Fat Joe is known for his captivating stories about Hip Hop history, but Uncle Luke stepped in with a slight correction. Earlier this year, Fat Joe appeared on the My Expert Opinion podcast and revisited some of the culture’s moments. During the chat, Joe stated he “put on” Trick Daddy and Pitbull, helping the two rappers get signed. However, Luther Campbell shared the clip of the interview and said he was the one who discovered those artists.
“I love Joe but I find this very interesting because I discovered [Trick Daddy],” Luke commented. “He did his first song with me as soon as he got of the lock up and by he stayed with me.”
Additionally, Luke said: “I also discovered signed [Pitbull] to the platinum selling Luke records label did his first song’s with me. Because I’m from I felt the importance of signing a Cuban rapper so I discovered him off of battle rap tapes. Maybe I’m missing something here I do have the receipts.”
“By the way because you don’t see me all in the videos at the partys [DJ Khaled] I found him on underground radio mix 96 brought him to main stream, radio [99 Jamz Miami] The Luke Show.”
HOLLYWOOD, CA – JULY 15: (L-R) Rapper Lil Jon, Luther Campbell, rapper Pitbull, and Tony Robbins attend a ceremony honoring Pitbull with a Star on The Hollywood Walk of Fame on July 15, 2016 in Hollywood, California. (Photo by Matt Winkelmeyer/Getty Images)
Luke once led the controversial Rap group 2 Live Crew, who dominated the party scene in the 1990s. The producer and promoter is responsible for some of Hip Hop and Dance culture’s favorite party hits. He has also been instrumental in several artists’ careers.
Check out the entirety of Fat Joe’s visit to My Expert Opinion below.
Bouncing back from the pandemic closures, Nas and Wu-Tang Clan are currently embarked on the NY State Of Mind tour. The iconic Staten Island collective and the Grammy-award-winning rapper have taken their shows all across America.
For those who haven’t been able to attend, Live Nation produced a new documentary providing fans with some behind-the-scenes footage of the tour. It’s an eight-minute clip that shines a light on the relationship and camaraderie between Wu-Tang Clan and Nas.
NEW YORK, NY – APRIL 25: The Wu-Tang Clan performs live during Tribeca TV: Wu-Tang Clan: Of Mics And Men at the 2019 Tribeca Film Festival at Beacon Theatre on April 25, 2019 in New York City. (Photo by Steven Ferdman/Getty Images for Tribeca Film Festival)
The documentary largely features their show in St. Louis with the interviews detailing the importance of the Bronx and the trajectory of hip-hop since.
“We been through so much, you know, we live in a fast city. That struggle had a lot to do with molding us, you know? So a lot of times, we was listening to the music that was coming from neighborhoods that we came from, which was the five boroughs,” Raekwon says in the video. “So that became literature in the street. Then the next thing you know, it got incorporated in the music. So it kind of like transcended into other cities.”
Busta Rhymes also makes a cameo in the documentary as well.
Press play on Wu-Tang Clan and Nas’ mini documentary on the NY State Of Mind tour below.
Earlier this month, Big Sean rewarded his longtime supporters by making his Detroit mixtape available on all streaming services. The 2012 release has long been touted by fan as the best project in Big Sean’s discography. It housed timeless collaborations with artists such as J. Cole, Kendrick Lamar, Wiz Khalifa, Wale, Jhené Aiko, Royce da 5’9”, and more. Yet until its 10-year anniversary on September 5, the fan-favorite mixtape was widely inaccessible for listeners who predominantly consume their music from DSPs like Spotify, Apple Music, and Tidal. Streaming blew up in the years following the release of Detroit, but — like so many other classic mixtapes that were released for free during the late 2000s and early 2010s, from Nicki Minaj’s seminal Beam Me Up Scotty to A$AP Rocky’s breakout mixtape Live.Love.A$AP — it took an incredibly long time for Sean’s mixtape opus to hit DSPs.
Over the last handful of years, artists have made meaningful strides in bringing their mixtape catalogs over to streaming platforms. Although many of fans’ favorite tapes have been slightly reworked due to sample clearance issues, at least acclaimed projects like Mac Miller’s Faces, Drake’s So Far Gone, Lil Wayne’s Sorry For The Wait, Wiz Khalifa’s Kush & Orange Juice, Meek Mill’s Dream Chasers 2, and Chance The Rapper’s Acid Rap are available right now on all DSPs.
However, there are far too many classic mixtapes that have seemingly been lost to the Blog Era. Fans are left waiting for every milestone anniversary in hopes that one of the free mixtapes that they downloaded over a decade ago will finally reappear on streaming services. To illustrate just how many gems are still unavailable to stream on most platforms, here are 10 classic mixtapes that need to hit DSPs as soon as possible.
Young Thug (L) and Rich Homie Quan perform onstage during the BET Hip Hop Awards 2014 at Boisfeuillet Jones Atlanta Civic Center on September 20, 2014 in Atlanta, Georgia. (Photo by Brad Barket/BET/Getty Images for BET)
When they united for The Tour, Rich Homie Quan and Young Thug became one of the best Atlanta rap duos since OutKast. Although their team-up was unfortunately short-lived, their joint mixtape remains a certified classic eight years after its release. Surprisingly, The Tour isn’t officially featured on most DSPs under Quan, Thug, or Rich Gang’s profiles, but you can still listen to the full project on Spinrilla.
2. Fabolous — The S.O.U.L. Tape Series (2011-2013)
Fabolous performs onstage at Power 105.1’s Powerhouse 2013, presented by Play GIG-IT, at Barclays Center on November 2, 2013 in New York City. (Photo by Mike Coppola/Getty Images for Clear Channel)
Regardless of which installment is your favorite, it’s safe to say that Fab’s S.O.U.L. Tape run is one of the most memorable mixtape series from the early 2010s. Back in 2020, the Brooklyn native did fans a solid by uploading the original S.O.U.L. Tape to SoundCloud, but over two years later, the classic project and its two sequels have yet to make it onto any of the big three DSPs.
Drake speaks at the Spring Awakening and Degrassi panel discussion with Rosie O’Donnell at the Eugene O’Neill Theater on April 30, 2007 in New York City. (Photo by Amy Sussman/Getty Images for Nickelodeon)
So Far Gone often gets the credit for laying the foundation of Drake’s sound and introducing him to the masses, but it would be criminal to overlook the influential project’s predecessor, Comeback Season. From the Lil Wayne-assisted “Man of the Year” to the Trey Songz-assisted “Replacement Girl,” Drake’s 2007 mixtape houses some serious throwbacks. It’s a shame that it’s so hard to come across online. Considering that Comeback Season just turned 15 years old earlier this month, it’s unlikely that fans will see a DSP release of this early Drake tape anytime soon, but for now, they can at least still listen to it on DatPiff.
Travis Scott performs at the GQ Fashion Week Party At The Wythe Hotel on September 9, 2014 in Brooklyn, New York.. (Photo by Bryan Bedder/Getty Images for GQ)
As fans eagerly await Travis Scott’s highly anticipated fourth studio album Utopia, there’s a general consensus that the Houston-bred artist already has quite the impressive discography. But, longtime fans of La Flame know that his hot streak began prior to the release of his debut studio album, Rodeo, in 2015. In 2014, Travis Scott unleashed Days Before Rodeo, his second official mixtape and the project that would significantly alter the trajectory of his career from that point forward. Laced with iconic tracks such as the Big Sean-assisted “Don’t Play,” the Rich Homie Quan- and Young Thug-featured “Mamacita,” and the classic Metro Boomin-produced “Skyfall,” Days Before Rodeo kept the Blog Era trend of album-quality mixtapes alive. To this day, the project remains one of Travis’ best and most distinct works. With its 10-year anniversary approaching in 2024, Days Before Rodeo is overdue for an official commercial re-release. For now, you can still stream it on SoundCloud.
Wiz Khalifa performs at The Masquerade on November 6, 2010 in Atlanta, Georgia. (Photo by Prince Williams/FilmMagic/Getty Images)
Wiz Khalifa is mixtape royalty. The Taylor Gang boss has far too many free releases to count. Despite the expansive nature of his mixtape catalog, it actually boasts a considerable number of classic and iconic projects, from 2009’s Flight School and 2010’s Kush & Orange Juice to 2011’s Cabin Fever and 2012’s Taylor Allderdice. In recent years, Wiz Khalifa has been one of the few Hip-Hop artists that have been consistently adding nearly all of his past mixtapes to streaming services, but still, there are a few that remain unavailable on DSPs, chiefly his 2008 tape Star Power. Fortunately, you can listen to the full project on DatPiff.
50 Cent attends the fight between Miguel Cotto and Sergio Martinez on June 7, 2014 at Madison Square Garden in New York City. Cotto won by a TKO in the ninth round. (Photo by Rich Schultz/Getty Images)
50 Cent may be the most powerful Hip-Hop mogul in the television and film industry, but if his Emmy-winning performance during the Super Bowl LVI Halftime Show earlier this year proved anything, it’s that fan appreciation for his music career has not dwindled in the slightest. That’s why his last official release, 2015’s The Kanan Tape, should be readily available on streaming services. With his infamously unreleased Street King Immortal album officially shelved last year, that’s even more reason for 50’s popular seven-track mixtape to make its way to DSPs.
J. Cole visits Fuse’s “Hip Hop Shop” on July 15, 2010 in New York City. (Photo by Astrid Stawiarz/Getty Images)
Whereas many of his contemporaries have at least made the effort to make the most important mixtape of their early careers available on streaming services, J. Cole has not done so whatsoever. To this day, none of the Dreamville founder’s three breakout mixtapes can be streamed on any of the major DSPs. While it would be amazing for 2010’s Friday Night Lights — which can be streamed in full at DatPiff — to become available everywhere, we’ll honestly take 2007’s The Come Up or 2009’s The Warm Up, as well.
Childish Gambino performs onstage at the 2014 mtvU Woodie Awards and Festival on March 13, 2014 in Austin, Texas. (Photo by Rachel Murray/Getty Images for MTV)
A year after the release of his Grammy-nominated sophomore studio album Because The Internet, Childish Gambino delivered his seventh and, as of now, final free mixtape, 2014’s STN MTN. A day after it dropped, Gambino doubled back with an equally incredible — and commercially released — EP titled Kauai. Yet nearly eight full years later, only the latter remains available on streaming services. Since the Hip-Hop community has had so much love for Tyler, The Creator’s Call Me If You Get Lost and Dreamville’s D-Day mixtape, it’s only right that Donald Glover’s Gangsta Grillz mixtape makes its way to DSPS too. Until that day comes, you can still listen to STN MTN on DatPiff.
Rick Ross performs at Power 106FM Presents CaliChristmas at Gibson Amphitheatre on December 14, 2012 in Universal City, California. (Photo by Leon Bennett/WireImage/Getty Images)
At the turn of the 2010s, there were select mixtapes that were able to break the internet before “breaking the internet” even became a saying. Mixtape downloads were always a surefire way of telling whether a project was worth checking out, and Rick Ross’ 2012 epic, Rich Forever, remains one of the most downloaded mixtapes from the Blog Era. On HNHH alone, the tape was downloaded over 580,000 times, and on DatPiff — where you can still listen to it — Rich Forever was downloaded over 2.2 million times. Nonetheless, several months after its 10-year anniversary, Rick Ross’ blockbuster mixtape is still unavailable on nearly all streaming platforms, but our fingers are still crossed that this classic makes its way to DSPs very soon.
R&B crooner Frank Ocean’s debut Los Angeles show at the El Rey Theatre on Nov. 15, 2011 in Los Angeles. (Photo by Lawrence K. Ho/Los Angeles Times via Getty Images)
For an artist whose discography is already extremely limited, it’s wild to think that two of Frank’s only four official projects aren’t available on all streaming platforms. While contractual obligations are likely what is keeping Endless an exclusive to Apple Music, it’s much harder to stomach that Nostalgia, Ultra isn’t available on any of the major DSPs, especially since its breakout singles “Novacaine” and “Swim Good” weren’t repurposed for any official full-length project. This classic alternative R&B mixtape is one of the more challenging projects to find in full — with “American Wedding” included and without the cut-off version of “Nature Feels” — on the internet. Hopefully, Frank Ocean blesses his fans by bringing Nostalgia, Ultra to streaming services one day.
These are just 10 beloved mixtapes that still haven’t found a permanent home on contemporary streaming platforms, so let us know in the comments which classic mixtapes you want to get uploaded to DSPS in the near future.
Too $hort explained how he tried to stray Tupac from bad influences during an appearance on the 85 South Show.
The Oakland rapper broke down how Tupac was a “different” person every single time he saw him. Throughout their relationship, Short explained that ‘Pac’s Zodiac sign as a Gemini became more apparent. “I never saw the same Tupac twice. They always trying to show the image of what Tupac was, and like, bruh, he was always like drastically different. Like most Geminis,” Short said.
NEW YORK – JULY 23: Rapper Tupac Shakur performs onstage at Club Amazon on July 23, 1993 in New York, New York. (Photo by Al Pereira/Michael Ochs Archives/Getty Images)
The legendary rapper revealed said that ‘Pac spent a significant amount of time in Oakland during Digital Underground‘s reign. Still, he wasn’t necessarily the leader of the circles he was tied to. “‘Pac was the lil homie of the crew,” Short explained, citing an old video where Tupac was a background dancer.
“Tupac started coming of age and I looked at him,” Short continued. He described the “So Many Tears” artist as a “real one” who wasn’t going to be punked.
“I was like, ‘I can not bring this n***a around my homies.’ ‘Cause it’s going to be like oil and fire. Like, when Tupac got to L.A., and they let him get around, he was going 10,000 miles an hour.”
“I knew it. I was like, I can not bring this n***a around my homies,” he said. “I literally made a conscious effort to not ever bring Tupac around my — he found his way to Richie Rich… he gave ‘Pac the town but I said, ‘I wouldn’t do it.’”
Short said he didn’t want to feel “that guilt” of introducing Tupac to people that would put him in sticky situations.
Check out the clip below and let us know your thoughts in the comments.
Since the top of the year, The Game’s press runs ahead of the release of Drillmatic Heart Vs. Mind, his feud with 50 Cent became a point of conversation. G-Unit affiliates challenged the Compton rapper’s claims of ghostwriting songs for Fif. From there, the two exchanged numerous shots online.
During the latest episode of Math Hoffa’s My Expert Opinion, Yayo became increasingly aggravated at the mention of The Game. The “So Seductive” rapper downplayed The Game’s stint at G-Unit, especially since he didn’t have to face similar backlash as the other members of the crew.
“N***as never had feds knock on their door and homicide knock on their door in the same year. Game has never went through that. Hip-hop police following us ’cause Jam Master Jay got killed. He never went through that. Y’all keep acting like Game is the real legacy of G-Unit — no! It’s Lloyd Banks, Tony Yayo, and 50 Cent,” Yayo said.
Yayo said The Game never faced the stresses of dealing with the Hip-Hop Police in New York since he was California-based. However, the main question that Yayo had during the interview was about The Game’s association with Jimmy Henchman, who faced accusations of setting up Tupac at Quad Studios in New York City.
“We had to deal with Jimmy Henchman. Think about it. If you a West Coast n***a. Why would you let someone that has to do with ‘Pac… Why would you f*ck with Jimmy Henchman?”
LOS ANGELES, CA – JUNE 27: Rapper The Game attends day 1 of the Radio Broadcast Center during the BET Awards ’14 on June 27, 2014 in Los Angeles, California. (Photo by Alberto E. Rodriguez/Getty Images for BET)
He continued, “N***as mad ’cause I’m a real n***a and I keep it real. I don’t give a f*ck about none of this shit, homie. Because at the end of the day, when n***as ain’t here, I’mma let you know what’s real and what’s not.”
The conversation got even more heated as Yayo redirected his frustrations towards Math Hoffa for mentioning The Game during the conversation.
“I don’t want to keep talking about a n***a like, tell a n***a, ‘yo, suck my dick. Yo, fuck ya moms.’ I’m not with all that ’cause somebody gonna die,” Yayo said.
