Up Next: The Artists Who Are Shaping Music’s Future

A big part of being a music fan is keeping up with the music of the moment; There’s a reason popular artists have gotten to where they are, after all. Another equally important aspect of being an informed consumer of music, though, is maintaining an awareness of the up-and-coming artists who are primed to shape the industry in their own ways.

That’s what Uproxx’s new Next Up series is all about.

Over the course of ten feature profiles, you’ll learn about artists currently laying the foundation for some major things to come, things that will both establish themselves as forces and influence those who come after them. Before those features start rolling in, keep reading for a rundown of who we decided needs to be a part of this conversation.

Dove Cameron

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The pipeline from Disney Channel star to music icon has been fruitful over the years, as folks like Miley Cyrus, Selena Gomez, and Ariana Grande have started on the network and gone on to tremendous musical success (also Olivia Rodrigo if you count her High School Musical series on Disney+). Now it’s looking like Dove Cameron, whose lengthy acting resume includes the lead role in the Disney Channel series Liv And Maddie, could very well be next. Her debut EP, Bloodshot / Waste, arrived in 2019 and she just recently had her biggest hit yet in February with the dramatic single “Boyfriend,” which was her first, and likely not last, song to grace the Billboard Hot 100 chart.

Saya Gray

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Jennifer Cheng

With her recent signing to Dirty Hit, Canadian-Japanese singer-songwriter Saya Gray finds herself in great company: The label’s esteemed artists include The 1975, Beabadoobee, Wolf Alice, and Rina Sawayama. Her first album for the label, 19 Masters, is on the way in June and based on songs like the recent single “If There’s No Seat In The Sky (Will You Forgive Me???),” it’s easy to see why Dirty Hit brought the innovative young artist on board, who’s adept at switching genres not just between songs, but sometimes right in the middle of them.

PinkPantheress

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TikTok has become a real proving ground for up-and-coming artists as the young generation gets exposed to a lot of new music on the platform. PinkPantheress managed to stand out above all the noise and earn herself a record deal with Parlophone. Her music definitely embraces the fast-paced nature of TikTok: Most of the songs on her 2021 debut mixtape To Hell With It are shorter than two minutes. That didn’t stop the multi-genre project from performing particularly well, as it landed in the top 20 of the charts in PinkPantheress’ native UK.

Kali

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YouTube

Speaking of TikTok, Atlanta rapper Kali also found success on the platform and now she’s breaking new ground beyond it. As Uproxx’s Aaron Williams notes, she’s moving into a space traditionally dominated by male rappers, one that is “marked by passive aggression, avoidant attachment, and audio gaslighting, with rappers and singers delighting in keeping their significant others guessing in the narratives of their songs.” Kali parlayed her breakout single “Mmm Mmm” into a debut EP, Toxic Chocolate. The Yung Bleu-featuring “UonU” is a highlight, on which she turns the tables and asserts dominance, rapping, “It’s a two-way street, we in the same lane / Play you ‘fore you play me, that’s just my mind-frame / But you still mine, babe.”

Tobi Lou

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Empire

Odds are you’ve already heard Tobi Lou working with one of your favorites, as the Chicago-via-Nigeria rapper has collaborated with some of his biggest hometown peers, like Chance The Rapper, Dreezy, and Saba. He was on the ballot for the 2020 XXL Freshmen list and while he didn’t make the cut, he’s on to bigger and better things, like his recently released new album Non-Perishable, which mostly features Lou shining on his own but also alongside guests like T-Pain and Chika. All the name-drops are to illustrate that Lou has support from folks in high places, co-signs that show Lou is worth consideration.

Omah Lay

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Uproxx

A lot of things have been going right for the 24-year-old Nigerian afrobeats star lately. Since landing a record deal a couple years ago, Omah Lay’s ascent has been quick, as he had a social media hit with “Bad Influence,” dropped some EPs that landed on Apple Music’s charts in Nigeria, and caught the attention of Justin Bieber, with whom he recently released the collaborative single “Attention.” Furthermore, Lay’s status as an afrobeats favorite was cemented with the launch of Billboard’s new US Afrobeats Songs chart in March. On the inaugural ranks, he had two songs in the top 30, including “Attention,” which graced the top five. Basically, Lay’s on an upward trend, so if you haven’t been paying attention so far, now’s a good time to start.

Bakar

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Epic

Like many artists before him, Bakar got his start uploading songs on SoundCloud. That’s really one of the few ways the experimental UK indie rocker is like other artists, though. He gradually worked on his craft, forged a distinct aesthetic identity, and had himself a bit of a hit in 2019 with “Hell N Back,” which popped up on multiple rock and alternative Billboard charts, including a No. 1 placement on Adult Alternative Airplay. Things have only gotten better since then, as he had a feature on one of 2020’s most esteemed indie/pop albums in Benee’s Hey U X and released his debut album, Nobody’s Home, in February. He got some hometown love for that one, as it was a top-40 album in the UK. Now it feels like just a matter of time before the rest of the world catches up.

Horsegirl

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Cheryl Dunn

Chicago trio Horsegirl formed in 2019, when its members were all teens. While many teenage endeavors are best left forgotten, Horsegirl has built on their start in a major way. They’ve since signed to Matador Records and so far released two singles for the label: 2021’s “Billy” and this year’s “Anti-Glory.” As for the sound, the group falls somewhere between post-punk and shoegaze, a zone that has clearly worked for them given the aforementioned examples of their success. It’s the kind of music that begs to be heard live, so there’s good news there, as one of the year’s buzziest bands has a slew of tour dates set for this summer.

Caracara

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Maria Daniela Lynn

The 2019 EP Better was big for Caracara, as the rocking effort landed them on many people’s radars. That includes renowned producer Will Yip, who has worked with everybody from Lauryn Hill to Keane to The Wonder Years. He also linked up with Caracara on their recently released album New Preoccupations (As The Gods Descend), which is highlighted by the single “Colorglut,” which features Circa Survive’s Anthony Green. The company a band keeps can say a lot about them, and so far, a lot of top-tier folks have found their way to Caracara’s corner. Now that the new album is out and music fans have something fresh to sink their teeth into, the Caracara corner is about to get even more crowded.

Zack Fox

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YouTube

As social media has become a primary method of fan interaction for celebrities, a lot of musicians have emerged as legitimately hilarious social media personalities. Then there’s Zack Fox, who’s approaching things from the opposite direction: He was a comedian first, but in recent years, he’s found some solid footing in hip-hop: His debut album, Shut The F*ck Up Talking To Me, came out last year and he’s touring with Freddie Gibbs this year. On top of all that, he’s still acting and has a recurring role in one of the most acclaimed comedies of the moment, Abbott Elementary. He’s even an accomplished visual artist, as he illustrated the album sleeve of Thundercat’s Drunk. Basically, Fox has done something you’d probably enjoy in just about every artistic medium, which is something very few people can say.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The 2022 Grammy Gift Bags Were Worth $49,000, With Items Like A Liposuction Voucher And A Toothbrush

The Grammys last night were full of surprises, from unexpected winners like Jon Batiste for Album Of The Year to awkward incidents like Olivia Rodrigo already dropping one of her awards. While Rodrigo could barely hold onto all of her trophies, there was so much backlash about Billie Eilish receiving none that her brother Finneas had to take to Twitter to tell fans that talking trash about winners is not acceptable or necessary.

Luckily for Eilish and other attendees who did not win any trophies, the good news is that they get a gift bag full of items with a total value of $49,000, according to Nexstar (via KTLA). The contents aren’t picked out for them, though; the celebrities check out the gift lounge and choose what they want from a table.

This year’s options are not what you’d expect, ranging from Botox to a Fauci book: a voucher for liposuction on your arm; popcorn that’s described as “flavor wrapped”; skincare products made from figs and tofu; $10,000 worth of Botox, fillers, and chemical peels; CBD sleep aids; an electric toothbrush; a trucker hat from a genderless fashion line; a bottle of Cabernet Sauvignon wine and three bottles of Grey Goose vodka; three-course tasting meal for two at Kokomo Restaurant in New York; perfume made by Mastercard; kit to make whipped coffee; and a book about Dr. Anthony Fauci. A lot to unpack there!

The Biggest Winners, Losers, And Surprises Of The 2022 Grammys

The Grammys are all about celebrating the best and brightest in music, but in another sense, it’s about picking winners… and therefore losers (or non-winners if you want to soften the blow of that descriptor). While there’s a general formula to an awards show like this, there’s always room for the unexpected to happen, whether that’s an award win nobody saw coming (those definitely happened at last night’s 2022 ceremony) or an especially noteworthy performance (ditto).

When it comes to winners, losers, and surprises, some stand out more than others, so let’s run through some of the evening’s biggest figures and moments in those three categories. (Also, in case you missed it, check out the full list of last night’s winners here.)

Winner: Jon Batiste

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The Late Show bandleader’s run as one of the biggest winners of the 2022 Grammys actually started in 2021, when it was revealed he had racked up an amazing 11 nominations. Batiste’s nominations in R&B, jazz, American roots, soundtrack, contemporary classical, and visual categories tied him for the second-most Grammy nominations in a single year, with Kendrick Lamar’s 11 in 2016 and behind Michael Jackson and Babyface’s 12 in 1984 and 1997, respectively. Even if Batiste ended up not winning a single one of those awards, what he achieved still would have been phenomenal. With as many chances as Batiste had, though, he of course managed to pick up at least a couple trophies: Before the actual ceremony even started, he won four Grammys.

Of course, he also put on perhaps the evening’s most dynamic, feel-good, and exciting performance with “Freedom.” But wait, there’s more…

Surprise: Jon Batiste

I write this with all due respect to Batiste’s extraordinary abilities as a musician and entertainer, but his 2021 LP We Are won the Grammy for Album Of The Year and there’s just no way that should have happened.

I don’t think Batiste would even take exception to me saying that: In the moment his victory was announced, nobody in the room showed more visible confusion than Batiste, who held a perplexed expression and uncertain shrug for a good ten seconds before making his way to the stage. Feigning shock is a common reaction to winning a major award like that, but if he wasn’t as genuinely dumbfounded as he looked, he should get an Oscar, too.

The Grammys are not meant to be a popularity contest, so the Recording Academy says, but rather, the aim is to honor the best in music. That said, if We Are truly was the best album of the past year, few people were aware of it; We Are was nominated against works by Tony Bennett and Lady Gaga, Justin Bieber, Doja Cat, Billie Eilish, HER, Lil Nas X, Olivia Rodrigo, Taylor Swift, and Kanye West, and Batiste’s LP is really the only nominated work that wasn’t a part of the mainstream pop culture conversation when it was released.

Loser: Billie Eilish

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Billie Eilish had an unbelievable first year at the Grammys in 2020, when she swept the four major categories and ended up winning five of her six total nominations. Converting at that high of a rate was an aberration, though, and since then, there’s been a clear regression toward the mean, especially after last night.

At the 2021 Grammys, she still did well, winning two of the four awards for which she was nominated. This year, though, things were different. Eilish was one of 2022’s most-nominated artists, with seven total nods (a personal best for her), including nominations in three of the four major categories (not Best New Artist for obvious reasons). When the night was over, Eilish didn’t have to worry about dropping any Grammys like Olivia Rodrigo did because she didn’t win a single one.

Overall, though, Eilish is still doing quite well over her Grammy career, as her lifetime total sits at 7 wins out of 17 nominations. She’s also probably not too upset about how yesterday went considering she put on one of the show’s most thrilling music performances and was seen smiling and having a heck of a time throughout the broadcast.

Surprise: Everything about Doja Cat and SZA’s acceptance speech

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Doja Cat and SZA picked up the Grammy for Best Pop Duo/Group Performance with “Kiss Me More,” and even before it started, their acceptance speech was an affair, no element of which could have been predicted. After the victory was announced, SZA struggled to walk to the stage as she contended with her crutches. Shortly after she made it up there, Doja came rushing in from another part of the venue. Doja, out of breath and adjusting her clothing, declared, “I’ve never taken such a fast piss in my whole life.”

That bathroom sprint would have been enough to make this moment noteworthy, but almost immediately after she started speaking, she got so emotional that she could hardly keep it together as she expressed how important the award was to her. This carries extra weight given that she has in recent days insisted she plans on quitting the music industry. There was a lot going on here, but a takeaway to consider is that perhaps this recognition will make Doja consider sticking around the music biz. At the very least, it illustrates how meaningful her work is to her.

Surprise: Olivia Rodrigo

Olivia Rodrigo has been focusing primarily on music lately, which makes sense given that she’s become a global superstar over the past year. She apparently didn’t want us to forget that she’s also an actor by trade, so she went full thespian for a surprise appearance during BTS’ Grammy performance of “Butter.” BTS went super theatrical with their rendition, opening with basically a live-action spy movie, in which she flexed her emotional range, showing off happiness, shock, and intrigue in a matter of seconds. BTS’ shtick would have been fine without Rodrigo, sure, but her cameo was fun and the kind of small touch that pushes moments over the top.

Meanwhile, in not-so-surprising Rodrigo news, she also won the Grammy for Best New Artist.

Loser: Lil Nas X

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Lil Nas X has come a long way since he was a potential one-hit-wonder with “Old Town Road,” which won him his first two Grammys back in 2020. He didn’t do so hot this year, though, as he earned five nominations (including three in the major categories) but didn’t win a single won, bringing his lifetime Grammys record to two wins out of 11 nominations.

Another way to look at it, though: If you’re of the school that it really is an honor just to be nominated, then Lil Nas X is one of the most decorated artists of the past few years. He also put on a pretty killer performance that’s sure to ruffle some feathers, a favorite Lil Nas X pastime. So, all in all, despite the losses, it was still a pretty good night for him.

Winner: Questlove

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Save for being a footnote in the most infamous pop culture moment of 2022 so far, Questlove has had himself a terrific week. Immediately after Will Smith went ahead and smacked Chris Rock on stage at the Academy Awards, Rock gathered himself and gave Questlove the Oscar for Best Documentary Feature, for Summer Of Soul (…Or, When The Revolution Could Not Be Televised). While that moment (which Quest made a quick joke about while presenting) was overshadowed by shenanigans, Questlove’s victory for Best Music Film wasn’t. His movie earned yet another major award, and this time, Questlove actually got to enjoy his deserved spotlight, distraction-free.

Surprise: Baby Keem

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Baby Keem is a capable rapper: His 2021 debut album The Melodic Blue was top-5 in the US and its standout single, the Kendrick Lamar-featuring “Family Ties,” was top-20 and platinum-certified. Now, with that said, if you list his name alongside Cardi B, J. Cole, Drake, and Megan Thee Stallion, which one of that group feels like the odd man out? Without a doubt, based on fame and success and no disrespect, it’s Keem.

So, some hip-hop fans certainly had at least one eyebrow raised when “Family Ties” won the Best Rap Performance Grammy over those aforementioned rap icons (although the Lamar bump surely helped). I’m not necessarily saying Keem isn’t deserving of the honor, more so just pointing this out: I tried finding the Vegas betting odds for the category and wasn’t successful, but I’d have to imagine Keem would have been in last. So, congrats on the upset, Keem.

Loser: J. Cole

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Over the years, J. Cole has had an up-and-down relationship with the Grammys: Up in the sense that he’s earned an impressive 16 nominations since his first (for Best New Artist) in 2012, but down in the sense that he’s only managed to win one: Best Rap Song for “A Lot” in 2020. That includes last night, where his luck didn’t change: He was up for Best Rap Performance, Best Melodic Rap Performance, Best Rap Song, and Best Rap Album but lost to Baby Keem, Kanye West, Kanye West again, and Tyler The Creator, respectively. Given that The Off-Season was a well-received No. 1 album and Ye isn’t in what most people would consider the peak of his music career, those losses especially have to sting.

Winner: Taylor Hawkins

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The Foo Fighters drummer had a big night at this year’s ceremony, but as the music world knows by now, sadly, he was not able to enjoy it himself after his recent death. In the days leading up to the big night, the Recording Academy said they were working on some sort of way to honor Hawkins and his presence was certainly felt. He got a nice video tribute separate from the in memoriam segment, replacing Foo Fighters’ canceled performance slot. He also got a major shout-out from Billie Eilish, who wore a shirt with his face on it during her show-stopping performance of “Happier Than Ever.”

On top of that, Foo Fighters won a few Grammys, giving Hawkins some posthumous awards: Best Rock Album, Best Rock Song, and Best Rock Performance. While it is awful to have to say goodbye to one of the most beloved drummers of the past couple decades, last night was a fitting farewell.

Find the full list of this year’s Grammy nominees and winners here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

A Song From A 26-Year-Old ‘Kirby’ Game Is Now The First Nintendo Track To Ever Win A Grammy

Every year, there are always at least a couple Grammy nominations that stick out. This year, one of those was in the Best Arrangement, Instrumental Or A Cappella category: Nominated was an arrangement of “Meta Knight’s Revenge,” a song from the 1996 Super Nintendo game Kirby Super Star, as arranged by Charlie Rosen and Jake Silverman and performed by The 8-Bit Big Band featuring Button Masher (Silverman’s performing name).

Video game songs aren’t nominated that often so what happened last night was big: “Meta Knight’s Revenge” (which appears on The 8-Bit Big Band’s 2021 album Backwards Compatible) actually won the award.

This is a huge moment in Nintendo history and in video game history more broadly; Eurogamer notes this is only the second time a song originally from a video game has taken home a Grammy, following Christopher Tin’s 2010 win for Best Instrumental Arrangement With Vocalist(s), for a song composed for Civilization 4. Previously, Journey composer Austin Wintory got a nomination in the Best Score Soundtrack For Visual Media category in 2013 but didn’t win.

So, that means this Kirby win is the first time a song from a Nintendo game has ever won a Grammy. This news arrives with especially good timing, as it quickly follows the March 25 release of the latest Kirby game, Kirby And The Forgotten Land for Nintendo Switch.

Rosen shared an excited reaction on the social media pages for The 8-Bit Big Band, posting a photo of himself and Silverman with their trophies and writing, “HOLY SH*T WE WON THE GRAMMY!!LONG LIVE VIDEO GAME MUSIC!! Thank you to everybody who’s ever listened to [The 8-Bit Big Band], the 100s of artists who have contributed their time/talent/musicianship, and of course HUGE thanks to my co-arranger on Meta Knights Revenge the one and only [Jake Silverman] !! MUCH LOVE, [Charlie Rosen].”

Rosen also posted this pretty terrific Kirby graphic a few days ago:

Watch The 8-Bit Big Band and Button Masher perform “Meta Knight’s Revenge” above. Also check out where Kirby Super Star (and another SNES Kirby game) ranks on our list of the 100 best Super Nintendo games (according to over 200,000 players) here.

Olivia Rodrigo Already Broke One Of The Three Grammy Statues She Won At The 2022 Awards

Olivia Rodrigo didn’t break any Grammy records at last night’s awards show (at least none that I’m aware of), but she did literally break a Grammy. A red-carpet photo from after the ceremony shows the aftermath of Rodrigo apparently dropping one of her three Grammy trophies, which was left worse for wear after the impact it sustained.

The photo at the top of this post shows Rodrigo’s reaction to dropping and breaking the Grammy, which is one of pure shock as her mouth is agape and her eyes are full of astonishment. For formatting purposes, we had to crop the image, so you can’t see the broken trophy in shambles. So, here’s the original photo, which shows the trophy on the floor, the gramophone horn snapped off from the rest of the statue:

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Ultimately, it’s probably no big deal, as this is something the Recording Academy has likely dealt with before and they’ll presumably get a replacement trophy for Rodrigo. This could also actually be a bit of a humblebrag for Rodrigo: She had so many Grammys that she had a hard time holding them all.

What is a big deal, though, is that she won three Grammys in the first place. She had seven nominations and ended up winning a trio of awards: Best New Artist, Best Pop Solo Performance (for “Drivers License”), and Best Pop Vocal Album (for Sour).

Find the full list of 2022 Grammy winners and nominees here.

Silk Sonic’s ‘Leave The Door Open’ Wins The 2022 Grammy Award For Record Of The Year: ‘We Gettin Drunk!’

Just as H.E.R. and Lenny Kravitz cleared the Grammys stage following an electrifying performance, Keith Urban grabbed the mic to announce the winner of the biggest yearly prize awarded to a single song. And yes, this is when we have to explain each year, that Record Of The Year awards the recording of the song (artists, producers, engineers), whereas Song Of The Year is about the song’s composition (songwriters). After Childish Gambino took home the prize in 2019 for “This Is America,” Billie Eilish won the award the past two years for “Everything I Wanted” and “Bad Guy.” But it wasn’t a three-peat for Eilish tonight.

Silk Sonic’s “Leave The Door Open” took home the 2022 award for Record Of The Year and the duo of Anderson .Paak and Bruno Mars were over the moon. “We’re really trying our hardest to remain humble at this point. But in the industry, we call that a clean sweep!” .Paak told the audience, after the duo won Song Of The Year AND Record Of The Year, as well as the Best R&B Performance and Best R&B Song Awards. “Drinks is on Silk Sonic tonight! We gettin drunk!” .Paak added. Silk Sonic also performed “777” earlier in the evening for the opening performance of the Grammy Awards show.

The Record Of The Year nominees included ABBA for “I Still Have Faith In You,” Jon Batiste for “Freedom,” Tony Bennett and Lady Gaga for “I Get A Kick Out Of You, ” Justin Bieber for “Peaches” featuring Daniel Caesar and Giveon, Brandi Carlile for “Right On Time,” Doja Cat for “Kiss Me More” featuring SZA, Billie Eilish for “Happier Than Ever,” Lil Nas X for “Montero (Call Me By Your Name),” and Olivia Rodrigo for “Drivers License.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Doja Cat Almost Missed Her Grammy Win Because She Was Peeing, And Cried During Her Acceptance Speech

Doja Cat has been through it since she broke out in the music industry, with strange rumors and bad faith accusations following her even as she rose to the top. The release of her album, Planet Her, cemented her weirdo status, but also moved Doja even more into the mainstream. In fact, sometimes it feels like the mainstream moves with her. Nothing illustrates that better than one of the album’s early singles, a collaboration between SZA and Doja called “Kiss Me More” that has stuck around for months.

Tonight, the Grammys honored the song further with a victory in the Best Pop Duo/Group Performance category, but Doja was so sure she wasn’t in the running that she opted to go to the bathroom right before the honor was announced. SZA made her way up to the stage rather slowly due to her crutches, with Lady Gaga thankfully helping her out with the long gauze train of her dress, and Solana had to kill time for a few moments while Doja made her way out of the bathroom and up onstage. “I’ve never p*ssed so quickly,” Doja blurted, before praising her collaborator, giving SZA a chance to speak, and then tearfully returning to the mic to let the Recording Academy know just how much the award really meant to her.

Lately, Doja has been threatening to retire from the industry all together… hopefully this changes her mind. For good. Check out the whole drama above.

Silk Sonic’s ‘Leave The Door Open’ Wins Song Of The Year At The 2022 Grammys

When it comes to which of the Grammy Awards is the most prestigious one, there are arguments to be made, but Song Of The Year is always part of the conversation, as it’s one of the ceremony’s four major awards. Well, now a new song has cemented its place in music history: Winning this year’s Grammy for Song Of The Year is Silk Sonic’sLeave The Door Open.”

Also nominated for the award were Ed Sheeran’s “Bad Habits,” Alicia Keys and Brandi Carlile’s “A Beautiful Noise,” Olivia Rodrigo’s “Drivers License,” HER’s “Fight For You,” Billie Eilish’s “Happier Than Ever,” Doja Cat’s “Kiss Me More” Feat. SZA, Silk Sonic’s “Leave The Door Open,” Lil Nas X’s “Montero (Call Me By Your Name),” Justin Bieber’s “Peaches” Feat. Daniel Caesar and Giveon, Brandi Carlile’s “Right On Time.”

Silk Sonic has a good amount of nominations this year, as aside from Song Of The Year, they’re also up for Record Of The Year, Best R&B Performance, and Best R&B Song, all also for “Leave The Door Open.”

Find the full list of this year’s Grammy nominees and winners here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.