In anticipation of the San Francisco 49ers’ playoff campaign, Saweetie and P-Lo are unveiling their latest track, “Do It For The Bay,” in collaboration with the San Francisco 49ers. The San Francisco 49ers are delighted to unite with Bay Area artists Saweetie and P-Lo, whose careers have achieved national recognition while upholding a deep bond with their local community.
“We’re grateful to iconic Bay Area artists and 49ers Faithful, Saweetie and P-Lo, for creating a song that celebrates our team and gives The Faithful a new song for their gameday soundtracks,” said Allie Dicken, Senior Director of Brand Marketing for the San Francisco 49ers. “We’re lucky to be based in a region that is thriving with talent, diversity, and innovation, and excited that Saweetie and P-Lo were able to capture those values in this new anthem for The Bay.”
Saweetie said, “I’m excited to share our new 49ers single designed to hype up the team and The Faithful for this playoffs run! I want to thank the 49ers organization for this opportunity. Shout out to P-Lo for doing what he does. I love that we were able to collaborate and make something that’s so Bay-triotic, as P-Lo would say.”a
P-Lo added, “Big thanks to the 49ers for their commitment to bridging sports and Bay Area culture. I’ve been wanting to release music with Saweetie and with both of us being die-hard 49ers fans, this a great opportunity to come together and show our pride for The Bay.”
Saweetie and P-Lo are getting into the sporty spirit, as the two dropped a new anthem for the San Francisco 49ers. The collab, titled “Do It For The Bay,” finds the two pumping up the team to make it to the Super Bowl in February.
The two appear in an equally energetic music video that incorporates both footage of the team and Saweetie performing with P-Lo. It also was a special full-circle moment, considering Saweetie is from Santa Clara and P-Lo’s from the Bay Area.
“I’m excited to share our new 49ers single designed to hype up the team and The Faithful for this playoffs run,” Saweetie said in a statement, according to Rolling Stone. “I want to thank the 49ers organization for this opportunity. Shout out to P-Lo for doing what he does.”
“I love that we were able to collaborate and make something that’s so Bay-triotic, as P-Lo would say,” Saweetie added.
“We’re lucky to be based in a region that is thriving with talent, diversity, and innovation, and excited that Saweetie and P-Lo were able to capture those values in this new anthem for The Bay,” Allie Dicken, a representative from the 49ers marketing team, shared also.
Check out Saweetie and P-Lo’s new “Do It For The Bay” song above.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
A lot of my favorite music lately has come from my home state, but surprisingly, the bulk of that comes from the northern half. From Guapd4000 to Larry June to Rexx Life Raj, I’ve found that the Bay Area has made the music that most resonates with my spirit, whether it’s for reflection, relaxation, or turning up. Now, I’ve added P-Lo to that list, thanks to his new album Stunna.
Like the other Bay mainstays mentioned above, P-Lo is a rapper and producer who’s been at it for a long time but has only recently begun to receive more acclaim despite his contributions to movements and the blog-era fame of HBK Gang. You might remember their 2013 “Gas Pedal” from Sage The Gemini and Iamsu! as they rode the wave of the hyphy movement’s late 2000s popularity.
Since then, P-Lo has released four albums, including 2019’s Shine, and become a fixture at Golden State Warriors games, performing at halftime and even reshooting his recent “One Thing” video to take advantage of the team’s most recent championship parade. With Stunna, he continues his mission to spread positivity and shine a light on the growing second wave of Bay Area dominance. He was kind enough to break down his new album via Zoom, discussing those Golden State championships, the responsibility of representation, and the benefits of his newfound love for yoga.
So just right off rip, I always ask an artist, every album has kind of a thesis statement or a theme. What would be the thesis statement or theme for Stunna?
Stunna is like a… it’s a frequency. It’s energy. It’s a belief. It’s a level of confidence that I have in myself, in which I feel like people can also reach that same level, or whatever capacity that means for them. So Stunna is just a frequency, it’s a confidence, it’s positivity. And I think all the music represents that.
One thing that I’ve always loved about your music is the bounce. That Bay Area bounce is very different than probably any other kind of music in the hip-hop world. Why is it so special and why does everybody want a piece of it?
It’s just the amount of weirdness and uniqueness that sets it apart. Because a lot of Bay Area rap is rooted in funk. So a lot of the bass lines are really funky, really different, really odd, really, really interesting. And I think the Bay Area has always been ahead in setting new waves and precedents all over, not just in music, but just in tech and art and fashion and everything. It’s like living 10 years ahead of the whole world.
You have a song on Stunna called “My Ghetto Report Card Freestyle.” Can you just tell me about high school P-Lo? Where was he? What was he doing when [E-40’s album] My Ghetto Report Card dropped? What kind of an effect did that have on young P-Lo?
Man, I was in the ninth grade. I remember buying the bootleg of My Ghetto Report Card from my homie Bryan Fisher — shout out to Bryan Fisher. I bought it off of him for $5, it was a burnt CD. Later on, when I got really close to 40, I had to confess to him. I was like, “Hey yo, 40, when I was in middle school, I didn’t actually buy the album. I bought a burnt CD of the album.” And he was like, “Oh man, don’t worry about it, man.”
That whole CD had so much influence on the production style, everything. That project embodied the Bay so on point at that time, especially when the “Tell Me When To Go” video came out. And I remember sitting at my homie Buddha’s crib, and when that shit premiered on BET or TRL. It was the whole black-and-white video. Everybody’s slow motion, shaking their dreads, it was incredible, bro. That time period is so vital to even what I’m doing now, from the production to the songwriting… I still pull so many inspirations from that whole era, from the whole Hyphy Movement to this day. Even if you listen to this project, there’s so much influence from that time period and still trying to flip it and reinvent it.
I feel like modern kids are having a little bit of their own Bay resurgence, thanks to Stephen Curry and Draymond Green and Klay Thompson, and I know that you have been a huge, huge aspect of that. The time you describe was around the time of the “We Believe” Warriors. Y’all weren’t doing too good back then. And now they have championships.
Multiple championships, man. Growing up, it was really hard. The Warriors weren’t winning as much. That time period, the “We Believe” Warriors, coincided with that whole scene. That was such an integral part of my life too. Because that’s right in high school, the Warriors are going crazy. Even though they didn’t really go that far. We embodied the underdog mentality that the Bay Area has always had. We’ve always been the underdogs and we’ve never gotten the credit that we’ve always deserved.
Being a part of it now and being able to go to the games, performing at halftime, and just being a part of the culture of the Warriors is such a true honor. Shout out to the Warriors organization for reaching out and always making sure we’re taken care of. And it’s just so dope. We’re doing the album release party in the Chase Center Plaza. It’s a free event, it’s for all ages. It just celebrates the album, brings the community out.
Yes, sir. Now I would be remiss if I didn’t ask you about what it means to be this visible as a Filipino person in hip-hop culture representing the kababayan.
I hold a responsibility. I’m cognizant of the responsibility of doing that because I’m one of the few Filipino-Americans in music that’s at the forefront of it. And that holds a lot of responsibility because you know when you break down the door, you might not get the full thing of it, but the people behind you are going to be able to really take that and go. I feel like that’s a responsibility that I’m taking upon myself also. I want to make people feel comfortable in who they are. And that’s something that I’m also still figuring out is who I am and what I represent.
I think we’re starting to see some benefits of that. Jo Koy got the movie in theaters, and Guapdad is doing his thing. H.E.R. is going to be on ABC as a Disney princess. And you’re all from the Bay.
Yeah. I mean, feel like we Filipinos are the Puerto Ricans of the West Coast. I think that’s the tether to what New York is. The Filipino community is so intertwined and it’s such a melting pot, especially in the Bay, just like everyone’s together. Well, at least how I grew up. It’s a little different now with gentrification and stuff going on, but how I grew up, it was interwoven.
Now, if someone was going to be just flipping through the playlist on New Music Friday and they see P-Lo and they have a bunch of options from the new album from Stunna, what’s the song that they should click play on first to really understand who P-Lo is and what Stunna is and want to listen to the rest of the album?
I think the perfect song for that is “Good” featuring Larry June. I feel like it’s an embodiment of who I am. It’s an embodiment of what the Bay Area represents. It’s me and Larry, it’s unity, and it’s funky. I think it just has all those things that embody what P-Lo represents. Especially the positivity in the song. I think that’s what the whole album’s about. It’s just about having that confidence, having that confidence in yourself, having that belief in yourself, and being positive. Knowing that you’ll be able to make it through everything with belief and positivity.
And the video looks fun. The video looked like a lot of fun to shoot.
It’s a great time man. Everything’s just natural like an afro, man.
I know you do a lot of interviews. You probably get a lot of the same questions. You probably get tired of answering all the same questions. Do you have anything that you have always wished somebody would ask you about?
Something that I want to start talking about is my journey in yoga.
Yoga! P-Lo does Yoga! Now I have no excuse not to do it!
I started maybe last November and it’s been an interesting journey. It’s definitely mentally challenging, it’s physically challenging and spiritually challenging. So anyone that I talk to or come across I’m like “Hey, you should try this sh*t.”
Oh, you’re that guy now?
I’ve turned into that guy now. I got one of my roommates coming with me now. I think everyone should try it. It’s really good for mind, body, and spirit and balance in life.
Stunna is out now via EMPIRE. You can get it here.
P-Lo is turning up the heat on his new song, “Stunna Anthem.” On his latest single, the Filipino-American rapper maintains his reign within the Bay Area, rapping along to a bouncy, hyphy Oakland-influenced beat.
The song contains a prominent sample of his fellow Bay Area rapper Too Short‘s “Shake That Monkey.” In the song’s video, P-Lo is seen enjoying breakfast in his home, surrounded by women dancing and lifting weights. He briefly dances with the ladies by the pool, falls asleep, then is immediately awoken by the famous dance group, the Jabbawockeez, who then take him to perform and dance in a banquet-like setting.
Over the years, P-Lo has worked behind the scenes with artists like Kehlani, Kamaiyah, YG, Tyga, and several other west coast artists. In an interview with Revolt, he detailed the process of writing and producing music of his own, and shared what fans can expect from his upcoming album.
“I was aimlessly recording and making songs at the beginning of last year,” he said. “I’m a producer. So, I wanted to push the boundaries of my sound. So, it took a little time to figure out the sonic landscape and the album’s energy.”
The Bay Area takes care of their own, no doubt. It’s why Pinole-native P-Lo, the surging Filipino-American rapper, has been a fixture at Golden State Warriors, Oakland A’s and San Francisco 49ers games for years. At this past year’s NBA finals, he performed at halftime of the Warriors’ Game 1 against the Boston Celtics at the Chase Center in San Francisco. P-Lo embodies the Warriors’ “gold-blooded” ethos, so when the team took home the 2022 NBA championship, the rapper knew he had to scrap the footage for his soon-to-be-released “One Thing” video and re-cut it with footage of him celebrating with the fanbase and team at the Championship parade in Downtown San Francisco.
The clip opens with cuts from the original video of P-Lo sitting on a field goal post at the San Francico 49ers’ Levi’s Stadium. Words then flash on the screen saying, “So we shot this music video a few months ago… BUT then the Warriors won the NBA championship…” Steph Curry raises a trophy and the new cut of “One Thing” begins. P-Lo rides down Market St in a convertible Benz as part of the team’s parade caravan. He daps up fans, players, and then performs at the Parade Plaza in front of the Chase Center. He smiles through a shiny grill from ear-to-ear, rapping, “They wanna see me down, but I’m runnin’ commas up.” And it feels like nothing short of a triumphant moment for the rapper who ingrained himself into the Championship fanbase.
“One Thing” comes out in the lead up to P-Lo’s new album, Stunna, due out this summer. Watch the video above.
Nearly two years removed from his debut album, Dior Deposits, Guapdad 4000 is gearing up to release his upcoming effort, 1176 with Illmind. The Oakland rapper takes one step closer to the project’s release which his latest single, “She Wanna” featuring fellow Bay Area act, P-Lo. The track is a play off Ying Yang Twins’ “Wait (The Whisper Song)” and arrives with a wacky visual that falls in line with Guapdad’s unique personality.
After waking up next to a pair of women, the rapper quickly declares that he’s dealing with someone who wants to “f*ck all the time.” He proceeds to steal a few credit cards before getting ready for the day. For the rest of the video, we see him receive a fresh batch of cookies, caress the pregnant belly of the presumed mother of his child, show off some dance moves, and more. As for P-Lo, his appearances in the video are limited to his face camouflaged onto the different colored walls in the house the video was shot at.
“She Wanna” is the second single from the upcoming album following “How Many” which is produced by Illmind. Shortly before the song was released, the producer showed love to Guapdad in a warm post. “I’m so proud of Guapdad and I’m proud of myself because we challenged each other,” he said. “That pressure made some diamonds and we can’t wait to show this project to the world. This single is the beginning of what’s to come.” Guapdad also confirmed that the new album would arrive on March 19.
You can watch the video above.
1176 is out 03/19 via 88Rising/TWNSHP.
Guapdad 4000 is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
