A Coachella Tribe Is Free To Sell Tickets To Their NYE Event Despite Goldenvoice’s Efforts To Stop Them

When one of the biggest music festivals in the world is named after the region where it goes down, there’s bound to be some confusion, and maybe even legal action. This has been the case this past month as Goldenvoice, which operates the Coachella Valley Music and Arts Festival (that we all commonly know as simply “Coachella,”) filed multiple restraining orders against Live Nation and the Day One ’22 NYE concert/fest (fka “Coachella Day One 22”) that they are producing alongside the Coachella Valley-based Twenty-Nine Palms Band of Mission Indians.

Goldenvoice’s first effort against Live Nation was successful, thus leading to the name change of the event which now does not include the word “Coachella.” But Rolling Stone reports that on Monday, December 27th, a judge denied a second effort from Goldenvoice (which is owned by AEG) that would have denied Live Nation the ability to sell tickets to the event no matter what the name. Day One 22′ will go down on New Year’s Eve at the Coachella Crossroads venue, which is a couple of miles away from the Empire Polo Field where the Coachella Valley Music and Arts Festival is held. The Day One 22′ lineup features Lil Wayne, E-40, DJ Diesel (Shaq), and Getter.

As Rolling Stone further reports, Judge R. Gary Klausner rejected Goldenvoice’s latest restraining order because the naming of the event came from the Twenty-Nine Palms Band of Mission Indians, who are entitled to sovereign immunity from this type of legal action. The tribe isn’t named in the restraining order and this has allowed them to maintain their promotional material with the current name, and continue to sell tickets leading up to the event. The Chairman of the Twenty-Nine Palms Band of Mission Indians, Darrel Mike, issued a statement on the latest advancement:

“Today’s response from Judge Klausner is a win for the Tribe, the community and our ticketing partners at Live Nation. As a community and nation who reside in Coachella, California — we are equally thrilled that our outdoor venue, Coachella Crossroads will be able to continue operation under its given name. The strongarming of Goldenvoice and its parent company AEG to take reign over a name of a region and businesses who choose to identify with it is disrespectful to small and large business operations, those under their employ and the indigenous people who live within the valley.”

It’s wild to consider how Goldenvoice has essentially proven a justifiable claim on the rights to using the word “Coachella,” based on the ubiquity of their festival. It feels like a slippery slope for other festivals that rise to such notable prominence in small regions that could stake a claim to the use of the name of said region. This is definitely a win for the Twenty-Nine Palms Band of Mission Indians, but we should not breeze past the fact that in the end, this boils down to a Goldenvoice vs. Live Nation legal tiff.

Congress Is Investigating Live Nation’s Role In The Astroworld Tragedy

Live Nation CEO Michael Rapino received an open letter this morning from Congress asking to talk and provide documents about the Astroworld tragedy. In the letter from the House Committee on Oversight and Reform, Representatives said that “We are deeply saddened by the deaths that occurred at Astroworld Festival and are committed to investigating what went wrong to inform possible reforms that could prevent future tragedies.”

It’s the next wrinkle in the aftermath of the devastating Astroworld crowd control incident on November 5th that led to 10 attendees losing their lives. Live Nation was the promoter of the event along with Travis Scott and they’ve already raised eyebrows this week for news that they reportedly tried to get part-time staff at the festival to sign liability waivers after the fact. Here are the questions that Congress is seeking to get answers from Rapino and LiveNation about the event:

1. Please provide a narrative detailing the roles and responsibilities for Astroworld
Festival, including, but not limited to, venue security, crowd control,mass
casualty incident planning, emergency communications, and medical care,
between Live Nation Entertainment, its subsidiaries, partners, and subcontractors;

2. Describe any pre-show security assessments, planning, and briefings conducted
by Live Nation Entertainment or its partners, subsidiaries, or subcontractors,
including any details regarding any safety concerns raised prior to the
performance;

3. Please provide details regarding Live Nation Entertainment’s actions in response
to same-day reports of fans breaking through security barriers;

4. What precise time was Live Nation Entertainment first made aware of casualties
on the evening of November 5, and what steps were taken in response to that
information;

5. What precise time was Live Nation Entertainment first made aware that law
enforcement had declared the event a “mass casualty event,” and what actions did
Live Nation Entertainment take between that report and the performance’s
termination at approximately 10:10 p.m.;

6. Please share your assessment of the cause of the stampede and whether it could
have been prevented;

7. Please address reports that Live Nation has withheld pay from Astroworld
employees until they have signed revised employment contracts that release Live
Nation from liability; and

8. What steps does Live Nation plan to take to prevent another injury or death at a
promoted or held event.

What happened at Astroworld was an inexcusable, colossal fail that someone has to be liable for. It looks as though Congress not only wants to address that liability, but they also want to outline steps so that something of this nature never happens again.

You can read Congress’ open letter in full here via TMZ.

Goldenvoice Earns A Restraining Order Against Live Nation After Their Copyright Infringement Lawsuit

Earlier this month, Goldenvoice filed a lawsuit against Live Nation over an event the company is attempting to host which bears a title similar to another well-known showcase. Live Nation was set to hold the Coachella Day One 22 festival in California on New Year’s Eve, but thanks to a new ruling from a judge, some changes will have to be made. According to Rolling Stone, Judge R. Gary Klausner awarded Goldenvoice with a restraining order against Live Nation over the event, which features a name similar to the former’s Coachella festival, which is set to go down in April 2022.

Judge Klausner ruled that Goldenvoice is “likely to succeed” with its copyright infringement argument against Live Nation. While the ruling will require Live Nation to make some changes, it does not stop them from hosting the festival as planned. With the restraining order, Judge Klausner called Live Nation’s argument “simply unpersuasive,” adding it “does not rebut the presumption of irreparable harm.”

The ruling comes after Goldenvoice filed two separate cease-and-desist letters to Live Nation in October and November for promoting and selling tickets for Coachella Day One 22. The original lawsuit was filed against Live Nation instead of the festival’s organizers, Twenty-Nine Palms Band of Mission Indians, because the indigenous tribe that operates the venue Coachella Crossroads — where Coachella Day One 22 was set to be held — is “entitled to sovereign immunity and therefore not subject to suit.”

Twenty-Nine Palms on the other hand previously tried to file a copyright for “Coachella Crossroads” but were denied over confusion with the Coachella festival. After a second application, however, they were approved after saying they would only host community and sports events. Despite this, they’ve promoted music-related events at the venue including a Toby Keith concert that took place in May.

Live Nation Reportedly Strong-Armed Astroworld Staff Into Signing Liability Waivers After The Festival

Rolling Stone reports that in the wake of the Astroworld Festival tragedy earlier this year, concert promoter Live Nation strong-armed Astroworld’s staff into signing liability waivers or risk not getting paid. According to an email acquired by Rolling Stone, just hours after 9-year-old Ezra Blount, the youngest of the festival’s 10 victims, was reported dead from injuries sustained in the crowd crush during Travis Scott’s headlining set, Live Nation had sent part-time employees a revised employment contract promising not to sue Live Nation or its Scoremore subsidiary. However, two security guards have already done so, suggesting that not everyone signed the documents.

The original contract was the same one from the 2018 festival, even still bearing the year of the fest’s inauguration at the top. However, the new ones sent on November 15 amended the error, claiming that the employees would need it to receive their $7.50/hour paychecks for tasks like checking wristbands. The new contracts’ text was duplicated in Rolling Stone:

(Employee) assumes full responsibility for any injuries or damages that may occur to the (employee) in, on or about the festival and its premises and fully and forever releases and discharges the released parties from any and all claims, demands, damages, rights of action or causes of action resulting from or arising out of the (employee’s) attending and or providing services at the festival.

The amended contracts also denied employees medical coverage or other benefits, including workers’ compensation. According to the employee who brought the email to Rolling Stone‘s attention, “It was a free for all. I saw a girl trying to run through. She got crushed. I saw kids getting knocked out. It definitely felt like there wasn’t nearly enough security to contain the rush of the fans.” There’s also a pretty harrowing firsthand account of the chaos during Travis’ closing set that frankly, sounds terrifying.

Both Live Nation and Travis Scott have denied liability in the dozens of lawsuits filed by survivors and victims’ families, despite reports that Travis had continued performing long after the concert was declared a mass casualty event.

You can read Rolling Stone’s full report here.

Goldenvoice Sues Live Nation For Copyright Infringement Over A New Festival Planned For New Year’s Eve

Many festivals plotted a return in either 2021 or 2022 after the pandemic effectively shut down large-scale events, but one festival in particular is facing some legal issues. No, it’s not because of their COVID policy. Rather, it’s because of their name. The upcoming event Coachella Day One 22 is slated to kick off in California on New Year’s Eve, but Live Nation is now being sued by the massive festival promotion company Goldenvoice. The reason? Well, the name “Coachella” has already been copyrighted.

As reported by Billboard and NME, Goldenvoice filed a lawsuit for trademark infringement against Live Nation earlier this week. Not only does the upcoming event use the name “Coachella,” but it is also set to take place just miles away from the official Coachella festival site in Indio, California. Live Nation is not acting as the festival organizer, but the actual Coachella Day One 22 organizers are a group of Native American tribe members who are immune from this type of legal action.

Goldenvoice’s lawsuit states that they sent two cease-and-desist letters to Live Nation after the company began selling and promoting the event’s tickets. The lawsuit asks the court to put a temporary order in place that would make it illegal for Live Nation to continue to advertise, promote, market, franchise, or sell any good or service in connection with the Coachella name.

1,500 New Victims Have Filed Lawsuits Against Astroworld, Bringing The Total To Almost 3,000

Just days after the plaintiffs and defendants in the nearly 300 cases against the Astroworld Festival’s organizers agreed to consolidate those cases into one proceeding, another lawsuit was filed representing over 1,500 new plaintiffs, doubling the total to almost 2,800 people suing Live Nation and Travis Scott. Billboard reports that the massive group is represented by Brent Coon, a personal injury lawyer based in Beaumont, Texas. Coon’s press release announcing the suit read, “What happened at Astroworld was an unconscionable tragedy and it is important that justice is served for all those impacted,” but few details were revealed about the suit.

Meanwhile, Billboard also recently reported that with over 275 cases pending, the Astroworld organizers’ lawyers agreed with the plaintiffs’ representatives that all the cases would be consolidated under just one judge in order to simplify what is already a complex case. A filing read, “Transfer of all of these lawsuits to a single pretrial judge for consolidated and coordinated pretrial proceedings will eliminate duplicative discovery, conserve resources of the judiciary, avoid conflicting legal rulings and scheduling, and otherwise promote the just and efficient conduct of all actions.”

The new case will likely be folded into that same multi-district litigation. Meanwhile, Astroworld’s organizers have both secured their representation for the upcoming battle, with Live Nation tapping Susman Godfrey and Travis Scott securing Daniel Petrocelli, who previously defended Donald Trump against a fraud lawsuit over his real estate seminars.

Travis Scott’s Astroworld Lawyer Revealed To Have Trump Connections

Travis Scott has been in a whole heap of trouble since this year’s Astroworld Festival, where 10 people were killed and 300 injured as the result of a crowd crush. Now, he and Astroworld promoter Live Nation (and Live Nation’s ScoreMore subsidiary) are facing over 100 lawsuits from attendees and the families of victims, with the total damages being demanded topping $3 billion. Among them are the families of a nine-year-old and a 14-year-old who both died due to their injuries, as well as a pair of security guards from the concert who handled what they believed to be dead bodies.

Yesterday, it was reported that Travis and Live Nation had secured representation for the upcoming onslaught of cases (which might be condensed to one, big, more manageable case), but today, it looks like Travis’ choice is already drawing even more negative attention for the embattled Houston rapper. As interested parties look into Daniel Petrocelli, Travis’ lawyer, they’ve come to realize that Petrocelli was the lawyer that Donald Trump called to defend him from fraud lawsuits stemming from his Trump University real estate seminars. Petrocelli was able to negotiate a $25 million settlement.

That may be just the outcome the rapper is looking for; at least one of the lawsuits against him is demanding $750 million among 120 Astroworld attendees, so paying out just a fraction via settlement could very well be the best-case scenario for him.

Travis Scott And Live Nation Reveal Their Head Attorneys As They Prepare For Astroworld Cases

The Houston Chronicle reports Live Nation and Travis Scott, under fire for the recent disaster at the Astroworld Festival last month, have made a prominent hire as they prepare to defend themselves from a deluge of cases from injured attendees and the families of the 10 people who died as a result of the crowd crush at Astroworld.

Scott has tapped global corporate law firm O’Melveny & Myers’ head of litigation Daniel Petrocelli, who is best known for representing Fred Goldman in the 1997 trial against OJ Simpson for the wrongful deaths of Nicole Brown Simpson and Ron Goldman. OJ was found liable in that case, despite being previously acquitted for the murders in a criminal trial.

It was Petrocelli who reached out to the families of victims who died at the festival with the offer to cover funeral costs; however, half the families, including that of 9-year-old Ezra Blount, rejected the offer, writing in response, “[Scott] must face and hopefully see that he bears some of the responsibility for this tragedy. There may be, and I hope there is, redemption and growth for him on the other side of what this painful process will be – and perhaps one day, once time allows some healing for the victims and acceptance of responsibility by Mr. Scott and others, Treston and Mr. Scott might meet – as there is also healing in that.”

Meanwhile, Live Nation’s head defender will be the Susman Godfrey law firm, prompting the lawyer representing about 75 victims to say, “For Live Nation to hire the Susman firm shows that the company knows it is in deep trouble and is preparing for a bet-the-company litigation fight.”

According to the Chronicle, more than 120 lawsuits have been filed by about 600 plaintiffs seeking damages totaling over $3 billion. The cases may be consolidated in order to manage the caseload.

A 14-Year-Old Astroworld Victim’s Family Sues Travis Scott And Live Nation

The latest reported Astroworld lawsuit comes from the family of a 14-year-old high school freshman who was killed at the festival along with nine others including a nine-year-old boy and a man who died trying to pull his fiancee out of the surging crowd. According to People, the family of John Hilgert seeks $1 million in damages while condemning the “gross negligence” of the festival’s organizers and promoters, including Live Nation and Scoremore.

“Defendants egregiously failed in their duty to protect the health, safety, and lives of those in attendance at the concert,” the lawsuit reads, “including but not limited to the failure to provide adequate security personnel to implement crowd control measures, proper barricades, and the failure to provide a sufficient amount of emergency medical support.”

A press release from Chris and Nichole Hilgert, the 14-year-old’s parents, asserts that the couple wants to reform concert presentation, with changes including assigned seating in general admission areas and increases in security and medical personnel on-site. “This pain should never be felt by anyone over a loved one attending a live concert,” Chris said in the statement. “Our sole aim in filing this lawsuit is to prevent this type of tragedy from ever happening again at a live concert. There is no excuse for the poor crowd design, event execution, and lack of response that was exercised at this festival that resulted in the tragic death of our son and nine others along with scores of other people that were innocently injured.”

Travis Scott And Live Nation Are Being Sued By The Family Of A Man Who Died Saving His Fiancee At Astroworld

Another new lawsuit against Travis Scott and Live Nation has emerged in the wake of the tragedy at this year’s Astroworld Festival, this one brought by the family of a man who allegedly died while trying to get his fiancee to safety during the sudden crowd surge during Travis’ closing set on the first night of the festival.

According to The Houston Chronicle, the parents of 27-year-old Mirza Danish Baig tapped Dallas-based law firm, Lyons & Simmons, to sue the festival’s organizers for upwards of $1 million, alleging that Baig was one of the eight people killed at the festival (10 have died in total after another pair of attendees succumbed to injuries sustained during the rush) as he tried to lead his fiance Olivia away from the crushing crowd. However, the two were separated, and he later died from injuries after being trampled by the crowd. Olivia and Baig’s brother Basil were also injured.

According to Simmons, “Each of the responsible parties pushed boundaries of common sense and turned their heads to the dangers, simply for profit. And when it was obvious they had lost complete control of the situation, instead of stopping the show, they made the decision to continue. That disregard resulted in one of the worst mass-casualty events at a concert in history. It’s a total disgrace.”

Scott has been named in over 20 lawsuits — a number that continues to grow — for his role in the crowd surge that caused dozens of people to be crushed, suffocated, or trampled. Ahead of the concert, Travis tweeted encouraging fans to “sneak in,” and previous to it, incidents in which attendees at his other concerts were injured were also attributed to his goading. While Travis has his share of supporters, including Chuck D, who wrote an open letter condemning Travis’ partners in the festival, Live Nation and ScoreMore, with lawsuits ranging all the way up to $750 million have ensured that Astroworld is becoming costlier by the day.