album anniversary

Kid Cudi, Skepta, & Pop Smoke Effortlessly Blended Psychedelic Trap And Drill On “Show Out”

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Kid Cudi’s Man On the Moon series has been a cherished one ever since the first one debuted back in 2009. Each installment has provided some iconic hip-hop tracks for the 2010s decade and has helped define Cudster as an artist. What we have come to know and love about the Cleveland, Ohio native is that he is a malleable talent who is not afraid to try different sounds.

One of the prime examples of this occurs on his third entry, Man On the Moon III: The Chosen. We wanted to take a look back as the album is now three years old. Arguably the most memorable and well-put-together song is “Show Out.” On face value, you might be scratching your head as to how this would make sense. Seeing Skepta and Pop Smoke, two of the best drill artists, with a psychedelic pop rapper, does not sound like a recipe for success.

Read More: Pharrell Reflects On What He’s Learned As Louis Vuitton Creative Director

Relisten To “Show Out” By Kid Cudi, Skepta, And Pop Smoke

However, when you hear this song, everything just clicks. The beat from Dot da Genius is woozy and atmospheric, while also incorporating the familiar drill production style. On top of that, all of the performances are great. Pop does wonders on the hook. His smoky voice layers perfectly on top of the instrumental. Skepta shreds his verse with ease and Cudi finds a nice pocket on the drill and spacey ends of the beat. Another chance taken, another success for Cudi.

What were your initial thoughts on “Show Out” by Kid Cudi, Skepta, and Pop Smoke, off Man On the Moon III: The Chosen? Is this the best song from this album? Who had the best performance on the track? Does this record still hold a place in your rotation, why or why not? Finally, is where does this Man On the Moon installment rank amongst the rest? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your hottest takes in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Kid Cudi, Pop Smoke, and Skepta.

Quotable Lyrics:

Pop Smoke, big smoke
Clip in the stick, stick in the coat (Boom)
And they got guns same size as Kevin Hart
Please don’t think it’s a joke
Back on tour with the gang and it’s sold out
Twenty-two dates, I ain’t missin’ a show

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Ludacris’ “Word Of Mouf” Turns 22

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With the release of Word of Mouf in November 2001, Ludacris not only solidified his place in the hip hop world but also redefined its contours. Following his acclaimed major-label debut, this album captured a unique moment in hip hop’s evolution. As the genre was burgeoning globally, Ludacris’s sophomore effort stood out with its inventive blend of humor, sharp lyricism, and vibrant production. At a time when hip hop was diversifying and experimenting with new sounds, Word of Mouf emerged as a testament to Ludacris’s distinct artistic flair, offering a fresh perspective in a rapidly evolving musical landscape.

Vibrant Lyricism & Eclectic Beats: The Essence Of Word Of Mouf

Word of Mouf stands as a showcase of Ludacris’s dynamic range as an artist. The album features a mix of playful anthems and introspective tracks, highlighting his versatility. Songs like “Move B****” and “Saturday (Oooh Ooooh)” became instant hits. They’re known for their catchy hooks and Ludacris’s distinctive, animated flow. The album also ventured into deeper themes. This included tracks like “Growing Pains,” which revealed a more reflective side, delving into the complexities of childhood and upbringing.

The production, featuring contributions from top producers like Organized Noize and Kanye West, added diverse sonic layers to the album. This blend of eclectic beats and compelling storytelling marked Word of Mouf as a significant release, pushing the boundaries of what mainstream hip hop could sound like. Ludacris’s skill at fusing humor with sharp social commentary, all while maintaining a solid musicality, set the album apart as a pivotal work in early 2000s hip hop.

The Enduring Legacy Of Word Of Mouf

Word of Mouf enjoyed immediate success upon its release and cemented Ludacris’s reputation as a pivotal figure in hip hop. The album achieved multi-platinum status, a testament to its widespread appeal. Its singles charted impressively. Tracks like “Rollout (My Business)” and “Area Codes” becoming staples on the airwaves and in clubs. Beyond its commercial success, the album’s influence on hip hop culture was profound. Ludacris’s unique blend of humor, storytelling, and versatility in Word of Mouf inspired a generation of artists, broadening the scope of what hip hop could encompass.

Even years after its release, the album remains a reference point for artists who combine lyrical wit with compelling narratives. Its impact on the genre is evident in how contemporary artists approach storytelling, humor, and social commentary in their music. Word of Mouf significantly contributes to the hip hop canon, its legacy enduring as a blueprint for artistic creativity and diversity.

Ludacris’s Journey Beyond Word Of Mouf

Following the success of Word of Mouf, Ludacris’s career trajectory continued to ascend, showcasing his versatility as a musician and a multifaceted entertainer. He ventured into acting, appearing in notable films and TV shows, which broadened his appeal beyond hip hop. Musically, Ludacris continued to release successful albums. They each reflected his growth as an artist and his ability to adapt to the changing music and culture.

Today, Word of Mouf remains a vital chapter in Ludacris’s career, exemplifying his unique position in hip hop history. Its blend of humor, lyrical dexterity, and diverse themes continues to resonate with fans and artists alike. The album highlights Ludacris’s signature style and shows his influential role in shaping the direction of early 2000s hip hop.

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The Pharcyde’s “Bizarre Ride II The Pharcyde” Turns 31

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In November 1992, The Pharcyde released their debut album, Bizarre Ride II The Pharcyde. It marked a significant departure from the prevailing trends in hip hop. Emerging from Los Angeles, a city then dominated by gangsta rap, The Pharcyde carved out a distinct niche. Their debut coincided with intense creativity and diversity in hip hop. Artists began to explore beyond the genre’s established boundaries.

Bizarre Ride mirrored the cultural shifts of the early ’90s. It challenged conventional norms with its eclectic sounds, playful lyrics, and a refreshing dose of humor. This album didn’t just contribute to the tapestry of hip hop. It rewrote the rules, introducing an animated, irreverent style that was as introspective as it was innovative.

Breaking Boundaries With Beats & Bars

Bizarre Ride II The Pharcyde stood out for its inventive production and lyrical ingenuity. Tracks like “Passin’ Me By” and “Oh Sh*t” were catchy and also showcased the group’s ability to blend humor and storytelling. Its playful, jazzy beats and whimsical samples characterized the album’s sound. It starkly contrasted the heavier, more serious tones prevalent in early ’90s hip hop. Lyrically, The Pharcyde ventured into introspective territories. They addressed themes of love, adolescence, and social commentary with a light-hearted yet poignant touch. This blend of whimsy and depth in their music was a breath of fresh air. It offered a narrative to the dominant themes of the time. The group paved the way for future artists in alternative hip hop.

Charting New Grounds: The Pharcyde’s Tangible Impact

When Bizarre Ride II The Pharcyde hit the shelves, it didn’t just break new ground; it created a seismic shift in the landscape of early ’90s hip hop. The album’s unique blend of zany humor, intricate rhymes, and jazz-infused beats captivated listeners, earning it critical acclaim. Commercially, it was a respectable success, with its singles making notable entries into the charts. “Passin’ Me By” became a significant hit, climbing the Billboard Hot 100 and firmly embedding itself in the hip hop consciousness. Their collaboration with producer J-Swift was crucial, bringing a distinctive sonic quality that set the album apart.

Regarding sales, Bizarre Ride was a steady performer, reflecting the growing appetite for alternative hip hop. It wasn’t just the numbers that spoke of its impact; the album’s influence was far-reaching, resonating with audiences and fellow artists. The Pharcyde’s fresh approach provided a counter-narrative to the prevailing themes of the time, opening doors for artists who later ventured into similar experimental territories.

The Pharcyde’s Legacy: Resonating Beyond The ’90s

Decades after its release, Bizarre Ride II The Pharcyde remains a seminal work, its influence perceptible in hip hop and beyond. The Pharcyde’s journey post-1992 saw them releasing more albums, each reflecting their evolving artistry, yet none would capture the public imagination quite like their debut. Today, the album stands not just as a historical artifact but as a living influence. Its sounds and styles echoed in the works of contemporary artists who blend humor, reality, and innovative beats. In an era where hip hop continues to diversify and expand its boundaries, Bizarre Ride II The Pharcyde serves as a reminder of the genre’s limitless potential and the enduring power of authenticity in music.

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Craig Mack’s “Project: Funk Da World” Turns 29

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In 1994, after a slow, but steady ascent in his musical career, Craig Mack released his breakout single “Flava In Ya Ear.” That song marked the beginning of the rapper’s rise and ended up as the lead single from his debut album. The album in question is called Project: Funk Da World and it turned 29 years old in September. Project: Funk Da World is the first of three albums Craig Mack released, and it is also the most successful. The rapper sadly passed away in 2018 due to heart failure, but through his musical works, his legacy lives on. Project: Funk Da World remains the most exceptional of them all, standing as a testament to Mack’s talent and creativity. 

Read More: Remembering Rap Icon Craig Mack On His Birthday

How Project: Funk Da World Was Conceived

craig mack debut album project funk da world
CHICAGO – SEPTEMBER 1994: Rapper Craig Mack performs at the Riviera Theatre in Chicago, Illinois in September 1994. (Photo By Raymond Boyd/Getty Images)

Project: Funk Da World was released on September 20, 1994, under Bad Boy Records. It was during this period that Bad Boy Records, founded by Sean “Puff Daddy” Combs, started gaining traction in the Hip Hop industry. Craig Mack had a raw talent and unique style that convinced Puff Daddy to sign him to Bad Boy Records. Subsequently, Project: Funk Da World was released, marking Craig Mack’s debut full-length album release. 

Craig Mack Dishes Out A Funk-Rap Debut

The album’s title suggests a fusion of funk and Hip Hop elements, and it surely delivers on its promise. A union of funk-inspired beats with Mack’s lyrical world created a sound that was both groovy and impactful. Craig Mack employed a sharp, lyrical style and showcased his confidence and dexterity. He also demonstrated his proficiency throughout the album, riding each groovy beat effortlessly. At its heart, Project: Funk Da World is a party record, just as much as it is a proper rap album. It is evident in the undeniable bounce present throughout the album’s runtime. Overall, Project: Funk Da World was a brave attempt at a fusion rap album, and Craig Mack successfully executed his ambitious goal.

Collaborators On The Album

Funk Da World would not be the sonic delight it is without the input of the people who worked on it alongside Craig Mack. It took a village, backed by the production talents of Easy Mo Bee, Rashad Smith, Sean Combs, Lenny Marrow, and Mack himself. They all came together to create a cohesive body of work marked by infectious funk beats. Evidently, the beats provided a vibrant backdrop for Mack’s energetic and charismatic delivery.  

However, the only artist featured on the 11-track album is Puff Daddy, who appears on the track “Making Moves With Puff.” Two other songs were released as singles. These were: “Get Down,” and the popular lead single, “Flava in Ya Ear.” Peaking at number nine on the Billboard Hot 100, “Flava in Ya Ear” was the most successful single of Mack’s career.

Read More: 10 Biggest Bad Boy Records’ Artists Of All Time

A Critical Success 

Project: Funk Da World received mostly positive reviews from critics and listeners who praised the skillful rhymes of Craig Mack. Moreover, the album’s production was especially lauded for its unique take on a funk-rap hybrid. The album, alongside The Notorious BIG’s Ready To Die, contributed to the early success of Bad Boy Records. Unfortunately, as Ready To Die was released just a week before Mack’s album, it attracted most of the attention. As a result, Funk Da World did not attain the heights of commercial success it had the potential to reach, despite its critical acclaim.

Craig Mack Lives On

While Craig Mack did not enjoy the same longevity as some of his peers, his debut album remains a classic in the Hip Hop community. It not only established him as a notable rapper but also played a crucial role in shaping the early identity of Bad Boy Records. The rapper may be gone now, but there’s no erasing his album. Without a doubt, Project: Funk Da World will continue to live on as a significant work in Hip Hop history.

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De La Soul’s “Buhloone Mindstate” Turns 30

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When De La Soul emerged from the effervescent haze of the late 1980s hip-hop scene with their maiden album, they were immediately heralded as architects of a new dawn in rap. By the time Buhloone Mindstate was conceived, the landscape had shifted. The early ’90s witnessed a burgeoning renaissance in hip-hop, with a surge of acts bringing a kaleidoscope of sounds and lyrical depth to the genre. Amidst this creative ferment, De La Soul—comprising Posdnuos, Trugoy, and Maseo. They weren’t just participants but pioneers. The group already etched their names into the annals of music with their first two albums. Buhloone Mindstate, released in 1993, was a continuation of their artistry. Yet, it signaled a departure. It was a conscious decision to inflate their music ‘like a balloon’ that could rise but never burst. The metaphor for growth without selling out.

The album arrived at a pivotal moment for the group. They sought to further challenge the parameters of hip-hop without severing the umbilical cord to its core. The industry buzzed with the rise of gangsta rap. Yet De La Soul remained untempted by the gritty allure of the streets that now dominated the charts. Instead, they doubled down on their esoteric approach. They wove a tapestry of sounds that flirted with jazz, funk, and soul while still anchoring their work in the grounded, sample-heavy ethos of the era. With Buhloone Mindstate, they chose to collaborate with icons like the jazz saxophonist Maceo Parker. It was a move that bridged genres and generations. This Infused the album with a sense of timeless integrity that challenged the fleeting trends of the day.

Soundscapes & Artistry

With Buhloone Mindstate, De La Soul dove into an exploratory musical venture that defied the conventions of early ’90s hip-hop. The beats are not just backdrops but are integral narratives within themselves. Each track tells a story through its unique fusion of samples and live instrumentation. This sonic diversity is evident in tracks like “I Be Blowin’.” It showcased Maceo Parker’s soul-stirring saxophone melodies, devoid of lyrics yet speaking volumes in the language of jazz-infused hip-hop. It’s in such bold creative decisions that Buhloone Mindstate stands as a testament to De La Soul’s artistry. It’s a clear departure from the era’s escalating obsession with hard-hitting beats and hardcore rap narratives.

Yet, the album was more than an avant-garde experiment. It was a statement of purpose from a group that refused to be pigeonholed by their early success. Lyrically, Buhloone Mindstate is rich with introspective musings, societal critiques, and playful yet poignant commentaries on the state of hip-hop. It’s this blend of the experimental and the elemental that solidified the album’s place in the pantheon of hip-hop: innovative yet introspective, forward-thinking yet foundational.

Commercial Success & Industry Acclaim

The commercial reception of Buhloone Mindstate bore the paradox of De La Soul’s career at the juncture. It was an album that achieved respectable sales. Yet its numbers were modest compared to the seismic waves of their debut. It charted at No. 40 on the Billboard 200 and No. 10 on the R&B/Hip-Hop album chart. The album’s performance reflected not a diminished quality but a fiercely competitive era in hip-hop. Nonetheless, the record swiftly became a darling among critics and a cult classic for fans, who revered it for its uncompromising creativity and resistance to mainstream trends. The single “Breakadawn,” with its Michael Jackson sample, became a standout hit, showcasing De La Soul’s ability to craft a commercially viable track without sacrificing their artistic integrity.

While not always reflected in towering sales figures, the industry’s acclaim was evident in the respect garnered from peers and the influence echoed in subsequent works by other artists. The album received critical accolades for its innovative use of live instruments and its fearless, genre-blending approach. In the years following its release, Buhloone Mindstate has been retrospectively cited as an essential building block in the evolution of alternative hip-hop, with many modern artists tipping their hats to De La Soul’s pioneering work on this project. The album’s artistry and warm reception solidified the trio’s reputation as vanguards of the genre, unafraid to push boundaries and challenge the status quo.

Cultural Echo & Timeless Appeal

The echoes of Buhloone Mindstate reverberate beyond the confines of its initial release, capturing the essence of an era while simultaneously transcending it. The album’s influence is palpable in the tapestry of today’s hip-hop landscape, where its experimental spirit lives on in artists who refuse to be bound by genre. The cultural impact of De La Soul‘s third opus is measured not just in sales or accolades but in the intangible ways it has shaped the dialogue around what hip-hop can be—intellectually rich, musically diverse, and boundlessly creative. As hip-hop continues to evolve as a global force, Buhloone Mindstate stands as a beacon of artistic freedom, a reminder that commercial success and critical acclaim are not mutually exclusive with cultural contribution.

Now, decades since its release, Buhloone Mindstate maintains a profound relevance, its themes of individuality and authenticity resonating with new generations. In an industry often criticized for commodifying creativity, De La Soul’s work is a bulwark against such trends, a testament to the group’s vision of hip-hop as an art form, not just a commercial enterprise. The album’s anniversary is a moment to reflect on its legacy—a legacy that has not bloated with time but rather has matured, expanding the boundaries of musical innovation and integrity in ways that continue to inspire and influence.

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Trick Daddy’s “www.thug.com” Album Turns 25

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The late ‘90s saw the rise of many Hip Hop artists. While some gifted MCs flew under the radar, Trick Daddy enjoyed some time in the spotlight. The MC is a Miami native and was a prominent force in Southern hip-hop from the late ‘90s until the late 2000s. He achieved considerable success with several of his albums, and one of the most notable amongst them is definitely www.thug.com. His sophomore album is now remarkably 25 years old. The album explored Trick Daddy’s experiences in a raw fashion. Trick Daddy has always shared his experiences, and he did so in raw fashion on the project. While it may not be regarded as his best album, it is certainly a significant entry in Trick’s catalog.

Trick Daddy Gains Momentum

trick daddy
Trick Daddy during Joint Chief’s Press Junket – November 23, 2004 at Bryant Park Hotel in New York City, New York, United States. (Photo by Johnny Nunez/WireImage)

www.thug.com dropped in 1998 at a time when Trick Daddy was gaining recognition in the Southern Hip Hop scene. The album’s title is a play on the growing influence of the internet on popular culture at the time. Also, during the late ‘90s, Southern Hip Hop was experiencing a significant rise in popularity. Artists from cities like Atlanta, New Orleans, and Miami were beginning to make their mark on the genre. Concurrently, Trick Daddy emerged, eventually establishing himself as a prominent figure in Miami’s Hip Hop scene, representing the city’s unique sound and culture. www.thug.com was released on September 22, 1998, through Slip-N-Slide Records. A Miami-based label, Slip-N-Slide was known for its focus on representing the Southern lifestyle and sound. Their relationship with Trick Daddy was a testament to this approach, and so was www.thug.com itself. 

Read More: Trick Daddy Net Worth 2023: What Is The LHHMIA Star Worth?

Trick Daddy’ Enlists A Small Trusted Circle: Crafting An Album

Between the producers and featured artists, Trick Daddy enlisted a tight team of collaborators to create www.thug.com. The input of each collaborator built the album up to become what it is today. Several producers contributed to the album’s dynamic sound, and they all played a significant role in shaping the musical landscape of the album. Tony Galvin, Darren “DJ Spin” Rudnick, The Committee, and Rush are among the producers credited on the album. The production style was also characteristic of Southern Hip Hop, incorporating elements of Miami bass, funk, and soul music. Altogether, this blend of musical influences decided the album’s sonic direction.

Furthermore, www.thug.com featured a host of guest appearances on several of its tracks. “Nann N***a,” the album’s sole single, features Trina. Furthermore, “So What” features Lost Tribe, and Tre+6 appears on both “Change My Life” and “Run N***a.” Additionally, J-Shin appears in “Hold On,” Society And The Children’s Choir on “Living In A World,” and C.O. from Tre+6 on “Suckin’ F***in’.”

www.thug.com greatly showcases Trick Daddy’s gritty and raw style. Also, his storytelling abilities were prominent throughout the album, giving listeners a glimpse into the realities of life in Miami’s urban neighborhoods. With his lyrics, Trick Daddy explored themes such as street life, violence, and poverty, in many ways chronicling his own life. Even though it took a village, Trick Daddy was the star of the show. 

Read More: Rick Ross, Trick Daddy & JT Money Form “Miami Mount Rushmore”

An Underrated Southern Hip-Hop Classic

Despite mixed reviews from critics, www.thug.com went on to peak at number 30 on the Billboard 200 chart. In addition to its notable chart success, it is also an RIAA Gold-certified album. Moreover, www.thug.com played a crucial role in establishing Trick Daddy as a leading voice in Southern Hip Hop. Its success also paved the way for Trick’s future albums and collaborations, solidifying his reputation as an influential artist in the genre. Trick Daddy has not released an album since 2009’s Finally Famous: Born A Thug, Still A Thug. However, he has starred in Love & Hip Hop: Miami since 2018. While it’s possible that he may be done with music, www.thug.com, as well as his other works, will showcase his talents for ages to come.

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DJ Jazzy Jeff & The Fresh Prince’s “Code Red” Turns 30

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It’s hard to believe that DJ Jazzy Jeff & The Fresh Prince’s Code Red album has turned 30. Very few duos in hip-hop’s history have been able to make their mark and impact on the hip-hop culture like DJ Jazzy Jeff & The Fresh Prince. 2023 marks 30 years since the duo released their final album, Code Red. We’re looking back at the album’s success and the evolution of their working relationship up to that point.

The Grammy Award-Winning Sound

jazzy Jeff & the fresh prince
NEW YORK, NEW YORK–OCTOBER 18: Rap duo DJ Jazzy Jeff (aka Jeff Townes) And The Fresh Prince (aka Will Smith) appear in a portrait taken on October 18, 1989 in New York City. (Photo by Al Pereira/Getty Images/Michael Ochs Archives)

DJ Jazzy Jeff & The Fresh Prince found early success with light-hearted, humorous, and profanity-free songs in the mid-80s. One of the highlights of their careers included their groundbreaking victory at the 1989 Grammy Awards. They clinched the first-ever Grammy for Best Rap Performance with their hit single “Parents Just Don’t Understand” (1988). This incredible win put hip-hop on the mainstream map and soon other acts would follow. DJ Jazzy Jeff & The Fresh Prince’s most iconic and successful track became “Summertime” (1991). The track serves as an anthem for warm, carefree months. The song not only peaked at number 4 on the Billboard Hot 100 but it secured them their second Grammy.

Read More: DJ Jazzy Jeff Calls Out “The Source” For Not Knowing He’s A Real DJ

Code Red: The End Of An Epic Era

Marking the end of an era, DJ Jazzy Jeff & The Fresh Prince released Code Red on October 12, 1993. This album followed the triumph of 1991’s Homebase but it was perceived as a commercial disappointment in comparison. As their fifth and final album, it received mixed reviews from critics and fans. Some argue that it waters down their signature style on tracks like “Twinkle Twinkle (I’m Not a Star).”

The album reached its highest position at #64 on the Billboard 200 chart and climbed to #39 on the Top R&B/Hip-Hop Albums chart. On January 14, 1994, the Recording Industry Association of America awarded the album with a gold certification. Four singles supported the project, beginning with “Boom! Shake the Room.” This was followed by “I’m Looking for the One (To Be With Me),” “I Wanna Rock,” and “Can’t Wait To Be With You.”

Read More: DJ Jazzy Jeff Talks “Making Beats” Program, “Fresh Prince” Days, & Reminiscing With Will Smith

Code Red‘s Critical Reception

Despite his longstanding reluctance to delve into gangsta rap, The Fresh Prince ultimately embraced a grittier style on Code Red. While the album owes much of its success to the skillful production, The Fresh Prince’s undeniable charm is still apparent. However, the album fell short of leaving a lasting impression on many fans. One of the album’s less convincing moments occurs in “Twinkle Twinkle (I’m Not A Star),” where Will Smith attempts to present himself as an everyday civilian and not a celebrity. He recounts an incident at a movie theater, where he’s watching Jurassic Park. He finds himself approached by an overly enthusiastic fan seeking an autograph, much to the dismay of her date.

Smith’s attempt to appear as a down-to-earth guy, despite his celebrity status, ultimately feels contrived. His effort on this track underscores the challenge of shedding his larger-than-life image. In hindsight, Code Red remains an overlooked chapter in the evolving careers of DJ Jazzy Jeff & The Fresh Prince. While it may not earn the status of a classic, the album offers valuable insights into the duo’s artistic development and foreshadows Smith’s aspirations for future success. As listeners revisit this record, they can uncover the nuanced journey of a legendary artist and actor who was on the cusp of reaching superstardom.

DJ Jazzy Jeff & The Fresh Prince: Influence And Legacy

Code Red stands as a pivotal moment in the career of DJ Jazzy Jeff & The Fresh Prince. It not only showcased their willingness to evolve and experiment with their music but also marked the end of an era as a group. Following this release, both artists embarked on their individual journeys, with Will Smith ascending to superstardom as both an actor and a solo artist. Code Red remains a significant milestone in their legacy, capturing the essence of their music and setting the stage for the remarkable solo careers that were to follow.

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Ol’ Dirty Bastard’s “N***a Please” Turns 24

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Ol’ Dirty Bastard successfully contributed greatly to the growth of Hip Hop and in no small way. Although the rapper passed away in 2004, his works as a member of the Wu-Tang Clan carry ODB’s unshakable rap legacy. Likewise, his solo discography, limited as it is, contains solid Hip Hop offerings. N***a Please, ODB’s last solo project before his untimely demise, was released 24 years ago. While it did not receive as much critical acclaim as his solo debut album, N***a Please was no dud. In fact, it’s a masterfully produced and criminally underrated body of work. Over the years, the album has earned newfound appreciation, especially during moments of remembrance of the iconic rapper. 

The Complex Life Of Ol’ Dirty Bastard

NEW YORK, NY – FEBRUARY, 1997: American rapper and producer ODB (1968-2004) (Ol’ Dirty Bastard) of the rap group Wu-Tang Clan poses for a portrait circa February, 1997 in New York, New York. (Photo by Bob Berg/Getty Images)

N***a Please was released on September 14, 1999, and was the second solo album of the Wu-Tang Clan member. Throughout his career, the rapper had faced many legal troubles, and 1999 was no different. Leading up to the album’s release, Ol’ Dirty Bastard was arrested for driving without a license, as well as for possession of crack cocaine. Despite his fame, the rapper’s life was inconvenient, as he always had something on his plate. Amidst everything going on with him, Ol’ Dirty Bastard found the time to create N***a Please. The album’s background is marked by his personal life, legal troubles, and his unapologetic approach to his music. In addition, N***a Please is a sonic reflection of the MC’s complex character and musical creativity during that period. 

Building The Sonic Landscape Of N***a Please

N***a Please blends various musical styles, including Hip Hop, R&B, funk, and soul. Production credits on the album go to a range of renowned producers, including The Neptunes, RZA, Irv Gotti, and Buddha Monk among others. The Neptunes’ signature production style, characterized by funky rhythms and catchy melodies, added a mainstream appeal to the album. It is particularly apparent on the album’s sole single, and standout track, “Got Your Money,” which features Kelis. 

In addition to Kelis’ feature on “Got Your Money,” several other artists have guest appearances on the album. Chris Rock and Pharrell Williams feature on “Recognize,” while Raison the Zukeeper, 12 O’ Clock, La the Darkman, and Shorty Sh*t Stain feature on “Gettin’ High.” Finally, on “Good Morning Heartache,” the eleventh track on the album, Lil Mo is the featured artist. Furthermore, several tracks on the album contain samples or interpolations from other songs. Precisely, seven of the 13 tracks on N***a Please make use of notable samples. 

Throughout N***a Please, ODB’s lyrics are particularly unapologetic and confrontational. Even more so than his usual style. Moreover, he addressed a wide range of topics, and often delivered his bars with a humorous and provocative tone. Overall, the rapper’s performances on the album are characterized by his high energy and charismatic delivery. Finally, his unique vocal style, ranging from gritty rap to soulful singing, adds interesting layers to the album. 

Ol’ Dirty Bastard Adds To His Legacy

The album’s eclectic blend of musical styles and innovative production techniques greatly influenced the Hip Hop landscape. Ol’ Dirty Bastard effectively demonstrated the genre’s ability to incorporate diverse sounds and experiment with unconventional beats. Upon its release, N**** Please was a minor commercial hit, peaking at number 10 on the Billboard 200 chart. It subsequently sold over 500,000 units, achieving a Gold certification from the RIAA. Additionally, the critical response to the album was mostly positive, although there it was not without its critics. All things considered, N***a Please was a success, and it has come to be regarded as a cult classic over the years. 

In summary, N***a Please left lasting impact by pushing artistic boundaries and challenging societal norms. Furthermore, the album showcased the late MC’s distinctive style, and for that, it is still widely appreciated. Its influence on musical innovation and its contribution to ODB’s legacy continue to resonate within the Hip Hop community. It will most likely continue to do so for years to come. 

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Shyne’s Self-Titled Bad Boy Records Debut Album Turns 23

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As a rapper, Shyne has largely flown under the radar recently. Especially as he is now actively focused on the political scene in his native country, Belize. However, once upon a time, he was bumping out great music, and his self-titled debut album is still a classic Hip Hop body of work. The former member of Bad Boy Records gained prominence in the late ‘90s and early 2000s. 

Unfortunately, legal troubles impeded his growth. He was ultimately deported from the US after serving time between 2001 and 2009. Despite these circumstances, however, his self-titled debut album was released in 2000, and even after 23 years, it is undeniable that he dropped a gem. Overall, Shyne’s rollercoaster life and career have truly been one for the books.

The Build-Up To Shyne

Shyne was discovered by DJ Clark Kent in 1998 and signed to Bad Boy Records soon after being introduced to Sean Combs. Before releasing his debut album, the rapper made guest appearances on some 1999 tracks, including “From Scratch” by Mase and “Reverse” by Puff Daddy. Even back then, Sean “Diddy” Combs was one of the most influential figures in the music industry. As a result, Shyne’s affiliation with him made the young rapper’s debut album highly anticipated in the Hip Hop community. Shyne was recorded between 1999 and 2000 and was subsequently released on September 26, 2000, under Bad Boy Records.

Music From The Perspective Of Shyne

The album’s background is rooted in Shyne’s life experiences, as well as the musical atmosphere of the late ‘90s and early 2000s. Shyne, originally from Belize, had a unique background that added to his appeal. In addition, his raspy voice and gritty lyrics set him apart. Shyne’s debut album also came when Hip Hop was evolving and exploring new sounds and styles. As a result, his album explicitly reflects the diverse influences of that era. Particularly, his collaboration with Barrington Levy exemplifies the experimental nature of Shyne. 

Furthermore, his storytelling ability is showcased through his vivid and raw lyrics on the album. Addressing themes such as crime, struggle, and survival, he paints a picture of the challenges faced in urban environments. Additionally, the album reflects a “gangsta” persona, a common theme in Hip Hop during that era. Shyne dons that persona well, and his lyrics effectively portray a streetwise, tough image throughout the album.

Production & Feature Credits On Shyne

The production of Shyne was a collaborative effort involving several talented producers, including The Neptunes, Chucky Thompson, and Mario Winans, among others. Each producer contributed to the album’s diverse sonic palette, bringing Shyne’s vision to life. Moreover, the rapper’s Belizean heritage and love for reggae music are apparent in the album’s production. 

Notably, many songs on Shyne contain samples, with the most popular songs being “Bad Boyz” and “Bonnie and Shyne.” The sampled tracks on “Bad Boyz” are “Here I Come” by Barrington Levy and “Nightclubbin” by Grace Jones, while on “Bonnie & Shyne,” Grace Jones’ “La Vie En Rose” is sampled. In addition to his track being sampled, Barrington Levy is credited as a featured artist on “Bad Boyz,” as well as “Bonnie & Shyne.” The only other guest appearance on the album is by Slim of 112, who features on “Get Out.”

The Rapper Shynes On

LOS ANGELES, CALIFORNIA – JUNE 26: (L-R) Shyne and Sean ‘Diddy’ Combs perform onstage during the 2022 BET Awards at Microsoft Theater on June 26, 2022 in Los Angeles, California. (Photo by Paras Griffin/Getty Images for BET)

Despite mixed reviews from critics, the album was a commercial success upon its release. It reached the number five spot on the Billboard 200 chart, so evidently, listeners took a liking to it. Regardless of the legal challenges Shyne faced soon after the album dropped, the album’s impact on the music industry was undeniable. Twenty-three years later, it is still felt strongly, and its representation of the Hip Hop culture of that era remains noteworthy. Likely, Shyne may never drop another album, as he has moved on to the political arena. However, with the influence of his self-titled debut album, his legacy as a rapper holds firm.

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Eazy-E “It’s On (Dr. Dre) 187um Killa” Turns 30: A Response To “The Chronic”

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In 1993, Eazy-E dropped what is arguably one of Hip Hop’s most notable EPs. After all, it’s not very often artists release an entire project dissing another artist. The EP was a ballsy move from Eazy-E, who had major beef with Dr. Dre. Without a doubt, the project marks one of the most iconic diss moments in Hip Hop history. It’s On (Dr. Dre) 187um Killa turned 30 this year. Even after all that time, the project still commands much respect and reverence. It most likely always will, as it was truly a moment to remember in Hip Hop history.

Setting The Stage

Eazy-E and Dr. Dre were embroiled in a highly publicized and bitter feud at the time of the EP’s release. The beef between the two rappers escalated after Dr. Dre left N.W.A. and Ruthless Records over financial disagreements. Subsequently, Dr. Dre founded Death Row Records with Suge Knight, the D.O.C., and Duck Griffey. Consequently, the tension surrounding Dre’s departure led to a series of diss tracks from both parties. Notably, Eazy-E released It’s On (Dr. Dre) 187um Killa on October 19, 1993, as a response to Dr. Dre’s album iconic, The Chronic. 

Eazy-E and Dr. Dre Fire With Words

On Dr. Dre’s The Chronic, the MC takes straightforward shots at Eazy-E. On “F**k Wit Dre Day,” he even employed the assistance of his friend, Snoop Dogg. Evidently, Eazy-E didn’t take it lying down. It’s On (Dr. Dre) 187um Killa was the late MC’s way of defending his reputation and asserting his dominance in the West Coast rap scene. The EP contained explicit and confrontational lyrics aimed at Snoop Dogg, Death Row Records, and especially Dr. Dre. 

In fact, only three songs of the 8-track EP are free of any lyrical jabs against Dr. Dre. These three songs are “Any Last Werdz,” which was released as a single, “Gimmie That Nutt,” and a G-Mix of the Ice Cube-penned “Boyz N tha Hood.” Eazy-E used this EP to express his anger at Dr. Dre, as well as his frustration and defiance. After he dropped “Real Muthaphuckkin G’s” as a single, not many people expected an entire project dedicated to Dre to follow. It’s On (Dr. Dre) 187um Killa is widely regarded as one of the most badass responses to a diss in rap’s history.

Contributors On It’s On (Dr. Dre) 187um Killa

Between the producers and featured artists on the EP, it took a small village to put it all together. The entire EP was produced by Rhythm D, DJ Yella, Cold 187um, Dr. Jam, Madness 4 Real, and Eazy-E. Furthermore, the guest appearances include B.G. Knocc Out and Dresta on “Real Muthaphuckkin G’s,” Cold 187um and Kokane on “Any Last Werdz,” and Dirty Red, who features on “Down 2 tha Last Roach” alongside B.G. Knocc Out. 

In addition, the EP heavily employs the use of samples. In detail, only the first track, “Exxtra Special Thankz,” is rid of samples. Every other song on the project contains selections from one or more songs, mainly by Eazy-E or N.W.A. Notably, the track “It’s On” contains a sample from Dr. Dre’s diss track “F**k Wit Dre Day.” Consequently, one could say Dr. Dre contributed to the making and success of this diss project by Eazy-E.

Easy-E’s Diss Project, A Cultural Artifact

Over the last 30 years, the legacy of It’s On has steadily grown stronger. It was Eazy-E’s last project in his lifetime and peaked at No. 5 on the Billboard charts. Although other works have been released posthumously, none of them compare to the impact this one has had. Despite receiving mixed reviews upon its release, the EP is now considered historically significant to Hip Hop. Fans are almost grateful for the beef between Dr. Dre and Eazy-E because of the classic projects their feud birthed. Sadly, Eazy-E passed away in 1995, but this EP is one of the ways through which his name will live on forever. 

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