We Talked To G-Eazy About His New Cannabis Brand, FlowerShop, And Smoked His Debut Pre-Rolls

If it seems like every week a new celebrity launches a weed brand, that’s because… everyweeka new celebritylaunchesaweed brand. For the most part, these entries into an increasingly crowded marketplace are pretty forgettable. But occasionally — as with the case of Jay-Z’s Monogram and Seth Rogen’s Houseplant — the right team manages to knock it out of the park, earning permanent shelf space at your local dispensary.

I’m pleased to say that FlowerShop — a new brand launched by rapper and producer G-Eazy, along with co-founders and fellow Bay Area boys Isaac Muwaswes and Gabe Garcia — is one of those select few. But FlowerShop isn’t just a cannabis label. It’s also a wellness company, with a long list of products on deck. Its first drop delivers rolling papers, lighters, ashtrays, and three glass-tipped pre-roll joint packs, called Bouquetpacks. A 1/8th flower jar and “cannabis juice” are coming soon.

The Bouquetpacks offer three different mood-focused strains — dubbed Comfort, Smile, and Joy — each packed in reusable plastic tubes and sporting a glass-filter tip for better handling and flavor. After smoking the Comfort strain, I spoke with Muwaswes, Garcia, and G-Eazy himself about the origins of the brand, their own relationships to cannabis, and why joints will always feel special.

But first, let’s break down the weed.

The Packaging

Dane Rivera

Right out of the gate, the first interesting thing about FlowerShop is the brand’s design aesthetic. The Bouquetpack’s matte flip-top box features a magnetic top, and four pre-rolled single flower joints packed in resealable plastic tubes with glass filter tips. At four joints per pack and a retail price of $50, you’re looking at a cost of $12.50 per joint.

Dane Rivera

Since an eighth of Panacea Farms Purple Double Deja Vu will cost you about $60 before taxes, this pack has pretty good value for what you get, it’s a lot better than Monogram’s $60 hand-roll, for example, and the weed is of a much higher quality.

A fifth joint would’ve really set this up as something special though. The packaging is playful and colorful, but we would’ve preferred just a little bit more information for the consumer.

Dane Rivera

The Weed: FlowerShop — Comfort

Dane Rivera

Strain: Indica
Dominant Terpenes: Caryophyllene, Myrcene, Pinene, Humulene,
THC: 22.5%

Retail Price: $50

The Experience

One of the things that first struck me about FlowerShop’s pre-roll pack was just how fragrant it smelled after I cut open the sealed plastic envelope it came packaged in. Once the scissors pierced the plastic I was instantly greeted by a wave of floral and slightly minty smells, with a slight pepper edge that tickles the nose. The joint itself is incredibly well packed, just rolling it through my fingers showed a consistent and dense pack that led to a lengthy smoke session with thick clouds of milky intoxicating smoke.

Again, FlowerShop’s attention to detail and design is at the forefront here. Each glass filter utilizes blue-colored glass — fitting with the color scheme. Does that have any effect on how high you get? Absolutely not, but it certainly has an effect on the experience. Smoking FlowerShop’s joints feels like you’re enjoying something special, it’s practically begging to be shared just so you can pass it around as a conversation piece.

Of course, cool filters would feel like a gimmick if the high didn’t deliver. It does. This will be a fun joint to pass between friends when we’re past Covid, but right now I’m not sharing with anyone. Which resulted in me getting — to borrow a Bay Area phrase — hella high.

Comfort is made using Panacea Farm’s Purple Double Deja Vu and the high comes on incredibly quickly here. Well before you make your way through the joint, a pleasing buzz took over me — beginning in the center of the forehead before melting down in radiating waves of euphoric bliss through the rest of my body. Real talk: I did not expect a celebrity-fronted weed brand to hit this hard. FlowerShop chose well by linking up with Panacea Farm for this one and opting for a single-sourced full flower joint (rather than a blend of shake) led to a better tasting, less harsh product.

I broke up one of my spare pre-rolls (which I regret) to get a look inside — Comfort has a great medium-coarse grind and the bud is fresh and still slightly sticky.

Dane Rivera

Flavor-wise, Comfort had floral notes with a heavy gas flavor and a peppery, slightly melon aftertaste. The smoke was remarkably smooth which is rare in pre-packaged joints, resulting in pleasingly smooth drags that didn’t lead to a single cough during my whole experience.

My only gripe is that calling the strain “Comfort” is a bit misleading, they might as well call it “KO” — smoking a full joint solo launched me beyond couch lock and straight into a nap. I had no plans on taking a nap, I wasn’t even tired, so this is definitely not something to mess with if you’ve got plans.

The Bottom Line

Smooth smoke with earthy flavors of cracked pepper and subtle melon and mint, which results in a body-tingling euphoric high designed to knock you out.

The Interview

FlowerShop

You’re all Bay Area kids, can you speak to the cannabis scene in the Bay Area while you were growing up. I know it’s always been a big part of the culture.

Muwaswes: I was born and raised in San Francisco, not too far from Haight Ashbury, so some of my early memories of being exposed to weed was going down to Haight Ashbury with my friends to kick it. As a young kid you’re kind of exposed to this narrative around the history and the demonization of cannabis, but as I kind of got into it in middle school going to high school you start to make your own assumptions.

But even then, pretty early on in high school, I started to hear about all these medicinal uses for it and hearing about the groundswell that was happening surround Prop 215. It was really being looked at as a medicine, and I’ve come across friends of my parents who were using it as a medicine as well, so pretty early on I started to see it as “oh this is something we in the Bay Area kind of have a different view upon and are really progressive on” and that intertwined with the cultural aspect, growing up listening to hip-hop, being into all things hip-hop, music, fashion — it was intertwined in those subcultures.

Whatever group of friends I had — whether it was my athlete friends, my friends into music, the friends into fashion — that was one thing we all shared. One experience that connected us all was smoking.

I know the brand takes a heavily sensory approach to cannabis, that’s right on the packaging. What’s the thinking behind positioning the brand this way and how does it differ from other celebrity-fronted brands that are springing up in the cannabis space?

Muwaswes: When we built Flower Shop we really built it as a wellness company as a whole, I think we always looked at cannabis as one aspect or one category of what we’re trying to do from the perspective of wellness. For us, we tried to really define what wellness means to us. One big realization we had was that it’s not one thing, it’s not singular, it’s more about the journey than the destination

Through that, we started to define how we can take people through that journey, and what we do to get on that journey. It’s about inspiring our senses, whether it’s the music we listen to, the candle we burn that smells a certain way, whether it’s the lighting in the room that makes us feel a certain way and opens up our mood to certain elements or experiences, we always knew it tied back to one or many of our senses and we’re already in that mindset for a lot of the other things we were doing previous to FlowerShop. Whether it was in the design world with Gabe or the music world with G, it’s about bringing all of that together in a retailer experience.

That was kind of the genesis of sensory care, and then we started to apply that to everything we were doing from product to packaging to messaging to content.

G Eazy: To jump in, from my perspective as a musician, music can be a healing agent. Similar to flower, it can be something that brings people together, people who share this commonality come together for this shared experience. But as a musician I have a wide array of influences and taste in music, I can deliver “No Limit” but then I can do “Everything Will Be OK,” that wide offering and understanding of mood and emotions are important in anything you offer because you don’t just have one customer, and each customer doesn’t have just one mindset and mood.

We wanted to find what resonates at different times of the day or different times in your life, and wanting to reach people on a level of emotion and feeling, similar to the way music would.

FlowerShop

I wanted to ask you specifically about your smoking habits G, are you smoking a bowl before you hit the studio, something you do after to unwind, what’s your creative relationship with the plant?

G-Eazy: There is pretty much a constant burn in the studio. Atmosphere is huge in the creative process, that comes down to lighting, how cold I like it, the people I want and don’t want in the studio, and that comes down to what I’m drinking and smoking. With smoking, it’s not a requirement. It’s not needed to unlock creativity, but nonetheless, it’s something that loosens you up and makes you feel better and makes you feel joy or relaxation, that can only open you up and enable more flow of stream of consciousness.

Garcia: To add to that we started thinking about whether cannabis a creative performance enhancer? We like the idea, we can’t go shout it off the mountaintops, but for us, we like that conceptually and believe it. But to G’s point, it’s not a reliance.

FlowerShop

G what’s your preferred smoking method and why did you guys start with the BouquetPack over a flower jar?

G-Eazy: Joints and blunts. It’s what I grew up smoking. Every day in high school coming home from work, I’d get home around midnight or 1 AM and I’d roll up a personal blunt and smoke it in the backyard while my mom was asleep, just to be able to wind down and decompress and get ready for school the next morning. It was just culturally what I grew up doing.

Garcia: That’s the reason we’re excited to share the bouquet pack and included the glass tip pre-rolls, that’s our attempt to elevate what is standard.

Where is the product sourced from?

Muwaswes: Sourcing wise we have a number of really good relationships with cultivators throughout the entire state of California. A lot of the key growers out here we have partnerships with and what we’re doing right now is these drops or deliveries with individual strains and growers. The one you have right now, we partnered with Panacea Farms for — a craft grower under the NorCal banner. We’re doing a number of different things with brands, growers, and cultivators, long term we are going to be having our own genetics out there, but for the time being, we’re trying to find the best of the best that we want to work with that also understand our vision and understand what we’re trying to do from a sensory care perspective with these products.

FlowerShop

What brought you to the cannabis business? Your backgrounds are comfortably in design and music, not in the cannabis industry.

Garcia: It came to us really, growing up in the Bay Area and how prominent it is it was probably inevitable. It came through a design project at first. We’ve been in the creative design space for a long time.

We started getting inbound requests from the cannabis end, that’s how it initially started to come to us, and we entertained one specific deal and that’s where it really started. As we got into it and did the research, we wanted to find our foothold and what felt authentic to us to enter the space and it was through design, through packaging through a vision, but as we got into it, we started asking ourselves deeper questions.

This is a two-and-a-half-year project in the making and we’re really proud of it and excited to share it with the world.

What’s special about FlowerShop, what sets it apart from other brands?

Garcia: It’s all in our packaging! We really did our best to make it as recyclable and eco-conscious as possible. We tried to make everything reusable — or unique enough to make people want to reuse it. The tubes the pre-rolls come in, our incense sticks are coming in those, it’s also a tube you can use to clean your glass tips and reuse them, same thing for the box itself.

Our Bud Vase, which will be dropping in 90 days, has a jar that’s able to be reused. With all of our packaging, we’ve thought about how we can inspire people to reuse it and reapply it to something else. The vase is food grade, it can be washed in the dishwasher, it can be used to store yogurt —

G-Eazy: As a shot glass!

Garcia: You know it!

Muwaswes: We were just as focused on what was going into the packaging as who we are sourcing weed from. Using a single strain indoor for our prerolls, not using shake, grinding the best of the best, being meticulous about the grind and the coarseness, consistency on the burn and smoke, even on the sourcing of the paper!

BTS Discuss How The Mandatory Requirement To Serve In The Korean Army Might Impact Their Future

In a new cover story for Rolling Stone, BTS addressed one of the things that’s most concerning to their fans who know about South Korea’s mandatory military service: If this looming draft will break the group up? Due to the active tensions between North and South Korea, this 21-month army term is required for all men to start before their 28th birthday, and group member Jin turned 28 last December.

That month, though, the government issued a directive that “a pop-culture artist who was recommended by the Minister of Culture, Sports and Tourism to have greatly enhanced the image of Korea both within the nation and throughout the world” can defer their enlistment until the age of 30. “I think the country sort of told me, ‘You’re doing this well, and we will give you a little bit more time,’ ” Jin said of the law, telling Rolling Stone further that he considers serving to be “an important duty for our country. So I feel that I will try to work as hard as I can and do the most I can until I am called.”

He also said he hopes the group will continue to have the success they’re currently experiencing — even if it means without him. “I have no doubt that the other members will make a good decision because, you know, this is not something that I can tell them what to do,” he said. Even if they continued on without him for a while, he added: “I’ll be sad, but I’ll be watching them on the internet and cheering them on.”

Even with the two year grace period, the military requirement remains a concern for the group at large: RM is turning 27 soon, J-Hope is 27 and Suga is 28, too. Who knows if the government will further modify the draft, or if the band will find a workaround, but so far, that requirement seems like the only thing that might slow the success of BTS. Read the full cover story here.

Roc Nation Is Preparing To Release A Line Of Greeting Cards With American Greetings

Over the years, Jay-Z’s Roc Nation has branched out into a number of industries outside the expected range of an ostensible rap label. There’s a school of entertainment management, book publishing arm, and a social justice initiative already, but Roc Nation isn’t stopping there. The latest move is a bit of a surprising one; Roc Nation announced today that it is partnering with American Greetings to release its own line of greeting cards.

The line will include traditional paper cards and digital e-cards featuring personalized messages and custom lyrics from artists like Dolly Parton, Donny Osmond, Michael Bolton, Shaq, and Smokey Robinson. It will also include “SmashUps,” although details on what those entail are scant for the moment.

Roc Nation president of business operations Brett Yormark told Billboard about the collaboration, explaining, “When we were introduced to the leaders at American Greetings and began discussing the idea of customized greetings, both on behalf of Roc Nation and its artists, we felt like it was a natural fit. It is an unexpected category that in many respects, given the breadth and depth of our talent, gave us a [different] way to reach new audiences.”

The partnership will begin with digital cards and eventually expand into physical cards in stores.

Fans Can Now Use Bitcoin To Pay For Entry At Exit Music Festival 2021

With the recent rise of NFTs in the music industry and interest in cryptocurrency, an international festival looking to join the trend. Serbia’s Exit Music Festival is returning this summer, and fans now have the option to buy their passes with Bitcoin.

The process of purchasing a ticket with Bitcoin is fairly similar to paying with a credit card. Once festivalgoers select the items they want to purchase on Exit’s website, they will see an option to “Pay with Bitcoin.” They’ll get a QR code to scan their Bitcoin App and will receive their tickets once the payment has been transferred and confirmed on the Bitcoin network.

Exit is currently slated to be one of the first large-scale international music festivals to return this year. It takes place from July 8-11 at the Petrovaradin Fortress in Novi Sad, Serbia and it’s lineup includes artists and DJs like David Guetta, DJ Snake, Tyga, Nina Kraviz, Sheck Wes, and more.

In a statement about the decision to begin accepting Bitcoin, Exit festival CEO and founder Dusan Kovacevic said they want to be at the cutting-edge of technology. “The potential of blockchain, digital exchange and currency is exciting and we wanted to make sure we are at the forefront and are utilizing new technologies and able to engage with our tech savvy audience as technology evolves and changes.”

Tickets to Exit Festival are on sale now. Get them here.

A Look Back At What Made Missy Elliott’s Third LP ‘So Addictive’

In 1997, the world was introduced to Missy Elliott by way of her dynamite debut, Supa Dupa Fly. This energetic inauguration was bolstered by the title track’s music video plus several more popular songs and clips, all of which cemented a now well-known brand of refreshingly off-kilter energy. When everyone zigged, Missy zagged, and this change of pace made her a bona fide star. However, her second studio album, 1999’s Da Real World, seemingly fell by the wayside. Though it was not without hit singles like “She’s A Bitch” and “Hot Boyz,” Missy believed that her sophomore effort “could have done a lot better.” (The lukewarm reaction could possibly be due to the shift of mainstream attention to other female rappers at the time, as Foxy Brown and Eve both released chart-topping albums that same year.) So with her next offering, Missy went to work, making sure she was seen, heard, and felt like never before. Enter here, Miss E… So Addictive.

Released May 15, 2001, the 16-track effort solidified the Virginia-reppin’ artist as an artistic force to be reckoned with. The multi-hyphenate once again teamed up with fellow VA native Timbaland for the platinum-selling LP, which implements the best of many musical worlds. As she declares on the “So Addictive (Intro),” “Me and Timbaland gonna give ya shit ya never heard before,” and they don’t disappoint. Miss E shows Misdemeanor’s across-the-board influences and Tim’s arsenal of universally attractive sounds, proving why the talented twosome led the front of rap’s experimental wave.

Tim ditches the robo-heavy rhythms found on Missy’s first two albums for a new palette of internationally alluring sonics, like bedroom-ready R&B (the Ginuwine collab “Take Away”) and Caribbean-spiced vibes (“Watcha Gonna Do”). Far East inspiration catapults the one-two punch of “Lick Shots” and the bhangra-inspired “Get Ur Freak On” to new heights, while the funky, Method Man and Redman-assisted “Dog In Heat” and skating rink-ready “Old School Joint” blend throwback stylings with new school flavor, resulting in influential, turn-of-the-century hip-hop that few producer-artist teams have emulated or surpassed.

Aside from impressively crafted instrumentals, Miss E harps heavily on themes of reciprocal sex and female pleasure, subjects Missy hasn’t dodged in the decades since. (Moment of appreciation for the “elephant trunk” reference in “Work It” and the choral coital coos of “Pass That Dutch.”) For one of the first times on wax, Missy’s animated side takes a slight backseat during Miss E in order to showcase her human side’s physical wants and needs.

From teasing a euphoric, romance-filled evening in the R&B jam “X-Tasy” to affirming her role in a hot and heavy night during the Grammy-winning “Scream AKA Itchin’” (“Lay on the bed he follow, bone him until to-morrah, Make him sing high sopran-ah”), Missy uses her sexuality as empowerment. The project’s features also show the dichotomy of how female MCs, in particular, wield their sensuality; while her verse is not in the album version of “One Minute Man,” Trina’s deliciously raunchy rhymes in its music video further display women’s craving for physical intimacy, and how the vocality and visibility of those desires are equal parts authoritative and arousing. (Additionally, Missy’s alliances with Eve, Da Brat, and Missy proteges Lil Mo and Tweet on Miss E continue her career’s crusade towards stronger camaraderie and tolerance between women in music, an effort which culminated in the 2001 Grammy-winning revamp of “Lady Marmalade,” which Missy produced and co-wrote.)

What else is “so addictive” about Miss E? It’s that it’s undeniably Missy. She takes permanent ink to the project and its corresponding content and definitively underlines her individuality and multidimensionality. “One Minute Man” is as bold and slinky as it is colorful, while the unconventional approach to crafting “Get Ur Freak On” both sonically and visually allowed Missy to let her freak flag fly high, ultimately changing the cultural tides. She also sings in pockets of the LP; while she’s no Mariah, she’s no one-trick pony either, and tying in her love of hip-hop and R&B adds another hint of je ne sais quoi to her recipe.

Missy told VIBE shortly before the release of the album, “I just wanted to cross the border with [Miss E… So Addictive]… I wanted to do what everybody else is scared to do.” That goal was hit, as Keith Harris wrote for Blender that “Missy’s inner bitch is back, but she has grown into her lusty swagger,” and The Guardian’s Alexis Petridis said the “brilliantly realized” project “is further evidence of Elliott’s… desire to change the rules entirely. It’s an album that sets its own agenda and sounds like nothing else in hip-hop: an incomparable achievement.”

While fans are eager for more musical offerings and collaborations from the artist who knows she’s “the best around with the crazy style,” Missy continues to receive her flowers as a trailblazing musician. In 2019, she received her honorary doctorate from Berklee College of Music, and became the first female hip-hop artist inducted into the Songwriters Hall of Fame that same year. “[Missy taught us to] own our truth and share it with the world,” Michelle Obama said in a video message at the ceremony, while collaborator Lizzo said “[she] wouldn’t be here” without Missy. Upon rewarding the icon with her overdue Michael Jackson Video Vanguard Award at the 2019 MTV Video Music Awards, Cardi B stated, “Missy has inspired countless young women to find their own voice and stand up for themselves… She’s a voice we need.”

Thanks to declarations of her unabashed, untouchable originality, energetic displays of sexual prowess and femininity, and game-changing beats supplied by her go-to guy Timothy Mosley, Miss E… So Addictive finds Missy Elliott taking ownership of herself and the differences she brought to the table. Instead of staying in the lines, she honed in on her knack for coloring outside of them. Through all aspects of her work, she shows the importance of being comfortable in the skin you’re in, and this album in particular proves that Missy Elliott is perfectly fine with being crazy, kooky, mysterious, spooky, and eons ahead of her time.

Missy Elliott is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Post Malone Is The New Global Ambassador For Monster Energy Drink

For the Post Malone fans who were already delighted by the rapper’s collaboration with Crocs, today’s news will probably be just as welcome. Turns out the artist born Austin Richard Post is now the global ambassador for Monster energy drink, a standby for gamers, sleepless nights and late night hangs everywhere, while also simultaneously being a staple at high-energy sporting events. Now that’s range.

“I am pumped to team up with Monster Energy and look forward to continuing to kick ass and having fun together.” said Post Malone in a press release detailing the collaboration. For their part, the brand was equally pumped. “Monster Energy is excited to welcome Post Malone to our team,” said Monster Energy’s CMO Dan McHugh. “Post Malone is the perfect addition to our team of award-winning talent. We look forward to growing together through our partnership.”

That partnership, so far, includes gifting ten grand prize winners an “exclusive virtual fan experience” with Posty himself, and an additional fifteen first prize winners with their own Xbox Series X console. Not to rain on anyone’s parade, but the latter sounds like the better prize here, right? Either way, you can enter for a chance to Post Up With Post Malone right here.

Lil Uzi Vert Reportedly Buys A $4.4 Million Mansion In California’s Bell Canyon

Lil Uzi Vert is well-known for making extravagant purchases, from his love for five-figure clothing shopping sprees and dropping the cost of a brand-new mid-sized car on a first date to the massive pink diamond he had embedded in his forehead. Fortunately, his latest big-money buy is also pretty practical; Dirt.com reports he recently signed the deed to a $4.4 million property in California’s Bell Canyon, on the outskirts of the San Fernando Valley.

The mansion occupying the property is listed at 1.5 acres and two stories, with five bedrooms, five and a half bathrooms, and panoramic views of the valley via the glass-walled construction. It’s got a massive, open-floor plan, a convenient and picturesque patio, an outdoor kitchen/bar area for entertaining, and of course, an outdoor pool tucked under one of its balconies. The neighborhood includes hiking trails, tennis courts, and an equestrian center — maybe Uzi and JT can get into horseback riding.

Uzi’s set to headline the Lyrical Lemonade Summer Smash in August and has a new album on the way, so it’s likely he’ll have a lot more money to burn soon enough. Check out photos of his new home below.

Lil Uzi Vert is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Woman Whose Tuition Drake Paid In His ‘God’s Plan’ Video Posts Her Graduation Pics

One of my favorite meme formats on social media these days is the “how it started/how it’s going” post because it’s a reminder that life goes on and positive things are happening amidst the seemingly endless deluge of bad news with which we’re inundated on a daily basis. Case in point: While some cynics looked at the charity Drake committed to in his 2018 “God’s Plan” video as nothing more or less than a publicity stunt, it turns out that his donations had a last positive effect on at least one of their recipients.

Destiny James, the University of Miami student to whom Drake gave a $50,000 check, recently posted her graduation announcement on Instagram, captioning her post: “Mama, I mastered it. Daddy, I did it. 4 days until I am officially UNC Alum.” Naturally, the post found its way over to Twitter, where delighted fans flipped it into the aforementioned meme format, contrasting the two moments that have both undoubtedly changed Ms. James’s life for the better.

Drake, who will be honored with an Artist of the Decade Award at the upcoming Billboard Music Awards, also congratulated the graduate, commenting on the post, “LETS GOOOOOOOOOOOOOO DES!” Meanwhile, the artist himself is preparing an announcement of his own: The release date of his next album, Certified Lover Boy, which was delayed from its original release date in January. And his habit of giving back continues; earlier this year, he helped pay off another fan’s student debt.

You can watch the “God’s Plan” video above.

Joe Budden Declares His Podcast ‘100,000% Over’ After Firing Co-Hosts Rory And Mal

One of music’s most popular podcasts came to an unexpected end on Wednesday morning. The Joe Budden Podcast, co-hosted by Joe Budden, Rory, and Mal, was declared “100,000% done” by Budden. The show’s 437th episode was uploaded to YouTube early Wednesday morning all to be removed a short time later, but not before some fans were able to get a listen to what transpired on it. Budden would eventually re-post the episode to his Patreon account for viewers to watch.

In the new episode, Budden, who is seated alone on the set that usually features Rory and Mal with him, begins by addressing the former of his previous co-hosts. “Rory feels like he has so many options here, somehow he still feels like he’s running the show [and] he still feels like he has choices and options, he feels like he’s entitled to more,” he said. “Rory, you are in breach of your contract. And from this point forward, you are fired and you are not welcome back.” Despite this, Budden did not reveal exactly how Rory breached his contract.

Elsewhere, Budden called Rory a “liability” and encouraged him and Mal to start their own show elsewhere. After the episode was initially posted to YouTube, Budden hopped on Twitter and gave a brief message, writing, “Helluva run!! God bless.” He also responded to a few fans who had thoughts on the podcast’s end.

You can read the tweets from Budden below.

Swizz Beatz Opens Up About The Last Song That He And DMX Recorded Together

A week after DMX’s tragic death, the world received a posthumous verse from him thanks to the Swizz Beatz and French Montana-accompanied track, “Been To War,” an effort that appeared in Epix’s Godfather Of Harlem TV series. The song makes for DMX’s second contribution to the show as the series’ current theme song is his and Rick Ross’ “Just In Case.” During an interview with Rap-Up, Swizz Beatz spoke about the song and revealed that it was the last song he and DMX recorded together before his death.

“I actually made that record for X, and wanted that record for X, but then we was coming with the show. And so it was like, you know what, it’s perfect,” Swizz said. While reflecting on the last few records they did together, he added, “Yeah, that might’ve been the last one.” Swizz then shared how DMX felt to be once again involved in the TV series from a music standpoint.

“He sent it to me and he was just so excited to be included in Godfather Of Harlem again, beyond the theme song,” he said. “And he just was like, I’m going to get it. ‘Cause he was taking a little long to finish the verse because he was traveling. And then he called me and he was just like, ‘I’m on it. I’m going to the studio and I’ll have it to you by tomorrow.’”

DMX kept his word and sent the song back to Swizz the following day. “I thought it was super fresh and he just was super appreciative, ’cause he was a big fan of Forest [Whitaker],” Swizz added. “Big fan of Godfather and it’s something he actually had fun doing.”

Listen to “Been To War” below.