Will Ludacris And Lil Jon Perform With Usher At The Super Bowl Halftime Show?

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Usher is just a few days away from performing the Super Bowl Halftime Show at Las Vegas’ Allegiant Stadium. Given he has had several hits throughout the years, and a ton of collaborators, it has raised the question if he’ll be bringing any surprise guests — or just tackling the show solo.

Will Ludacris And Lil Jon Perform With Usher At The Super Bowl Halftime Show?

Earlier this morning, a teaser for Usher’s performance dropped, and it takes an interesting premise. Ludacris, Lil Jon, and Taraji P. Henson are working on finding Usher, as apparently, he is missing. Considering he is set to have his new album, Coming Home, drop on Friday, maybe that is when they’ll be able to find him.

Yet, it also possibly teases Usher performing “Yeah” at the Super Bowl, with hopefully his original collaborators (Ludacris and Lil Jon) joining him on stage. Considering they appeared in the Apple Music video, and Apple sponsors the Halftime Show, the three playing the hit together feels like a safe bet.

As for some other potential collaborators that could join Usher, anyone from his new album could be fair game, including maybe even Jung Kook from BTS.

Other key options include “My Boo” with Alicia Keys, “Best Thing” with Jay-Z, and “Somebody To Love” with Justin Bieber — although the last one is a reach, as it’s Bieber’s track. Never say never.

Nobody Knows Where Usher Is Right Now (In The Fictional Universe Of A New Super Bowl Halftime Show Teaser, At Least)

Usher has a full schedule over the next few days: He’s dropping a new album, Coming Home, on Friday, and a couple days later, he’s performing the Super Bowl Halftime Show. So, it would be an awful time for the entertainer to go missing, but that is just what has happened… not in real life, but in a new teaser video from Apple Music.

The video starts with Ludacris, Lil Jon, and Taraji P. Henson hanging around outdoors (outside of a fancy Las Vegas hotel, perhaps?). The trio then FaceTimes Apple CEO Tim Cook (who’s wearing an Usher graphic tee), and he asks how a dinner they had last night went. They then break the news that they lost Usher and don’t know where he is, which prompts a disappointed Cook to hang up. He then texts the group, “You will find him!”

This presumably sets up a series that will continued to be shared in the days leading up to the big performance. Perhaps most notably, though, this ad might serve as a teaser of Ludacris and Lil Jon joining Usher to perform their hit collaboration “Yeah!” during the halftime show. We’ll know for sure this weekend.

Check out the video above.

Lil Jon Reportedly to Release Guided Meditation Album

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The new Lil Jon album will be far from the high energy we are used to. According to TMZ, Lil Jon is set to drop his new album on Feb. 16.

The album is believed to be a guided meditation and will be his first since 2010’s Crunk Rock.

The album is detailed due to a wellness journey that has taken “priority in his life.”

No official announcement has been made.

The post Lil Jon Reportedly to Release Guided Meditation Album first appeared on The Source.

The post Lil Jon Reportedly to Release Guided Meditation Album appeared first on The Source.

Lil Jon Ventures Into Home Renovation With HGTV Show “Lil Jon Wants To Do What?”

Lil Jon

Lil Jon has added a surprising new endeavor to his already impressive resume. In a recent interview on the Today Show, he revealed his unexpected passion for home renovation and discussed his role as the host of the hit HGTV show Lil Jon Wants To Do What? The Grammy-winning rapper’s journey into the world of […]

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Lil Jon Is Back With Season 2 of His HGTV Series

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Season 2 of Lil Jon Wants to Do What is back! In case you didn’t know, the “Turn Down for What” rapper is now the star of his own home renovation show. He is the only rapper to have his own home remodeling series. The next season of Lil Jon Wants to Do What will come with eight episodes.

Throughout the season, Lil Jon will combine with a designer and builder to achieve homeowners’ dreams of luxury. Season 2 premieres on July 10th on the HGTV channel. The DJ/producer/rapper got into home remodeling after his home was ruined during an Atlanta flood.

While watching the HGTV network during the COVID-19 pandemic made the “Yeah” artist want to really help others improve their homes. He teamed up with renovator and designer Anitra Mecadon and now they are amongst HGTV’s favorite duo.

The post Lil Jon Is Back With Season 2 of His HGTV Series appeared first on The Source.

Quavo (Sort Of) Covered ‘Get Low’ By Lil Jon And The Eastside Boyz In A Hilarious ‘Nonsense Karaoke’ Performance

Rapper Quavo has earned his spot in the hip-hop textbooks for having one of the smoothest flows in the game. As a former member of the rap rap trio Migos, he, along with his former groupmates, has been credited as a formative force behind the now-thriving Atlanta rap sound. Lil Jon and The Eastside Boyz have also been deemed pioneers for a cultural wave in Atlanta’s music history.

The “Greatness” rapper’s appearance on NBC’s latest music show, That’s My Jam, hosted by Jimmy Fallon, put his buttery smooth flow skills to the test. Quavo was prompted to perform a hilarious cover of Lil Jon and The Eastside Boyz’s classic song “Get Low,” however, due to the rules of the Nonsense Karaoke segment, all of the song’s lyrics were changed.

Swapping out the beloved chorus for, “Pickle brine / Taste like wine / Straightening my teeth with Invisalign / Jello, Jello, Jello, Jello, Jello, Jello / I bought a Kindle at the mall / Belly flop’d Niagara falls / Read a book opened by Roald Dahl,” the musician didn’t miss a beat.

As an Atlanta native that grew up hearing the song and a successful rapper in his own right, it probably wasn’t as difficult as it may have seemed. But nonetheless, the Hunco knocked it out of the park.

Watch the performance above.

The Daniels Are Likely To Win A Bunch Of Oscars, But They Might Never Top Their ‘Turn Down For What’ Music Video

Did you know that the guys responsible for one of the most beloved and zany videos of 2014 are nominated for several awards at the upcoming Oscars? Because I sure didn’t.

Actually, let me back up. Somewhere in the recesses of my pop culture-addled brain, I was aware that the 2014 video for the DJ Snake and Lil Jon collaboration “Turn Down For What” was directed by 35-year-old director tandem

Daniel Kwan and Daniel Scheinert, collectively known as Daniels. And I also knew that Daniels directed the 2022 runaway smash

at this year’s Academy Awards.

But somehow, my brain failed to connect the dots in any meaningful way until my editor pointed out to me that I’ve been talking about that movie pretty much nonstop since it came out last year, and that this was exactly the sort of connection that would allow me to do so in the music section. Also, it’s pretty darn nifty that Daniels were able to earn all those Oscar nominations by essentially just doing all the same things they did in their music video on a larger scale.

The track record for music video directors who turned to film has some truly wild variation. Sure, directors like Francis Lawrence (“Bad Romance,” “I’m A Slave 4 U”) went on to direct blockbusters (The Hunger Games: Catching Fire and Mockingjay) while Spike Jonze (“Buddy Holly” and “Sky’s The Limit”) garnered critical acclaim for his arthouse films (Being John Malkovich, Her). But you also have Michael Bay and Hype Williams. The less said about Belly, the better.

But if you’d told people in 2014 that the people behind the unhinged “Turn Down For What” video would ultimately bring their transgressive commitment to chaos to the big screen – and earn 10 Academy Award nominations in the process – they might not have believed you. But in viewing Everything Everywhere All At Once, they’d see that all of the hallmarks of Daniels’ style remain intact. Which means that even after all their success, “Turn Down For What” might remain their greatest accomplishment yet.

In case you need a refresher on just how wild DJ Snake and Lil Jon’s video gets, here it is. The video opens on the rooftop of an apartment building, with a man staring into the camera as the beat builds. He leaps into the air in an apparent belly flop that smashes through the roof as the beat drops, landing in the apartment below. He proceeds to twerk on and/or hump practically every piece of furniture, terrifying the apartment’s occupant. She phones the police, and at this point, you’re likely expecting the story to proceed from what is an unusual but still altogether believable standpoint.

You’re wrong, though. So wrong. Not only does the phone officer’s face melt off a la René Belloq in Raiders Of The Lost Ark – one of many pop culture callbacks throughout Daniels’ work – but the dancing affliction of patient zero turns out to be somewhat contagious. After the lady’s clothes get blown off with a pelvic thrust, she joins in the debauchery, dropping her derriere right onto the first man’s face and once again crashing through the floor into the next apartment. This time, they disturb a family sitting down for dinner, leading to looks of horror and dismay as the process starts all over again.

The dance moves this time run the gamut of provocative Caribbean and South American styles (my favorite is the Brazilian Surra de Bunda, in which the female dancer rests her legs on her partner’s shoulders and then repeatedly smashes her posterior into his face… it’s so ridiculous) until the family gets into it too. The mother’s mammaries move of their own accord, the dad and daughter start headbanging, and before you know it, yet another apartment is practically demolished. And yes, they once again end up in the unit below, where at least an actual party is taking place.

The unsuspecting partygoers stare at the newcomers for a bit, and then things get really out of hand. A police officer sent over for the noise joins the party (of course), more furniture and flatware gets destroyed, and in the end, everyone ends up slumped over. That doesn’t stop the first guy’s sweatpants from twitching ominously as the video cuts to black.

When the video was first released, it was a phenomenon, leading to thinkpieces in Vox and on music interest sites, memes, and edits that made it even more ridiculous than it originally was. The internet couldn’t get enough; the song itself was licensed for use in films like 22 Jump Street, Furious 7, and the second Angry Birds movie, appeared in comedic sketches on The Tonight Show, and was even used in political campaigns like Rock The Vote and Michelle Obama’s “Let’s Move!” initiative.

But that video was a huge part of the reason it stuck – people couldn’t get enough of it (to date, it’s accumulated well over a billion views on YouTube). And it established many of the signature flourishes of Daniels’ direction style, from irreverent and downright vulgar humor to the prominently Asian cast – which was as revolutionary in its day as that of the multiverse-hopping Oscars multi-nominee. Much like the dancing contagion from the video, Everything Everywhere features a sort of “everybody was kung-fu fighting” plot element in which one character suddenly displays outsized combat proficiency before nearly every other character becomes a drunken master.

Slow-motion butt drops figure prominently into both works, both for comedic purposes and plot advancement. Even the concept of each apartment being its own little ecosystem before the dancers crash through its ceiling is echoed in the use of the multiverse, where each timeline is encroached upon by Michelle Yeoh’s Evelyn as she seeks the means to defeat the “villainous” Jobu Tupaki. The film is littered with the same sort of pop culture references that led Daniels to nod to Indiana Jones; a song lyric absent-mindedly inserted into some dialogue by Kwan winds up leading to the song itself becoming the connective tissue between worlds.

Even the song’s title seems to reflect Daniels’ maximalist philosophy. As the multiverse shenanigans get nearly overwhelming, as so many plot points converge that you wonder how they’ll keep track, just when you think Everything Everywhere can’t possibly get any bigger, louder, funnier, more obnoxious, heartbreaking, or poignant, Daniels ask themselves, “Turn down for what?” and go even harder. As it turns out, that could be a winning strategy.

Everything Takes Time: T-Pain, Big Boi, Kelis, and Lil Jon on the Art of Side Quests

Photos courtesy of Dark Matter Media

As some musicians find time for second careers, perhaps the most talked-about hobby of any rapper belongs to Big Boi’s title of pet dad. The Dungeon Family mainstay has loved animals for as long as he can remember, or at least since his grandfather would let him and his brothers look after his German Shepherd puppies, he tells us. 

These days, however, Big Boi is the owner of four owls (Hootie, Simon, Whodini, and Tula; “That’s enough for right now,” he says), 40 to 50 French Bulldogs, a pet tiger Bodhi who stays at a zoo, and some fish friends as well. His massive collection of pets uses his just-as-massive 40 acres of land in Atlanta. So while his love for creatures has been ever-present, Big Boi knows it might catch others off guard, and he’s seen it first hand. “People get a chance to get a glimpse into your personal side, and of course they’re gonna be confused,” he explains over Zoom. 

“You can go back as far as the early OutKast albums. We had the pitbulls, then we had the frenchies and stuff like that,” he says. “It’s just a cool thing to have quality animals, and you can create something so beautiful that can be an extension of somebody’s family and their home and bring joy to their kids. This ain’t just some backyard boogie, this that real deal”

big boi artist side quests
Image via Dark Matter Media

It’s been four years—maybe longer—since Sir Lucious welcomed his first owl Simon. At the time, the owlet’s trainer Roy Lau figured the rapper could use an “introductory friend.” He eventually added three more to his crew. 

“I’ve had them since they were owlets. They were small, fuzzy,” Big Boi says. “They just had their down feathers, so they were little bitty ones. At first it was kind of intimidating. But once you pet them and they get to know you, they’ll just take a liking to you.”

The Atlanta legend sees his birds at least twice a month, and even has a home for them in his backyard behind a dog kennel. They spend most of their time with their handler, but when Big Boi introduces the owls to new friends in the studio, the reaction tends to be the same. “‘Holy shit,’ they back up. They get scared a little bit until they see that the bird’s not even thinking about them.”

Some of his favorite memories with the birds date back to their firsts, almost the way a father would recall his kid’s first steps. Big Boi’s voice lights up when he talks about the first time Hootie landed on his glove. 

And now three-plus decades into his storied career, he’s hoping to use what he’s learned in pet ownership to spread some joy to his community. In three to five years, Big Boi tells us, he wants to own a pet shop. 

“That’s my dream thing to do. If I were to take some time off and go ahead and live life, I want a pet shop, man, so I can just spread that joy with these animals. I want it to be like the dopest spot, where you can get everything you want,” he says. “Eventually, I’ll want my own zoo. My own rescue center, where I can do exotics as well. I can have a farm. I want a pet store where we sell finger monkeys and all kinds of silly exotic fish and the whole nine yards. Kinda like Pee Wee Herman.”

Photo by Mike Mora

While Big Boi’s Big Adventure into pet store ownership is still very much a work in progress, Kelis and Lil Jon have turned their interests outside of music into career shifts of varying proportions. 

In 2006, after the release of her fourth album Kelis Was Here and as she separated from Jive Records, Kelis made the decision to head to culinary school. “It was one of the first times when I was really free and out of a label deal that I was wanting out of for a long time,” she explains. “I really had time to do me, and for first time since I was 17, I had no music to work on. So I decided to enroll in Le Cordon Bleu.”

At the school, the hit-maker took a hobby that she was introduced to when she oversaw her mom running a catering business as a kid (“basically as her sous chef”) and turned it into a centerpiece in her life. Now she runs a business in Bounty and Full, owns a farm she bases the business out of, has released a cookbook called My Life on a Plate, and continues to share music as a nod to her love for food—from 2014’s Food to her recent single “Midnight Snacks.”

“I always cooked because of my mom, I learned through her. Probably once I started touring, I knew I wanted to eat what I wanted and found that I loved cooking for people, so I would always cook for crew and friends when on the road. Over time, of course, you get better,” Kelis says. “Everything takes time, regardless of the industry.”

“Creating and putting out my first cookbook, reminded me a lot of putting out my first album, the energy, excitement and everything that it took to put that together.” In terms of lessons she’s learned through her journey into her alternate career path, Kelis keeps it simple: “If it scares you just a little bit, then you’re probably doing what you really want deep down.”

Photo via Discovery / Last Word

While Lil Jon didn’t go to school to tap into his newfound love for interior design, his years in the music industry have proven to be a school in itself. “I do design like I’m in a recording studio, you don’t know what you’re gonna do [in advance],” he tells us. “And especially if you meet somebody for the first time, you talk to them, you chill, you vibe. That’s exactly what we do in every home.”

Jon’s HGTV show, appropriately titled Lil Jon Wants to Do What, is currently on its second season, meaning Jon and his design partner Anitra Mecadon have tackled 12 homes together. And it all started with his own pad in Atlanta.

A couple years ago, the crunk legend’s home was flooded when a pipe burst, prompting him to binge-watch home renovation shows until he found the perfect designer to call, Anitra. After they took care of his place, the TV star’s husband recommended she and Jon make a show of their own. The rest is history. “What feels good is when you see people’s faces when you reveal to them the house. And like, you got to think about it in the sense of no one had seen my design work in this first season, the homeowners, I’d never done it,” he says.

“They’re trusting that I’m not going to make janky shit. They trust in us in their homes, but I don’t know if I could trust a Lil Jon in my house, [just to] end up seeing what he’s done, working with $50,000 to $100,000.”

Photos via Ricardo Lopez/NappyBoyEnt

Just as Jon is trusted in the driver’s seat of home renovations, T-Pain is trusted in the literal driver’s seat.

“You have to have the confidence to give it a go without training,” T-Pain explains of drifting cars. “Drifting is controlling out-of-control driving, so the only way to try it is to let shit go. You have to have the most confidence. People do it by accident with no training, so you get to do it on purpose with training.”

After being taught to drift in 2018 by Chelsea DeNofa, a professional driver with expertise in drifting, road racing, and stunt driving, T-Pain was sold. The Rappa Ternt Sanga (Ternt Drifter) has since garnered the confidence to not only step behind the wheel, but also to put aside the notion that rappers are “only known for buying luxury cars” as he goes out “ looking for old Nissans,” he jokes. He’s even built his own drift cars, which quarantine gave him the added time to get going on after he was introduced to the hobby.

And T-Pain has already reached some major highs in the sport, after going on a tandem drift with Vaughn Gittin Jr. (who he called one of the best drifters in the world). He’s also looking to bring his hobby to a new audience, as he launched the Nappy Boy Drift Team as part of Nappy Boy Automotive in recent years, an extension of the umbrella of things all sharing the same name, which also includes his Nappy Boy Radio program and Nappy Boy Gaming.

“You know, it really was because I wanted to see more people that looked like me in the sport,” he says of launching the team. “If you think of automotive racing of any kind it’s really white dominated. I wanted to create a team and a way for people who are more like me to come on it and try it out. It’s fun as hell.”

“The process is slower than I’d like, but to do great things takes time.”

As for the rest of T-Pain’s empire of quests outside of music, like his Nappy Boy Gaming Team and his radio show, he’s in no hurry to be the best at anything—and that’s what he thinks makes it all so popular. “I’m just being myself and I’m not some professional gamer that is amazing at everything. I’m doing it to have fun and learn as I go,” he says. “My Twitch community sees that in real time. I always say to join Nappy Boy Gaming, you don’t have to be the best gamer out there, you just need to be a good fucking person.”

Sending advice to those who want to try something new, T-Pain, who is arguably the best person to give such advice, makes his message loud and clear. “You never know until you try. I think all artists have skills and interests outside of music, but maybe they don’t publicize it like that. That would be boring as hell if they didn’t,” T-Pain says. “For me, it helps give inspiration for the music and also to not burn out.”

“When I’m not feeling creative musically, I play games, I work on my cars, I go out drifting, and that in return helps my mind not focus on just creating something and it comes more naturally.”

Image via Ricardo Lopez/NappyBoyEnt
Image via Ricardo Lopez/NappyBoyEnt

Lil Jon Threatens To Sue Over “Lovers & Friends” Festival: Report

Live Nation is about to make an enemy out of Lil Jon. He’s known for his vivacious personality, noticeable adlibs, and fire productions, but a recent report states Jon isn’t happy with the Lovers & Friends Festival promoters. The concert returns in May, and Lil Jon Is upset that the title of his hit track is being used as the festival’s name.

It’s reported that this week, the rapper’s team sent a letter to Live Nation hoping “to reach a financial agreement.”

Read More: 50 Cent, Missy Elliott, & More To Perform At Lovers & Friends 2023

This allegedly isn’t the first time Lil Jon has attempted to converse with Live Nation representatives. His attorney, Doug Davis, is said to have talked with the company back in May 2022. Additionally, it was “assumed” that Live Nation would do right by Lil Jon. Things didn’t escalate because he was headlining the festival with several famous friends.

However, this time around, there were many artists asked to once again join the line-up—but Lil Jon was left out. Another of the artist’s attorneys compared the situation to having a “Don’t Stop Believin’” festival without Journey.

LAS VEGAS, NEVADA – MAY 15: Rapper Lil Jon performs during the 2022 Lovers & Friends music festival at the Las Vegas Festival Grounds on May 15, 2022 in Las Vegas, Nevada. (Photo by Gabe Ginsberg/Getty Images)
Read More: Lovers & Friends Festival Adds Second Day & Changes Lineup

TMZ also reported that Jon doesn’t want to take the promoters to court and hopes that a settlement is reached. Live Nation has yet to react publicly to Lil Jon’s warning.

[via]

Lil Jon Threatens To Sue Live Nation Over “Lovers & Friends” Festival

Lil Jon

Lil Jon is threatening to sue Live Nation for not including him in the upcoming “Lovers & Friends” Festival. The concert name is the same moniker after his 2004 hit with singer Usher and rapper Ludacris. Lil Jon Threatens Lawsuit Against Live Nation Lil Jon is threatening to sue Live Nation over the “Lovers & […]

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