Suffolk, England’s Latitude Festival took 2020 off for COVID reasons, but the fest actually went ahead in 2021. Things are a go in 2022 as well, as organizers have announced the lineup for this year’s event, which is set to go down at Henham Park from July 21 to 24.
The headliners are certainly true to the festival’s UK setting, as at the top of the bill are Lewis Capaldi, Foals, and Snow Patrol. Other highlights include Phoebe Bridgers, Maggie Rogers, Little Simz, Modest Mouse, Fontaines DC, Caroline Polachek, Rina Sawayama, Mdou Moctar, Nilüfer Yanya, Let’s Eat Grandma, and Bartees Strange.
Your first @cinchuk presents Latitude 2022 announcement is finally here!
Elsewhere on the poster are A Certain Ratio, The Afghan Whigs, Akala, Azure Ryder, Bad With Phones, Berwyn, Bessie Turner, Beth Orton, Billie Marten, Cassia, Cavetown, Cktrl, Example, Freya Ridings, Gaffa Tape Sandy, Groove Armada, Hudson Taylor, Hurray For The Riff Raff, JP Saxe, James Arthur, Joe Armon-Jones, John, Kae Tempest, Katy J Pearson, Keg, Larkin Poe, Los Bitchos, Mahalia, Manic Street Preachers, Mark Owen, Maximo Park, Melt Yourself Down, Oklou, Orlando Weeks, Penelope Scott, Porridge Radio, Rumer, Self Esteem, Shed Seven, Tamzene, Tina Boonstra, and Tribes.
Check out the poster above. For more information on attending the festival, check out the Latitude website.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Yesterday, Zendaya and Labrinth unveiled the sprawling song, “I’m Tired,” that played at the end of the overwhelming Euphoria finale. A version was released in early February after the fourth episode without Zendaya, but her vocals caught the attention of the watchers who lingered during the credits of the show on Sunday night, especially since the lyrics seemed very relevant to Rue’s character.
After tweeting the track, famous rapper Kid Cudi quote-tweeted it and noted that he wants in: “Please dear GOD put me on a remix of this @Zendaya @Labrinth,” he wrote. Zendaya responded by saying, “Yoooo! What a dream that would be… @Labrinth ???” Labrinth agreed: “Let’s open a new dimension,” he wrote.
Even though the Euphoria season is over, hopefully we’ll at least get some new music to hold us over while the cast prepares for the next season. Fans, meanwhile, are still wondering about the ballad that Dominic Fike’s character Elliot launched into for five whole minutes which sparked a lot of talk online. It sparked so much talk that Fike reacted to it, saying he’d been humbled. The full soundtrack for the episode included Kylie Minogue’s “Can’t Get You Out of My Head,” Francis Lai’s “Concerto Pour La Fin D’un Amour,” and more.
Apparently, unpaid internet content creators had such an impact, that plenty of the reaction made its way back to Fike, who had no choice but to laugh along with the audience at the surreal moment, sharing plenty of his favorites on Instagram stories today. He also shared a selfie after a few of the better video clips, letting fans know that he appreciates the roasting. “The internet remains undefeated,” he wrote. “I am humbled.”
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Since Euphoria is over for the moment, perhaps those who did enjoy Dominic’s turn as an acoustic-guitar-wielding snitch would be interested in listening to the real Fike’s output. What Could Possibly Go Wrong is a great place to start, and I especially recommend checking out “Chicken Tenders.” If you’re just in it for the memes though? Check out our roundup here.
Demsey, whose former title of executive group president oversaw brands under the Estée Lauder umbrella including Clinique and Mac, had posted the meme to Instagram, where he generally shares memes and brand-related advertising. The meme in question featured a spoof Little Golden Book cover with Big Bird visiting an apparently sick Snuffleupagus with a surgical mask on under the caption, “My n**** Snuffy done got the ‘rona at a Chingy concert.”
Estee Lauder senior executive John Demsey has been fired after posting this meme on his Instagram.
Apparently, not everyone found it as amusing as he did, prompting him to take down the meme, replacing it with an apology. “I am terribly sorry and deeply ashamed that I hurt so many people when I made the horrible mistake of carelessly reposting a racist meme without reading it beforehand,” it read. “There are not enough words to express me remorse and sorrow.Not only did I hurt many people whom I respect, the terrible mistake that I made has undermined everything I have been working for since I began my career 31 years ago. The meme is the furthest thing from what I stand for and I should have never reposted it. I am so sorry that I let down the company that I have dedicated my life’s work to as well as its employees, artists, friends and colleagues. I hope that in time people will judge me, not for this awful mistake, but for my lifetime of words and actions, which demonstrate my respect for all people.”
Hey look, I can only speak for myself, but I didn’t read that as racist. Maybe a 60-year-old white guy shouldn’t have shared it, but it’s pretty funny. A lot of folks on Twitter seem to agree, as Chingy has suddenly found himself trending for the first time since maybe “Dem Jeans” came out in 2006. Let’s take a look at the reactions, shall we?
“The plan is to get an Estee Lauder senior executive fired from a job that pays $10 million a year. But first, we’ll need a Chingy meme.” pic.twitter.com/y6KXssgKFI
Apparently, the meme itself originated over on Reddit and Demsey was amused enough to share it without considering the whole “n-word” angle. There’s also this tweet, which, like all tweets, is suspect, but relevant. Also, Chingy concerts/tickets seem to be a recurring theme in the account’s meme-making.
Sorry to that man. Something tells me he’ll be fine, but as long as we’re on the subject, Chingy was actually a pretty good rapper and deserved better. I’ll die on this hill. Drop something while your name is hot, Ching-A-Ling, I will support you, even if the streets say you look like a youth pastor/substitute teacher now. Between this and the whole Rocco fiasco a few months ago, it seems like Sesame Street has gone viral for a lot of strange — but hilarious — reasons.
Whether you think Kanye West’s decision to make access to his new album Donda 2exclusive to his stem player is a genius idea or a massive grift, it looks like someone out there has found a way to (temporarily) capitalize on it with a scam of their own. A fake version of Donda 2 is reportedly charting on iTunes after being uploaded under the misleading — but not that misleading — name “Wanye Kest,” according to Complex.
The facts that the name is obviously wrong, the tracklist is too short, and that Kanye vowed not to release his album to DSPs haven’t deterred fans from streaming the fake album; according to Complex, Donda 2 by Wanye Kest has reached No. 40 on the Top Hip-Hop Albums chart.
Donda 2 by WANYE WEST is #43 on iTunes HipHop albums chart!
Incidentally, this isn’t the first time someone uploaded a fake album purported to be a highly anticipated one from a big-name superstar to Apple Music. In 2018, fake albums made up of leaked material supposedly from Beyonce and SZA popped up, while in 2019, even Rihanna had to react after an “unofficial” version of her ninth album found its way online. Meanwhile, in 2020, Mario Judah used the hype around Playboi Carti’s forthcoming album Whole Lotta Red to release his own version and hijack some of its buzz — at least until Carti actually dropped his album.
All those fake albums — save for Mario Judah’s, because it actually had his name on it — were eventually taken down, so unfortunately for Wanye Kest, their ill-gotten gains likely won’t last. For now, the only way to get Donda 2 for real remains shelling out $200 for a stem player — or using the slightly shadier method some of his fans cooked up to avoid such a fee.
While it mostly traditional pop or hip-hop songs that hang out near the top of the charts, things have been different lately as standout Encanto hit “We Don’t Talk About Bruno” has enjoyed a sustained run atop the Billboard Hot 100. It spent a fourth frame at No. 1 last week, and now it once again occupies that spot for a fifth time on the new chart dated March 5.
Billboard notes the song’s success this week is due to a significant uptick in radio airplay impressions (7.9 million of them, a 23-percent increase from the previous week) despite declines in streams and downloads.
“We Don’t Talk About Bruno” drew 29.9 million U.S. streams (down 7%), 7.9 million radio airplay audience impressions (up 23%), and sold 6,600 downloads (down 12%) in the Feb. 18-24 tracking week, according to MRC Data.
A fifth week on top extends the song’s record for most weeks at No. 1 for a song from a Disney movie. In fact, it now has more weeks at No. 1 than the next two-biggest Disney songs combined: Bryan Adams, Rod Stewart, Sting’s “All For Love” from The Three Musketeers spent three weeks at No. 1 while “A Whole New World” from Aladdin logged a week on top.
Meanwhile, Gayle is having a moment, as her viral hit “ABCDEFU” has hit a new high on the Hot 100, rising from No. 4 last week to No. 3 today.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Plenty of people making their way through the music industry have some family members who have already fared well in it. Among those is 15-year-old Grace Franklin, whose grandmother is the iconic Aretha Franklin. She auditioned for the current season of American Idol, but, despite her lineage, she did not make it past the audition stage.
In a pre-taped segment, Franklin said, “I feel like people expect me to sing exactly like her, but I am my own artist and I have my own voice.” She then got to showing off that voice with a rendition of Roberta Flack’s “Killing Me Softly” (inspired by the Lauryn Hill cover). While Lionel Richie was happily reminiscing about Aretha before Franklin sang, he commented on her perceived nervousness after the song. Meanwhile, Luke Bryan thought the performance was “sleepy and subdued” and Katy Perry called it “soft.”
Perry encouraged Franklin to take another crack at it, so she tried again with her grandmother’s “Ain’t No Way,” which she sang with more force than she used for “Killing Me Softly.” Perry was more receptive of that performance and so was Bryan, although he wasn’t completely swayed. Both Richie and Bryan encouraged Franklin to develop her voice more.
When it came time for the vote, Perry gave Franklin the go-ahead, while Richie and Bryan both passed, even after Perry’s fervent campaigning and playfully storming off set in disagreement.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of February below.
Beach House — Once Twice Melody
Once Twice Melody is Beach House’s first album since 2018’s 7, and now the expansive project has gotten an expansive vinyl box set edition; check it out in the unboxing video above. In her review of the album, Uproxx’s Caitlin White notes, “Once Twice Melody might expand their palette a bit, but it’s no experimental reach or brand new direction. Why mess with perfection? Their gauzy soundscapes are vague enough to sustain quite a bit of emotional projection, but there’s depth of meaning lurking within the songs that few other bands yield.”
Tkay Maidza — Last Year Was Weird, Vol. 2 & Vol. 3
Vinyl Me, Please
The Last Year Was Weird trilogy came to an end with the final two volumes, which are now available in a gorgeous gold pressing, exclusive to Vinyl Me, Please. Maidza recently told Uproxx of naming the series, “The term ‘weird’ is the way I described the plunge of going into the deep end and knowing that where I was. What I wanted was like a big leap forward, but I would have to start from nothing again. I was at that lowest point every day: ‘What the hell is going on?’ But in a way, I always had a feeling that it would work out because this was the only way it could be.”
Paul McCartney And Wings — Wild Life (50th Anniversary Limited Edition)
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Last December was the 50th anniversary of the debut album from Paul McCartney’s Wings, a major project in the immediate aftermath of The Beatles’ dissolution. To mark the occasion, the album gets a fresh reissue, with this edition having been mastered at half speed for supreme audio quality.
Yusuf/Cat Stevens — Harold And Maude (Original Motion Picture Soundtrack)
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Harold And Maude has become one of the defining films of its era, and Yusuf/Cat Stevens played a part in that with his soundtrack. That first came out 50 years ago, and now this vinyl reissue of it combines Stevens’ songs with dialogue from the film for the first time.
In June 2004, Pixies took to London’s Brixton Academy for four sold-out shows that marked their UK reunion, and now those shows are preserved in a new box set. This eight-LP release marks the first time these recordings are officially available, and on top of that, they’ve also been freshly remastered.
Sturgill Simpson has been in a productive stretch that most recently featured the 2021 album The Ballad Of Dood And Juanita. Now, it’s finally available on vinyl, and since this may be the final Sturgill Simpson album, this one’s worth grabbing.
Keef’s debut album was a big moment in hip-hop in that it helped popularize drill music. Vinyl Me, Please has now honored the album by making it one of their rerelease picks for March, which marks the first time the record has ever been made available on vinyl.
Modest Mouse — The Lonesome Crowded West (Vinyl Me, Please Reissue)
Vinyl Me, Please
Modest Mouse is going on tour this year, but if you’re unable to catch one of those shows but still want to throw a few bucks at a cool Modest Mouse experience, Vinyl Me, Please has a fresh reissue of one of their iconic albums, The Lonesome Crowded West. This version comes pressed on “Bottom Of The Sky”-colored vinyl and is accompanied by fresh listening notes.
Sasami got a Haim co-sign as she’s heading out on tour with the sister trio, and indeed, her new album is worth checking out. It’s a diverse effort that touches on everything from nu-metal to folk to classical, and now it’s available on a gorgeous translucent red vinyl pressing.
Death Cab For Cutie’s Ben Gibbard curated a collection of Yoko Ono covers for the new Ocean Child project, and now the endeavor is available to grab on vinyl. It’s a strong get if you want to add some variety to your vinyl library, as the collection features recordings by Death Cab, Japanese Breakfast, Sharon Van Etten, David Byrne, and a heaping handful of others.
Days after multiple videos emerged online purporting to depict Ukrainian authorities discriminating against African residents seeking to flee the nation as its ongoing conflict with Russia escalates, help for those residents may soon come from a surprising source: Young Thug. Thug posted to his Instagram Story offering his assistance and calling for his “rap brothers” to pitch in as well.
“lf some of my rap brothers are in, I’m willing to help Africans get out of Ukraine,” he wrote. “However I can sense they not letting us pass. Who ever holds the info for these movements please contact me ASAP I’m ready.” It didn’t take long for him to secure pledges from the likes of music impresario Kevin Liles, private jet broker Kelvin Mensah, and YSL Records rapper Strick, who all reshared his post.
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Thugger is developing a penchant for putting his money where his mouth is when it comes to helping out those less fortunate than him. In 2017, he donated to Planned Parenthood against threats to defund the organization from Donald Trump, while in 2021, he and his artist Gunna paid bail for 30 Fulton County Jail inmates and hosted a dinner for their families while expressing plans to continue doing so in the future. He’s even gotten more hands-on of late, kicking off the new year by helping a stranded motorist jumpstart his car. Thugger is a man of the people.
Young Thug is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Mary J Blige and Method Man have made magic together for nearly 30 years, since their 1994 collaboration, “I’ll Be There For You/You’re All I Need To Get By” peaked at No. 3 on the Billboard Hot 100 chart. Last night, both were honored during the NAACP Image Awards with wins in the Outstanding Supporting Actor In A Drama Series for their roles in 50 Cent’s Starz crime drama, Power Book II: Ghost as drug matriarch Monét Tejada and shady lawyer Davis MacLean, respectively.
Mary celebrated her award with a post on Instagram thanking the NAACP Image Awards committee along with 50 Cent, Power creator Courtney A. Kemp, Starz CEO Jeffrey Hirsch, and the show’s cast, crew, and producers. Meanwhile, Method Man’s post about the win touted his new negotiating power as a two-time award winner, as he cracked in the caption: “Price just went up!!”
Both stars are flying high lately, but Mary J has been on another level thanks to her recent appearance in Dr. Dre’s Super Bowl halftime performance, which she followed up with an appearance during the NBA’s All-Star Weekend performance alongside DJ Khaled, Gunna, Lil Baby, Lil Wayne, and Migos. Meanwhile, 50 Cent even made a joking reference to Mary’s Power character after a viral moment with Michael Jordan.
Congrats to both stars for their wins as we look forward to seeing what they do next.
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