Indie

The Potential Firsts And Milestones At The 2021 Grammys

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Getty Image/Ralph Ordaz

Well… we’re finally here. After a brief postponement, the 63rd annual Grammy Awards will be taking place on Sunday, March 14. As with many awards shows nowadays, things will be presented a bit differently than we’re used to. Per The Recording Academy’s website, there will be a virtual red carpet ceremony and premiere ceremony, where artists like Burna Boy, Lido Pimienta, Rufus Wainwright, and more will perform.

The circumstances don’t negate the ceremony’s esteem, however, and some of the biggest names in music could take home some serious hardware. Given The Recording Academy’s commitment to diversifying their business and the industry at large, there are a handful of exciting nominations and possibly historic wins music fans may be treated to this year. They say “it’s an honor to be nominated,” and that certainly rings true this time around.

Read on to discover some major nomination moments and potential milestones that the 2021 Grammys hold.

Legendary Nominations

The Biggest Pool Of Potential Honorees

There were 23,207 entries submitted for nomination consideration this time around, which is more than ever before. After the nominations were announced in November, Recording Academy Chair and Interim President/CEO Harvey Mason Jr. said that this year’s honorees are “proof that the creative spirit continues to be alive and well.”

Women Rule Country and Rock

Here’s a first: never before in the history of the Grammys have there been only women or women-fronted acts nominated in the Best Rock Performance and Best Country Album categories. Phoebe Bridgers, Fiona Apple, Brittany Howard, Grace Potter, HAIM, and Big Thief are up for Best Rock Performance, while Ingrid Andress, Brandy Clark, Miranda Lambert, Ashley McBryde and Little Big Town could win the Best Country Album honor.

Best New Artists Bring Heavy Representation

Even more exciting: every nominee in the Best New Artist category is either a woman or a person of color. They include country singer Ingrid Andress, indie rock singer-songwriter Phoebe Bridgers, rapper Chika, alternative act Noah Cyrus, rapper D Smoke, rapper/singer Doja Cat, deejay/producer Kaytranada, and rapper Megan Thee Stallion.

BTS Breaks Barriers

BTS is the first K-Pop act and the first South Korean group to be recognized by the Recording Academy. They are nominated for Best Pop Duo/Group Performance category for the 2021 ceremony, thanks to their song “Dynamite.”

The Potential Milestones

Taylor Goes For Three

If Folklore goes home with an Album Of The Year win, Taylor Swift would become the first woman to win the honor three times. Previously, Swift won the night’s top award in 2010 for Fearless and in 2016 for 1989. She would join Stevie Wonder and Frank Sinatra as the third solo artist in history to achieve the feat. (Paul Simon has won Album Of The Year three times, but one of those wins came for a Simon & Garfunkel album.)

Queen Bey Watches The Throne(s)

After securing nine nominations this year, Beyoncé became the second-most nominated artist in Grammy history, tying with Sir Paul McCartney. (The only other musicians with more nominations are Quincy Jones and her husband JAY-Z, who are tied for first.) If Bey wins three of those gramophones, she ties with bluegrass musician Alison Krauss for the most wins by a female artist in the show’s history. (If she wins four, of course, that means the record now belongs to her.) We also have to mention that her daughter, Blue Ivy Carter, is up for a “Best Music Video” nomination for her appearance in “Brown Skin Girl.” If the video wins, Blue would become one of the youngest Grammy winners ever.

Potential Sister Success

Haim’s Women In Music, Pt. III is up for Album Of The Year. If the group wins the night’s biggest honor, they’d be the first all-female group in 15 years to win the award. The last time this was achieved was at the 49th ceremony in 2006, when The Chicks’ Taking The Long Way nabbed the win. This would also be the first time since then that sisters would be winning Album Of The Year together. (Haim’s members are all sisters, while Martie Erwin Maguire and Emily Strayer from The Chicks are sisters.)

Dua and Posty’s Potential Big Three Wins

Dua Lipa and Post Malone have the potential to join an exclusive squad of just eight musicians who have won Album, Record and Song Of The Year in the same night. (Paul Simon, Carole King, Christopher Cross, Eric Clapton, Dixie Chicks, Bruno Mars, Billie Eilish, and Adele, twice.) Dua’s Future Nostalgia and “Don’t Start Now” and Post’s Hollywood’s Bleeding and “Circles” are up for the honors.

Female Rappers May Reign Supreme

If either Megan Thee Stallion, Doja Cat, or Chika wins in the Best New Artist category, she will become the first female rapper to win in 22 years, and just the second to win (after Lauryn Hill). Nicki Minaj and Iggy Azalea were nominated in the category in 2012 and 2015, while genre-bending musician Lizzo, who began her career rapping and singing, was nominated in 2020.

Roddy Ricch and Megan Thee Stallion’s Groundbreaking Chances

There are a few possible milestones wins in the Best Rap Song category. If Roddy Ricch wins for “The Box,” he will be the youngest recipient of the award. (He is 22 years old.) If Megan Thee Stallion wins Best Rap Song and/or Best Rap Performance for “Savage (Remix),” she’ll be the first female winner in both of those categories. And how sweet would it be to share the honor with her idol and collaborator, Beyoncé?

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Who Will Win And Who Should Win At The 2021 Grammys

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Getty Image/Ralph Ordaz

The 2021 Grammys are less than a week away (airing on March 14), and the nominations are a reflection of 2020’s whirlwind. In a year that was riddled by heartache and isolation, artists either dug deep into quarantine-induced loneliness that birthed relatable tunes or went the opposite route to provide cheerful music to give fans some temporary relief.

This time around, Beyoncé leads the charge with nine nominations. This brings the most nominated artist in history’s career total to 62. She’s up both as a solo artist (among others, “Black Parade” is up for four categories including Record Of The Year) as well as her “Savage” collaboration with Megan Thee Stallion (also up for Record Of The Year).

Following Beyoncé are Taylor Swift (whose total now rises to 41), Dua Lipa, and Roddy Rich, with six nods each. But there are still other artists who could walk away with some trophies, including Fiona Apple, Phoebe Bridgers, and Nas. While there are a few deserving names missing from this year’s nominations (The Weeknd, Summer Walker, and The Chicks were among the most shocking), the Grammys continue to make improvements on its diversity efforts. BTS made history as the first K-pop act to be nominated and women rightfully dominated the country and rock categories.

Check out our predictions below for how the biggest and most coveted categories could play out.

Best Rap Album

D Smoke – Black Habits
Freddie Gibbs & The Alchemist – Alfredo
Jay Electronica – A Written Testimony
Nas – King’s Disease
Royce Da 5’9″ – The Allegory

Who Will Win? Nas

Who Should Win? Freddie Gibbs

With all the standout rap albums released last year, it was quite surprising when The Recording Academy opted to nominate more traditional, older artists instead of highlighting the genre’s newcomers. Nevertheless, this category is filled with decades of remarkable talent. While D Smoke, Jay Electronica, and Nas were all favorites for the “rappity rap” sector of music lovers, it’s Freddie Gibbs’ Alfredo that is an immediate standout. Linking up with esteemed producer The Alchemist, Gibbs doesn’t waste a single breath on his tight bars while dishing out a rap master class.

Best Rap Performance

Big Sean Featuring Nipsey Hussle – “Deep Reverence”
DaBaby – “Bop”
Jack Harlow – “What’s Poppin”
Lil Baby – “The Bigger Picture”
Megan Thee Stallion Featuring Beyoncé – “Savage”
Pop Smoke – “Dior”

Who Will Win? Megan Thee Stallion and Beyoncé

Who Should Win? Lil Baby

This category features all strong contenders, from the late Pop Smoke’s “Dior” continuing his posthumous reign to Jack Harlow’s “What’s Poppin” showcasing just how effortless his flow is. And of course there’s “Savage,” which finds Megan Thee Stallion teaming with her idol Beyoncé. The latter seems like the promising win here based on how massive it was, but Lil Baby shouldn’t be ignored. The rapper is at his most vulnerable on “The Bigger Picture,” as he sheds light on police brutality occurring both in his native Atlanta and across America. But what makes this protest anthem so insightful is that Lil Baby turns the mirror on himself and tries to correct the wrongs he’s done with his own violent lyrics.

Best Alternative Music Album

Fiona Apple – Fetch The Bolt Cutters
Beck – Hyperspace
Phoebe Bridgers – Punisher
Brittany Howard – Jaime
Tame Impala – The Slow Rush

Who Will Win? Fiona Apple

Who Should Win? Fiona Apple

2020 proved that alternative music still has a deserved place in mainstream music, with all five artists in this category creating some of the strongest tunes of their esteemed careers. The Slow Rush is Kevin Parker at his most refined as he imagines lush soundscapes, and both Brittany Howard’s Jaime and Phoebe Bridgers’ Punisher are graciously intimate. But not much else compares to the shocking rawness of Fiona Apple’s Fetch The Bolt Cutters. Of course, honesty has been Apple’s M.O. since her 1996 debut, but she turns the volume on max on her latest record. The most beautiful moments of Fetch The Bolt Cutters are its messiness, from Apple’s crackled, unedited vocals to the clamoring production. That kind of “zero f*cks given” energy should be commended.

Best Pop Solo Performance

Justin Bieber – “Yummy”
Doja Cat – “Say So”
Billie Eilish – “Everything I Wanted”
Dua Lipa – “Don’t Start Now”
Harry Styles – “Watermelon Sugar”
Taylor Swift – “Cardigan”

Who Will Win? Dua Lipa

Who Should Win? Doja Cat

This entire category is filled with fun pop moments, with Harry Styles inviting us to blissful paradise on “Watermelon Sugar” to Billie Eilish giving another dose of relatability on “Everything I Wanted.” Dua Lipa’s catchy earworm “Don’t Start Now” seems to be the biggest contender here, but Doja Cat’s “Say So” was just as inescapable. 2020 was a major year for the triple-threat, and it was partly due to the virality of “Say So.” After it dominated TikTok (whose dance challenge creator Haley Sharpe was featured in the video), the single literally soared onto the charts. Tacking on remix queen Nicki Minaj, “Say So” became both rappers’ first No. 1 single and also made history as the first collaboration by two female rappers to top the Hot 100. Doja Cat’s genre-bending talents combined with this song’s sheer ubiquity are surely worthy of that golden gramophone.

Best Pop Vocal Album

Justin Bieber – Changes
Lady Gaga – Chromatica
Dua Lipa – Future Nostalgia
Harry Styles – Fine Line
Taylor Swift – Folklore

Who Will Win? Taylor Swift

Who Should Win? Dua Lipa

Dua Lipa, Taylor Swift, and Harry Styles arguably gifted us with the best albums of their career in 2020, but something’s telling me that The Recording Academy will award Swift’s beloved Folklore. But let’s not rule out Lipa, who was one of the few artists in recent memory who perfectly executed a proper album era. Not only did Future Nostalgia redefine what ‘80s and ‘90s pop mean in a millennial age, but the promotion — from the visually stunning videos to the accompanying remix album that was just as good as the original — took the compelling songs to new heights.

Best Progressive R&B Album

Jhené Aiko – Chilombo
Chloe x Halle – Ungodly Hour
Free Nationals – Free Nationals
Robert Glasper – F*** Yo Feelings
Thundercat – It Is What It Is

Who Will Win? Jhené Aiko

Who Should Win? Chloe x Halle

R&B has been in the shadows of rap for the past few years, but the genre surpassed its sibling in 2020. That hasn’t been made more clear than with this category, whose name changed from Best Urban Contemporary Album to Best Progressive R&B Album to dismiss the negative connotations the word “urban” brings. Jhené Aiko’s Chilombo being an industry favorite makes it a predicted winner here, but the brilliance of Chloe x Halle’s Ungodly Hour is too hard to surpass. The duo’s sophomore album is a journey of their grown womanhood, as they explore sexuality, rising above failed relationships, feeling petty in the moment, and embracing their imperfections. And it’s all tied together with heaven-sent harmonies, otherwordly production that continues the Afro-Futurism conversation, and smart songwriting. Now, who dared to question if R&B is dead again?

Record Of The Year

Beyoncé – “Black Parade”
Black Pumas – “Colors”
DaBaby Featuring Roddy Ricch – “Rockstar”
Doja Cat – “Say So”
Billie Eilish – “Everything I Wanted”
Dua Lipa – “Don’t Start Now”
Post Malone – “Circles”
Megan Thee Stallion Featuring Beyoncé – “Savage”

Who Will Win? Dua Lipa

Who Should Win? Megan Thee Stallion and Beyoncé

As Record Of The Year is awarded for the final recorded product of a single, it’ll be fair for Megan Thee Stallion and Beyoncé’s “Savage” remix to take the win. The teamwork is between not only the two artists but also the producer and engineer, and it gave way to the catchiest song of 2020. “Savage” was already a standout from Megan’s Suga EP, which was followed by a massively viral moment once TikTok got hold of it and a new dance craze was born. So when Beyoncé decided to hop on the remix months later, the world was stopped once again. What’s better than the two biggest mainstream artists from Houston reveling in all things classy, bougie, and ratchet? But as we bring up catchiness, Dua Lipa’s “Don’t Start Now” also deserves a major hat tip.

Best New Artist

Ingrid Andress
Phoebe Bridgers
Chika
Noah Cyrus
D Smoke
Doja Cat
Kaytranada
Megan Thee Stallion

Who Will Win? Phoebe Bridgers

Who Should Win? Megan Thee Stallion

There are so many deserving artists in this category, including Kaytranada, Chika, and Doja Cat. But Phoebe Bridgers growing into such a major indie darling may give her the win here, and The Recording Academy has a history of shocking the audience when it comes to Best New Artist wins. Still, Megan Thee Stallion’s unwavering dominance in 2020 cannot be ignored. She’s grown into more than just a rapper: she is an advocate for Black women, a businesswoman who has scored multiple partnerships, a philanthropist who gives back to her community, and is leading the charge of unapologetic new-gen women rappers.

Song Of The Year

Beyoncé – “Black Parade”
Roddy Ricch – “The Box”
Taylor Swift – “Cardigan”
Post Malone – “Circles”
Dua Lipa – “Don’t Start Now”
Billie Eilish – “Everything I Wanted”
H.E.R. – “I Can’t Breathe”
JP Saxe Featuring Julia Michaels – “If The World Was Ending”

Who Will Win? Taylor Swift

Who Should Win? Dua Lipa

Like Record Of The Year, this category is also overflowing with strong contenders that range from timely matters of racial inequality to heartbreaking ballads. Seeing as this win is for songwriters though, Taylor Swift getting a gramophone for “Cardigan” makes the most sense. But let’s not knock out Dua Lipa too quickly; the sheer pop perfection of “Don’t Start Now” should get the recognition here. An unofficial sequel to 2017’s “New Rules,” the lead single to Future Nostalgia captures the album’s nu-disco spirit while elevating Lipa to new pop star territory.

Album Of The Year

Jhené Aiko – Chilombo
Black Pumas – Black Pumas (Deluxe Edition)
Coldplay – Everyday Life
Jacob Collier – Djesse Vol. 3
Haim – Women In Music Pt. III
Dua Lipa – Future Nostalgia
Post Malone – Hollywood’s Bleeding
Taylor Swift – Folklore
Who Will Win? Taylor Swift

Who Should Win? Taylor Swift

Ah, Album Of The Year, the coveted Grammy that nearly every artist vies for at some point in their career. It’s also one of the most unpredictable categories as it can either go to the year’s most popular artist (see Adele in 2017 and Bruno Mars in 2018) or the year’s underdog (Kacey Musgraves in 2019 and Billie Eilish in 2020). Taylor Swift is often seen as both, with her likability swaying from overhyped to not credited enough. But there’s a reason why UPROXX chose Folklore as 2020’s best album. Jacob Collier, Haim, and Dua Lipa are all strong contenders here, yet Swift’s effort finds her at her most vulnerable. The singer-songwriter’s pen has always been sharp, and on Folklore she strengths her storytelling while also providing comfort (for herself and other listeners) in the wake of 2020’s darkness.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Let’s Enjoy Some Of The Most Adorable Pets In The Music Industry

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Getty Image/Ralph Ordaz

Lady Gaga recently had to endure a pet owner’s worst nightmare: Her dog walker was shot and two of her beloved dogs were kidnapped. Fortunately, in a matter of days, the dogs were recovered and everything was in its right place. Gaga offered a $500,000 reward for whoever brought the dogs back, which just goes to show how much some people care about their pets. That got us thinking about other famous artists and their four-legged friends who we see pop up from time to time on social media and whatnot.

We’ve rounded up a handful of my favorites below, but this is by no means a comprehensive list of celebrity pets, so our sincerest apologies if your preferred artist’s furry/scaly/otherwise textured friend isn’t included. Now, if you’re recently found yourself asking, ‘Who’s a good boy,’ you can find some answers to that question below.

Coco, Toulouse, Cinnamon, Strauss, Lafayette, Pignoli, Myron, Snape, Lily, and Piggy Smallz (owned by Ariana Grande)

Grande’s dogs make social media appearances pretty often, but fans may not realize just how many puppers she actually has: According to Ariana Grande Wiki (which is surely the authoritative source on such matters), she currently owns nine dogs. That’s enough for 5-on-5 basketball if they let Grande’s pig Piggy Smallz play. As if that wasn’t enough, Grande is also working on an animal rescue center in Los Angeles, which indicates that she is perhaps the best friend to animals in the biz.

Lavender (owned by Dylan Baldi of Cloud Nothings and Sadie Dupuis of Speedy Ortiz and Sad13)

Towards the end of last year, indie-rock power couple Baldi and Dupuis decided to adopt Lavender, a pitbull with atypical facial features. In a recent interview with MTV News, Baldi said of Lavender, “She’s a one-of-a-kind dog. People will just stop and be like, ‘Look at this dog,’ and want to be with this dog in a way like no other dog I’ve seen. It’s like having a rare Pokémon.” He doubled down on his admiration of the unique pet with a Twitter follow-up: “if we did a tour, charged $50 for tickets, and all that happened was this dog came out onstage and walked around for a bit? you would still feel like you spent $50 correctly. incredible dog.”

Trappy S. Goyard (owned by 2 Chainz)

Like other famous pets, Trappy S. Goyard (which is easily the best name on this list) has his own Instagram account. Goyard probably also has a SAG card by now based on all the appearances they’d made. In addition to popping up on 2 Chainz’s Most Expensivest, Goyard also co-starred in the “Grey Area” video from earlier this year, in which Goyard and their human swapped heads.

Calippo and Dorito (owned by Ed Sheeran)

Sheeran stayed mostly out of the public eye during 2020 as he decided to take a break. What he didn’t stop doing, though, was posting about his cats on their dedicated Instagram page, which boasts over 300,000 followers. Calippo and Dorito are doing well, although Dorito could apparently stand to lose a bit of weight: In October, Sheeran shared a photo of the cats accompanied by a note that reads, “Don’t feed the cats!!! Even if Dorito gives you ‘the eyes’… She has a bad tum… naughty puss…”

Shark (owned by Billie Eilish)

About a month ago, Eilish celebrated the first birthday of Shark, the rescue dog she adopted in April. She wrote in a now-unavailable Instagram post, “My sweet rescue baby boy was born a year ago today. You have made my life 1000x better happy birfday little shark.” While the two share a special bond, the journey to today wasn’t without (expensive) complications: In August, Eilish shared that Shark left some unwanted presents in and around some pricey sneakers.

Foe Thee Frenchie (owned by Megan Thee Stallion)

Not many pets win awards, but Megan Thee Stallion’s has: Foe Thee Frenchie (who has nearly half a million Instagram followers and is coming after Trappy S. Goyard’s best-name-of-this-feature crown) was Paper‘s Celebrity Pet Of The Year for 2019. Meg recently shared a progress pic showing off how much Foe has grown over the course of five months, and understandably, in the more recent photo, Meg has a hard time carrying her increasingly large pet.

Alf (owned by Hayley Williams)

Hayley Williams’ dog Alf has been an important figure in her life and has helped her through some difficult times. She told EW, “I got Alf when he was, like, 11 weeks old. I raised him, but I feel like he raised me. I was 23 or 24 when I got him. He keeps me present because he’s present all the time: He’s so happy and very in tune with me when I’ve gone through life-altering changes or moments.”

On “Cinnamon,” from the 2020 album Petals For Armor, Williams sings, “On the walls of my home / There are signs that I’m alone / I keep on every light / Talk to my dog, he don’t mind.” She explained that lyric to Pitchfork, saying, “He was my first therapist. And he’s still my favorite therapist.” Around this time last year, she also told Apple Music’s Zane Lowe, “My dog is the reason I’m alive, because he would’ve been waiting on me to get home, no matter what. You know how little sweet little puppies sit and they wait? I couldn’t think about it.”

Georgia (owned by Tegan Quin of Tegan And Sara)

Dogs dominated Tegan And Sara’s “100x” video from 2016, and recently, Tegan got a pup of her own, named Georgia. Since then, she has documented the joys and struggles of raising a dog and there have been plenty of both. In November 2020, she tweeted, “Is there an umbrella for people who have a new puppy and have to take it out to pee 700 times a day and need both hands to pick up poo? *must cover human and dog.” While a lot of her Georgia tweets are scatological, there’s clearly a ton of love there and Georgia has essentially become Tegan’s everything. She tweeted in December, “All I dream about is my dog. She’s literally taken over every inch of my life including all dream real estate. It will make ZERO sense that she is in a dream situation, but inevitably she appears regardless. Is this normal?”

Kane Songz (owned by Trey Songz)

Trey Songz goes full method while running his dog’s Instagram account, which is presented entirely from the Frenchton’s perspective. On Father’s Day in 2018, for example, “Kane” posted a photo of him and his father playing basketball and “wrote,” “Happy Father’s day Pops!! Thanks for showing me how to break canine ankles out here in these streets!!” He even did what many others have failed to do when he saw John Cena one time.

Meredith Grey, Olivia Benson, and Benjamin Button (owned by Taylor Swift)

Yes, of course Taylor Swift is on this list. After all, Swift has proven to be perhaps the biggest cat person out there (heck, she portrayed a literal cat person in Cats). Thousands of words could be written about Swift’s cats and her love for them, so for this space, let’s just focus on Benjamin Button, the latest addition to the Swift family. Swift actually decided to adopt the cat on the set of her “Me!” video and described how that came to be, saying on Instagram Live in 2019, “[A cat handler handed me this tiny cat and he just starts purring and […] he looks at me like, ‘You’re my mom, and we’re going to live together.’ I fell in love. I looked at Brendon [Urie] and he’s like, ‘You’re going to get the cat aren’t you?’”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Dave Grohl Used To Listen To Juvenile’s ‘Back That Azz Up’ Backstage Before Every Foo Fighters Concert

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Foo Fighters stopped by The Late Late Show to perform their Medicine At Midnight highlight “Waiting On A War” last night. While they were there, they also took a few minutes to chat with James Corden, and over the course of their conversation, one of Dave Grohl’s excellent old pre-show traditions was revealed.

Playing off the fact that Foo Fighters have referred to Medicine At Midnight as a “party album,” Corden asked some of the band members what music they’d play at a party. Taylor Hawkins jokingly answered, “Just yacht rock, always, all the time.” Rami Jaffee then chimed in with the Bee Gees’ Saturday Night Fever soundtrack, an album that Grohl recently highlighted as a must-listen for children. Chris Shiflett added, “I remember when I first joined the band, we had a big boombox backstage, and before every show, Dave would put on Juvenile, “Back That Azz Up.” As Grohl excitedly recited some of the lyrics and other band members laughed, Shiflett added, “That was our pre-show warm-up.”

Shiflett joined the band in 1999, so while the band was touring in support of that year’s album There Is Nothing Left To Lose, Grohl was probably back stage getting pumped up to the then-brand-new Juvenile song, which is also known as “Back That Thang Up” and features Mannie Fresh and Lil Wayne. “Back That Azz Up,” by the way, was actually Wayne’s first-ever single.

Watch the interview above and check out the band’s performance of “Waiting On A War” below.

New York Governor Andrew Cuomo Will Allow Music Venues To Reopen In April

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New York Governor Andrew Cuomo had some measured good news for the state’s music fans: arts, entertainment, and events venues will be allowed to reopen in April, according to The New York Times. However, there will be limitations, of course, in the interest of public safety. Venues will be capped at 33% capacity, with a maximum of 100 people for indoor and 200 people for outdoor venues. Venues that can administer COVID-19 tests to all attendees can increase that number to 150 people indoors and 500 outdoors. The new rules are set to go into effect on April 2.

However, the Times does note that the limits won’t make it feasible for many venues to open; unless attendees get absolutely loaded, venues likely won’t be able to cover the costs of re-opening, keeping some — or most — effectively closed down until restrictions are lifted further. For instance, Broadway shows won’t be coming back until Labor Day, considering how much cost goes into production — shows that only get 33% attendance generally close within a season. Further complicating the issue is social distancing; many venues would require even lower numbers than that to accommodate six feet of distance between attendees.

But having outdoor shows back could be a good look, especially for indie performers and smaller, lower-production shows. Meanwhile, with something like an average of 65,500 new cases per week and over 517,000 deaths since the beginning of the pandemic, it might be better to be safe than sorry. With the vaccine rollout expected to allow more venues to reopen in the fall according to Presidential chief medical advisor Dr. Anthony Fauci, fans may appreciate waiting just a few more months.

Reggae Legend Bunny Wailer Has Died At 73

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Rolling Stone reports that Bunny Wailer, the last surviving founding member of The Wailers, has died at age 73, as confirmed by his manager Maxine Stowe. He died earlier today at the Medical Associates Hospital in Kingston, Jamaica according to Jamaica Observer, and no cause of death has been released yet. He’d been in failing health since 2020 when he suffered his second stroke.

Born Neville Livingstone in the Nine Mile district of Jamaica’s St. Ann Parish, Bunny became a musical icon revered the world over for his work with The Wailers, which included childhood friend Bob Marley and later addition, Peter Tosh. The then-trio soon added singer Junior Braithwaite and backup vocalists Beverley Kelso and Cherry and began releasing a string of international hits, which included “Simmer Down,” “Stir It Up,” “Is This Love,” “Jamming,” “Could You Be Loved,” “Buffalo Soldier,” “Get Up, Stand Up,” and “Redemption Song.”

Rolling Stone notes that while Marley and Tosh were the group’s principal songwriters, it was Wailer who provided the band with not just its name but also its unforgettable harmonies. The group was instrumental in bringing Jamaican music to the world, touring the UK with Johnny Cash in the early 1970s. Wailer left the group in 1973 after the group’s new producer Chris Blackwell sought to rebrand them as “Bob Marley’s backup singers.” Wailer embarked on his own successful solo career with Blackheart Man. Wailer eventually won three Best Reggae Album Grammys, in 1991, 1995, and 1997.

Another 2021 Festival Has Been Canceled, And This Time, It’s Primavera Sound

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Last year’s festival season was a total wash thanks to the coronavirus pandemic. Unfortunately, it’s starting to look like 2021 may face a similar fate. LiveNation’s CEO seems to think big concerts can return this summer, but others don’t seem as optimistic. Earlier this year, Glastonbury announced that it would not put on a 2021 festival. A week ago, Boston Calling also announced that they were canceling their 2021 event. Now, another festival has closed its doors for 2021: Primavera Sound.

In a post titled “We will dance in 2022,” organizers wrote today:

“It is with great sadness that we must announce that the 20th anniversary of Primavera Sound Barcelona is postponed until 2022 due to force majeure.

We have tried everything, but we have now made this very painful decision due to the uncertainty surrounding the legal framework for large events on the original dates of the festival — from June 2nd to 6th –, which, added to the restrictions that currently exist, mean that we cannot work normally on the preparation of the festival nor ensure that, once the date arrives, it can be celebrated.

Thank you to all the artists, agencies, sponsors, production companies and workers involved in everything necessary to hold Primavera Sound. And to the attendees, our family, thank you for your faith and love. We owe you the best edition of Primavera Sound, and we are already working on it.

Like last year, we are going to offer all ticket holders the possibility to keep their tickets for next year. It will also be possible to request a refund of the ticket from Wednesday, June 2nd, which is when the Primavera Sound Barcelona 2022 line-up will be revealed.

We will make it doubly good next year.

Until then, take good care of yourself. See you soon.”

This year’s lineup was set to include Pavement, The Strokes, Bad Bunny, Tyler The Creator, Charli XCX, Tame Impala, FKA Twigs, Jamie xx, and Gorillaz, among others.

Check out the announcement below.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The Best Vinyl Releases Of February 2021

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Uproxx

Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.

Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of February below.

The National — The National, Sad Songs For Dirty Lovers, and Cherry Tree EP (Reissue)

4AD

It’s been 20 years since The National started their career with their self-titled debut album in 2001, then followed it with Sad Songs For Dirty Lovers and the Cherry Tree EP. Now, all three of those releases have gotten fresh remasters, and limited colored editions are available just for members of the band’s Cherry Tree fan club. For everybody else, the black vinyl editions still look pretty slick.

Get it here.

Sleepless In Seattle Original Soundtrack (Reissue)

Real Gone Music

Sleepless In Seattle was an iconic romantic comedy of its era, but aside from that, it had a killer soundtrack as well (which actually tore up the charts). It features songs from Céline Dion, Carly Simon, Tammy Wynette, Louis Armstrong, Nat “King” Cole, and others, and appropriately, this edition (limited to 1,500 copies) was released on red vinyl for Valentine’s Day.

Get it here.

Julien Baker — Little Oblivions

Matador Records

Baker recently explained to Uproxx how her new album feels like a boundary-breaking one for her, even if it isn’t: “It’s actually not that extreme, it just feels extreme for me. I’m like, ‘Drum machines, wow.’ I’m slow to change, I’m slow to changing who I am as a person. It takes me a while to adjust to stuff. So, I thought of this as a weird record.”

Get it here.

PJ Harvey — Stories From The City, Stories From The Sea and Stories From The City, Stories From The Sea — Demos (Reissues)

UMe/Island

PJ Harvey has been a staple of this monthly round-up lately, as she is in the midst of a series of rereleases from throughout her career. This month saw a new edition of 2000’s Stories From The City, Stories From The Sea, one of the most commercially successful albums of her career. Like previous reissues, this one also comes with a collection of previously unreleased demos.

Get Stories From The City, Stories From The Sea here. Get Stories From The City, Stories From The Sea — Demos here.

J Dilla — Welcome 2 Detroit — The 20th Anniversary Edition

BBE Music

J Dilla is one of the most beloved producers in hip-hop history, and now the release that started it all, Welcome 2 Detroit, is the subject of a new limited edition 20th anniversary box set. Aside from the album itself, the release also features previously unreleased outtakes, liner notes, interviews, and previously unpublished photos, making it a definitive edition of a classic.

Get it here.

John Coltrane — Lush Life (Reissue)

Craft Recordings

This new edition of John Coltrane’s legendary 1961 album Lush Life — which celebrates its 60th anniversary this year — was carefully remastered from the original analog tapes. Additionally, this is the first release in Craft Recordings’ new “Small Batch” series, each item in which will be individually numbered and come in “a foil-stamped, linen-wrapped slipcase featuring an acrylic inset of the original artwork,” as well as “a reproduction of the original album jacket, complete with tip-on jacket, and protected by an archival-quality, anti-static, non-scratching inner sleeve.”

Get it here.

The Strokes — Room On Fire (Reissue)

Vinyl Me, Please

The Strokes’ stunning debut album Is This It was a tough act to follow, but they did just fine with Room On Fire, which also earned the group critical acclaim. Now the album has gotten a shiny new Vinyl Me, Please reissue, for which the album was remastered and presented with an exclusive art print.

Get it here.

The Band — Stage Fright (50th Anniversary Super Deluxe Edition)

Capitol/UMe

Capitol and UMe are going all out to celebrate the 50th anniversary of Stage Fright, the third album from The Band. They’re reissuing it in multiple formats, the most expansive of which is the Super Deluxe Edition, which includes two CDs, a Blu-ray, an LP, and a 7-inch vinyl. Spread across those products are unreleased recordings, a 5.1 surround mix of the album, a photo booklet, and much more.

Get it here.

Danny L Harle — Harlecore

Mad Decent

Danny L Harle went full concept on his new album, Harlecore, which presents a futuristic vision of a club (a club feeling like something that’s definitely futuristic at the moment). Digging through the album’s credits will reveal that it features contributions from Caroline Polachek, Hudson Mohawke, Chvrches’ Lauren Mayberry and Martin Doherty, Eyelar, and Hannah Diamond.

Get it here.

Foo Fighters — Medicine At Midnight

RCA Records

Of how it felt to finally release the new Foo Fighters album, Taylor Hawkins said, “[It feels] like taking a big huge sh*t. My stomach’s been hurting for a long time. Finally! A collective sigh of relief. We’ve finally got over our constipation.” What’s not sh*tty is the limited edition purple smoke vinyl edition of the album. While that is unfortunately sold out, there’s nothing wrong with the classic black vinyl edition that is still available.

Get it here.

Johnny Cash — At Folsom Prison (Reissue)

Vinyl Me, Please

Vinyl Me, Please has historically let members choose between three categories for their monthly album: classics, essentials, and hip-hop. Now, starting in March, they’ve added a new vertical: country. They got a heck of a release to kick things off, too, as their first VMP Country Record Of The Month is Johnny Cash’s At Folsom Prison. The vinyl proved to be popular, as it’s currently sold out, although there is the option to get on a standby list and get the chance to secure a copy in the future. The lesson: Get on board early because VMP is really bringing it with their new country offerings.

Get it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

LiveNation’s CEO Thinks Big Outdoor Concerts Will Return To The US This Summer

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It was around mid-March of 2020 that the first shelter-in-place orders were issued in the United States. That was almost a year ago now, and the future of the live music industry is still uncertain. LiveNation seems to think, though, that they will be able to host large, mostly full concerts this summer.

CEO Michael Rapino said during Live Nation’s Q4 2020 earnings call last week that “a clear outline to a 75 percent to 100 percent” is likely to go forward, noting that 75-plus-percent capacity shows in large US markets are “within sight.” He also noted, “We might have certain states that might not be ready, but we have enough states and enough artists willing to play the open slots if we get to that level in the right markets. So as long as these states open up to the right capacities, we can start in midsummer and in the southern US we can go all the way into November.”

As for shows at a lower capacity, that doesn’t seem to be in LiveNation’s plans, as Rapino said, “[We] have not, to date, done a lot of work in the 0-percent to 50-percent capacity business. We don’t see that as a viable model to ramp back up [considering the] fixed cost.”

This news comes just about a week after Boston Calling decided to cancel its event this year for the second year in a row, so it remains to be seen if other events will follow suit or if LiveNation’s optimism is shared by others.

All The New Albums Coming Out In March 2021

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iStock

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in March. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, March 5

  • A Day To Remember — You’re Welcome (Fueled By Ramen)
  • Adult Mom — Driver (Epitaph Records)
  • Alex Bleeker — Heaven On The Faultline (Night Bloom Records)
  • The Anchoress — The Art Of Losing (Kscope)
  • Andrew Bird and Jimbo Mathus — These 13 (Thirty Tigers)
  • Arab Strap — As Days Get Dark (Rock Action/Best & Fairest)
  • Barbarossa — Love Here Listen (Memphis Industries)
  • Bernice — Eau De Bonjourno (Telephone Explosion)
  • Charles Ellsworth — Honeysuckle Summer (Burro Borracho Records)
  • Charlie Peacock — Trout Creek Ranch (Twenty Ten Music)
  • Chevelle — NIRATIAS (Epic Records)
  • Daniel Kehoe — Disco Body Buzz (Tin Angel)
  • Decent Criminal — DC EP (Sell The Heart Records)
  • Denzel Curry and Kenny Beats — Unlocked 1.5 EP (Loma Vista)
  • Dodie — Build A Problem (The Orchard)
  • Dreamshade — A Pale Blue Dot (Horang Music)
  • The Drive — Can You Feel It (RCA)
  • Elizabeth And The Catapult — Sincerely, E (Compass Records)
  • Field Works — Cedars (Rollercoaster Records)
  • Fruit Bats — The Pet Parade (Merge Records)
  • Gabrielle — Do It Again (BMG)
  • Genesis Owusu — Smiling With No Teeth (Ourness)
  • G.S. Schray — The Changing Account (Last Resort)
  • The Horrors — Lout EP (Wolf Tone)
  • Ian Sweet — Show Me How You Disappear (Polyvinyl)
  • Jay Gonzalez — Back To The Hive (Middlebrow Records)
  • Jaz Elise — The Golden Hour EP (In.Digg.Nation Collective)
  • Jessy Rose — Are You Home? EP (Killing A Friend)
  • John-Robert — Healthy Baby Boy, Part 1 (Nice Life Recording Company/Warner Records)
  • John Sharkey III — Shoot Out The Cameras (Mistletone Records)
  • Judith Hill — Baby, I’m Hollywood (Regime Music Group)
  • Juliet Quick — Glass Years EP (Substitute Scene Records)
  • Kings Of Leon — When You See Yourself (RCA Records)
  • Leon III — Antlers In Velvet (Monosonic)
  • Mere Women — Romantic Notions (Poison City)
  • Oliver Jean And April March — Palladium EP (Third Man Records)
  • Painted Shrines — Heaven And Holy (Woodsist)
  • Pat Metheny — Road To The Sun (Modern Recordings)
  • Quintin Copper & Nas Mellow — Paradise (Sonar Kollektiv)
  • Soul Station — Now And Then (UMe)
  • Postdata — Twin Flames (Paper Bag Records)
  • Ron Gallo — Peacemeal (New West Records)
  • The Spill Canvas — Conduit (Pure Noise Records)
  • Spirit Award — Lunatic House (Share It Music)
  • Steve Almaas — Everywhere You’ve Been (Lonesome Whippoorwill)
  • Thirdface — Do It With A Smile (Exploding In Sound Records)
  • Thomas Blondet & Steven Rubin — Sea Songs EP (Rhythm & Culture Music)
  • Tigers Jaw — I Won’t Care How You Remember Me (Hopeless Records)
  • Various Artists — Coming 2 America (Original Motion Picture Soundtrack) (Def Jam Recordings)
  • William The Conqueror — Maverick Thinker (Chrysalis Records)
  • Zara Larsson — Poster Girl (Epic Records)

Friday, March 12

  • Allie Crow Buckley — Moonlit And Devious (Night Bloom Records)
  • Baby Boys — Threesome (Transgressive Records)
  • Blackmore’s Night — Nature’s Light (earMUSIC)
  • Cactus Flowers — Solace EP (People.Parties.Places)
  • Cameron Knowler & Eli Winter — Anticipation (American Dreams Records)
  • Charles Lloyd & The Marvels — Tone Poem (Blue Note Records)
  • Chez Kane — Chez Kane (Frontiers Music)
  • Colin Miller — Hook EP (Oof Records)
  • Cool Ghouls — At George’s Zoo (Melodic/Empty Cellar)
  • DeeCRACKS — Serious Issues (uhfrecords)
  • Dollar Signs — Hearts Of Gold (Pure Noise Records)
  • Do Nothing — Glueland EP (Exact Truth)
  • Electric Jalaba — El Hal / The Feeling (Strut Records)
  • Flo Chase — Toi (Dull Tools)
  • Haerts — Dream Nation (Rix Records/The Orchard & Humming Records)
  • Hanalei — Black Snow (A-F Records)
  • The Horrors — Lout EP (Wolf Tone/Virgin Music Label & Artist Services)
  • Israel Nash — Topaz (Loose Music)
  • Issa — Queen Of Broken Hearts (Frontiers)
  • Jaialai — As Sweet As It Was EP (Super Music Group)
  • James Levy — Soldier (Side Hustle Records)
  • Joel Gabrielsson — Citadel EP (Jivvär Records)
  • Jordan Hart — Only Pieces Of The Truth EP (Believe)
  • Justin Courtney Pierre — An Anthropologist On Mars (Epitaph Records)
  • Kelly McFarling — Deep The Habit (self-released)
  • Lake Street Dive — Obviously (Nonesuch)
  • Leanne Betasamosake Simpson — Theory Of Ice (You’ve Changed Records)
  • Louisahhh — The Practice Of Freedom (He.She.They)
  • Mike Dillon — Shoot The Moon / Suitcase Man / 1918 (Royal Potato Family)
  • Minutian — Magical Thinking (Inverse Records)
  • Neil Frances — Stay Strong Play Long (Ninja Tune)
  • Nubiyan Twist — Freedom Fables (Strut)
  • Ocie Elliot — Slow Tide EP (Nettwerk)
  • The Paper Kites — Roses (Nettwerk)
  • Pet Needs — Fractured Party Music (Xtra Mile)
  • Perfume Genius — Immediately Remixes (Matador)
  • Pino Palladino and Blake Mills — Notes With Attachments (New Deal/Impulse)
  • Raissa — Herogirl EP (Zelig Records/Columbia)
  • Reza Safinia — Yin (Terrorbird)
  • Rob Zombie — The Lunar Injection Kool Aid Conspiracy (Nuclear Blast)
  • Ronnie Atkins — One Shot (Frontiers)
  • Saga — Symmetry (earMUSIC)
  • Selena Gomez — Revelación EP (Interscope)
  • Somni — Somni Presents: Up Too Early Volume 2 (Friends of Friends)
  • Stepney Sisters — Stepney Sisters (Alcopop)
  • Valerie June — The Moon And Stars: Prescriptions For Dreamers (Fantasy Records)
  • The Vices — Looking For Faces (Mattan Records)
  • Vivian Leva & Riley Calcagno — Vivian Leva & Riley Calcagno (Free Dirt Records)

Friday, March 19

  • 24/7 Diva Heaven — Stress (NOISOLUTION)
  • Alex Somers — Siblings (Travelling the Groove Records)
  • Alex Somers — Siblings 2 (Travelling the Groove Records)
  • Alice Phoebe Lou — Glow (self-released)
  • American Culture — For My Animals (HHBTM Records)
  • Bass Race — Tender Vittles (Northern Transmissions)
  • Becca Mancari — Juniata EP (Captured Tracks)
  • Bell Orchestre — House Music (Erased Tapes Records)
  • Blanketman — National Trust EP (PIAS)
  • The Blue Stones — Hidden Gems (Entertainment One)
  • The Bones Of J.R. Jones — A Celebration EP (Technicolour)
  • Chad Vangaalen — World’s Most Stressed Out Gardener (Sub Pop)
  • Chinah — Feels Like Forever (The Orchard)
  • Colin Miller — Hook EP (Chess Club Records)
  • Dad Sports — I Am Just A Boy Leave Me Alone !!! EP (Grand Jury Music)
  • Daniel Lanois — Heavy Sun (Maker Series)
  • David Olney — Whispers And Sighs (Schoolkids Records)
  • Deniz Cuylan — No Such Thing As Free Will (Hush Hush)
  • Frances Luke Accord — Sunnyside EP (Two-Dale Records)
  • Gentlemen’s Dub Club — Down To Earth (Easy Star Records)
  • Greg Skaff — Polaris (SMK Jazz)
  • Guapdad 4000 and Illmind — 1176 (Paradise Rising)
  • Harry Connick Jr. — Alone With My Faith (Verve)
  • Jane Inc. — Number One (Telephone Explosion)
  • Janet Simpson — Safe Distance (Cornelius Chapel Records)
  • Jon Batiste — We Are (Verve)
  • Lana Del Rey — Chemtrails Over The Country Club (Interscope Records/Polydor Records)
  • Lo Talker — A Comedy Of Errors (Arts & Crafts)
  • Michael Feuerstack — Harmonize The Moon (Forward Music Group)
  • Michigander — Everything Will Be OK Eventually EP (C3 Records)
  • Middle Kids — Today We’re The Greatest (Domino)
  • Mint Julep — In A Deep & Dreamless Sleep (Western Vinyl)
  • Morgan Wade — Reckless (Thirty Tigers)
  • New Bums — Last Time I Saw Grace (Drag City Records)
  • Nik Bärtsch — Entendre (ECM Records)
  • Nitin Sawhney — Immigrants (Outcaste Records)
  • The Oddness — Distant Voices EP (Eskimo Recordings)
  • Otzeki — Now Is A Long Time (Akira Records)
  • Palm Ghosts — Lifeboat Candidate (Becky Warren)
  • Real Numbers — Brighter Then EP (Slumberland Records)
  • Riley Pearce — Love And Other Stuff EP (Nettwerk)
  • Rivals — Sad Looks Pretty On Me (Smart Punk Records)
  • Ronna Reason — Ronna Reason EP (Damaged Disco)
  • Safety — Greetings from The Sunshine State EP (Jetsam-Flotsam)
  • Serj Tankian — Elasticity EP (Alchemy Recordings)
  • Show Me The Body — Survive EP (Loma Vista)
  • The Snuts — W.L. (Parlophone)
  • Souleye — Hunting Teardrops (self-released)
  • Special Request — DJ Kicks (K7)
  • Steve Gulley And Tim Stafford — Still Here (Crossroads Label Group)
  • Sting — Duets (Universal Music Group)
  • Stoner Control — Sparkle Endlessly (Sound Judgement)
  • Tearjerker — Deep End EP (Bombshell Radio)
  • Tunnelvisions — End Of Time EP (Forced Exposure)
  • Vallens — In Era (Hand Drawn Dracula)
  • Vegyn — Like A Good Old Friend EP (PLZ Make It Ruins)
  • Veronica Swift — This Bitter Earth (Mack Avenue Records)
  • William Doyle — Great Spans Of Muddy Time (Tough Love Records)
  • Ziggy Alberts — Searching For Freedom (Alberts & Co. Music)

Friday, March 26

  • 24kGoldn — El Dorado (Columbia)
  • Afternoon Bike Ride — Skipping Stones EP (Friends of Friends Music)
  • AJR — OK Orchestra (Bmg Rights Management)
  • The Alex Leach Band — I’m The Happiest When I’m Moving (Mountain Home Records)
  • Anna Fox Rochinski — Cherry (Don Giovanni Records)
  • The Antlers — Green To Gold (ANTI‐)
  • Band Of Spice — By The Corner Of Tomorrow (Scarlet Records)
  • Ben Howard — Collections From The Whiteout (Island Records)
  • Black Light Smoke — The Early Years (Cut Mistake Music)
  • Blind Faith — Closer EP (Wormholedeath)
  • Brigitte DeMeyer — Seeker (BDM Music)
  • Carrie Underwood — My Savior (Capitol Records Nashville)
  • Citizen — Life In Your Glass World (Run For Cover Records)
  • Clark — Playground In A Lake (Deutsche Grammophon)
  • Clever Girls — Constellations (Egghunt Records)
  • Cujo Moon — Bridges II EP (Tone Tree Music)
  • David Olney & Anana Kaye — Whisper And Sighs (Schoolkids Records)
  • Death For Above 1979 — Is 4 Lovers (Universal Music Canada)
  • Dntel — The Seas Trees See (Morr Music)
  • Dr. Lonnie Smith — Breathe (Blue Note Records)
  • El Michels Affair — Yeti Season (Big Crown Records)
  • Esther Rose — How Many Times (Father/Daughter Records)
  • Evanescence — The Bitter Truth (BMG Rights Management)
  • The Eye Of Time — Acoustic II (Denovali Records)
  • Fitz — Head Up High (Elektra)
  • Floatie — Voyage Out (Exploding In Sound Records)
  • Frankie & His Fingers — Universal Hurt (SubFamily Records)
  • Fretland — Could Have Loved You (Soundly Music)
  • Grande Royale — Carry On (Sign Records)
  • The Holy Brothers — My Name Is Sparkle (Regional Records)
  • Jackson Scribner — Jackson Scribner (State Fair)
  • Janina Jade — Heart Of Rock N’ Roll (GMR Music Group)
  • Jess Locke — Don’t Ask Yourself Why (Dot Dash)
  • Joe Strummer — Assembly (Dark Horse Records)
  • John Smith — The Fray (Thirty Tigers)
  • Josh Carter — The Hideout Sessions (Pravda Records)
  • The Juliana Theory — A Dream Away (Rude/Equal Vision Records)
  • Kalbells — Max Heart (NNA Tapes)
  • Magnet Animals — Fake Dudes (Rarenoise Records)
  • Mike Clerk — The Space Between My Ears (Wardlaw Music)
  • Minor Moon — Tethers (Ruination Record Co./Whatever’s Clever)
  • The Mobile Homes — Trigger (Wild Kingdom Records)
  • Naoko Sakata — Dancing Spirits (Pomperipossa Records)
  • Neil Young — Young Shakespeare (self-released)
  • Nisa — Guilt Trip EP (Terrorbird)
  • Noga Erez — Kids (City Slang)
  • Odd Dimension — The Blue Dawn (Scarlet Records)
  • Play Dead — Skint EP (Blitzcat Records)
  • Real Estate — Half A Human EP (Domino)
  • Revoltone — For The Silent Voices (Secret Entertainment)
  • Sara Watkins — Under The Pepper Tree (New West Records)
  • Sarah Jerrom — Dream Logic (ECM Records)
  • Serpentwithfeet — Deacon (Secretly Canadian)
  • Simon Provencher — Mesures EP (Michel Records)
  • Solstice Rey — Sunday, Someday (Get Better Record)
  • Stepson — Help Me, Help You (SharpTone Records)
  • Tim Cohen — You Are Still Here (Bobo Integral)
  • Tune-Yards — Sketchy (4AD)
  • Various Artists — Scott Pilgrim Vs. The World Soundtrack: Seven Evil Exes Edition (ABKCO)
  • Xiu Xiu — Oh No (Polyvinyl)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.