Up Next: The Artists Who Are Shaping Music’s Future

A big part of being a music fan is keeping up with the music of the moment; There’s a reason popular artists have gotten to where they are, after all. Another equally important aspect of being an informed consumer of music, though, is maintaining an awareness of the up-and-coming artists who are primed to shape the industry in their own ways.

That’s what Uproxx’s new Next Up series is all about.

Over the course of ten feature profiles, you’ll learn about artists currently laying the foundation for some major things to come, things that will both establish themselves as forces and influence those who come after them. Before those features start rolling in, keep reading for a rundown of who we decided needs to be a part of this conversation.

Dove Cameron

Dove Cameron 2021 CFDA
Getty Image

The pipeline from Disney Channel star to music icon has been fruitful over the years, as folks like Miley Cyrus, Selena Gomez, and Ariana Grande have started on the network and gone on to tremendous musical success (also Olivia Rodrigo if you count her High School Musical series on Disney+). Now it’s looking like Dove Cameron, whose lengthy acting resume includes the lead role in the Disney Channel series Liv And Maddie, could very well be next. Her debut EP, Bloodshot / Waste, arrived in 2019 and she just recently had her biggest hit yet in February with the dramatic single “Boyfriend,” which was her first, and likely not last, song to grace the Billboard Hot 100 chart.

Saya Gray

Saya Gray 2022
Jennifer Cheng

With her recent signing to Dirty Hit, Canadian-Japanese singer-songwriter Saya Gray finds herself in great company: The label’s esteemed artists include The 1975, Beabadoobee, Wolf Alice, and Rina Sawayama. Her first album for the label, 19 Masters, is on the way in June and based on songs like the recent single “If There’s No Seat In The Sky (Will You Forgive Me???),” it’s easy to see why Dirty Hit brought the innovative young artist on board, who’s adept at switching genres not just between songs, but sometimes right in the middle of them.

PinkPantheress

PinkPantheress Stuffed Animals
Getty Image / Brent McKeever

TikTok has become a real proving ground for up-and-coming artists as the young generation gets exposed to a lot of new music on the platform. PinkPantheress managed to stand out above all the noise and earn herself a record deal with Parlophone. Her music definitely embraces the fast-paced nature of TikTok: Most of the songs on her 2021 debut mixtape To Hell With It are shorter than two minutes. That didn’t stop the multi-genre project from performing particularly well, as it landed in the top 20 of the charts in PinkPantheress’ native UK.

Kali

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YouTube

Speaking of TikTok, Atlanta rapper Kali also found success on the platform and now she’s breaking new ground beyond it. As Uproxx’s Aaron Williams notes, she’s moving into a space traditionally dominated by male rappers, one that is “marked by passive aggression, avoidant attachment, and audio gaslighting, with rappers and singers delighting in keeping their significant others guessing in the narratives of their songs.” Kali parlayed her breakout single “Mmm Mmm” into a debut EP, Toxic Chocolate. The Yung Bleu-featuring “UonU” is a highlight, on which she turns the tables and asserts dominance, rapping, “It’s a two-way street, we in the same lane / Play you ‘fore you play me, that’s just my mind-frame / But you still mine, babe.”

Tobi Lou

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Empire

Odds are you’ve already heard Tobi Lou working with one of your favorites, as the Chicago-via-Nigeria rapper has collaborated with some of his biggest hometown peers, like Chance The Rapper, Dreezy, and Saba. He was on the ballot for the 2020 XXL Freshmen list and while he didn’t make the cut, he’s on to bigger and better things, like his recently released new album Non-Perishable, which mostly features Lou shining on his own but also alongside guests like T-Pain and Chika. All the name-drops are to illustrate that Lou has support from folks in high places, co-signs that show Lou is worth consideration.

Omah Lay

Omah Lay The Eye 2022
Uproxx

A lot of things have been going right for the 24-year-old Nigerian afrobeats star lately. Since landing a record deal a couple years ago, Omah Lay’s ascent has been quick, as he had a social media hit with “Bad Influence,” dropped some EPs that landed on Apple Music’s charts in Nigeria, and caught the attention of Justin Bieber, with whom he recently released the collaborative single “Attention.” Furthermore, Lay’s status as an afrobeats favorite was cemented with the launch of Billboard’s new US Afrobeats Songs chart in March. On the inaugural ranks, he had two songs in the top 30, including “Attention,” which graced the top five. Basically, Lay’s on an upward trend, so if you haven’t been paying attention so far, now’s a good time to start.

Bakar

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Epic

Like many artists before him, Bakar got his start uploading songs on SoundCloud. That’s really one of the few ways the experimental UK indie rocker is like other artists, though. He gradually worked on his craft, forged a distinct aesthetic identity, and had himself a bit of a hit in 2019 with “Hell N Back,” which popped up on multiple rock and alternative Billboard charts, including a No. 1 placement on Adult Alternative Airplay. Things have only gotten better since then, as he had a feature on one of 2020’s most esteemed indie/pop albums in Benee’s Hey U X and released his debut album, Nobody’s Home, in February. He got some hometown love for that one, as it was a top-40 album in the UK. Now it feels like just a matter of time before the rest of the world catches up.

Horsegirl

Horsegirl
Cheryl Dunn

Chicago trio Horsegirl formed in 2019, when its members were all teens. While many teenage endeavors are best left forgotten, Horsegirl has built on their start in a major way. They’ve since signed to Matador Records and so far released two singles for the label: 2021’s “Billy” and this year’s “Anti-Glory.” As for the sound, the group falls somewhere between post-punk and shoegaze, a zone that has clearly worked for them given the aforementioned examples of their success. It’s the kind of music that begs to be heard live, so there’s good news there, as one of the year’s buzziest bands has a slew of tour dates set for this summer.

Caracara

Caracara 2022
Maria Daniela Lynn

The 2019 EP Better was big for Caracara, as the rocking effort landed them on many people’s radars. That includes renowned producer Will Yip, who has worked with everybody from Lauryn Hill to Keane to The Wonder Years. He also linked up with Caracara on their recently released album New Preoccupations (As The Gods Descend), which is highlighted by the single “Colorglut,” which features Circa Survive’s Anthony Green. The company a band keeps can say a lot about them, and so far, a lot of top-tier folks have found their way to Caracara’s corner. Now that the new album is out and music fans have something fresh to sink their teeth into, the Caracara corner is about to get even more crowded.

Zack Fox

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YouTube

As social media has become a primary method of fan interaction for celebrities, a lot of musicians have emerged as legitimately hilarious social media personalities. Then there’s Zack Fox, who’s approaching things from the opposite direction: He was a comedian first, but in recent years, he’s found some solid footing in hip-hop: His debut album, Shut The F*ck Up Talking To Me, came out last year and he’s touring with Freddie Gibbs this year. On top of all that, he’s still acting and has a recurring role in one of the most acclaimed comedies of the moment, Abbott Elementary. He’s even an accomplished visual artist, as he illustrated the album sleeve of Thundercat’s Drunk. Basically, Fox has done something you’d probably enjoy in just about every artistic medium, which is something very few people can say.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Vince Staples Reveals The Tracklist For His Album, ‘Ramona Park Broke My Heart’

Vince Staples has been relentlessly teasing his new album, Ramona Park Broke My Heart for the past several months (or years, really), and today, he finally lets fans get a glimpse of what the album will contain. The Long Beach rapper shared the tracklist, revealing song titles such as “DJ Quik,” named for the Compton producer who helped craft the sound of West Coast G-Funk in the 1990s, and “Mama’s Boy,” which sounds like it promises to be one of Staples’ most (only?) vulnerable tracks to date.

Incidentally, the real DJ Quik may actually appear on the album, as Vince posted a photo of himself in the studio with Quik to announce that the album was finished. The project clocks in at 16 tracks, marking a compromise between the monstrous, double-disc runtime of his debut album, Summertime 06, and the ultra-short projects he’s released since then, including the groundbreaking Big Fish Theory, the nostalgic FM!, and his most recent album, 2021’s somber Vince Staples.

The album also features his recently released single “Magic,” which was produced by Mustard and gave Vince as close to a pop radio-friendly single as he’s ever had. The new production style used on “Magic” and Vince’s latest single “Rose Street,” along with his recent appearance on Tyler The Creator’s Call Me If You Get Lost Tour, suggest that this could be the outspoken rapper’s most commercially successful album yet.

Ramona Park Broke My Heart is due 4/8 via Motown. Pre-save it here.

Kid Cudi’s Newest Role Is In John Woo’s Action Thriller, ‘Silent Night’

Is Kid Cudi’s rise as an action star around the corner? He’s certainly got a foot in the door with his next role. After impressing as a version of himself in Don’t Look Up and a horny adult film star in X, Cudi will play a police detective in veteran director John Woo’s upcoming action thriller, Silent Night, according to Deadline. Woo, known for such heart-pumping classics as Hard Boiled, Hard Target, Face/Off, and the unfairly maligned Mission: Impossible II, is directing Cudi alongside Joel Kinnaman, Catalina Sandino Moreno, and Harold Torres in a genre-staple revenge story with a twist; there will be no dialogue in the film.

“Its a good day when Deadline posts about u,” Cudi tweeted. “Can’t wait for y’all to see this masterpiece from the GOD John Woo. Joel what’s good!!”

Silent Night will be Woo’s first American production since 2003’s Paycheck. However, he’s had an outsized impact on action cinema here, as well as on hip-hop; his Hong Kong classic A Better Tomorrow was referenced by Wu-Tang Clan for their 2014 album of the same.

Kid Cudi, meanwhile, has been racking up Hollywood credits, including a role in his X co-star Brittany Snow’s upcoming directorial debut, September 17th. His own directorial debut, Teddy, is also currently in pre-production with backing from Jay-Z and The Harder They Fall director Jeymes Samuel.

Lil Nas X Pens A Sad, Cute, Emo Song About Being Shut Out At The Grammys

Last night’s Grammy Awards were supposed to be big for Lil Nas X. He was nominated for five awards including Album Of The Year, Record Of The Year, Song Of The Year, Best Music Video, and Best Melodic Rap Performance (the latter with Jack Harlow for “Industry Baby,” which they performed together at the awards show). But sweet Montero was shut out. A zero-for-five night for Lil Nas X seemed a bit of a travesty, considering what a massive year it was for the “Montero (Call Me By Your Name)” singer. You’d think he could’ve at least claimed the Best Melodic Rap Performance award over Kanye West’s “Hurricane?” But I digress. Because it’s not about losing, it’s about how you lose.

The always unpredictable Lil Nas X took to his Instagram Story to sing a song he had written especially for this losing moment. Shirtless, he recorded himself singing into the mirror: “I ain’t win no Grammys, that sh*t hurt my feelings, that sh*t finna make me cryyyy,” the ditty begins. “I’m fittna cry. I didn’t win no Grammys. Zero-for-five Grammys. Zero out of five, that’s how many Grammys I won. I didn’t win no Grammys. That sh*t made me cry, that sh*t me cry. Ahhhhhh.”

A fan grabbed the video from Instagram, tweeted it, and Lil Nas X obliged with the retweet. Once you listen to the short impromptu number enough times in a row, it becomes rather hypnotic. Almost like it’s a mantra he might very well be singing to himself the next time he’s up for more Grammys. Because let’s face it, he’ll definitely be back. And even though he didn’t win last night, Lil Nas X was still all smiles.

Fivio Foreign’s ‘B.I.B.LE.’ Tracklist Is Packed With High-Profile Features

With his debut album, B.I.B.L.E., dropping this Friday, New York rapper Fivio Foreign has shared the album’s tracklist. B.I.B.L.E., which stands for “Basic Instructions Before Leaving Earth,” features guest appearances from a balanced selection of emerging artists and established veterans including Alicia Keys, ASAP Rocky, Blueface, Chloe, Coi Leray, DJ Khaled, Kanye West, KayCyy, Lil Yachty, Lil Tjay, Ne-Yo, Quavo, Queen Naija, Polo G, Vory, and Yung Bleu. The album was previously pushed back by Fivio, who said he wanted it to be “perfect” — which is an admirable ambition for a debut album.

Fivio previously released the singles “City Of God” featuring Alicia Keys and Kanye West and “Magic City” featuring Quavo. Quavo also features on one other track, “Through The Fire.” Meanwhile, Fivio, who received a big boost from Kanye after appearing on the producer’s Donda album, will work with two other Ye-approved newcomers in KayCyy and Vory, who also both appeared on Donda.

In addition to finishing up his album, Fivio lent his voice to a new song on Kanye’s Donda 2, as well as collaborating with both Nicki Minaj and City Girls on “We Go Up” and “Top Notch,” respectively.

B.I.B.L.E. is out 4/8 via Columbia. You can see the full tracklist below.

1. “On God” Feat. KayCyy
2. “Through The Fire” Feat. Quavo
3. “Magic City” Feat. Quavo
4. “City of Gods Feat. Ye & Alicia Keys
5. “What’s My Name” Feat. Queen Naija & Coi Leray
6. “For Nothin”
7. “Hello” Feat. Chlöe & KayCyy
8. “Confidence” Feat. ASAP Rocky
9. “Slime Them” Feat. Lil Yachty
10. “Feel My Struggle”
11. “World Watching” Feat. Lil Tjay & Yung Bleu
12. “B.I.B.L.E Talk” Feat. DJ Khaled
13. “Changed On Me” Feat. Vory & Polo G
14. “Left Side” Feat. Blueface
15. “Love Songs” Feat. Ne-Yo
16. “Whoever”
17. “Can’t Be Us”

The 2022 Grammys’ TV Ratings Weren’t Much Better Than Last Year’s All-Time Low

Last year’s Grammy Awards ceremony wasn’t a major TV draw, or at least not as big as it has been in the past: The 2021 telecast had the lowest ratings in Grammys history. It turns out things weren’t much better this year, as the numbers were only a hair above last year’s dismal ratings.

Deadline reports Sunday’s broadcast, taking into account viewers on both CBS and those streaming on Paramount+, drew 8.93 million viewers, which is close to last year’s count of 8.8 million. Furthermore, The Hollywood Reporter notes these aren’t the final ratings, which will be out on Tuesday. CBS is expecting the final number to be at around 9.6 million viewers, just above last year’s 9.23 million.

For reference, all of these numbers are awful compared to just a few years ago: The 2020 show had 18.7 million viewers and the 2019 edition had 19.9 million. For further reference, Deadline notes that also last night, about 4.7 million people watched new episodes of both America’s Funniest Home Videos and American Idol.

Despite all this, last night’s broadcast had plenty of highlights and surprises, so check out our rundown of some of those most memorable moments here. Also find the full list of this year’s Grammy nominees and winners here.

SZA Explains The Injury That Left Her Using Crutches At The 2022 Grammys

SZA and Doja Cat picked up a Grammy for Best Pop Duo/Group Performance last night, for “Kiss Me More.” Their acceptance speech was an absolute event, as Doja Cat had to run back into the venue from the bathroom, which she wasn’t afraid to say into the mic once she got on stage. Then, she got super emotional and started crying as picking up that win meant a great deal to her.

SZA played a role in the moment’s oddity, too, as she hobbled up on stage walking on crutches. After the show, she explained how she sustained her injury, saying in a backstage media room (as Billboard notes), “It’s very funny because I fell out a bed right before it was time to leave and get ready for this. Like the day before, but that’s the way it goes. Everything awesome in my life has always come with something like very random, but it just adds to the energy.”

She went on to speak about her next album, saying, “It’s probably my most unisex project yet, if that makes sense. It’s for everyone.” She also noted of Doja, “She’s a star. I think she’s so masterful… I’ve just been able to learn from her.”

Find the full list of last night’s Grammy winners and nominees here.

The 2022 Grammy Gift Bags Were Worth $49,000, With Items Like A Liposuction Voucher And A Toothbrush

The Grammys last night were full of surprises, from unexpected winners like Jon Batiste for Album Of The Year to awkward incidents like Olivia Rodrigo already dropping one of her awards. While Rodrigo could barely hold onto all of her trophies, there was so much backlash about Billie Eilish receiving none that her brother Finneas had to take to Twitter to tell fans that talking trash about winners is not acceptable or necessary.

Luckily for Eilish and other attendees who did not win any trophies, the good news is that they get a gift bag full of items with a total value of $49,000, according to Nexstar (via KTLA). The contents aren’t picked out for them, though; the celebrities check out the gift lounge and choose what they want from a table.

This year’s options are not what you’d expect, ranging from Botox to a Fauci book: a voucher for liposuction on your arm; popcorn that’s described as “flavor wrapped”; skincare products made from figs and tofu; $10,000 worth of Botox, fillers, and chemical peels; CBD sleep aids; an electric toothbrush; a trucker hat from a genderless fashion line; a bottle of Cabernet Sauvignon wine and three bottles of Grey Goose vodka; three-course tasting meal for two at Kokomo Restaurant in New York; perfume made by Mastercard; kit to make whipped coffee; and a book about Dr. Anthony Fauci. A lot to unpack there!

An 11-Year-Old Prince Appears In Archival Footage Of A 1970 Minneapolis Teachers Strike

Before he was a mononymous pop star who could rock out with the best of them, Prince was apparently a talented, precocious, and extremely civic-minded little boy in Minneaopolis. Long-rumored footage of Prince at a 1970s teachers union strike for local news has resurfaced today, courtesy of Minneapolis television station WCCO.

Station production manager Matt Liddy came across the clip while doing research on a similar strike this year. Looking through the footage for historical context, he noticed an 11-year-old boy being interviewed about the strike and asked his colleagues for confirmation that the boy was a pre-teen Prince Nelson Rogers. After having the footage expertly restored, Liddy needed to find another boy from the footage, Ronnie Kitchen, as Prince never actually identifies himself in the footage.

When Liddy and crew were unable to get in contact with Kitchen, they turned to historian and archeologist Kristen Zschomler. Zschomler identified the school in the background as Lincoln Junior High School, which Prince attended in 1970, and compared the footage to his yearbook picture from that year. She put WCCO in contact with Terrance Jackson, who went to school with Prince, and finally confirmed that the boy in the video would indeed go on to write “Purple Rain” and “Batdance.” “That is Prince!” he said when shown the video. “Standing right there with the hat on, right? That’s Skipper! Oh my God!”

In the video, Prince says, “I think they should get a better education too cause, um, and I think they should get some more money cause they work, they be working extra hours for us and all that stuff.” Sounds like even then, Prince knew what was up. Previously, a clip of Prince playing basketball also sent the internet into a frenzy, proving that fans may never get enough of seeing what he was up to before the fame.

LL Cool J Revives Rock The Bells Festival And Explains Why Bars Matter ‘More Than Ever Before’ In Hip-Hop

It’s a complaint you hear more than ever these days: Hip-hop has lost its way and it isn’t about the bars anymore. Of course, that depends on who you ask. While some veterans of the rap game certainly lament that things aren’t the same, one of the culture’s most iconic figures is taking a different view. In a new interview with Billboard about his upcoming, Q-Tip-produced, Def Jam-backed 14th album, LL Cool J explained why he thinks bars matter “more than ever” in hip-hop today.

“[Bars matter] more than ever because every Snapchat, every TikTok, Instagram photo or every tweet is words,” he observes. “People love words. You have to be precise with your speech nowadays. Words are more important now than they ever been probably because the whole world is living in a giant transcript. If you’re going to say something, it has to mean something.”

The rap luminary also relates this concept to his own upcoming project, saying, “The songs that I wrote on the new record that’s coming have meaning. It’s coming from a whole other place. I think that it’ll hopefully touch people in a way that they can’t ever imagine. I don’t even think people can imagine or understand what this is.” Of his executive producer, he offers high praise; “I think [Q-Tip] quarterbacked a masterpiece, b,” LL says.

The “Rock The Bells” rapper also talks about revitalizing the defunct music festival named for his 1985 hit. The festival will return under LL’s banner (also called Rock The Bells media) on August 6, bringing such iconic acts as Ice Cube, Rick Ross, Fat Joe, and more to Forest Hills Tennis Stadium in LL’s native Queens, New York. “The energy and the goal has always been to elevate hip-hop culture and classic hip-hop culture and not allow all of these talented artists that we have be pushed to the sidelines just because at the current moment they might not have a song at the top of the Billboard charts,” he says of his Rock The Bells media venture. “That doesn’t mean that they’re not valuable. I found that so many people want this. [Fans] want to celebrate the culture, but they want it done in the right way. So the same way that The Stones get treated, Paul McCartney gets treated, and Bob Dylan gets treated, I wanted to see these artists treated that way.”