Kerry Washington Joins Cast of ‘Knives Out 3’ Alongside Daniel Craig

Kerry Washington Joins Cast of ‘Knives Out 3’ Alongside Daniel Craig

Kerry Washington has joined the cast of Knives Out 3, officially titled “Wake Up Dead Man: A Knives Out Mystery,” at Netflix. She joins a star-studded cast that includes Josh O’Connor, Cailee Spaeny, and Andrew Scott, alongside returning lead Daniel Craig.

Deadline first reported the news, and details about the plot and characters are being kept under wraps. 

Rian Johnson returns as writer and director for the film and is producing alongside Ram Bergman. Production is expected to begin soon. 

In a post on X, formerly known as Twitter, Johnson announced the film’s title and expressed his enthusiasm for the whodunit genre: “I love everything about whodunnits, but one of the things I love most is how malleable the genre is. There’s a whole tonal spectrum from Carr to Christie, and exploring that range is one of the most exciting things about making Benoit Blanc movies.”

This project adds to Washington’s busy schedule, which includes Netflix’s “Six Triple Eight” and Lionsgate’s “Shadow Force,” both in post-production. She also stars in and executive produces Hulu’s Onyx Collective comedy “UnPrisoned.”

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‘Furiosa’ Leads Memorial Day Box Office with $31 Million

'Furiosa' Leads Memorial Day Box Office with $31 Million

Memorial Day usually serves as the unofficial launch of the summer blockbuster season, but 2024 has bucked the trend. The latest Mad Max installment, Furiosa, hit theaters with high expectations, yet the weekend proved disappointing, posting the worst holiday weekend numbers in three decades.

Furiosa took in $31 million in ticket sales over the long weekend, barely edging out Garfield. Despite the film’s high-profile release and star-studded cast, it fell short of box office projections, reflecting a broader trend of underwhelming Memorial Day openings.The poor performance of Furiosa signals a rocky start for the summer movie season, raising concerns about the viability of traditional blockbuster releases in an evolving entertainment landscape. As theaters look to rebound, the industry will closely watch upcoming releases for signs of recovery.With moviegoers seemingly hesitant to return to cinemas, the summer of 2024 faces an uphill battle to rekindle the magic of past blockbuster seasons.

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AMC Theatres CEO Admits to Leaking Beyoncé Concert Film News, After Keeping Taylor Swift’s Eras Film a Secret

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In a surprising revelation, AMC Theatres CEO Adam Aron admitted to leaking the news about Beyoncé’s upcoming Renaissance concert film. This confession comes on the heels of a successful but tightly guarded release of Taylor Swift’s Eras concert film, a secret AMC managed to keep under wraps.

Adam Aron’s comments, reported by Variety, highlight the theater chain’s ambitious plans to release “two to three” concert films annually. To support this vision, AMC has bolstered its distribution team, a move that has not sat well with traditional Hollywood studios. These studios feel AMC is stepping into their territory, especially since AMC had exclusive advance knowledge of both the Swift and Beyoncé films, allowing the chain to sell tickets before any competitors.

“We couldn’t blow Taylor’s secret,” Aron explained, emphasizing the strategic importance of maintaining confidentiality. “And those theater chains who groused to you? They grossed $100 million in ticket sales. It’s not like they sold diddly.”

However, the rollout of Beyoncé’s Renaissance concert film did not go as smoothly. To prevent a repeat of the tightly-held secret surrounding Swift’s film, AMC gave its competitors an early, super-secret heads-up about the Beyoncé film’s impending release. Despite these precautions, Aron lamented, “At least half a dozen movie circuits leaked the news. Beyoncé was seriously thinking about not doing the movie at all because the secret was blown. So, they didn’t keep their word.”

This breach of trust reportedly led to significant frustration and nearly jeopardized the release of Beyoncé’s film. The fallout underscores the challenges AMC faces in balancing its role as both an exhibitor and a distributor. While AMC’s foray into film distribution represents a bold expansion of its business model, it also highlights the tension between the theater chain and its Hollywood partners.

Despite these challenges, Aron remains committed to AMC’s new direction. The company’s strategy of releasing concert films aims to attract diverse audiences and boost ticket sales. By leveraging the popularity of iconic artists like Taylor Swift and Beyoncé, AMC hopes to redefine the theater-going experience and sustain its relevance in an evolving entertainment landscape.

The success of Swift’s Eras concert film, which grossed significant ticket sales, demonstrates the potential of this approach. However, the mixed reception to the handling of Beyoncé’s film highlights the delicate balance AMC must maintain with its industry partners.

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Zoe Saldaña States Gender Equality Fight in Hollywood Is ‘On Us’ And Inspires Women to Open Doors for Other Women

Zoe Saldaña States Gender Equality Fight in Hollywood Is ‘On Us’ And Inspires Women to Open Doors for Other Women

Recently, Zoe Saldaña emphasized the importance of women breaking barriers in the film industry and warned against complacency once they achieve success. Speaking at Kering’s Women in Motion program at the Cannes Film Festival, the “Avatar” star stressed the need for more women in leadership positions. “We need more female CEOs. We need more women sitting on boards. Because those are the gatekeepers,” she said. “Once those women are there, don’t just be happy and feel so lucky that you’re the only woman sitting at the table. Get three men to get up.”

As reported by Variety, Saldaña was reflective on her robust career, from her role in James Cameron’s “Avatar,” the highest grossing film of all time, to her recent performance in Jacques Audiard’s crime drama “Emilia Pérez.” She described her journey from a young girl from Queens, NY to a successful actress and spoke about her ongoing desire for artistic growth. “I opened every door that felt unlocked to me, walked in. But then here I am, like 10 years later, reaping the benefits over and over again of films that were so successful that became franchises, and it’s time-consuming. So it’s not that I don’t appreciate it. It’s just that I still want to grow as an artist.”

In a conversation with Variety’s Angelique Jackson, Saldaña discussed her struggles with anxiety and self-sabotage, noting, “I’m never satisfied. I’m really really hard on myself. Sometimes I can get in my own way.” She shared an example of overcoming her fears when accepting a role in Taylor Sheridan’s “Special Ops: Lioness.” “You have to follow good material wherever good material is. But it’s my fear because I know that [Sheridan] has big monologues with his characters. I’m dyslexic. Spanish is my first language. I saw ‘Sicario’ and ‘Hell or High Water.’ Like, I love his work. So, I couldn’t pass.”

Saldaña was present at the Cannes Film Festival in France for the premiere of the Spanish-language musical “Emilia Pérez,” which received a nine-minute standing ovation. Reflecting on the film’s reception, she said, “To be here and you guys receiving it and people being deeply moved, I’m speechless. I just don’t know what to say because I just I love art so much, and when cinema is that fucking special and that fresh, it just moves you.”

While Saldaña has starred in major big-budget franchises like Marvel’s “Guardians of the Galaxy” and “Star Trek,” she credits “Avatar” with transforming her career. “I went from being in small productions to being this princess from this foreign planet that reached the whole world. I was able to get meetings with producers and directors that I had never known, that I never thought I could ever meet. I was being offered roles I always thought I needed to fight for.” 

Saldaña rose by calling on men to support gender equality in the industry. “When women are in there, make more room for other women. That’s important. It’s on us to do it,” she said. “And for the men who are doing it right and making room for women, thank you. You’re so sexy!”

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Dwayne Johnson Transforms Into Former UFC Champion Mark Kerr ’The Smashing Machine’ From A24

Dwayne Johnson Transforms Into Former UFC Champion Mark Kerr ’The Smashing Machine’ From A24

Superstar Dwayne “The Rock” Johnson just added method actor to his resume with his uncanny transformation in “The Smashing Machine.” The Rock will play 2-time UFC champion Mark Kerr, a former wrestler turned MMA star who later suffered from addiction. The film from A24 is written and directed by Benny Safdie.

The first look images are here and Johnson is nearly unrecognizable.

According to A24’s synopsis, “The Smashing Machine” is based on Kerr’s life as he “struggles with addiction, winning, love and friendship in the year 2000.” 

Variety reports the film will also star Emily Blunt (Oppenheimer, The Fall Guy) as Kerrs’s wife, Dawn Staples.

The two-time UFC Heavyweight Tournament Champion also won the World Vale Tudo Championship tournament, the NCAA National Wrestling Championship, the National Freestyle Championship, the ADCC World Submission Championship, and the PRIDE FC Heavyweight Championship. So, basically, he was an icon with one helluva story. One can only imagine Johnson will play the heck out of this role. 

Safdie will executive produce under Out for the Count. Eli Bush and David Kopland are executive producing. A24 is producing with Johnson and Dany Garcia via their Seven Bucks Productions.

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Netflix Wins Bidding War For 50 Cent’s Diddy Documentary ‘Diddy Do It’

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In the age of streaming platforms vying for content, Netflix has emerged triumphant in securing a highly anticipated docuseries delving into the tumultuous allegations surrounding rap mogul Sean “Diddy” Combs. Months of speculation and social media buzz have finally resulted in the revelation that Curtis “50 Cent” Jackson’s production company, G-Unit Film & Television, will spearhead this riveting exposé, set to unravel the intricate web of accusations against Combs.
The genesis of this project traces back to December when Jackson first hinted at the possibility of shedding light on the dark shadows clouding Combs’ legacy.

Fueling the anticipation, faux posters teasing a documentary began circulating on social media, igniting fervent discussions among netizens. Amidst the buzz, Jackson confirmed in a tweet that Netflix had emerged victorious in the heated “bidding war,” securing the rights to the series. However, with a poignant caveat, Jackson acknowledged that should more victims come forward, the narrative might necessitate additional episodes—a testament to the gravity of the allegations at hand.
Central to the documentary’s focus are the distressing accounts of sexual abuse, rape, and sex trafficking leveled against Combs by multiple women over the past six months.

Combs, vehemently denying these claims, finds himself ensnared in a storm of accusations, with the latest lawsuit surfacing on the very day of Netflix’s announcement. The documentary promises an unflinching examination of these allegations, juxtaposed against Combs’ staunch denials.
Testimonies of individuals once entrenched within Combs’ inner circle, including former rapper Mark Curry, who divulged unsettling anecdotes from their time under Combs’ tutelage. Notably, lyrics from a Rick Ross song, eerily echoing themes of drugging and sexual assault, underscore the chilling allegations permeating the documentary’s discourse.

A pivotal moment occurred with the release of surveillance footage depicting Combs’ altercation with his former girlfriend, R&B singer Casandra Ventura—a visual testament to the dynamics overshadowing their relationship. Combs’ subsequent apology video signifies a recognition of past transgressions, yet leaves lingering questions regarding accountability. Netflix’s decision to greenlight this docuseries reflects a commitment to amplifying voices long silenced by power dynamics within the industry.

Thoughts?

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‘Bad Boys: Ride or Die’ Receiving High Praise After Early Viewing

‘Bad Boys: Ride or Die’ Receiving High Praise After Early Viewing

“Bad Boys: Ride or Die” is here. Following early screenings on Thursday evening, social media is talking that talk with reactions to the newest installment of the Will Smith, Martin Lawrence action franchise. “Bad Boys: Ride or Die” screenings occurred in major cities, including Atlanta, Chicago, D.C., Houston, Philadelphia, Miami, and Los Angeles.

Get this, some fans were lucky at one particular screening in Los Angeles, where stars Will Smith and Martin Lawrence made a surprise appearance, handing out hot dogs and Skittles, a nod to one of the film’s opening scenes. 

The duo returns to lead the cast, which also features newcomers and familiar faces such as Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, and Tasha Smith, with appearances by Tiffany Haddish and Joe Pantoliano.

Critics have praised the film. The Wrap’s Drew Taylor commented, “The new mystery is compelling” and noted that the “action sequences are loaded with inventive staging and camerawork.” 

Screen Rant’s Owen Danoff added, “The action is just as good as you’d expect, and it might be the funniest yet.”

Directed by Adil & Bilall, “Bad Boys: Ride or Die” is written by Chris Bremner. The film is produced by Will Smith, Jerry Bruckheimer, Chad Oman, and Doug Belgrad, with executive producers Barry Waldman, Mike Stenson, James Lassiter, Jon Mone, Chris Bremner, and Martin Lawrence.

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‘Back in Action’ First Look Starring Jamie Foxx With Cameron Diaz in Her Return to Hollywood

‘Back in Action’ First Look Starring Jamie Foxx With Cameron Diaz in Her Return to Hollywood

Netflix has unveiled the first photos from “Back in Action,” an upcoming film starring Jamie Foxx and Cameron Diaz, marking her return to acting. The cast also includes Kyle Chandler, Glenn Close, Andrew Scott, Jamie Demetriou, McKenna Roberts, and Rylan Jackson.

Here’s the official logline:

Years after giving up life as CIA spies to start a family, Emily and Matt find themselves dragged back into the world of espionage when their cover is blown.

During Netflix’s Upfronts presentation in New York, Foxx spoke about reuniting with Diaz, saying, “A lot of people don’t know this, but after Cameron and I did ‘Any Given Sunday’ and ‘Annie’ together, we became friends in real life — and I’ve been begging her to come play with me again. We all know there’s just something about her…” Diaz added, “I couldn’t have asked for a better partner, on-screen and off.”

Directed by Seth Gordon, who co-wrote the script with Brendan O’Brien, the film is produced by Jenno Topping, Peter Chernin, and Sharla Sumpter Bridgett for Chernin Entertainment; Beau Bauman for Good One Productions; and Seth Gordon for Exhibit A. Jamie Foxx, Datari Turner, Brendan O’Brien, and Tim Lewis serve as executive producers.

“Back in Action” premieres on Netflix on November 15. 

Check out the first look photos below.

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See It: See It: ’The Young Wife’ Trailer Starring Kiersey Clemons and Leon Bridges

See It: See It: ’The Young Wife’ Trailer Starring Kiersey Clemons and Leon Bridges

Paramount’s Republic Pictures unveils the first trailer for “The Young Wife,” the newest picture from acclaimed director Tayarisha Poe, known for her work on “Selah and the Spades.” 

Kiersey Clemons (The Flash) and singer-songwriter-turned-actor Leon Bridges, alongside Sheryl Lee Ralph, round out the promising cast.

Written by Poe herself, the film also features Kelly Marie Tran, Michaela Watkins, Brandon Micheal Hall, and Judith Light, each contributing their unique talents to the narrative. 

“The Young Wife” debuted earlier this year at the prestigious SXSW Film Festival, generating considerable buzz and anticipation among audiences and critics alike.

Here’s the synopsis: 

On her wedding day, all that stands between a young woman (Clemons) and marital bliss with her soon-to-be husband (singer/songwriter Leon Bridges) is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.

Let’s get more familiar with Poe. Since “Selah and the Spades,” Poe directed a bunch of television episodes, including “Dave,” the new “The Twilight Zone” series to name a couple.

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P-Valley Star Brandee Evans Joins Sheryl Lee Ralph in ‘The Fabulous Four’ an Upcoming Comedy Film

P-Valley Star Brandee Evans Joins Sheryl Lee Ralph in ‘The Fabulous Four’ an Upcoming Comedy Film

Star of P-Valley, Brandee Evans, just joined Sheryl Lee Ralph for a new film, The Fabulous Four.

Evans, best known for playing Mercedes Woodbine, is boarded into a cast that tapped Ralph to star alongside acting icons Susan Sarandon and Bette Midler with Megan Mullally, which is being billed as a comedy being released on July 26, 2024.

Here’s the drop as reported by Black Film and TV: the film “follows three longtime friends (Ralph, Sarandon and Mullally) who go to Key West to be bridesmaids in a surprise wedding of their college friend Marilyn (Midler).” Now, with all four friends back together, “sisterhoods are rekindled, the past rises up again in all its glory, and there are enough sparks, drinks and romance to change all their lives in ways they never expected,” based on the logline. Evans will play Ralph’s daughter.

Evans will be reprising her role as Mercedes in the new season of P-Valley, which is one of Starz’s hit series alongside the Power franchise. Back in 2021, Evans was quoted by Shadow and Act in an interview:

“I don’t think on TV you’ve really seen what happens truly at home on any show that you try to compare us to, and we’re going to continue to break that barrier. This isn’t anything you’ve ever seen before, P-Valley stands alone in that sense,” she said.”And it’s shot from a woman’s gaze, which I think is so beautiful and Katori [Hall] is going to continue on with those female directors this season as well. It’s a beautiful moment when you’re able to see it through a woman’s eyes and mostly with a woman’s perspective on the show.”

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