayne and Swift’s competing record isn’t the only exciting news from this week’s Billboard charts; Olivia Rodrigo also made an impressive impact with her hit debut single “Drivers License.” The song was once again at No. 1 this week, making it the first time a debut single has ever spent six weeks at No. 1 on the Hot 100 chart.
Miraculously… i have out-lived *ALL, of my Artists Contracts
They no longer “Own”, My Name & Likeness. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me
Unfortunately, They’re gonna make me Fight 4 it. I’m Prepared, 2 do that. Please Dont advertise/buy them ABXO
The GoodFight
love you all so much 
Don’t miss her performance next Sunday at 8pm ET/5pm PT on 
