According to HipHopDX, Nicki Minaj is two songs away from breaking a new record. As of Thursday, May 23, the multi-cultural multi-hyphenate has not one but two diamond certifications to her name. Before receiving her newest and elusive plaque, she had gone 13 years without this level of recognition on a song. Her 2011 hip-hop/pop fusion “Super Bass” was the first in her catalog to go diamond, doing so on November 9, 2021. It made her just the second female rapper to rake in the required 10 million units. Perhaps her biggest nemesis, Cardi B, was the first to do so in March 2021 with her 2017 breakthrough hit “Bodak Yellow.” Now, Nicki Minaj can add “Bang Bang” to the list.
This 2014 song belongs to singer Jessie J, but obviously, Nicki still receives the same credit. The relentlessly played pop/rap blend also featured Ariana Grande. You could not avoid this record no matter how hard you tried. Sporting events, clubs, restaurants, stores, the radio, it was everywhere. Well, all that marketing helped Nicki and everyone else involved achieve an incredible feat.
As we mentioned, Cardi B still is in the lead for most diamond songs by a female MC. Her other two include “Girls Like You,” her collab with Maroon 5, and “I Like It,” featuring Bad Bunny and J Balvin. So, Nicki still has some work to do. But still, a huge congratulations to her, Jessie, and Ariana for this rare feat!
What are your thoughts on “Bang Bang” by Nicki Minaj, Ariana Grande, and Jessie J going diamond? Does this further cement her as the greatest female rapper of all time? Is this the better diamond track over “Super Bass”, why or why not? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding the Nicki Minaj. Finally, stay with us for everything else going on in the music world.
The relationship between Hip Hop and sports has long been documented. Naturally, Hip Hop culture is felt across various sports, but the history with basketball is by far the longest and richest. Rucker Park, (or simply The Rucker) sits at the epicenter of these two worlds. Or at least it used to be. Nestled in the heart of Harlem, New York, The Rucker is a cherished spot in the annals of these two cultural influences.
The name of Rucker Park honors local teacher and New York City Department of Parks and Recreation playground director Holcombe Rucker. Born in 1926, Rucker grew up on 141st Street with his grandmother. Standing at 6 feet and 3 inches, he found his calling playing guard at Benjamin Franklin High School until World War II, when he dropped out of school to enlist in the war. After the war was over, Holcombe Rucker returned with one last mission: to give back to his community through the education and the game he loved so much.
In 1950, Rucker’s vision came to fruition through a basketball league that would keep kids off the streets and encourage them in both studies and hoops. This was how the Rucker Tournament was born. It was originally held on various Harlem courts until 1954 when it found its home at the corner of 155th Street and Frederick Douglass Boulevard. However, it wasn’t until 1974 that the park was officially named after Holcombe Rucker. This felt especially special because his legacy had extended far beyond the court. Rucker’s tournament wasn’t just about basketball though. It was also about education, dignity, and meaning. Over 700 individuals secured college basketball scholarships thanks to his initiative’s efforts.
Rucker Park soon emerged as a mecca for street basketball in the 1950s. It offered a platform for local athletes to showcase their skills on its gritty asphalt courts. Situated amidst the bustling streets of Harlem, the park embodied the raw, unfiltered essence of playground basketball. Therefore, players from across New York City flocked to Rucker, drawn by the prospect of testing their skills against the city’s best. Wilt Chamberlain was the first household name to grace Rucker Park, and the names after him could fill a book. With its chain-link fences and raucous crowds, Rucker Park became synonymous with the vibrant subculture of streetball. There, flashy moves and playground legends reigned supreme.
As Rucker Park gained prominence in the basketball world, it also became a cultural epicenter for Harlem’s burgeoning rap scene. The park’s vibrant atmosphere attracted not only athletes but also Hip Hop artists, DJs, and fans who shared a common love for the game and the music. Spontaneous rap battles and freestyle sessions became as integral to the Rucker experience as the basketball games themselves. As a result, Rucker Park helped blur the lines between sport and art. The symbiotic relationship between basketball and hip-hop flourished with players drawing inspiration from the rhythm and energy of the music while rappers paid homage to the park’s iconic status in their lyrics and music videos.
Importantly, Rucker Park has witnessed the rise of numerous streetball legends whose electrifying performances have become the stuff of urban folklore. In 1982, Greg Marius founded the Entertainers Basketball Classic (EBC) at Rucker Park, transforming the park into an urban amphitheater. The EBC attracted top players from across the country, including NBA stars like Kobe Bryant, Kevin Durant, and LeBron James, who relished the opportunity to showcase their skills in the hallowed grounds of Rucker. The tournament’s unique blend of competitive basketball and entertainment drew crowds of spectators and media attention. This solidified Rucker Park’s reputation as a premier destination for streetball enthusiasts worldwide.
During the late 1990s and early 2000s, Rucker Park gained further notoriety through its association with the And1 Mixtape Tour, a traveling showcase of streetball talent. Featuring players known for their flashy moves and playground flair, the And1 tour brought the excitement of Rucker Park to cities across the globe, popularizing the park’s unique brand of basketball culture. The tour’s mixtapes, which showcased the players’ jaw-dropping highlights set to Hip Hop beats, became must-watch videos among basketball fans. This also helped elevate the profile of streetball worldwide. To this day, even rappers like Machine Gun Kelly have Rucker to thank for giving them a platform.
By the 20th season of the tournament, the Rucker’s visitors began to include the likes of Former President Bill Clinton and NBA Commissioners David Stern, Adam Silver and Stephon Marbury. But no matter who came around, the palpable excitement of Rucker marked a typical day on the court. However, one notable incident that would have shut down both the ballin’ and rappin’ worlds was the game that was never held in 2003. Jay-Z and Fat Joe were battling to be the King of New York, not just on the charts but also in business and basketball.
Their EBC teams were stacked with top talent like Carmelo Anthony, Kevin Durant, Jermaine O’Neal, LeBron James, and more. As the competition heated up, both men kept adding to their rosters, even making last-minute changes. Jay-Z even left his tour to appear at The Rucker with Beyoncé and Steve Stoute. The anticipation was high, with rumors of surprise appearances and last-minute shake-ups. Joe also revealed that he had a surprise waiting at 57th Street with Mike Bibby and Allen Iverson, planning to bring them to the game for halftime. Jay-Z also arranged for Shaquille O’Neal to join in at the last minute. With both teams ready, and thousands in attendance, the power went out.
An Enduring Legacy
Rucker Park’s cultural influence extends far beyond the confines of the basketball court, permeating various aspects of urban life and popular culture. The park’s iconic blacktop has served as a canvas for graffiti artists and a backdrop for music videos, immortalizing its place in the annals of rap history. From the iconic Above The Rim film, which featured acting credits from 2Pac and Bernie Mac, to lyrical tributes by pioneers like Nas and Jay-Z, Rucker Park has left an indelible mark on the worlds of sports and music. It embodies the spirit of resilience, creativity, and community that defines Harlem’s rich heritage.
Unfortunately, the park is no longer what it used to be. However, its legacy remains intact. In 2022, Rucker Park famously made history again. It became the first outdoor venue for The Basketball Tournament, a single-elimination winner-take-all event with a $1 million prize. The echoes of legends past reverberated as new stars stepped onto the hallowed ground. So the next time you pass by the corner of 155th Street and Frederick Douglass Boulevard, remember Holcombe Rucker- the visionary who turned a playground into a symphony of basketball, Hip Hop, and most of all, community.
In a groundbreaking moment for the hip-hop community, Latto is making history. She is the first female rapper to headline Atlanta’s annual Birthday Bash event on June 22. This occasion marks a significant milestone not only for Latto herself but also for female artists in the rap industry. Hot 107.9, the iconic radio station, recently unveiled the lineup for the 2024 edition of Birthday Bash, scheduled to take place inside the illustrious State Farm Arena. Alongside Latto & Friends, the roster boasts an impressive array of hip-hop acts, including Key Glock, Killer Mike, Boosie, and others.
Latto, happy about the announcement, took to Twitter to share her excitement. Moreover, she declared, “1ST FEMALE TO HEADLINE BIRTHDAY BASH!!! @hot1079atl I’m bringing out hellaaaaaaa special guests.” Her enthusiasm highlights the significance of this moment for both herself and the wider hip-hop community. The Clayton County representative heads into June’s Birthday Bash concert on the heels of a string of successes. Her recent single, “Sunday Service,” released in February, made waves, peaking at No. 100 on the Billboard Hot 100 chart. This accomplishment serves as a testament to Latto’s rising prominence in the music industry. She’s someone who’s definitely paved her own lane and is continuing to set the tone.
Moreover, Latto’s track record in 2023 speaks for itself. Furthermore, it speaks volumes about her talent and influence. Her collaboration with Cardi B on “Put It On Da Floor Again” achieved platinum status, while her collaboration with Jungkook on “Seven” debuted at No. 1 on the Hot 100, breaking records and solidifying her position as a force to be reckoned with in the global music scene. Latto’s accolades extend beyond chart success, too! In addition, she claimed the title of Best Female Hip Hop Artist at the 2023 BET Awards, triumphing over a formidable lineup of contenders.
Furthermore, “Seven” received the prestigious Billboard Music Awards trophy for Top Global K-pop Song, further cementing Latto’s status as a trailblazing artist with cross-genre appeal. As Latto prepares to take center stage at Hot 107.9’s Birthday Bash, she paves the way for future generations of female artists, breaking barriers and shattering stereotypes along the way. Her historic headline performance is not only a testament to her talent and tenacity but also a celebration of diversity and inclusivity in the rap industry. With her star on the rise, Latto is poised to leave mark on the world of music for years to come. Are you excited for Birthday Bash this year? Let us know on HNHH!
In a groundbreaking achievement that solidifies his status as a global music phenomenon, The Weeknd has etched his name in Spotify’s history books. He did this by becoming the first artist to boast two songs with over 3 billion streams each. The Canadian superstar’s monumental feat is not only a testament to his unrivaled musical ability but also a reflection of his unparalleled connection with listeners around the world. The Weeknd’s chart-topping hits, “Blinding Lights” and “Starboy,” have now surpassed the remarkable milestone of 3 billion streams each on Spotify. This is remarkable achievement that underscores the artist’s enduring popularity.
Moreover, these tracks, known for their infectious beats, soulful vocals, and cinematic production, have become anthems transcending genres and resonating with a diverse audience. Fans and music enthusiasts alike have taken to social media to celebrate The Weeknd’s historic accomplishment. With hashtags like #Weeknd3BillionClub trending across various platforms. The artist’s ability to craft universally appealing music, coupled with his distinctive aesthetic and boundary-pushing creativity, has propelled him into a league of his own within the music industry.
Moreover, The Weeknd’s journey to becoming the first artist to achieve two songs with over 3 billion streams each speaks volumes. This sparks a discussion the changing landscape of music consumption. In an era dominated by streaming platforms, this milestone highlights the power of the internet and the global reach of an artist whose influence knows no bounds. As Spotify continues to be a primary hub for music lovers worldwide, The Weeknd’s record-breaking achievement adds another layer to the platform’s cultural significance. His ability to captivate audiences on a massive scale reflects the artist’s individual success. Moreover it also highlights the collective impact of streaming culture in shaping the music industry.
Furthermore, beyond the numbers, The Weeknd’s accomplishment signals a paradigm shift in how we consume and engage with music. It emphasizes the democratization of entertainment. Artists can connect directly with fans on a global scale, transcending traditional barriers and geographical limitations. In an industry characterized by constant evolution, The Weeknd’s historic achievement on Spotify serves as a milestone. It will undoubtedly inspire aspiring artists and reshape the narrative of success in the digital age. As fans continue to stream “Blinding Lights” and “Starboy” The Weeknd’s legacy as a trailblazer in the music industry is solidified. And his influence on the future of music remains immeasurable.
Drake and SZA’s “Slime You Out” kicked off the soon-to-come release of Drizzy’s album For All The Dogs, and got him one step closer to the history books. Moreover, that song went No. 1 on the Billboard Hot 100 charts, marking his twelfth number one hit and putting him right up there with the legendary Michael Jackson. He has thirteen chart-topping tracks, which means the Toronto rapper is now just one song away from tying him for the fourth-most number ones in Billboard history so far. If you’re curious, he’s currently tied with Madonna and The Supremes for the fifth spot.
Of course, it’s fair to assume that one more track from For All The Dogs might just cinch this achievement for the 36-year-old. Given that his career shows no signs of slowing down, it wouldn’t be surprising to see him work his way up. Ahead of Drake are frequent collaborator Rihanna (14 number ones) and Mariah Carey (19 number ones). At the very top of the list are The Beatles, who have 20 tracks that claimed the top spot across their discography.
In addition, this also marks one of the only hip-hop-adjacent songs that went No. 1 on Billboard this year- the second, to be exact. The first was Doja Cat’s “Paint The Town Red,” which ended a drought in this metric for the genre that existed since Nicki Minaj’s “Super Freaky Girl.” Furthermore, this history sparked a hotly contested conversation around whether rap is a “dying” style, something that artists like Drake continue to disprove. It might not have the same chart-topping record as previous years, but it’s also the calm after a storm that dominated the early 2020s and mid-to-late 2010s. As such, we can’t really complain.
Meanwhile, the OVO superstar also has a lot to look back on and appreciate when it comes to his career. His 2013 album Nothing Was The Same, which established him as a top dog in the game, recently celebrated its tenth anniversary. While reflecting on his previous success, we’ll see if his future one puts The Boy right next to MJ. For more news and the latest updates on Drake and Michael Jackson, stay logged into HNHH.
With this year’s run of new singles, the most recent of which (“Balut“) arrived this week, Doja Cat is on fire. Moreover, the Los Angeles artist built up a lot of steam with impressive rap performances, ethereal instrumentals, and a lot of social media promotion and hype. Now, we have a newly broken all-time Spotify record to represent her dominance and success in this new era of her career. The 27-year-old now has the most monthly listeners out of any female rapper in history with over 65.7 million. For those curious, the next MC in line is Nicki Minaj, who has about 61.6 million monthly Spotify listeners as of writing this article.
Fans likely remember that the Queen’s remix of Doja Cat’s “Say So” shot to the top of the Billboard Hot 100. That was their first No. 1 single individually, and the “Attention” rapper nabbed another one this year with “Paint The Town Red.” In fact, it was the first rap song to claim the highest spot on those charts in over a year. As if this story wasn’t already tightly woven enough, the last rap song to have done so was Nicki’s own “Super Freaky Girl.”
.@DojaCat officially breaks the all-time record for most monthly listeners for a female rapper in Spotify history (65.7 million). pic.twitter.com/PWgYxwQEjl
Furthermore, all this success and acclaim is leading up to Doja Cat’s next album, Scarlet, which die-hards have been waiting patiently for over a long period of time. However, that’s not to say that it’s all been peaches and cream when it comes to her fanbase and this album rollout. The Planet Her hitmaker lost a lot of fans with her public statements, such as speaking negatively on superfans, dismissing her past catalog, and her rumored relationship with controversial figure J. Cyrus. With these new singles, though, she proved that all of that can become moot if you continue to back it up with great art.
Still, we’ll see if that persists as a narrative leading up to Scarlet or if her extracurriculars catch up to her. It’s been a very interesting back-and-forth to witness, especially considering that these new singles are quite the sonic shift from past albums. As chaotic as media coverage around her has been as of late, nothing is quite as important as the music. The numbers come after, and they give credence to her evolution. With that in mind, log back into HNHH for the latest updates and news on Doja Cat.
