Drakeo The Ruler’s Family Raises Their Live Nation Lawsuit Demand To $60 Million

In the case of the other major lawsuit against concert promoter Live Nation, Pitchfork reports that the $20 million lawsuit planned by Drakeo The Ruler’s family in response to his death during the Once Upon A Time In LA festival in December has not only been filed but raised to $60 million on behalf of his young son, Caiden Caldwell, by his mother, Tianna Purtue.

The lawsuit, which also names promoter partners Bobby Dee Presents and C3 Presents, as well as Banc of California Stadium owners Los Angeles Football Club, cites the disaster at Astroworld just a week before and accuses the promoters of negligence. The lawsuit says that they did not place “the safety and wellbeing of its guests and its invited artists ahead of profits,” leading to the lax security conditions that allowed Drakeo’s assailant to fatally stab him in the neck during a backstage brawl.

The suit expresses the family’s belief that the promoters were “completely knowledgeable of the potential dangers posed to both their guests and the performers they hired based on numerous past incidents of violence and death at their hip hop events.” This included not only diminishing Drakeo’s own physical security but allowing access to the backstage area by multiple people who seemed affiliated with LA’s numerous street gangs. What started as a skirmish between two small groups apparently escalated into a larger conflict as more members got involved on the basis of affiliation, with many of the attackers “dressed in all red and wearing ski masks.”

Meanwhile, the lawsuit defends Drakeo from assumptions that he himself was gang-affiliated, although it notes that members of a Bloods set wanted revenge on Drakeo for allegedly killing one of their own in a dispute — an incident for which he served nearly two years in county jail merely awaiting re-trial on new charges even after being acquitted.

Among the failures of security listed in the suit is a lack of police presence, the omission of searches for artists and their entourages, and allowing unauthorized individuals to access the backstage areas. In all, Caiden, via Purtue, is seeking $25 million for Drakeo’s death, $25 million for loss of earnings and financial support, and $10 million for Drakeo the Ruler’s suffering prior to his death.

All Of The Astroworld Lawsuits Have Officially Been Combined Into One Case

With nearly 400 suits filed against the Astroworld Festival organizers Live Nation and Travis Scott, the Texas Judicial Panel On Multidistrict Litigation has officially agreed to combine the suits into one case under the state’s multidistrict litigation process. Both plaintiffs and defendants wanted to combine the cases for simplicity. The new case will include at least 387 separate lawsuits with almost 2,800 alleged victims, with nearly $3 billion at stake. The suits argue that Live Nation and Travis Scott were negligent in the planning and execution of the festival.

According to Billboard, there was at least one hold-out, Brent Coon & Associates, that “argued in December the process was unnecessary” but fell in line with the rest. The case could also include additional “tag-along cases” that were filed later, with some victims dropping cases during litigation.

Live Nation and Travis Scott were sued in the wake of the Astroworld Festival when eight people were killed and nearly 300 others were injured by a crowd crush during Travis’ first-day closing set. Members of the crowd were suffocated and trampled as Travis reportedly performed for nearly 40 minutes after a mass casualty event had been declared by authorities. Two more victims died from their injuries after the festival, including one as young as 14 years old.

Drakeo The Ruler’s Family Details The $20 Million Lawsuit They’re Filing Against Live Nation

After the tragic stabbing of Drakeo The Ruler at the Once Upon A Time In LA festival in December, the young rapper died from the injuries he sustained at the event. Directly after her son, born Darrell Caldwell, was murdered, his mother, Darrylene Corniel, said she planned to sue the event over this wrongful death. Today, Billboard reports that the family’s lawyer, James Bryant, has outlined some of their legal action against Live Nation, C3 Presents, and Bobby Dee Presents.

Bryant said a lack of precautions to protect the rising young artist led to a situation where he was “essentially lynched,” and said the family will be seeking up to $20 million in damages. “His life was taken way too soon,” Bryant continued. “This should never have never happened if those promoters had actually had the proper security protocols. This was a preventable death,” he added, citing the fact that Drakeo was assigned “no security” and noting the barricades at the event were completely insufficient. Those who failed Drakeo the Ruler, they’re going to be held accountable,” the lawyer concluded.

Drakeo was stabbed during a skirmish backstage, much of which was captured on video, and the lawyer’s displayed this footage during their press conference. Billboard reached out for comment from the promoters involved but so far they have yet to respond.

A Coachella Tribe Is Free To Sell Tickets To Their NYE Event Despite Goldenvoice’s Efforts To Stop Them

When one of the biggest music festivals in the world is named after the region where it goes down, there’s bound to be some confusion, and maybe even legal action. This has been the case this past month as Goldenvoice, which operates the Coachella Valley Music and Arts Festival (that we all commonly know as simply “Coachella,”) filed multiple restraining orders against Live Nation and the Day One ’22 NYE concert/fest (fka “Coachella Day One 22”) that they are producing alongside the Coachella Valley-based Twenty-Nine Palms Band of Mission Indians.

Goldenvoice’s first effort against Live Nation was successful, thus leading to the name change of the event which now does not include the word “Coachella.” But Rolling Stone reports that on Monday, December 27th, a judge denied a second effort from Goldenvoice (which is owned by AEG) that would have denied Live Nation the ability to sell tickets to the event no matter what the name. Day One 22′ will go down on New Year’s Eve at the Coachella Crossroads venue, which is a couple of miles away from the Empire Polo Field where the Coachella Valley Music and Arts Festival is held. The Day One 22′ lineup features Lil Wayne, E-40, DJ Diesel (Shaq), and Getter.

As Rolling Stone further reports, Judge R. Gary Klausner rejected Goldenvoice’s latest restraining order because the naming of the event came from the Twenty-Nine Palms Band of Mission Indians, who are entitled to sovereign immunity from this type of legal action. The tribe isn’t named in the restraining order and this has allowed them to maintain their promotional material with the current name, and continue to sell tickets leading up to the event. The Chairman of the Twenty-Nine Palms Band of Mission Indians, Darrel Mike, issued a statement on the latest advancement:

“Today’s response from Judge Klausner is a win for the Tribe, the community and our ticketing partners at Live Nation. As a community and nation who reside in Coachella, California — we are equally thrilled that our outdoor venue, Coachella Crossroads will be able to continue operation under its given name. The strongarming of Goldenvoice and its parent company AEG to take reign over a name of a region and businesses who choose to identify with it is disrespectful to small and large business operations, those under their employ and the indigenous people who live within the valley.”

It’s wild to consider how Goldenvoice has essentially proven a justifiable claim on the rights to using the word “Coachella,” based on the ubiquity of their festival. It feels like a slippery slope for other festivals that rise to such notable prominence in small regions that could stake a claim to the use of the name of said region. This is definitely a win for the Twenty-Nine Palms Band of Mission Indians, but we should not breeze past the fact that in the end, this boils down to a Goldenvoice vs. Live Nation legal tiff.

Congress Is Investigating Live Nation’s Role In The Astroworld Tragedy

Live Nation CEO Michael Rapino received an open letter this morning from Congress asking to talk and provide documents about the Astroworld tragedy. In the letter from the House Committee on Oversight and Reform, Representatives said that “We are deeply saddened by the deaths that occurred at Astroworld Festival and are committed to investigating what went wrong to inform possible reforms that could prevent future tragedies.”

It’s the next wrinkle in the aftermath of the devastating Astroworld crowd control incident on November 5th that led to 10 attendees losing their lives. Live Nation was the promoter of the event along with Travis Scott and they’ve already raised eyebrows this week for news that they reportedly tried to get part-time staff at the festival to sign liability waivers after the fact. Here are the questions that Congress is seeking to get answers from Rapino and LiveNation about the event:

1. Please provide a narrative detailing the roles and responsibilities for Astroworld
Festival, including, but not limited to, venue security, crowd control,mass
casualty incident planning, emergency communications, and medical care,
between Live Nation Entertainment, its subsidiaries, partners, and subcontractors;

2. Describe any pre-show security assessments, planning, and briefings conducted
by Live Nation Entertainment or its partners, subsidiaries, or subcontractors,
including any details regarding any safety concerns raised prior to the
performance;

3. Please provide details regarding Live Nation Entertainment’s actions in response
to same-day reports of fans breaking through security barriers;

4. What precise time was Live Nation Entertainment first made aware of casualties
on the evening of November 5, and what steps were taken in response to that
information;

5. What precise time was Live Nation Entertainment first made aware that law
enforcement had declared the event a “mass casualty event,” and what actions did
Live Nation Entertainment take between that report and the performance’s
termination at approximately 10:10 p.m.;

6. Please share your assessment of the cause of the stampede and whether it could
have been prevented;

7. Please address reports that Live Nation has withheld pay from Astroworld
employees until they have signed revised employment contracts that release Live
Nation from liability; and

8. What steps does Live Nation plan to take to prevent another injury or death at a
promoted or held event.

What happened at Astroworld was an inexcusable, colossal fail that someone has to be liable for. It looks as though Congress not only wants to address that liability, but they also want to outline steps so that something of this nature never happens again.

You can read Congress’ open letter in full here via TMZ.

Goldenvoice Earns A Restraining Order Against Live Nation After Their Copyright Infringement Lawsuit

Earlier this month, Goldenvoice filed a lawsuit against Live Nation over an event the company is attempting to host which bears a title similar to another well-known showcase. Live Nation was set to hold the Coachella Day One 22 festival in California on New Year’s Eve, but thanks to a new ruling from a judge, some changes will have to be made. According to Rolling Stone, Judge R. Gary Klausner awarded Goldenvoice with a restraining order against Live Nation over the event, which features a name similar to the former’s Coachella festival, which is set to go down in April 2022.

Judge Klausner ruled that Goldenvoice is “likely to succeed” with its copyright infringement argument against Live Nation. While the ruling will require Live Nation to make some changes, it does not stop them from hosting the festival as planned. With the restraining order, Judge Klausner called Live Nation’s argument “simply unpersuasive,” adding it “does not rebut the presumption of irreparable harm.”

The ruling comes after Goldenvoice filed two separate cease-and-desist letters to Live Nation in October and November for promoting and selling tickets for Coachella Day One 22. The original lawsuit was filed against Live Nation instead of the festival’s organizers, Twenty-Nine Palms Band of Mission Indians, because the indigenous tribe that operates the venue Coachella Crossroads — where Coachella Day One 22 was set to be held — is “entitled to sovereign immunity and therefore not subject to suit.”

Twenty-Nine Palms on the other hand previously tried to file a copyright for “Coachella Crossroads” but were denied over confusion with the Coachella festival. After a second application, however, they were approved after saying they would only host community and sports events. Despite this, they’ve promoted music-related events at the venue including a Toby Keith concert that took place in May.

Live Nation Reportedly Strong-Armed Astroworld Staff Into Signing Liability Waivers After The Festival

Rolling Stone reports that in the wake of the Astroworld Festival tragedy earlier this year, concert promoter Live Nation strong-armed Astroworld’s staff into signing liability waivers or risk not getting paid. According to an email acquired by Rolling Stone, just hours after 9-year-old Ezra Blount, the youngest of the festival’s 10 victims, was reported dead from injuries sustained in the crowd crush during Travis Scott’s headlining set, Live Nation had sent part-time employees a revised employment contract promising not to sue Live Nation or its Scoremore subsidiary. However, two security guards have already done so, suggesting that not everyone signed the documents.

The original contract was the same one from the 2018 festival, even still bearing the year of the fest’s inauguration at the top. However, the new ones sent on November 15 amended the error, claiming that the employees would need it to receive their $7.50/hour paychecks for tasks like checking wristbands. The new contracts’ text was duplicated in Rolling Stone:

(Employee) assumes full responsibility for any injuries or damages that may occur to the (employee) in, on or about the festival and its premises and fully and forever releases and discharges the released parties from any and all claims, demands, damages, rights of action or causes of action resulting from or arising out of the (employee’s) attending and or providing services at the festival.

The amended contracts also denied employees medical coverage or other benefits, including workers’ compensation. According to the employee who brought the email to Rolling Stone‘s attention, “It was a free for all. I saw a girl trying to run through. She got crushed. I saw kids getting knocked out. It definitely felt like there wasn’t nearly enough security to contain the rush of the fans.” There’s also a pretty harrowing firsthand account of the chaos during Travis’ closing set that frankly, sounds terrifying.

Both Live Nation and Travis Scott have denied liability in the dozens of lawsuits filed by survivors and victims’ families, despite reports that Travis had continued performing long after the concert was declared a mass casualty event.

You can read Rolling Stone’s full report here.

Goldenvoice Sues Live Nation For Copyright Infringement Over A New Festival Planned For New Year’s Eve

Many festivals plotted a return in either 2021 or 2022 after the pandemic effectively shut down large-scale events, but one festival in particular is facing some legal issues. No, it’s not because of their COVID policy. Rather, it’s because of their name. The upcoming event Coachella Day One 22 is slated to kick off in California on New Year’s Eve, but Live Nation is now being sued by the massive festival promotion company Goldenvoice. The reason? Well, the name “Coachella” has already been copyrighted.

As reported by Billboard and NME, Goldenvoice filed a lawsuit for trademark infringement against Live Nation earlier this week. Not only does the upcoming event use the name “Coachella,” but it is also set to take place just miles away from the official Coachella festival site in Indio, California. Live Nation is not acting as the festival organizer, but the actual Coachella Day One 22 organizers are a group of Native American tribe members who are immune from this type of legal action.

Goldenvoice’s lawsuit states that they sent two cease-and-desist letters to Live Nation after the company began selling and promoting the event’s tickets. The lawsuit asks the court to put a temporary order in place that would make it illegal for Live Nation to continue to advertise, promote, market, franchise, or sell any good or service in connection with the Coachella name.