When it comes to running shoes, Nike is a brand that stands out for its innovation, comfort, and performance. Nike offers a variety of sneakers designed to meet different needs, whether you are a seasoned marathon runner or just starting your running journey. Here, we highlight the seven best Nike running sneakers, each known for its unique features and superior design.
7. Nike Free Run 5.0
Image via Nike
The Nike Free Run 5.0 is designed for those who want a natural running experience. Its lightweight construction and flexible sole allow for a barefoot-like feel, promoting natural foot movement. The breathable mesh upper ensures your feet stay cool, making it ideal for both short sprints and long runs. The Nike Free Run 5.0 provides just the right amount of cushioning to keep you comfortable without sacrificing flexibility.
The Nike Runtekk offers a blend of style and performance. Its sleek design and responsive cushioning make it perfect for runners who want to look good while hitting the pavement. The shoe features a durable rubber outsole that provides excellent traction, even on wet surfaces. The Nike Runtekk is a versatile sneaker that can handle various terrains, making it a solid choice for all runners.
5. Nike ZoomX Invincible Run Flyknit 3
Image via Nike
The Nike ZoomX Invincible Run Flyknit 3 is designed for maximum comfort and performance. Featuring Nike’s ZoomX foam, this sneaker offers incredible energy return and cushioning. The Flyknit upper provides a snug, sock-like fit, while the wide base ensures stability during your runs. The Nike ZoomX Invincible Run Flyknit 3 is perfect for runners looking for a combination of comfort and responsiveness.
The Nike Zoom Vomero 5 is all about cushioning and support. Its plush midsole and supportive upper make it one of the most comfortable Nike running sneakers. The shoe’s design includes durable rubber on the outsole for enhanced grip and longevity. The Nike Zoom Vomero 5 is ideal for runners who need extra support and cushioning for long-distance runs.
3. Nike ACG Mountain Fly 2 Low
Image via Nike
The Nike ACG Mountain Fly 2 Low is perfect for trail runners. Its rugged design and durable construction make it suitable for off-road adventures. The sneaker features a sticky rubber outsole that provides exceptional grip on uneven terrains. The Nike ACG Mountain Fly 2 Low also includes a protective upper that shields your feet from debris, ensuring a safe and comfortable trail running experience.
2. Nike Pegasus
Image via Nike
The Nike Pegasus is a staple in the running community known for its reliability and comfort. This model features a breathable mesh upper and a responsive midsole that provides excellent energy return. The cushioned heel ensures a smooth ride, reducing the impact on your joints. Whether you’re training for a marathon or just running for fitness, the Nike Pegasus is a dependable option.
Topping our list is the Nike AlphaFly 3, a revolutionary sneaker designed for elite performance. Featuring Nike’s advanced ZoomX foam and carbon fiber plate, it provides unparalleled energy return and speed. The breathable upper ensures optimal airflow, keeping your feet cool during intense runs. The Nike AlphaFly 3 is the pinnacle of Nike running sneakers, offering the best in technology and design for serious runners.
In conclusion, Nike running sneakers offer a range of options to suit different running styles and needs. Whether you prioritize cushioning, flexibility, or durability, there is a Nike running shoe that will enhance your performance and keep you comfortable mile after mile. As always, make sure to let us know what you think about this best sneakers of 2024 list, down below. Additionally, stay tuned to HNHH for the most recent updates and news from the sneaker community. We will continue to keep you informed on all of the latest upcoming releases, from all of your favorite brands.
By now, most have seen photos and heard bits and pieces about Thomas Matthew Crooks, the 20-year-old suspect identified as the shooter who took aim at former President Donald Trump. Chaos broke out while the controversial politician was speaking at a rally in Butler, Pennsylvania. Crooks was said to have taken a rifle, positioned himself on the roof of a nearby building, and opened fire. Trump was injured in the fray, bleeding from his ear as he lifted his fist in the sky as the Secret Service rushed him to safety. Firefighter Corey Comperatore, 50, was killed during the attack, and NBC News reports two others, 57-year-old David Dutch and 74-year-old James Copenhaver, were also critically injured but survived. Crooks was immediately killed by a Secret Service sniper.
In the days that followed, authorities—and the public—gathered and shared information learned about Crooks. Videos of him being teased in school have made the rounds on social media. Class photos from high school have also surfaced, and his former classmates have gone public with their stories about their interactions. As a motive for the assassination attempt continues to be sought, we’ve gathered as much confirmed information about Crooks in an effort to paint a broader picture of the suspected shooter.
The Wall Street Journal spoke with Julianna Grooms, who went to high school with Crooks. She suggested he didn’t discuss his political views, although reports state he was a registered Republican. Crooks also lived and grew up in Bethel Park, described as a well-to-do suburb not far from Pittsburgh. The New York Times added that Crooks also worked at a nursing home, and his employers didn’t have concerns that he was dangerous.
“If someone would say something to his face, he would just kind of stare at them,” Grooms said of Crooks’s bullying. However, she added that people “would say he was the student who would shoot up high school.” He was also said to have been a good student, recently receiving an engineering science associate’s degree from the Community College of Allegheny. Moreover, Crooks had interests in coding and chess, and typically stayed to himself.
“When I got the first text on Sunday … I was flabbergasted,” former Bethel Park High School counselor Jim Knapp told NBC News. “I go back and I think about it, and I say evil is in the world, and that’s what I believe happened with Thomas. He snapped. I believe that the devil and the evil really invaded his brain and that made him do what he did.” Knapp added, “He had a handful of friends. In the cafeteria, I’d sit down with him and I’d say, ‘Thomas, would you like me to get some kids over here?’ And he’d say, ‘Nope, Mr. Knapp, I want to be by myself.’ Which is fine.”
He Acted Alone In The Shooting
BREAKING: CLEAREST VIDEO OF THOMAS MATTHEW CROOKS SHOOTING AT PRESIDENT TRUMP
A newly obtained video from TMZ shows the shooter, identified as 20-year-old Thomas Matthew Crooks, firing at former President Donald Trump before being shot. In the background, a woman is heard… pic.twitter.com/UxQTwPOMIU
Little is known about Crooks, himself, or his motives. Reports state he was a lone gunman, and during the shooting, he wasn’t carrying identification, making it difficult for authorities to find out who he was. Additionally, the FBI shared that Crooks’s father purchased the AR-15-style 556 rifle used in the shooting. By tracing the firearm, they were able to identify the suspect. Later, when federal investigators descended on Crooks’s residence, they still didn’t find any revelations regarding what led the 20-year-old to shoot at a former President of the United States.
Following instances like these, it is common for authorities to find copious amounts of information at a shooter’s home. However, they did not locate a manifesto or writings detailing the attack’s planning. The FBI also stated that Crooks wasn’t on their radar, and he had not been in trouble with police. They added there wasn’t anything to suggest he had previously documented mental health issues. Crooks’s laptop and cellphone are currently being analyzed at the FBI Laboratory in Quantico, Virginia.
Additional Firearms & An Explosive Were Found
An Allegheny County Police Bomb Squad car drives towards the home of Thomas Matthew Crooks, the suspected shooter of former US President Donald Trump, as the FBI carries out an investigation, in Bethel Park, Pennsylvania, on July 14, 2024. Donald Trump said that it was divine intervention that helped him survive an assassination attempt during a campaign rally in Pennsylvania, and called on Americans to unite. (Photo by Rebecca DROKE / AFP) (Photo by REBECCA DROKE/AFP via Getty Images)
It was also shared by the FBI that there was an explosive device found in Crooks’s vehicle. However, they have held details close to the vest for the time being. Several senior law enforcement officials told NBC News that there were over a dozen firearms located at Crooks’s home. It was added by ABC 7 News that Crooks reportedly purchased 50 rounds of ammunition on the day of the rally. The man was a local gun club member of the Clairton Sportsmen’s Club and practiced shooting in his spare time.
It Was Crooks’s Father Who Called The Police To Their Home
TMZ release an old footage of Thomas Matthew Crooks ; the guy who tried to assassinate Donald Trump.
The 20-year-old was shot d3ad at the scene by a Secret Service sniper.
Following initial frantic reports of the shooting, Crooks’s father, Matthew Crooks, reportedly called the police. He told them that both his son and one of his guns were missing, and he was concerned. However, he believed his son was at the gun range on Saturday, not the Trump rally. The Associated Press reported that Matthew purchased the firearm used in the assassination attempt around six months ago. When speaking with CNN, a bewildered Matthew said he was still trying to figure out “what the hell is going on.” It has been adamantly stated that the Crooks family is fully cooperating with the FBI and federal investigators.
As previously stated, Crooks was reportedly registered as a Republican. However, on January 20, 2021, the day of President Joe Biden’s inauguration, Crooks donated $15 to the Progressive Turnout Project. Their website states that the “Progressive Turnout Project is the largest voter contact organization in the country, specifically dedicated to mobilizing the Democratic Party and defending democracy. Our mission: rally Democrats to vote.”
His Parents Are Counselors
I’ve been doing some searching on Thomas Matthew Crooks. It appears that his relative is Matthew Crooks, who happens to be a licensed counselor. pic.twitter.com/58xiC3euRx
Further, Fox News shared that Matthew and Mary Elizabeth Crooks are both registered in Pennsylvania as professional behavioral counselors. The couple have reportedly been licensed in the state since 2002 through the Pennsylvania social work board. Those licenses are active and expire in 2025. Further, Matthew is reportedly registered to vote as a Libertarian.
He Tried Out For His High School’s Rifle Team
Jason Kohler, 21, speaks to the media about Thomas Matthew Crooks, the suspected shooter of former US President Donald Trump, as the FBI carries out an investigation, in Bethel Park, Pennsylvania, on July 14, 2024. Donald Trump said that it was divine intervention that helped him survive an assassination attempt during a campaign rally in Pennsylvania, and called on Americans to unite. (Photo by Rebecca DROKE / AFP) (Photo by REBECCA DROKE/AFP via Getty Images)
One of Crooks’s former classmates, Jameson Myers, shed light on the school’s varsity rifle team’s rejection of the shooter. “He did not even make the junior varsity team after trying out,” Myers stated. “He never returned to tryouts for the remainder of high school.” Another student reported Crooks as a “terrible” shot who “wasn’t really fit for the rifle team.” However, school officials claimed there wasn’t evidence of Crooks ever attempting to join the group. Myers added, “He was a nice kid who never talked poorly of anyone and I never have thought him capable of anything I’ve seen him do in the last few days.”
Community College Of Allegheny County Called Him A “Brilliant Student”
O criminoso que tentou assassinar Donald Trump fez uma doação para o ActBlue, alinhado aos Democratas, no dia da posse de Biden.
Thomas Matthew Crooks, de 20 anos, era registrado como Republicano.
An anonymous source from the community college Crooks recently graduated from told NPR that he was a “brilliant student.” They also said he “has a solid future ahead of him,” amid the institution issuing a statement regarding the shooting. “Like all Americans, we are shocked and saddened by the horrific turn of events that took place in Butler, Pa., on Saturday. We are grateful that former President Trump is safe and recovering, and we extend our condolences to the family of Corey Comperatore on their loss, and offer our thoughts and prayers to all others who have been impacted by this tragedy,” CCAC shared. “As the investigation into this weekend’s events continues, CCAC will fully cooperate with members of law enforcement.”
He Was Allegedly Wearing A Demolition YouTube Channel’s Shirt At The Time Of The Shooting
Eyewitnesses reported seeing the shooter armed with a rifle and alerted law enforcement, but their warnings went unheeded until the shots were fired.
The shooter is reportedly identified as 20-year-old Thomas Matthew Crooks.
— Senator Gerard Rennick (@SenatorRennick) July 15, 2024
As images and videos from the attack on Trump circulated, a graphic photo of an alleged deceased Crooks surfaced online. In it, authorities are reportedly standing over his body, and it showed that Crooks was wearing a Demolition Ranch t-shirt. The attire references a YouTube channel that highlights demolition and firearms. Matt Carriker, the creator of the Demolition Ranch channel, responded to the viral news in a video. Like many others, Carriker shared that he was “shocked and confused.”
“We don’t vet the people who buy our shirts, obviously, it would be impossible to. Just like Nike doesn’t vet who buys their shoes,” Carriker said. “This channel is not about violence. This channel will never be and we never would condone that at all. I hate that.”
His Social Media Accounts Did Not Reveal Violent Tendencies
NEW: Thomas Matthew Crooks was reportedly rejected from his school’s rifle team because of his bad shot and his “off-color” jokes according to the New York Post.
A former classmates claim he tried out for the rifle team at Bethel Park High School.
In similar violent incidents of attacks against political figures, a look at a suspect’s online footprint often reveals motives for their actions. Yet, authorities claim that Crooks’s social media pages are scarce and house little information about him, let alone his thoughts on American politics. It was confirmed that a Discord account belonging to Crooks is being investigated, prompting the platform to speak out.
“We have identified an account that appears to be linked to the suspect; it was rarely utilized and we have found no evidence that it was used to plan this incident, promote violence, or discuss his political views,” a Discord spokesperson shared with NPR. “Discord strongly condemns violence of any kind, including political violence, and we will continue to coordinate closely with law enforcement.”
Like “Head Honcho” with Shady Records signee Ez Mil posits, “canceled” isn’t the word to describe Eminem. That concept drives The Death Of Slim Shady (Coup De Grâce) and is as painfully ancient and obvious as it is subversive. While Marshall Mathers has arguably tried to “kill” Slim Shady since 1999, this new project is unique in how explicitly he connects his biggest demons while showcasing his best long-form quality control in over a decade.
However, that quality control is still bizarre since Eminem throws stuff at the wall and doesn’t focus much thematically on most individual tracks, an odd trait for a “concept album.” It’s a missed opportunity for breakdowns of the rapper’s personas and beliefs. Still, the things that make this album great and irate are in Em’s whole discography to varying degrees… all that changes is the specific names, like Diddy and Megan Thee Stallion mentions on The Death Of Slim Shady. Slim Shady’s “death” here is more of an exorcism of his immortality and is generally an entrancing spell.
As for Eminem, his own “immortality” in hip-hop has his technically gifted pen to thank, not his other half. Some Dr. Dre production all over The Death Of Slim Shady (plus Dem Jointz, Em himself, and more) certainly helps, too. But his colorful and zany artistry always stretches thin with vivid, albeit cartoonish approaches. Comically crude, wildly impressive, and deep moments emerge, such as the Amber Heard bar on “Lucifer,” the rhyme schemes on “Antichrist,” and recollections of Em’s daughter Hailie playing guitar on “Somebody Save Me.” Then, it’s stale shock value, eye-roll wordplay, and melodrama: animal cruelty on “Evil” that went nowhere, that terrible sock puppet bar on “Bad One,” and forcedly aggressive cadences on the otherwise soft “Temporary.”
Instrumentally, things are much more consistently enjoyable than past efforts like Revival or Kamikaze. The peppy and gritty beat on “Renaissance” and the percussive speed-up on “Habits” are particular highlights. There’s an orchestral sense of drama throughout these beats with fitting drum tones, and progressive embellishments make the instrumentals more dynamic. Alas, lyrically and musically, The Death Of Slim Shady‘s repetition is its kryptonite. Tracks like “Houdini,” “Brand New Dance,” and the family tribute tracks from the perspective of a dying or deceased Marshall are not-so-subtle retreads of “Without Me,” “Just Lose It,” and “When I’m Gone,” respectively.
There are also way too many Caitlyn Jenner, little people, and Gen Z jokes peppered all throughout the album’s first leg. Eminem — or Slim Shady, rather — tries so hard to offend that it comes off just as performative as how he characterizes the “cancelation” he rallies against. Regardless of how much anyone tries to reiterate that “that’s the point,” this causes even more whiplash between his typical toilet humor and linguistic creativity. Still, The Death Of Slim Shady‘s saving grace, “Guilty Conscience 2,” contextualizes these aspects compellingly and paints Slim Shady as an addict to controversy due to his upbringing. With his “death” at the end of the song, subsequent tracks suggest what Marshall actually has smoke for, whether Candace Owens’ hypocrisy or the state of hip-hop through tracks like “Tobey.”
That’s not to say that Slim Shady is the problem with The Death Of Slim Shady: “Fuel” is still the best song on this album thanks to two killer verses from Eminem and JID. But these songs present really strange vocal mixing choices ( i.e. “Road Rage”) that don’t clarify when one personality is talking and when the other retorts. To be fair, it’s arguably Em’s most ambitious full-length since The Eminem Show, but only one or two moments here really tackle killing Slim rather than parading him around just to suppress him later. Sadly, it doesn’t fully translate as growth or evolution.
Above all, The Death Of Slim Shady champions all of our assumptions about Eminem and his alter-ego as explicitly as possible. Very few new topics enter, but a heightened musical consistency makes these repetitions well-flowing and easier to appreciate. His addictions to substances and controversy have never been more intertwined, and neither have these struggles so directly explained his shortcomings as a family man. Yet Mr. Mathers is always passionately committed to his loved ones. In many ways, this “coup de grâce” (in other words, a merciful kill shot) feels like the album that he has tried to make for the past fifteen or so years.
Even with this album’s concept of beating a dead horse back to life, we doubt Eminem and Slim Shady are separate. While blasting “cancelations” of either Colin Kaepernick or Dave Chappelle, Em/Slim’s biggest issue seems to be how people always need to apologize and criticize rather than tolerate opposing views. That’s been a mission statement of his throughout his whole career, and it’s ironic that he seemingly can’t tolerate that it’s a nauseating one. Then again, isn’t this the most “Eminem” album perhaps ever, with all his best and worst feats and flaws delivered with a middle finger and a wink? Maybe Slim’s addictive controversies are what died in a blaze of glory. But that combative fire will always fuel Marshall Mathers.
A multifaceted artist with a compelling transformation, Muni Long has significantly influenced the music industry. Formerly known as Priscilla Renea, she initially gained recognition as a prolific songwriter. During her career, she penned hits for major artists like Rihanna, Mariah Carey, and Chris Brown. However, her reintroduction as Muni Long in 2020 marked a new chapter in her career. It also allowed her to step into the spotlight with a fresh and authentic perspective on R&B and pop music.
Muni Long’s influence in music is evident through her ability to craft emotionally resonant songs that connect profoundly with listeners. Her transition from behind-the-scenes hitmaker to solo performer has been met with critical acclaim. Her discography reflects a blend of soulful melodies, poignant lyrics, and innovative production, capturing the complexities of love, heartbreak, and self-discovery. Here are five essential songs highlighting Muni Long’s artistic evolution and significant contributions to contemporary music.
1. “Hrs And Hrs” (2021)
Released in 2021, “Hrs and Hrs” is one of Muni Long’s most notable tracks and has become a defining song in her career. This sultry R&B ballad, featured on her EP Public Displays of Affection, showcases her vocal prowess and ability to convey deep emotion through her music. The song’s intimate lyrics and smooth production create a timeless feel, resonating with listeners who appreciate heartfelt and genuine love songs.
“Hrs and Hrs” quickly gained traction on social media platforms, particularly TikTok, where it was used in countless videos, boosting its popularity. The song’s success led to significant streaming numbers and chart performance, peaking at No. 16 on the Billboard Hot 100. This track not only solidified Muni Long’s place in the contemporary R&B scene but also established her capability to connect with a wide audience.
2. “Midnight Snack” Ft. Jacob Latimore (2021)
In 2021, “Midnight Snack” saw Muni Long teaming up with Jacob Latimore to deliver a smooth, flirtatious R&B jam. The track features playful lyrics and an infectious groove, highlighting Muni Long’s knack for creating captivating music. Further, the production complements the chemistry between Long and Latimore, making it a memorable addition to her catalog. The song was also well-received by fans and critics, praised for its fun, energetic vibe. This collaboration adds diversity to her discography and stresses her ability to innovate within R&B.
3. “Breakin’ Up” (2021)
“Breakin’ Up” is a powerful song from her 2021 EP Nobody Knows that deals with the intricacies of ending relationships. It has heartfelt lyrics and simple production, emphasizing Muni Long’s expressive singing style. The direct and unfiltered storytelling in “Breakin’ Up” expresses the hurt and self-examination of breaking up, thus making it relatable. Moreover, this particular track is considered deep regarding lyrics and emotional resonance. Listeners also praised its vulnerability while pointing out her ability to communicate intense feelings through music in such an honest way. Further, this piece cemented her status as an excellent writer and performer who can create songs about love and heartbreak that speak universally. Such a reflective ballad represents how much of herself she puts into each record.
4. “Build A Bae” Ft. Yung Bleu (2021)
“Build a Bae” by Muni Long, featuring Yung Bleu, is a playful and imaginative track that delves into the modern dynamics of relationships. Released in 2021, the song captures listeners, presenting a whimsical take on constructing an ideal partner. Long’s charismatic delivery perfectly complements Yung Bleu’s style, creating a harmonious blend that enhances the song’s appeal. The lyrics of “Build a Bae” cleverly explore customizing a partner to meet one’s desires and expectations. This creative approach to the theme of love sets the track apart. The collaboration with Yung Bleu adds an extra layer of depth, making “Build a Bae” a memorable and engaging song that resonates with fans of contemporary R&B.
5. “Cartier”
“Cartier,” from her 2021 EP Public Displays of Affection, is a striking track highlighting Muni Long’s flair for combining luxury and introspection. The song features a grand production that complements her sophisticated lyrical style. In “Cartier,” Muni Long reflects on the complexities of love, materialism, and self-worth, using the symbol of Cartier jewelry to weave a narrative about value and desire. The track has been praised for its rich production and nuanced storytelling. Critics have noted how Muni Long effortlessly blends modern R&B elements with a classic feel, creating a contemporary and timeless song. “Cartier” underscores her ability to craft intricate, thought-provoking music that resonates on multiple levels, solidifying her place as an innovative and influential artist in the R&B genre.
A performer who works in contemporary R&B and pop styles, Tinashe is a dynamic force and versatile artist. In the early 2010s, she put out mixtapes called In Case We Die and Reverie, which critics well received. This caused her to become popular with her fans because they were different from anything else then. Further, her voice is sexy but also strong. What sets her apart from other artists is how her music combines electronic elements with those of R&B and pop. This can be heard best on tracks such as “Aquarius” off her first studio album of the same name (released in 2014) – where heavy basslines meet synths. The success of “2 On” feat Schoolboy Q further cemented Tinashe’s place among music industry giants during its release year.
Moreover, Tinashe’s work ranges from high-energy tunes about going out to slow jams about thinking things over. These display a wide emotional range as well as a deep understanding of songwriting. Following Nightride (2016), Joyride (2018), and Songs for You (2019), projects that saw her experiment more while still staying true to herself musically speaking, we can safely say there isn’t anything else left for Tinashe to prove.
1. “2 On” Ft. Schoolboy Q (2014)
Released as the lead single from her debut studio album Aquarius in 2014, “2 On” is arguably Tinashe’s breakout hit. The track, produced by DJ Mustard, features a guest verse from Schoolboy Q and combines R&B and hip-hop with an infectious, club-ready beat. “2 On” also showcases Tinashe’s knack for creating catchy, danceable music.
The song became a commercial success, peaking at No. 24 on the Billboard Hot 100 and receiving widespread radio play. It also earned critical acclaim for its production and Tinashe’s confident delivery. “2 On” helped establish her as a fresh and innovative voice in the music industry, paving the way for the success of her debut album Aquarius. This track remains a staple in her discography and a fan favorite.
2. “All Hands On Deck” (2015)
An unforgettable track from Aquarius, “All Hands on Deck,” highlights Tinashe’s ability to create high-energy, dance-ready anthems. Stargate and Cashmere Cat handled the production, providing a vibrant backdrop for Tinashe’s commanding performance. Further, “All Hands on Deck” received positive reviews from critics. The accompanying music video, featuring impressive choreography and striking visuals set in a shipping yard, also elevated the song’s impact. As one of the key singles from Aquarius, “All Hands on Deck” cemented Tinashe’s reputation as a dynamic artist capable of delivering captivating audio and visual experiences.
3. “Company” (2016)
Tinashe’s bold attitude towards R&B is highlighted in the sultry and assertive track “Company,” from her 2016 project Nightride. Produced with dark, moody beats and atmospheric synths that let her vocals shine through, this song has a minimalistic feel. Exploring themes like self-assuredness and independence, the lyrics propose the idea of having no strings attached in relationships. The fans loved “Company,” too. Critics praised Tinashe for being so mature on this record and showing off her vocal skills. The music video also helped establish her abilities – with intricate dance moves combined alongside sleek stylings. It definitely stands out among others from Nightride because it proves once again how good she is at creating such emotionally driven contemporary R&B and pop songs which still manage to connect with today’s audiences.
Featured on her 2018 album Joyride, “No Drama” is a track that pairs Tinashe’s smooth vocals with Offset’s sharp, dynamic style. Produced by Stargate and Hitmaka, the song combines trap and R&B, creating an edgy and modern sound. Tinashe delivers assertive lyrics about staying focused and avoiding unnecessary conflict, reinforcing her strong, independent persona. Further, the song received positive reviews for its bold production and the chemistry between Tinashe and Offset. “No Drama” charted on the Billboard Hot 100 and established Tinashe’s ability to collaborate with top-tier artists. Moreover, with its dark, futuristic visuals and slick choreography, the music video added another layer of intensity to the track.
5. “Die A Little Bit” Ft. Ms. Banks (2019)
Released as the lead single from her 2019 album Songs for You, “Die a Little Bit” marks a significant moment in Tinashe’s career. The track, featuring British rapper Ms. Banks, mixes electronic music, pop, and hip-hop. The song’s production also creates an atmospheric backdrop for Tinashe’s introspective lyrics about the complexities of life and indulgence. “Die a Little Bit” also received praise for its creative sound and Tinashe’s bold artistic direction. The song highlighted her ability to evolve and push musical boundaries. With its stylish, avant-garde visuals, the accompanying music video further emphasized the track’s themes and Tinashe’s creative vision. As a standout single from Songs for You, “Die a Little Bit” encapsulates Tinashe’s artistic growth and commitment to exploring new musical territories.
James Todd Smith, better known as LL Cool J, is one of the most influential figures in hip-hop history. His distinctive voice and clever phrasing caught attention with his first record, “I Need a Beat,” in 1984. A year later, he dropped Radio, which remains an essential release within hip-hop. He’s been active for nearly 40 years now and has created timeless songs and albums that have helped shape rap into what it is today.
Whether you listen to his early work or prefer later hits like “Mama Said Knock You Out,” LL Cool J’s catalog is full of classic material that’s influenced generations of rappers. He’s been able to move with the times without losing himself, truly earning him a place among hip-hop’s all-time greats. Here are five tracks from his career that represent LL Cool J at his best and showcase why he matters so much to this art form we love.
1. “I Can’t Live Without My Radio” (1985)
In 1985, on his first album Radio, “I Can’t Live Without My Radio” was the song that made LL Cool J famous. It represents the early hip-hop culture’s abundant vitality and rebelliousness with its strong beats and tough delivery by LL. This song showed how he could attract people’s attention. Further, it became an anthem of street life for hip-hop culture to celebrate. The achievement of this track helped Def Jam Recordings become a powerful company within the industry. It also confirmed the pioneer status of LL Cool J among other artists of such kind. Until now, “I Can’t Live Without My Radio” remains one necessary tune that reflects what was going on in the eighties related to rap music.
2. “Rock The Bells” (1985)
One more song that stands out from Radio is “Rock the Bells,” which shows off LL Cool J’s agility with rhyming and his ability to command a stage. This 1985 release became an iconic moment in his career as it displayed his capacity to weave intricate wordplay. The relentless energy of this track set it apart from other songs released at the same time. Moreover, the innovative production on “Rock the Bells” by Rick Rubin made it unique. He used low-tech methods designed for maximum impact around LL’s voice. Not only did the single do well but it also helped further establish Def Jam Records’ reputation within hip-hop circles. Even now, many years after its initial airing, “Rock the Bells” remains one of those timeless classics that every fan should have in their collection – a true representation of early days hip hop rawness!
3. “Mama Said Knock You Out” (1990)
The title track from his 1990 album Mama Said Knock You Out is arguably LL Cool J’s most iconic song. Produced by Marley Marl, this track marked a triumphant return for LL Cool J, who faced criticism that his career was declining. The song’s powerful and defiant lyrics delivered a message to naysayers and cemented his legacy in hip-hop history. “Mama Said Knock You Out” also received widespread acclaim and won the Grammy Award for Best Rap Solo Performance in 1991. Its success reaffirmed LL Cool J’s relevance in hip-hop and demonstrated his ability to adapt. The track remains a symbol of strength, celebrated for its impact and longevity in the genre.
4. “Doin’ It” (1996) Ft. LeShaun
Released in 1996 on the Mr. Smith album, “Doin’ It” showcased LL Cool J’s smooth, romantic side. Featuring a sultry beat and flirtatious bars, the track became an instant hit and proved LL’s versatility as an artist. With its catchy chorus and seductive vibe, “Doin’ It” stood out in ’90s hip-hop and R&B. Further, the song, featuring LeShaun, became a success, reaching the Top 10 on the Billboard Hot 100. “Doin’ It” displayed LL Cool J’s ability to create crossover hits that appealed to both hip-hop purists and mainstream audiences. Its enduring popularity highlights LL’s knack for crafting memorable, genre-blending tracks that remain beloved by fans.
5. “Headsprung” (2004)
From the 2004 album The DEFinition, “Headsprung” marked LL Cool J’s successful adaptation to the evolving sound of hip-hop in the new millennium. Produced by Timbaland, the track features a futuristic beat and LL’s signature confident flow. “Headsprung” became a club anthem, showcasing LL Cool J’s ability to stay relevant and innovative in a rapidly changing music scene. The song’s energetic production helped it achieve global success, charting on the Billboard Hot 100 and receiving significant radio play. “Headsprung” proved that even after two decades in the industry, LL Cool J could still deliver hits that resonated with both old fans and new listeners. This track emphasizes his enduring influence and adaptability in the ever-evolving world of hip-hop.
Quebec’s rap scene is as niche as it gets but don’t get it twisted: the talent shouldn’t be overlooked, and Mike Shabb is at the forefront. His French-centric bars fused Caribbean cadences with spacey, psychedelic post-Soundcloud rap production that captured the youthful essence of growing up in Montreal’s Hochelaga neighborhood. And while much of that laid the foundation for his Quebec-centric base, it’s actually his production that garnered significant attention from South of the border.
After landing production credits on Westside Gunn’s “Switches On Everything” (and apparently, Michelle Records), Mike Shabb’s stock went all the way up. He became a proponent of the drumless sample sound, which his close friend and collaborator, Nicholas Craven, specializes in. Shadow Moses, their 2023 collaborative project, captures the essence of their chemistry. However, it’s hard not to deny how their working relationship and friendship extended to Mike Shabb’s latest project, Sewaside III, which boasts a few Craven beats as well as some of his close collaborators, such as Boldy James.
“[Nicholas Craven and I] probably spent $1,000 every time we go up in this shit, trying to find the best sh*t we can. That’s hip-hop, bro. Like, that’s what we grew up on and shit,” Shabb told HotNewHipHop ahead of his performance at Festival D’Été De Quebec. “That’s why I feel like we’re special because we keeping the original recipe, we rocking it up a little bit.”
Just hours before Nas was set to take the stage (weather concerns forced the festival to cancel the Queensbridge legend’s performance), Mike Shabb delivered a high-energy performance alongside Nicholas Craven on the ones and twos and Trapmat as his hypeman. Before his performance, Mike Shabb chopped it up with HNHH to discuss his latest project, Sewaside III, his relationship with Earl Sweatshirt, and so much more.
Mike Shabb performs at FEQ. Photo : Stéphane Bourgeois via FEQ
This interview has been edited and condensed for clarity.
HotNewHipHop: How are you feeling before the show?
Mike Shabb: It’s an amazing opportunity, I ain’t gon’ hold you. This is my first time here. Not my first time in Quebec but my first time at FEQ and sh*t so it’s big, bro. It’s a huge opportunity. It’s probably going to be my biggest show.
And, you’re basically opening ahead of Nas.
That’s a blessing, bro. I grew up on Nas and sh*t. That’s one of my favorite rappers of all time. It’s an honor, bro. It’s crazy.
It’s dope because I see you as someone at the forefront of Quebecois rap.
Especially in English, but like, yeah, and I mean, I feel like the music is kind of – not the same, but like, same essence and all that so yeah, that should that should definitely gon’ work. It gon’ work, for sure. It’s gon’ be fire.
You’re bilingual, too, right? Like, you also rap in French?
I try to slip a couple of lines here and there but it’s like, bro, the thing with me is I grew up like fully French, bro. I had to learn English like with the music and shit. And then, I grew up with so many like English music type sh*t. I was like, “Yo, if I make music, it gotta be in English,” you feel me? At first, I started rapping [when] I was like 15. My English wasn’t even that good at this time. I was still doing it because I was like, “Yo, this is what I want to do” and shit, then I just got used to it. I made a whole lot of English friends in my city so that helped me a lot, also. But yeah, well I was born – I’m a lil’ French Canadian boy, man.
You’re from the East Side too, right?
I’m from the East Side of Montreal.
And that’s usually the more French side.
It’s all French. All French and Haitian. [I’m] half Haitian, half French Canadian.
Yeah, I’m closer West so it’s a lot more English.
For real, Montreal is so weird because it’s basically like two cities in one, you feel me? You got the whole English side then you got the French side but it’s like all in the same. And everybody understands each other so it’s like – it’s a blessing. Montreal is crazy. It’s an amazing city.
Sewaside III just dropped and it feels like a triumphant release for you after such a prolific run these past few years. Can you tell me a bit about the process behind this album including the features and how this project reflects your growth as an artist?
Damn, that’s a good-ass question, bro. I guess I was just trying to make the music I felt like doing at that moment. And then it was like – everything fell in place perfectly, bro. Since I linked up with Craven and sh*t, I’ve been going on trips with him. I’ve been going to Detroit with him, New York. So I met a lot of people through him. That’s how I met Boldy [James], Navy [Blue] and all that. It just came naturally, bro, like the features and all that. N***as is just genuinely fucking with me, bro. So I was like let’s do it. Then, as far as the concept for the album – I don’t know, bro. It’s what I’ve been going through for the past years and shit. What I’ve seen, what I’ve heard. Bro, this shit is like – this is my life my whole life in one album, basically. Like all my pains, all that shit. So that’s what I worked like maybe like a year on that sh*t. I made, maybe, 30 songs in a year and I kept 17, and that’s the album. I ain’t even make that much music. Every song I made, I was like “yeah, this got to be the one.” So yeah, that’s how it came about, bro. Sewaside III, that’s just like… I think that’s my best album. My most complete album and sh*t. That’s not even the end. I’m about to drop Sewaside 4, 5, 6, 7, 8, 9.
Did you do the features in person?
Most of them I did in person. The Boldy James one, Craven was there. He recorded it for me because he was in Detroit with Boldy. I couldn’t be there so I was like “Yo, get my shit!” And he did, though. Everything went smooth, though. Like, I ain’t felt like I had to rush n***as or anything like that. Sh*t just came naturally and now it’s out. And, it’s a beautiful project. I’m proud of it.
Even working with Nicholas Craven on Shadow Moses, the sound itself is boom-bap –
It’s sample-based music, bro! Everything got to be sampled. Like, me and [Nicholas Craven], we go to the record store shit, we probably spent $1,000 every time we go up in this shit, trying to find the best sh*t we can. That’s hip-hop, bro. Like, that’s what we grew up on and shit. And I feel like producers nowadays don’t even do that anymore because everything is digital. That’s why I feel like we’re special because we keeping the original recipe, we rocking it up a little bit. So it sounds actually actual.
You guys have amazing chemistry together. Like, you never miss a beat but I read that Complex interview where you said that you guys don’t even really work on music together.
That’s what I’m saying. Like, man, me and Craven, we basically really good friends, bro. It’s not even about music at this point. But I mean, he got a name, I got a name, so why wouldn’t we? [laughs]
As a producer yourself, I wanted to know how the creative flow for you differs from being behind the board to working with Craven where he’s kind of – I’m not sure if your process is always him taking the lead in that sense or if it’s more collaborative.
I’m so picky with beats, bro. Exactly, because I make my own beats most of the time. So it’s like, I’d be trying to pick stuff that resonates with me, but like sometimes I gotta go to 1000 beats before I find like five. So basically, that’s how Shadow Moses came about, bro. That n***a played me like to 200-300 beats. I picked six, I said “yeah, that’s gonna be the album,” and we did it. But like as far as me [and] the way I do my music, basically bro, I’ll start making a beat and shit, and then I’ll know it. I’ll know exactly when. I’ll be like, “Yo, yeah, this the one right there. I got to rap on this sh*t right now.” So that’s how I work. I basically make the beat first. Like, my little ideas and sh*t. And then I’ll just go and write, write, write some stuff, or punch in on the mic or whatever. And then I’ll play around with the beat afterward and shit. I feel like that’s how you make like complete songs and shit. You do your first step, it’s like you got to make the beat, and then you got to rap all that shit. And then you can add little details and shit around the beat to make that shit, you know what I’m sayin’?
Mike Shabb performs at FEQ Photo : Stéphane Bourgeois via FEQ
I have to ask about the Earl Sweatshirt co-sign. How’s that relationship developed? And have there been any discussions of collaborations in the future?
Bro, I don’t even remember how it came about, for real. I feel like I had posted a snippet one day on Instagram. And that n***a like, straight up – bro, he straight up DM’d me or some “Yo, you hard as f*ck. I keep running that.” He was talking about the “Buckshot Flow 93’” song and then he was talking about the “‘83 Beatstreet,” those two songs he was like, “Yo, I keep running this sh*t.” And I was like, “Yo, bro it’s 100,” because obviously, I grew up on Earl, bro, like, the whole Odd Future shit bro… That sh*t had me in a headlock! Bro, I used to walk around with them long-ass socks and sh*t, bucket hats, all that because of them. Ophelia like I bro I used to walk fucking long as such fucking has all that because of them.
Basically, when he hit me up and shit, I was like, “oh, that’s big, man.” And he gave me his phone number and shit. I talked to him on the phone. We text sometimes and sh*t. He’s a real good dude, for real. And then he went on the fucking the interview, the podcast and sh*t, and then, bro, I seen him. You seen it, right? He was going through his phone. And he was like, “Oh, Mike Shabb, I f*ck with Shabb.” I was like, that’s crazy. Yeah, he just blessed me right there. I earned like 1000 followers on Instagram in the hour, bro.
I f*ck with Earl, bro. And definitely we got some sh*t coming. I can’t tell you when but it’s coming. It’s coming, for sure. Me and Earl got some some sh*t coming, for sure.
Kevin Durant, Earl, Joe Budden – all these people checking you out. What do you think this means for Montreal’s music scene at large?
To be honest, bro, I feel like it’s a wonderful thing. I don’t know if Montreal people realize it, like how big that shit is. But like, it’s gonna come naturally. And then, it’s a blessing for me before anything else, so I just got to keep on doing what I do. If it’s good for me, then it’s good for the city, you feel me? That’s basically it.
Final question: you mentioned that Sewaside 4, 5, and 6 are on the way but is there anything else you’re working on that we could expect from you before the end of the year?
I’m working on some more trap shit right now, I ain’t gon’ hold you, you know I’m saying? Like I did my part in the drumless scene, now I’m trying to get back to my old sh*t. But yeah, definitely gonna drop another tape and shit. Maybe, by the end of the summer. [I] already got like 20 songs stacked up. We ain’t stoppin’, bro. This sh*t never stops. I’m just gonna keep applying pressure and do what I do. Some real shit. Yeah, we definitely dropping some more sh*t in 2024.
From the gritty streets of Harlem to the global stage, Rakim Mayers, better known as ASAP Rocky, has revolutionized contemporary hip-hop. In 2011, he dropped his mixtape Live. Love. ASAP, which served as an early indication of this direction. Rocky has become a major force in contemporary hip-hop, known for his innovative production, fashion-forward style, and fire bars. Later, signing with Polo Grounds Music and RCA Records only amplified what we already knew about him being destined for greatness—constantly challenging rap’s status quo.
The thing about Rocky’s career, though, is that it never sticks to one particular sound or approach. Rather, he shows off different sides every now and then so that you can’t put a label on him too quickly. He’s made hits from groundbreaking singles like “Peso” or “Purple Swag” to critically acclaimed albums such as At.Long.Last.ASAP (2015). Rocky also experiments more with pop mixed in together with darker elements. There’s always something new happening within his music which makes other artists take notice.
1. “Peso” (2011)
“Peso” is the track that first put ASAP Rocky on the map, released in 2011 as part of his debut mixtape Live. Love. ASAP. The song quickly became a viral hit, thanks to its hypnotic beat produced by ASAP Ty Beats and Rocky’s confident flow. “Peso” captures the essence of Rocky’s early style, combining Harlem street rap with Southern hip-hop influences. The track’s success led to a major label deal with Polo Grounds Music and RCA Records, marking the beginning of Rocky’s ascent in hip-hop.
The impact of “Peso” also extended beyond its initial buzz, as it was a crucial stepping stone in Rocky’s career. The accompanying music video, which features striking visuals of Rocky and his crew in their Harlem neighborhood, further amplified the song’s reach. “Peso” is essential for introducing Rocky’s distinctive sound and style and setting the stage for his future success in music and fashion.
2. “Goldie” (2012)
The song “Goldie” was the first single released from A$AP Rocky’s debut album Long. Live. ASAP, which came out in 2012. Hit-Boy produced the track, with a rich-sounding bass line that perfectly matches Rocky’s charismatic delivery. In this song, he talks about all of his favorite things about being rich and famous, like fashion week in Paris or driving fast cars through New York City streets. It’s not hard to see why people loved this record so much; it is sonically pleasing, and A$AP is painting pictures with words.
This joint got rave reviews, too. Critics said things like, “Rocky is the king of rap” or “he might just be one of the greatest ever.” Further, Rocky directed the music video for “Goldie” himself with help from fashion photographer Daniel Sannwald. Filmed on location in Paris, France, this video highlights Rocky’s keen sense of style.
“F**kin’ Problems” is one of ASAP Rocky’s most commercially successful songs. It was also released in 2012 as the second single from his debut album Long. Live. ASAP. The track features a star-studded lineup with Drake, 2 Chainz, and Kendrick Lamar. It was produced by Noah “40” Shebib and C. Papi. The song’s hook and verses helped it climb to No. 8 on the Billboard Hot 100, earning multiple platinum certifications and becoming a staple in Rocky’s catalog.
The collaboration brought together some of the biggest names in hip-hop, each delivering memorable verses. The success of “F**kin’ Problems” demonstrated Rocky’s ability to create mainstream hits while still maintaining his distinct edge. The accompanying music video, directed by Sam Lecca, features the four rappers performing in various sleek, minimalist settings. This helped emphasize their charisma and star power. This track is essential for showcasing Rocky’s ability to collaborate with top-tier artists and produce chart-topping hits.
4. “L$D” (2015)
“L$D” was a single from Asap Rocky’s At.Long.Last.A$AP, his second studio album, released in 2015. It marked a change in his music style. This is a psychedelic love song produced by Rocky that differs from his usual sound, with rock and electronic elements added. The experimental nature of this song was highly praised by critics. They appreciated its dreamy vocals and introspective lyrics about love and tripping on drugs.
The official music video for L$D (directed by Dexter Navy) takes an already trippy song even further out there. The stunning visuals and creative camera work used vibrant colors to capture the feel of Rocky’s trip through different scenes while still remaining within one location. In terms of his catalog, “L$D” is especially important because it shows how far he’s willing to go artistically while exploring new sounds. What sets apart this particular tune from Rocky’s others is that he blends genres together so seamlessly. This also helps showcase just how versatile A$AP can be as an artist and all aspects of production.
5. “Praise The Lord (Da Shine)” Featuring Skepta
Included in his third studio album Testing as a 2018 single, “Praise the Lord (Da Shine)” shows ASAP Rocky’s international influence. It was produced by Skepta, who is a British grime artist, making it a transatlantic anthem. The flute riff that you can’t get out of your head, along with the impressive production, are among some things people love about this track.
Further, the music video for “Praise the Lord (Da Shine)” was shot in New York City and London. Split-screen visuals were used throughout various scenes throughout both cities, showing how they differ in street culture but still remain connected somehow or another through shared experiences. This song demonstrates how wide-ranging Rocky’s discography is by manifesting his aptitude for uniting musical spheres and also being a global hip-hop icon.
If you forgot to dress in all black for the occasion today (Friday, July 12), don’t fret: The Death Of Slim Shady (Coup De Grâce) is less of a fatal blow and more like a Frankenstein-esque creator-versus-creation resuscitation. Eminem’s new album sees him tackle his alter ego in very similar ways as he’s done in the past, but more overtly and satirically than ever before. There are a whole lot of “offensive” bars to gasp at, some really funny flips to indulge in, and compelling reflections on his life and career.
While some of it is a mixed bag, we’re happy to say that the Detroit legend feels right at home, no matter which personality is taking the mic… or the gun, in this case. The new material on The Death Of Slim Shady (following “Houdini” and the BabyTron and Big Sean-assisted “Tobey“) is quite sharp. Through clever, nearly nauseating, but still nasty wordplay, Eminem expresses himself unabashedly and hangs all the best and worst corners of his mind outside of his butcher shop. We’re sure we missed plenty of highlights, so let us know what your favorite bar from this album was down in the comments section below.
Bar(s): Everything is either too tame or there’s too much anger / I didn’t like the beat, so I hated ‘Might Delete Later’ / You nerdy pricks would find something wrong with ’36 Chambers’
The Death Of Slim Shady kicks off, unsurprisingly, with a middle finger to what Eminem sees as fake rap fans bringing the genre’s icons down. The first line points to the culture’s hyper-obsession with both narratives of staleness or the “doing too much” argument, emphasizing that fans are more concerned with what they want to hear than with artists pursuing their vision. Em brings up J. Cole’s Might Delete Later mixtape as a recent example, possibly alluding to the hated-on Kendrick diss “7 Minute Drill” and how many didn’t like the first beat on that track. Finally, by alluding to the Wu-Tang Clan classic, he makes the case that legendary albums will live on far longer than the hate surrounding them. Maybe all it takes is time for the culture to understand these artistic drives and not jumping down MCs’ throats so eagerly and maliciously.
“Habits”: His Love Of South Park
Bar(s): Would this rhyme be okay if ‘South Park’ had did it? / Would it make you less angry if Cartman spit it?
Onto one of the more cheeky bars on The Death Of Slim Shady, which reiterates Eminem’s love of (and close parallels with) the classic animated TV show South Park. With this bar, he calls out the hypocrisy of people tolerating offensive content when it comes from an expected place, but condemning it when it appears in other, more “serious” areas. Perhaps, Marshall Mathers feels like people view him more critically because of his skill. Since he does have very sobering moments, maybe, they fail to realize that this skill is what gives his music his titanic quality and not the content within. While he’s definitely made this point in a lot of his past material, it sounds a bit fresher this time around as society opens and closes more and more spaces for irreverence, a practice that he’s all too comfortable with disrupting.
Bar(s): Yeah, they listen to me like when Manson spoke / They say I don’t know struggle no more, that’s a joke / B***h, the f***ing elevator in my mansion’s broke / I have to walk like half a block to get a can of Coke
However, this is hands-down one of the funniest bars on the whole album, as Eminem is well-aware of his privilege, wealth, and most importantly, his attitude. Having to walk across a massive luxury property just to get a soda from the fridge is exactly the sort of rich, arrogant, ignorant, First World problem that someone like him would be so angry and frustrated over. But it’s still a flex, of course, or else there would be no “joke” to talk about. Also, this bar is among the only hilarious moments on The Death Of Slim Shady that doesn’t have to clown a celebrity, belittle a marginalized group, or rant about PC culture to do so. As such, it stands out as a vivid image on the project and, even though this catalog’s full of flaunting, rarely do we get glimpses into little annoyances that become big tantrums for superstars.
“Lucifer”: Slim Shady X K.Dot?
Eminem praises Kendrick Lamar on his new album, comparing how dangerous they both are to beef with
“As far as smoke with me, I don’t think it’d be smart […] might as well go lookin for smoke with [Kendrick] Lamar” pic.twitter.com/x5piakkl23
Bar(s): As far as smoke with me, I don’t think it’d be smart, so / Might as well go looking for smoke with Lamar, bro
It’s 2024; of course Eminem was going to throw in a reference or two to the biggest rap battle since Nas and Jay-Z. However, what makes this bar a bit more than just a shoutout is actually how it lyrically calls back to Kendrick Lamar’s “Euphoria,” which itself topically called back to Pusha T’s previous beef with Drake. “Yeah, f**k all that pushing P, let me see you push a T / You better off spinning again on him if you think about pushing me,” K.Dot raps there. So not only is Slim Shady also praising a fellow lyrical killer, but he’s also invoking their shared lineage in the Dr. Dre family tree. Also, we know that Em might’ve shaded Hov on “Tobey,” so to see more combative lines against the rap game on The Death Of Slim Shady was a given.
Bar(s): I’m like a R-A-P-E-R / Got so many essays, S-As / Wait, he didn’t just spell the word ‘rapper’ and leave out a ‘P,’ did he? / R.I.P., rest in peace, Biggie / And ‘Pac, both of y’all should be living / But I ain’t tryna beef with him / ‘Cause he might put a hit on me like Keefe D did him
Along with Caitlyn Jenner and little people, Diddy was one of Eminem’s most consistent and eviscerated targets on The Death Of Slim Shady. While there are many bars on this topic to talk about, this line from “Fuel” (which has a stunning JID feature) is a very comprehensive one as far as the angles it tackles. The first part has some clever wordplay (“‘P,’ did he?” = P. Diddy, rapper = essays & r**er = SAs [sexual assaults]) about Sean Combs’ various lawsuits and accusations concerning sexual assault, abuse, and sex trafficking, all of which he’s denied. The second questions Puffy’s alleged involvement in Big and ‘Pac’s murders and Keefe D’s current court case for the death of the latter. You’ve also probably heard the “Antichrist” bar that mutes Cassie’s name, which stung more on impact. But this one adds the extreme lyrical reaches that fans love.
“Head Honcho”: Slim Shady Sons The Rap Game
Bar(s): These rappers, I’m above them, but punching down ain’t beneath me / Cold as the wind chill factor, but the fact is I don’t know when to chill / But every time I come out, they expect me to f***ing reinvent the wheel / Rappers get praised for spitting bars with less than the tenth of skill
Out of the many bars against lesser rappers on The Death Of Slim Shady, this one is perhaps Eminem’s most layered commentary on the matter. We all know he loves punching down, and we all know that he’s exactly the type of person to flip “wind chill” and “when to chill” in borderline corny fashion. But as fans and as artists, folks continually expect Marshall to bring something completely new to the table when he’s made his intentions and artistic drives clear and largely unchanged throughout his career. In addition, this alludes to the contrast between artistry and novelty, perhaps suggesting that just because things are new, we give them a pass on actually being good. Em toes this line very dangerously thanks to his aesthetic clashes whenever he does try something new, but his skill as a lyricist has never been in question.
“Temporary”: Marshall Mathers’ Family
Bar(s): But don’t you dare shed a tear, what I tell you? / “Straighten up, little soldier,” them times when I held you
Finally, we have to mention the emotional core of The Death Of Slim Shady: the 51-year-old’s tribute tracks to his daughter Hailie (“Temporary“) and his family (“Somebody Save Me”). This is after Eminem “kills” Slim Shady on “Guilty Conscience 2,” and after he talks about his addiction to controversy and the rough experiences that birthed it. So to hear him speak about Hailie saving him from this struggle through a quote that ties back to “Like Toy Soldiers” is a sweet and touching moment. These songs are his final messages for his family after he dies, saying what he couldn’t say on this earthly plane. Much like the rest of this album, it stands up against adversity, but this time, the obstacles aren’t Gen Z’s “wokeness.” Instead, we understand that if Slim Shady and his provocative nature died, then it’s Eminem’s family that brought Marshall Mathers back to life.
Cassie Ventura, known simply as Cassie, emerged as a distinctive voice in the mid-2000s music scene. Born in New London, Connecticut, Cassie was discovered by producer Ryan Leslie and subsequently signed to Diddy’s Bad Boy Records. Her debut single, “Me & U,” catapulted her to fame, reaching the Top 3 on the Billboard Hot 100 and becoming a defining track of the era.
Throughout her career, Cassie has also consistently showcased her ability to evolve. She has experimented with various musical styles while maintaining her signature vocals. Beyond music, Cassie has also made her mark in modeling and acting, further solidifying her status as a multi-talented artist. We’re exploring five essential songs encapsulating Cassie’s journey. Whether you’re revisiting her classics or discovering her work for the first time, these tracks provide a comprehensive look at what makes Cassie a standout artist.
1. “Me & U” (2006)
“Me & U” was the track that introduced Cassie to the world. Released in 2006 as the lead single from her debut album, Cassie, the song, produced by Ryan Leslie, became an instant hit. It climbed to No. 3 on the Billboard Hot 100 and dominated radio airwaves. With its minimalist beat and Cassie’s ethereal vocals, “Me & U” set the tone for her signature sound and established her as a fresh new voice in R&B.
Beyond its commercial success, “Me & U” became a cultural phenomenon. It is often referenced in media and covered by various artists. Its influence extended beyond just charts, with its music video featuring iconic choreography that became a staple in dance routines. The track’s success not only launched Cassie’s career but also emphasized her ability to create commercially viable and artistically influential music.
2. “Long Way 2 Go” (2006)
Following the success of “Me & U,” Cassie released “Long Way 2 Go” as the second single from her debut album. With a hook and confident lyrics, this track lets the singer show her lively and cheerful side. Ryan Leslie produced it, and it did well on various charts, peaking within the Top 20 positions in different countries. This further showed Cassie’s status as an upcoming star in the music industry.
Cassie’s unique style and charm were further highlighted in the “Long Way 2 Go” music video, which featured vigorous dance moves and maintained a smooth city look. Due to its energy and unforgettable production, it became one of Cassie’s most popular tracks. By coming up with another hit record, she demonstrated that her success was not limited to one song but represented an artist who could stay relevant over time within this cutthroat entertainment business.
In 2008, Cassie collaborated with Lil Wayne on “Official Girl,” a single that marked a significant moment in her career. The song, produced by Danja, features a mid-tempo beat complemented by Cassie’s signature breathy vocals. Lil Wayne’s guest verse added an extra layer of appeal, helping the song reach a wider audience. “Official Girl” delves into themes of love and commitment, with Cassie expressing a desire to define her relationship status.
The release of “Official Girl” came with a visually striking music video directed by Chris Robinson, which showcased Cassie’s evolving image and fashion-forward sensibility. The video featured high-end aesthetics, elaborate choreography, and a cameo by Lil Wayne. Although it didn’t achieve the same commercial success as her earlier hits, “Official Girl” remains an essential track in Cassie’s catalog, highlighting her ability to collaborate with top artists and maintain relevance in the ever-changing music terrain.
4. “King Of Hearts” (2012)
Unleashed in 2012, “King of Hearts” marked a bold departure from Cassie’s earlier work. The song, produced by J2 and written by Rob Ellmore, features a pulsating, electronic dance beat that diverges from her R&B roots. Cassie’s ethereal vocals float over the energetic production, creating a captivating and infectious track that reverberates with her fans and the dance music community.
The music video for “King of Hearts” was also equally innovative, featuring sleek visuals that perfectly matched the song’s electronic vibe. The video, directed by Christopher Sims, emphasized Cassie’s striking beauty and cutting-edge style. Despite not charting as high as her previous singles, “King of Hearts” was critically acclaimed and praised for its adventurous sound and bold production. This track exemplifies Cassie’s ability to reinvent herself and push the boundaries of her musical genre.
In 2017, Cassie made a strong comeback with “Love a Loser,” featuring rapper G-Eazy. This collaboration saw Cassie returning to her R&B roots while blending contemporary hip-hop and pop elements. The song’s reflective lyrics explore love, loss, and self-empowerment themes, with Cassie’s smooth vocals delivering a poignant performance. G-Eazy’s verse adds a contrasting dynamic, complementing Cassie’s style and enhancing the song’s appeal.
The release of “Love a Loser” was accompanied by a short film directed by Harrison Boyce, which provided a visual narrative to the song’s themes. The film showcased Cassie’s acting skills and added depth to the track, making it a multifaceted project. “Love a Loser” received positive reviews from critics and fans alike, praising Cassie’s vocal maturity and the song’s polished production. This track is an essential part of Cassie’s later career, highlighting her growth as an artist and her ability to stay relevant in the evolving music industry.
BREAKING: CLEAREST VIDEO OF THOMAS MATTHEW CROOKS SHOOTING AT PRESIDENT TRUMP
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