Netflix

Brilliant: The Harder They Fall Virtual Metaverse Experience is The Future

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As I prepare to take a virtual journey into RedWood City — the main set of the movie The Harder They Fall — the attention to detail, design, and functionality is immediately evident.   The metaverse virtual reality environment created by CYBR — the boundary-pushing immersive technology lab behind the Harder metaverse — looked real […]

Roc Nation And Cybr Unveil “The Harder They Fall” Metaverse Experience

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Netflix: The Harder They Fall (2021)

In collaboration with CYBR, Roc Nation is launching The Harder They Fall soundtrack’s virtual metaverse experience! Fans of the will be able to immerse themselves in the visually stunning and virtual world of Redwood City. The Harder They Fall Breaks Into The Metaverse! Users will be transported into the town where they will be able […]

‘The Harder They Fall’ Is A Better Music Video Than Western Movie

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The Harder They Fall Review
Getty Image/Ralph Ordaz

Contrary to some of the chatter online surrounding the release of Netflix’s new movie, The Harder They Fall, multiple hip-hop generations have a strong affinity for the Western. Consider that one of rap’s earliest music videos, Juice Crew’s “The Symphony,” revolves around a Wild West theme. Another, Kool Moe Dee’s “Wild Wild West,” made the connection plain, as did Will Smith’s redux over a decade later on the soundtrack of the film of the same name.

So it’s no surprise that The Harder They Fall — directed by Jeymes Samuel, aka The Bullitts, a musician and music video director for Jay-Z, one of the film’s producers who also appears on the excellent soundtrack — plays more like a long-form music video in the vein of Beyonce’s The Gift than it does genre staples like A Fistfull Of Dollars or The Good, The Bad, And The Ugly. Although it’s an important film in terms of representation of Black cowboys — who were actually just as prevalent as any other ethnicity — its true strength is as much in its soundtrack and visuals as its off-kilter storyline and mixed-bag performances.

Intriguingly enough, The Harder They Fall is far from the first movie to feature Black cowboys. In fact, it’s not the first one on Netflix this year, nor is it Samuel’s first effort. Those distinctions go to Concrete Cowboy and They Die By Dawn, respectively, although the former was a modern movie rather than a Western and the latter saw limited distribution (although, intriguingly, it also featured a strong emphasis on music, with Erykah Badu playing the same role as Zazie Beets, Stagecoach Mary, and featured another alumnus of The Wire in the late Michael K. Williams, playing Nat Love).

And while there has been much emphasis placed on the true-life inspirations of characters like Mary, Nat, Rufus Buck, Cherokee Bill, and Bass Reeves, the actual story of the films plays out more like the plot of Tombstone, with little of these real-life characters’ actual histories represented here. It’s not quite an affront to fictionalize real peoples’ lives to tell a historical fantasy, but it does feel a bit self-indulgent. The story, such as it is, doesn’t really need to use the names and likenesses of real people, and while it may generate interest in them, so too might have just playing their individual stories straight.

Meanwhile, the story itself is quite thin and feels almost like it was pulled together by committee, culling hot topics from Black Twitter without really putting much effort into making the pieces fit. Particularly, Rufus Buck’s motivations seem like a hazy reference to Greenwood in Tulsa, Oklahoma and Idris Elba’s performance is almost sublimated by the overall focus on Jonathan Majors’ Nat Love and his quest for revenge against Buck, and the film’s biggest emotional twist comes in way too late, after a set of diversions that add nothing to its forward momentum other than possibly providing a small bit of revenge fantasy. That’s fine, but if it detracts from the emotional story you want to tell, it’s really unnecessary.

But the story and the performances feel almost secondary to the visuals. They’re beside the point. The point appears to be to set right the erasure of Black people from the grandiose history of the American West. To that end, Samuels goes to lengths to portray his characters as intelligent, savvy, and beautiful, shooting them against picturesque tableaus of deserts, forests, and steppes. While things tend to get a little bland whenever the characters come to a town, a sequence featuring Stagecoach Mary’s saloon could almost fit in on MTV in its heyday.

Likewise, the film’s soundtrack peppers in classic and contemporary soul and reggae cuts to highlight the characters’ travels and the action scenes. Dennis Brown’s “Promised Land” blares over a scene of Rufus Buck’s gang riding into town, Seal’s “Ain’t No Better Love” soundtracks part of the climactic shootout, and Barrington Levy belts “Here I Come” and “Better Than Gold” as Samuels’ camera glides over twirling six-shooters, swirling gunsmoke, and galloping horses. It almost feels like the cursory storyline beats are just breaks between the bits that The Bullitts really wanted to get to: The musical set-pieces that nearly do enough to justify the film’s existence on their own.

I’d go so far as saying that they could have just been the movie without needing a story, like The Gift and other, similar films that have become almost de rigeur for a certain class of prestige artist — like Jay-Z, whose “Moonlight” video Samuels directed, likely leading to the mogul’s funding of this endeavor. I’m not the first to notice this; Okayplayer’s Latesha Harris noted as much in her own review. Films like The Harder They Fall are needed, but what’s needed more is to get beyond the need for surface representation and to actually tell stories worth telling. The movie can also be a guidepost as well, pointing out how to make those stories look and sound as pretty as possible.

The Harder They Fall is streaming now on Netflix.

Finally, At Long Last, Dolly Parton Will Guest Star On ‘Grace And Frankie’ For The Full ‘9 To 5’ Reunion

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Dolly Parton
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Adding Dolly Parton to any project is always a good idea, but it gets even better when it finally completes a long-awaited reunion with her 9 to 5 costars, which is exactly what’s happening on Netflix’s Grace and Frankie. According to a new report, Parton will guest star on the series’ seventh and final season, putting her back on screen with Lily Tomlin and Jane Fonda. Via TVLine:

For the uninitiated: 9 to 5 was released in 1980, and starred Parton, Fonda and Tomlin as the above-mentioned Doralee, Judy and Violet, three working women who decide to get revenge on their sexist boss (played by Dabney Coleman). The movie went on to gross over $100 million at the box office.

At the moment, Parton’s role on Frankie and Grace is being kept under wraps, but she will appear in the show’s final 12 episodes that will drop sometime in 2022. (Four episodes were released early in August to tide over fans.)

When it wraps up its seven-season run next year, Grace and Frankie will have the distinct honor of having the most amount of episodes for a Netflix original series. While Orange Is the New Black is the current record holder at 91 episodes, Grace and Frankie will top that by streaming 94 episodes when the final season premieres. And, now, the show will get to say it had Dolly Parton stop by for a freaking 9 to 5 reunion, so yeah, try and top that, whichever Netflix series is still racking up episodes. (Narcos, maybe? — Nope, that’s not it. It’ll come to us.)

(Via TVLine)

Give Saweetie Her Own Netflix Show, Already

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Saweetie
Getty Image/Ralph Ordaz

A show hosted by Saweetie and a pack of sex-positive puppets sounds like a strange proposition but oddly enough, it works. That’s the premise of Sex: Unzipped, a new hour-long Netflix comedy special that plays like an adult sex education course mashed up with raunchier sketch comedy than you’ll ever see on SNL, all in the mode of the least kid-friendly episode of Sesame Street ever.

It helps that the human host is game for the silliness, shamelessly flirting with the puppets and vice versa. For all of the complaints about Saweetie’s live performances, the Bay Area-bred star has a lot of charisma. While not as boisterous and playful as rap contemporaries Megan Thee Stallion and Cardi B, Saweetie still has a laid-back, confident charm that makes her the perfect on-camera personality for any number of situations. From hosting her own Icy University YouTube series, to coolly cruising through the full taste bud punishing course of wings on Hot Ones, Saweetie’s easygoing, round-the-way bearing almost demands that she skips the rap portion of her career trajectory and goes straight to hosting her own show.

Saweetie’s media takeover strategy isn’t new to hip-hop but the way she’s going about it sort of is. Plenty of rappers have made the jump from purely making music to acting, hosting, and any number of other media gigs (the new one seems to be podcasting, with everyone from Joe Budden to Nicki Minaj contracting with Apple and Spotify for their own shows). But usually, the artist in question must be established; Will Smith had already won his first Grammy by the time he jumped into television with The Fresh Prince Of Bel-Air, Eve had a number of supporting roles in movies after delivering multiple platinum albums, then got her own sitcom, and both versions of Queen Latifah’s talk show came after two albums and an ensemble role on Living Single.

More recently, Saweetie peers like Cardi B reversed the formula, utilizing a role on the popular Love & Hip-Hop franchise to develop a huge social media following, then translating that into rap superstardom. After becoming the first female rapper since Lauryn Hill to reach No. 1 on the Billboard 200, it was only natural that Cardi B would go on to host her own show on Facebook, Cardi B Tries…, which built on her established fame and naturally outgoing personality. Likewise with her role on Netflix’s Rhythm + Flow. Cardi’s move into television (or what passes for television when everything we watch is on a computer, phone, or tablet screen) launched from the springboard of her existing catalog of hits and near-ubiquity in the wake of her breakout hit “Bodak Yellow.”

Saweetie, on the other hand, has yet to even release a full-length project. So far, she’s only dropped a trio of EPs, of which only Icy even registered on the Billboard 200. She’s had a string of virally successful singles, including her original hit “Icy Grl,” “My Type,” and “Tap In,” but only three have reached the Top 40, with “Best Friend” charting the highest — arguably due in large part to her co-star on the song, Doja Cat. It’s probably fair to say that Saweetie is not the pop culture dominating juggernaut that Cardi is. Even Doja Cat, fresh off her first award show hosting gig at the 2021 MTV VMAs has a No. 1 hit record in “Say So” and multiple viral trends to her name.

Yet Saweetie has still managed to cultivate the air of a much more successful artist by sheer will. At this point, I think Forbes might be the only major magazine she hasn’t done a feature with. She’s been on every internet interview show (twice, in some cases), she’s got a Sprite sponsorship, she had a guest-starring role on Freeform’s Black-ish spinoff Grown-ish, and who could forget the infamous McDonald’s partnership — which seemed based almost entirely on a handful of viral moments of people teasing her for her off-the-wall food combinations (ranch on spaghetti!?!?). Nearly all of the media Saweetie has done has been to promote her upcoming debut album Pretty Bitch Music, yet she’s pushed the album back multiple times, once as a result of the ridicule she received for a few lackluster performances.

At this point, Saweetie is just as well-known for just being Saweetie as she is for rapping. Here’s a crazy idea: She should lean into this. After releasing her album and completing the requisite tour, why doesn’t she just do a bunch of different projects with Netflix? She’s already proved that she can handle herself in front of a camera. Do another comedy special — maybe try standup! Do a Christmas movie! I’d watch a Christmas movie with Saweetie in it — and you would too. Do a travel show! Saweetie is always shouting out her Filipino heritage — take her to the islands and follow her around with a camera. Gold is guaranteed. I’d watch a Saweetie talk show, a Saweetie sitcom, a Saweetie police procedural… the possibilities are literally endless. Did you see Saweetie’s Halloween sketch where she dressed up as Catwoman and won the approval of Halle Berry? Saweetie superhero movie.

None of this is to dismiss Saweetie as an artist. She’s a way better rapper than she gets credit for (check out some of her earlier car freestyles or the time she rapped for J. Cole), she’s just had a hard time adjusting her rhyme-heavy style for the pop-friendly beats she’s employed in her attempts to crossover (something that also happened to J. Cole himself, lest we all forget). Rumor has it, she has some pretty brassy musical swings on the upcoming album, which could finally endear her to a skeptical public if they don’t turn people off entirely. The hip-hop public is notoriously fickle — why keep trying to please them when there are so many on-screen opportunities that make use of Saweetie’s best weapons? She’s got the chops, and against the odds, she’s got the resume. All she needs is the official Saweetie show, which even her haters would love to watch.

Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

JID Joins Imagine Dragons On An Epic Quest In The ‘Enemy’ Video From Riot Games’ Netflix Series, ‘Arcane’

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Imagine Dragons and JID are two names most music fans would never have “imagined” together, but thanks to Riot Games and the upcoming, League Of Legends-inspired animated Netflix series, Arcane, you won’t have to use your imagination — just click play on the video above. Made up of clips from the series itself, which follows the origins of several of the game’s characters, the video previews some of the exciting scenes fans can look forward to when the show hits Netflix on November 6. The video also features an animated JID rapping his lightspeed verse.

“Enemy” isn’t the first time Riot Games collaborated with musicians. In 2019, they partnered with a group of real-life stars to conceive True Damage, a virtual band in the game itself consisting of Becky G, Keke Palmer, Soyeon of (G)I-dle, Duckwrth, and Thutmose. While it’s a slightly different concept from what “Enemy” is doing — essentially, it’s a soundtrack song, which is definitely something we’ve seen before — the new track broadens Riot’s relationship with popular music and opens some exciting doors for the future.

Meanwhile, Arcane looks like an exciting show itself, deepening the League Of Legends story while leaving plenty of room for new or casual fans to get invested in its sci-fi/fantasy tale. You can watch the trailer below.

Dave Chappelle Takes On The Backlash To DaBaby’s Homophobic Comments In His New Netflix Special

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The fallout from DaBaby’s disastrous Rolling Loud Miami set continues to settle, as more voices enter the chat to debate his demerits. While the majority of the reactions to DaBaby’s comments have deplored his ill-chosen words, Dave Chappelle has a different question on his mind. In his new Netflix special The Closer, which debuted today, Chappelle juxtaposes the backlash to DaBaby’s homophobic comments with the rapper’s violent lyrics — which aren’t all stereotypical rapper bluster.

Chappelle leads into the observation by cheekily addressing the backlash to his own recent sets, on which he seems to have specifically targeted queer people in order to point out what he sees as discrepancies in the way they are treated in comparison to Black people (setting aside the fact that people can be … both). “All the questions you might have had about all these jokes I’ve said in the last few years, I hope to answer tonight,” he says. “And I’d like to start by addressing the [LGBTQ] community directly. I want every member of that community to know that I come here tonight in peace and I hope to negotiate the release of DaBaby.”

After some additional preamble, he reminds the audience that before DaBaby’s rise to fame (in fact, almost immediately before it) the rapper was involved in a fatal shooting, in which he claimed self-defense. Then, Dave poses his observation: “In our country, you can shoot and kill a n***a but you better not hurt a gay person’s feelings.” It’s doubtful that anything’s as simple as that — queer people are often the targets of just as brutal crimes for little other reason than being queer — but to his credit, Chappelle promises to address the nuance in the special. We’ll see if he does.

DaBaby, meanwhile, has continued to address the fallout himself, meeting with organizations dedicated to HIV/AIDS awareness and sneering at some of his critics in his return to the stage at Summer Jam.

Watch the trailer for Dave Chappelle’s The Closer, which is now streaming on Netflix, above.

Saweetie Is Hosting ‘Sex: Unzipped,’ A Netflix Comedy Special Featuring Sex-Positive Puppets

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Just when you thought Saweetie had one of her manicured hands in everything, it turns out she’s already found her next endeavor — and it might not be anything you would have expected. Vulture reports the Bay Area rapper/aspiring media mogul is set to host a new comedy special on Netflix titled Sex: Unzipped featuring sex experts, actors, stand-up mainstays, and “horny puppets.” From the description, it sounds a little bit like the Guy Code/Girl Code shows that used to air on MTV2 all the time, with higher-profile funny people and a few more actual experts (okay, fine — any).

The guests mentioned include Pose star Dominique Jackson, Late Late Show writer Ian Karmel, British comedian London Hughes, Always Be My Maybe scene-stealer Michelle Buteau, Netflix comedy regular Nikki Glaser, and HBO show host Sam Jay, among others. For more factual/researched information, the show’s recruited Alexander Cheves, Emily Morse, Oloni, and Stella Anna Sonnenbaum to round out its panel of experts. The show is set to stream on Netflix starting on October 26.

One release date we still have yet to receive from the ranch dressing enthusiast/McDonald’s collaborator is the one for her debut album, Pretty B*tch Music, which she pushed back in order to add some Cher-inspired oomph. However, she recently hinted that “things will unfold” around the holidays, so perhaps that release date is coming soon.

André 3000 Has Been Cast In Netflix’s Don DeLillo Adaptation, ‘White Noise’

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Outkast favorite André 3000 has reportedly been cast in the upcoming Netflix film White Noise, which is directed by Noah Baumbach (who helmed Marriage Story) and also stars Adam Driver, Don Cheadle, Greta Gerwig, and Jodie Turner-Smith. Based on the 1985 novel of the same name by Don DeLillo, the movie, according to Netflix, “dramatizes a contemporary American family’s attempt to deal with the mundane conflicts of day-to-day life while grappling with the larger philosophical issues of love, death, and the possibility of happiness in an uncertain world.”

Since leaving Outkast in 2007, André has acted in a handful of roles over the last 15 years, notably appearing as Jimi Hendrix in the 2013 biographical drama Jimi: All Is By My Side, for which he was nominated for an Independent Spirit Award for Best Male Lead.

In 2019, the Atlanta rapper delved into why he has no interest in releasing a solo album, telling Rick Rubin on the Broken Record podcast, “I haven’t been making much music, man. My focus is not there. My confidence is not there. I tinker a lot. I’ll just go to a piano and sit my iPhone down and just record what I’m doing. Move my fingers around and whatever happens, but I haven’t been motivated to do a serious project. I’d like to, but it’s just not coming. In my own self I’m trying to figure out where do I sit? I don’t even know what I am and maybe I’m nothing. Maybe I’m not supposed to be anything. Maybe my history is kind of handicapping in a way.”

White Noise is currently filming in Cleveland, Ohio and is expected to hit Netflix sometime in 2022.

Alicia Keys’ New Netflix Film Is Getting Roasted On Twitter For Being A Little Too Realistic

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Resort To Love, a new Netflix movie coming out this month produced by Alicia Keys, is garnering a lot of attention on Twitter today. Unfortunately for her, the buzz consists less of excitement to see the movie than it does fans trolling it for its premise. The film, which stars Keys’ fellow 2000s pop fixture, Christina Milian, as a singer who gets booked for her ex’s wedding and winds up romancing him away from his new fiancee, is reminding fans of Keys’ own affair with Swizz Beatz, who divorced his wife Mashonda and married Keys the same month in 2010.

Love can be messy, sure, but the film’s plot is hitting a little close to home for some fans, prompting a roast session of trend-worthy proportions. The jokes came flying at breakneck speed to point out the obvious similarities between Keys’ real-life love story and the one that she produced, which apparently asks viewers to sympathize with the would-be homewrecker’s point of view. Granted, the movie still isn’t out yet so we don’t know that this is actually what happens in it, so maybe it deserves the benefit of the doubt.

That, however, would be entirely too reasonable and not what we’re here for today. Today, we are going to get these jokes off. Check out the film’s trailer above and more hilarious reactions below.