song

It’s no secret that Hit-Boy has been putting in work behind the boards — case in point, the man recently took home a Grammy award for his work on Nas’ King’s Disease.  Today, Hit connects with Audio Push alumni Price for the release of “Bad Dreams,” blessing his frequent collaborator with an up-tempo banger over which the emcee proceeds to put in work. Though Hit-Boy himself is no stranger to spitting bars, Price takes the spotlight on this go-around, dexterously navigating Hit’s spooky synthesizers.

“Haters see, when you see Price, I was really thugging when the streetlights came on,” he raps. “Four keys, beep-beep, I’m on / pull out the Lil Jon, skeet skeet, I’m gone.” The flexes continue throughout the track, and while it might have benefitted from an additional verse from Hit-Boy, Price is certainly capable of holding attention in his own right. Check it out for yourself now, and look for more music from the California rapper. 

QUOTABLE LYRICS

Haters see, when you see Price, I was really thugging when the streetlights came on
Four keys, beep-beep, I’m on 
Pull out the Lil Jon, skeet skeet, I’m gone

Last November, veteran underground Hip-Hop artist Aesop Rock unleashed the impressive 21-track project Spirit World Field Guide, and now, for his first single since the release of his critically acclaimed album, he has opted to share a song about a frog. Where the inspiration stems from is yet to be revealed, but “Long Legged Larry” arrives a day prior to National Frog Day and focuses on a legendary frog named Larry, whose jumping ability makes him a celebrity and hero to the people that live near to him. 

Accompanying the single is a silly stop motion video that colorfully paints Long Legged Larry’s wild adventures. The video was brought to life by Rob Shaw, and interestingly enough, Larry’s appearance was visualized by a draftsman and renowned amphibian consultant named Jeremy Fish. With everyone’s contributions combined, “Long Legged Larry” isn’t just a single, but rather a full-fledged multimedia collaboration.

Aesop Rock’s eccentric new release also comes with a material realization of Long Legged Larry, and fans interested in the collectible bean bag version of Larry can pre-order the toy right now.

What are your thoughts on Aesop Rock’s unconventional new National Frog Day-themed release?

Quotable Lyrics

Larry’s on the case
Jump so high pluck a star out of space
Jump over anything, even Salt Lake
Jump into the mosh pit, jump out of a cake

IDK has been an interesting artist to follow these past few years, having proven himself to be lyrically adept while equally unafraid to pull back and flex over hard-hitting bangers. It’s not uncommon to see the young rapper experiment on a stylistic level, and today he’s come through with another new track, the ChaseTheMoney-produced “Just Like Martin.” 

For the occasion, ChaseTheMoney blessed IDK with a percussive instrumental, one that invites the lyricist to flex to the best of his ability. As a general rule, flexing is more effective with a laid-back flow. “When the last time you seen a ni*a this fine, with a mind so smart and a future this bright?'” he boasts. “Bitch, give me that pussy like Webbie, I’m tied / for the next three hours, right now I feel fine.” While some might feel that IDK is holding back from his true potential, others will no doubt appreciate his effortless approach to crafting bangers — and make no mistake, ChaseTheMoney certainly delivers in that regard. 

Do you think IDK is living up to expectations with his recent batch of singles? 

QUOTABLE LYRICS

When the last time you seen a ni*a this fine
With a mind so smart and a future this bright?
Bitch, give me that pussy like Webbie, I’m tied
For the next three hours, right now I feel fine

Mo3, who was killed in a Dallas shooting last November, now lives on through a posthumous remix of “Outside.” Joined by OG Bobby Billions, with whom MO3 has collaborated frequently, “Outside” highlights the late rapper’s melodic chops. Off the bat, the song opens on a somber note, fueled by a melancholic keyboard and guitar arrangement. Now, the song itself isn’t technically new, as Bobby Billions previously released the track as a solo effort last year. Yet MO3’s vocals add a newfound presence to the track, not to mention a bittersweet quality given the circumstances.

The emotion can be felt in Mo3’s vocal performance. “You hear that church up in my verse cus that’s how I’m raised,” he sings, looking for forgiveness while acknowledging his flaws. “I told God he gotta forgive me I’m insane.” The sense of conflicting duality is a driving force throughout, as Mo3 admits he doesn’t always stick to the righteous path. “God I need a second chance knowing that I love you, but sometimes I do the devil dance,” he reflects. “Lost a couple of my partnas so I’m slidin’ out on whoever / and drop one of them ni*gas when I kill em’ call the reverend.”

Check out Mo3’s posthumous take on “Outside,” and be sure to sound off with your thoughts on this updated version below.

QUOTABLE LYRICS

God I need a second chance knowing that I love you
But sometimes I do the devil dance
Lost a couple of my partnas so I’m slidin’ out on whoever
And drop one of them ni*gas when I kill em’ call the reverend

There’s something about Young Dolph’s cadence that simply lends itself well to a hard-hitting instrumental. The Paper Route Empire’s sneering baritone carries a certain authority, one that commands attention even in short doses. And though his new single “Yeeh Yeeh” clocks in at a little over two minutes in length, Dolph makes the most of the blink-and-you-missed-it runtime. 

Fueled by a dark and ominous instrumental by BeatPlay, Dolph proceeds to move at his own methodical pace, exuding the presence of Omar sauntering down the block in The Wire. That’s not to say his mindstate is always perpetually clear. Case in point, his opening bars. “Don’t know how I made it home last night, everything a blur, Hallucinating, can’t remember shit, drunk too much syrup,” he spits. “Doin’ one-thirty down Bellevue, fucked ’round and scraped the curb / My finger on the trigger, why? cause I got bad nerves.”

Confirmed to be a solo cut from Dolph and Key Glock’s upcoming album Dum & Dummer 2, from which a new single “Sleep With The Roaches” recently dropped, “Yeeh Yeeh” is another sign that the project is shaping up nicely. Look for that to land on March 26th, via Paper Route Empire.

QUOTABLE LYRICS

Don’t know how I made it home last night, everything a blur 
Hallucinating, can’t remember shit, drunk too much syrup 
Doin’ one-thirty down Bellevue, fucked ’round and scraped the curb 
My finger on the trigger, Why? cause I got bad nerves

The first time you listen to Tee Grizzley’s new single “White Lows Off Designer” with Lil Durk, just know that it’s a certified hit. 

The Detroit rapper released the new record on Friday with a feature from one of this year’s MVPs so far, Lil Durk. The track starts off with the perfect verse from Tee Grizz before heading into his hook, which features harmonies that sound blissful. This is seriously some of Tee Grizzley’s best work in months.

Lil Durk jumps in for the second verse, bringing the same energy he’s been consistent with for the last year. Continuing his string of high-powered features, this is just the latest of Smurk’s superstar efforts in 2021.

Listen to Tee Grizzley’s new single “White Lows Off Designer” below and let us know if you think this one will blow up.

Quotable Lyrics:

You know the rules, shoot first, then we get discussin’
Ever saw a headshot? That sh*t ain’t nothin’
Ever ate jail food? That sh*t disgusting
They talk that killer sh*t, them n***as bluffin’
I take ’em back to nights, catchin’ n***as at the traffic light
Hangin’ out the window, ’bout to shoot and the gun jam, right
I swear a n***a heart dropped like the gas price

Vic Mensa is gearing up to release his I TAPE project next week on March 26, but in the meantime, the Chicago-born artist is treating fans with a new freestyle over one of the legendary Hip-Hop duo Clipse’s more obscure beats. Casual listeners of the Virginia Beach duo may be more familiar with the classic beats for “Grindin'” and “Mr. Me Too,” but longtime fans of Hell Hath No Fury will undoubtedly be able to recognize the Neptunes production that Vic takes for a spin.

Released as a video on YouTube, Vic Mensa’s “CLIPSE FREESTYLE” finds the HOOLIGANS rapper flexing his lyrical talents, with witty references to popular culture and grimy bars about Chicago’s street life. 

I TAPE follows last year’s V TAPE, which leads one to believe that his forthcoming project will continue what appears to be a series of EP’s that spells out his name. While fans wait to see what Vic Mensa has in store, they can expect I TAPE — which will house Vic’s February single “SHELTER” with Wyclef Jean and Chance the Rapper — to arrive on streaming services on March 26.

Quotable Lyrics

Vroom, gone in the wind caramel color Benz, I ain’t Jahlil but I’m fly as a pelican
No Okafor, you can’t coach the boy, been a player since I used to play with Bulbasaur
I’ve been major since I was on Hova tour
I be with Haitians like Toussaint Louverture

Whenever Benny The Butcher drops a new project, it’s already understood to be of premium quality. It’s not easy to achieve such a reputation, but the Black Soprano Family capo has earned his place at the top. Though his new album The Plugs I Met 2 has only been released for mere hours, and like a fine wine will likely improve with ample time to breathe, it’s hard to deny the immediacy of the 2 Chainz-assisted “Plug Talk,” a standout that finds producer Harry Fraud swerving into some interesting territory.

Blending his signature soulful samples with the up-tempo drums oft-seen today, Fraud’s atmospheric production weaves a subplot on its own. Benny attacks the beat first, spitting at a dexterous pace as he reflects on having toes in two distinct worlds. “I fucked around and got famous right when the dope game got dangerous,” he raps. “In my interviews talkin’ plug talk, on my last album, I explained it.” Though some might have pondered as to how effectively 2 Chainz would fare at the Griselda table, the longtime trapper wastes little time in finding common ground with The Butcher.

Check out Benny and Harry Fraud’s “Plug Talk,” one of many standout tracks on the brand new album The Plugs I Met 2. 

QUOTABLE LYRICS

Body like she work at Magic 
And since I’m rich, I deserve her 
If she fuck a broke ni*ga, that’s tragic
I flew her in from Houston, she listen to Scarface and Travis

Ever since he performed the record as part of his Tiny Desk Concert for NPR this week, the world knew that Justin Bieber’s new single “Peaches” was a hit. Now that his latest studio album Justice has officially been released, and the single has been uploaded to all digital streaming platforms with features from Daniel Caesar and GIVĒON, it’s clear that this track is something special.

“Peaches” is the latest single release from Justin Bieber, who is threatening to take over the charts in the coming weeks with this one. Everything about this song, especially the catchy hook that will leave you humming the melody for days on end, screams that “Peaches” will be a lasting success well into the summer season. The R&B-tinged record picks up perfect guest appearances from Daniel Caesar and Giveon, who gives the song a final punch before it closes out with Bieber’s fantastic hook. 

Alongside a new music video directed by Collin Tilley, “Peaches” is out now and it’s worth a listen from any pop and R&B fans.

What do you think of the new record?

Quotable Lyrics:

I got my peaches out in Georgia (Oh, yeah, sh*t)
I get my weed from California (That’s that sh*t)
I took my chick up to the North, yeah (Bad-ass b*tch)
I get my light right from the source, yeah

For decades, Snoop Dogg has been making boss moves from the studio to the boardroom. The Long Beach legend has reformed his entire brand and now, he’s more recognized for his close friendship with Martha Stewart than the legal troubles of his youth. Snoop has returned with a new single “C.E.O.,” reportedly produced by Rick Rock, where he reminds the world why he is deserving of respect—and of course, Snoop didn’t miss a beat in plugging his INDOGGO liquor brand.

“I’ve been a boss and entrepreneur in this game for decades and I keep on building my empire,” Snoop told Rolling Stone. “My new single, ‘C.E.O.’ talks about the work and hustle I put in to be the boss. With moves like launching my own liquor brand, INDOGGO, and with weed brands, shows, and more, I stay on my grind.”

Watch Snoop Dogg rock his iced out Death Row Records chain in the visual to “C.E.O.”

Quotable Lyrics

Snoop Dogg in the building, yes, y’all
Line ’em up, barbershop, fade em all
Watching the game from the halls of fame
I’m balling, mayne, I boss up back in this thang
Believe me, bro, you wanna stick around and see the show
See me go, Snoop Dogg CEO

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