Post Malone Owes His Over 60-Pound Weight Loss To One Simple Dietary Modification

At every concert and public appearance, Post Malone has a charming glow — proof that his sobriety and weight loss journey has been a success. During his August 8 appearance on The Joe Rogan Experience podcast, Malone elaborated upon the change in his physical appearance.

During the chat, Malone attributed his over 60-pound weight loss to one simple dietary modification: quitting soda and reducing his sugar intake. “Soda is so bad. It’s so good but so bad. [But if] I had a great show, and you know what, I’m feeling a little bit naughty. I’m gonna have myself a Coke on ice,” he said.

Malone’s said his decision to cut off the beloved drink was because, as he put it on social media, “I guess dad life kicked in, and I decided to kick soda and start eating better. So I can be around for a long time for this little angel.” Malone and his fiancée reportedly welcomed their baby girl in May 2022.

In April, fans grew concerned about Malone’s weight loss, alleging that it resulted from drug use. However, Malone shut down the rumors, writing, “Hello everybody, I hope you’re having a great night. I wanted to say that I’m not doing drugs. I’ve had a lot of people ask me about my weight loss and, I’d suppose, performance on stage. I’m having a lot of fun performing and have never felt healthier.”

Watch the full interview above.

‘Batman Unburied’ Podcast Dethrones Joe Rogan For Number One Podcast On Spotify

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There is a new kingpin on top the podcast landscape and he wears a cape.

According to The Podcast Charts by Spotify, Batman Unburied is now the No. 1 podcast in the U.S., bumping The Joe Rogan Experience to second place. The Joe Rogan Experience was Spotify’s No. 1 podcast of 2021, after a $200 million deal in 2020 made it exclusive to the platform.

Batman Unburied‘s first two episodes were released on May 3rd Starting with Winston Duke as Bruce Wayne. Joining Duke on the narrative-led podcast are Hasan Minhaj as The Riddler, Jason Isaacs as Alfred, Gina Rodriguez as Barbara Gordon, Lance Reddick as Thomas Wayne, Toks Olagundoye as Martha Wayne, John Rhys-Davies as Dr. Hunter, and Ashly Burch as Vicki Vale.

The description for the podcast reads as follows

“A serial killer known as The Harvester terrorizes Gotham City, but Batman is not coming to the rescue. In fact, Bruce Wayne has no memory of being the Caped Crusader at all. Instead, Bruce is a forensic pathologist, performing the autopsy on the latest victim when he’s attacked by the killer himself.”

New episodes will release each Tuesday exclusively on Spotify and each episode will be released in nine different languages.

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Joe Rogan threatens to leave Spotify over censorship concerns

Joe Rogan

He may be one of the highest podcast hosts in the world, but Joe Rogan is also one of the most controversial. This week, he doubled down on his right to free and uncensored speech when he told his listeners that he would rather walk away from his lucrative $200 million Spotify deal than acquiesce to censorship.

Rogan’s issues stem from the controversial comments that he has made on his popular podcast in the past, specifically with regard to hot button social issues and Covid-19 vaccination misinformation (Rogan has expressed skepticism about the vaccine and criticized vaccine requirements). Rogan’s presence on Spotify caused several high-profile artists such as Neil Young and Joni Mitchell to pull their content from the streaming platform. Earlier this year, a group of 270 doctors and scientists sent an open letter to Spotify in which they accused Rogan of peddling misinformation, calling him a ‘menace to public health.’ This led Spotify to add a disclaimer to Rogan’s podcast, The Joe Rogan Experience.

Rogan has also made many other controversial comments regarding transgender and racial issues, even using the n-word in the past, although he has expressed remorse, describing it as ‘the most regretful and shameful thing I’ve ever had to talk about publicly.’

On Tuesday, Rogan addressed his relationship with Spotify during an interview with MMA fighter Josh Barnett, saying “‘If I become something different because it grew bigger, I will quit. If it gets to a point that I can’t do it anymore, where I have to do it in some sort of weird way where I walk on eggshells and mind my p’s and q’s, f*** that!”

The conversation stemmed from Rogan’s musing that his critics would “go through every single one of his statements with a fine-tooth comb” in order to look for something to be offended about.

As of Wednesday evening, Spotify had not publicly addressed Rogan’s statements.

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Snoop Dogg Reveals How He Secured Benny the Butcher for Def Jam

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Back in November, Benny the Butcher signed to Def Jam Records. That deal was brokered by Snoop Dogg, who is the reigning executive consultant for the iconic label. Speaking with Elliott Wilson, Snoop revealed he helped Benny’s deal go through after the label allegedly low-balled him.

“I said, ‘Lowballed you? They don’t know who you is?’” said Snoop, according to Complex. “I’m going to call the boss. You’re going to tell the boss what you want, and he’s going to give you what you want and you’re going to sign.”

Snoop would also reveal that he is there to support the artist, beyond being an executive. “I’m going to always pattern it for the artist. Especially Hip Hop artists. You never know what you’re worth until you overcharge. That’s what we need to know. A lot of times, we be scared. I go in and overcharge.”

When Benny first signed, fans expressed concern for his decision and Benny set the record straight.

“You niggas who be in my DMs, who be in my comments sayin’ like, ‘Yo, don’t let Def Jam do this’ or ‘Don’t let Def Jam do that.’ What y’all on?” Benny said on Instagram. “What, you think a nigga work this hard and was this self-made for this long to get somewhere and let somebody tell me, ‘You know what, you can’t do it like this no more, you gotta do it like this.

“Y’all gotta use y’all fuckin’ brains before y’all start thinkin’ shit like that. I’m a boss.”

Snoop Dogg had a conversation on The Joe Rogan Experience on Friday, November 12th and revealed he signed Benny to the longtime label.

“I’m on Def Jam Records right,” Snoop said. “I’m a creative consultant executive, and just to let you know that it don’t exist no more, I’m going to announce on your show that I just signed Benny The Butcher, and he is one of the hardest rappers up out of Buffalo, New York. So that’s showing that there are no more lines to be crossed. We are doing what we’re supposed to be doing. The butcher’s coming.”

Benny The Butcher later confirmed the news on Instagram with a photo of himself signing the contract.

His Caption Read: “A Buffalo n***a the new face of The Legendary @defjam,” he wrote. “signed my major deal finally this for DJ Shay. Griselda x B$F this is BIG…Huge Buffalo we did it again gotta thank @chace_infinite @1978hiphop @hank & Hov of course and the whole @rocnation my Family @westsidegunn @whoisconway @griseldarecords.”

“my team the Sopranos my n***a @bsf_cityboy @therealtonydeniro @jakeamankwaah yo @iamheem and @prettyrickyhyde y’all stock Jus went up with mine. this street shit back on top. big unc @defjamsnoop @snoopdogg I appreciate u OG u kno tht. THE BUTCHER COMIN.”

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Why Are People Leaving Spotify?

This past January 24th, legendary musician Neil Young wrote an open letter threatening to remove his entire catalog from Spotify if the streaming service did not remove Joe Rogan and his podcast, The Joe Rogan Experience, from the platform. Young cited how Rogan continuously spreads COVID-19 vaccine misinformation on his show. “Spotify is spreading fake information about vaccines — potentially causing death to those who believe the disinformation being spread by them,” he said.“They can have [Joe] Rogan or Young. Not both.” This was the first domino to tip and quite a bit has happened since.

Why Are People Leaving Spotify? Inside The Controversy

Soon after Young’s statement, Spotify sided with Joe Rogan, their $100 million man who signed a very rich exclusive licensing deal in 2020. Young’s music was removed, but other artists began to follow his lead. Joni Mitchell joined Young in removing her music, then the rest of Young’s Crosby, Stills, Nash And Young bandmates announced that they were pulling their music as well. This led to numerous artists beginning to question their relationship with Spotify — who already pays artists a criminally low amount of money per song play — and then India.Arie took an even deeper stand against Rogan and Spotify. Arie announced that she was removing her catalog and her podcast, Songversation, citing not necessarily Rogan’s vaccine misinformation as the reason, but rather his problematic language around issues of race. “Neil Young opened a door that I MUST Walk Through,” she posted on Instagram. Rogan soon issued an apology for his misinformation and later for his language.

Arie later posted a video showing numerous instances of Rogan using the n-word on his show, called for a full-on Boycott, and Spotify, in turn, removed 70 episodes of the podcast from the streaming service. But why this issue isn’t going away anytime soon, and why people will likely continue to leave Spotify, is because of the platform’s tepid measures taken. A “content advisory” warning has been added to the platform and CEO Daniel Ek wrote a letter to all employees, which felt a bit more like damage control and a potential PR play.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

A Right-Wing Platform Has Offered Joe Rogan $100 Million To Leave Spotify

The Joe Rogan Spotify saga isn’t going away anytime soon, folks. Today, a right-wing platform just offered Rogan the same $100 million that Spotify paid him for the exclusive rights to broadcast his The Joe Rogan Experience podcast, because of course they did.

The company that has approached Rogan with the offer is Canadian video platform Rumble, which has prominent right-wing pundits like Steve Bannon and Dinesh D’Souza in its stable. As The Hollywood Reporter reported, CEO Chris Pavloski posted an open letter to Rogan on the company’s Twitter account. It has a real deal with the devil vibe.

“Dear Joe, We stand with you, your guests, and your legion of fans in desire for real conversation,” Pavloski began. “So we’d like to offer you 100 million reasons to make the world a better place. How about you bring all your shows to Rumble, both new and old, with no censorship, for $100 million bucks over four years? This is our chance to save the world. And yes, this is totally legit … We stand with you, your guests and your legion of fans in desire for real conversation.”

So what would stop Rogan from spurning Spotify and taking the money from Rumble? For one, Spotify’s platform is huge and Rogan can certainly get more listeners there than just about anywhere else. Additionally, for all the malarkey that he spits on his show, he is a self-proclaimed liberal who has apologized for using the n-word. So, finding a platform that would seemingly not care if he used it or spread vaccine misinformation isn’t likely what motivates him quite so much as what the court of public opinion thinks of him in the long run.

Meanwhile, Spotify CEO Daniel Ek wrote a letter to all staff members on Sunday night indicating that he doesn’t believe that censoring Joe Rogan is the right call. Time will surely tell how this all plays out…

Spotify CEO Daniel Ek Tells Employees He Doesn’t Believe ‘Silencing’ Joe Rogan Is A Good Idea

When Spotify employees clock into work on Monday morning, they’re going to have a bold letter to digest from CEO Daniel Ek. In a message sent to the entire “Spotify Team” on Sunday, Ek addressed the mounting controversy surrounding The Joe Rogan Experience. This began when Neil Young decided to pull his music from the platform on January 24th, citing the COVID vaccine misinformation that Rogan regularly purveys on his show. Other artists soon followed suit, including India.Arie, who cited Rogan’s problematic language surrounding race and posted a damning clip on her Instagram Story three days ago, of multiple instances where Rogan used a racial slur on his show.

“I do not believe that silencing Joe is the answer,” Ek said in his letter, which was obtained by The Hollywood Reporter. “We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.”

Ek also tried to illustrate that Spotify is not the publisher of The Joe Rogan Experience, but are merely the exclusive license holders — a license that Spotify acquired for that $100 million figure that keeps popping up. He referred to the notion that people assume that the streaming platform is the publisher of the show as merely the “perception” of it, which gave his lengthy letter an odd public relations feel, as if he’s being open with a divided staff about a damage control situation. “…I’ve been wrestling with how this perception squares with our values,” he said.

To that point, the most impactful portion of the letter was Ek pledging $100 million to elevate creators from historically marginalized groups. “If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds,” he said. “I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups.”

Rogan has apologized for using a racial slur and is in a damage control situation of sorts himself. Especially considering Spotify has already pulled 70 of his episodes, presumably for containing inappropriate language. Ek also addressed this and more in his letter, which you can read in full below.

“Spotify Team,

There are no words I can say to adequately convey how deeply sorry I am for the way The Joe Rogan Experience controversy continues to impact each of you. Not only are some of Joe Rogan’s comments incredibly hurtful — I want to make clear that they do not represent the values of this company. I know this situation leaves many of you feeling drained, frustrated and unheard.

I think it’s important you’re aware that we’ve had conversations with Joe and his team about some of the content in his show, including his history of using some racially insensitive language. Following these discussions and his own reflections, he chose to remove a number of episodes from Spotify. He also issued his own apology over the weekend.

While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more. And I want to make one point very clear — I do not believe that silencing Joe is the answer. We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.

Another criticism that I continue to hear from many of you is that it’s not just about The Joe Rogan Experience on Spotify; it comes down to our direct relationship with him. In last week’s Town Hall, I outlined to you that we are not the publisher of JRE. But perception due to our exclusive license implies otherwise. So I’ve been wrestling with how this perception squares with our values.

If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds. We’ve been doing a great deal of work in this area already but I think we can do even more. So I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups. This will dramatically increase our efforts in these areas. While some might want us to pursue a different path, I believe that more speech on more issues can be highly effective in improving the status quo and enhancing the conversation altogether.

I deeply regret that you are carrying so much of this burden. I also want to be transparent in setting the expectation that in order to achieve our goal of becoming the global audio platform, these kinds of disputes will be inevitable. For me, I come back to centering on our mission of unlocking the potential of human creativity and enabling more than a billion people to enjoy the work of what we think will be more than 50 million creators. That mission makes these clashes worth the effort.

I’ve told you several times over the last week, but I think it’s critical we listen carefully to one another and consider how we can and should do better. I’ve spent this time having lots of conversations with people inside and outside of Spotify — some have been supportive while others have been incredibly hard, but all of them have made me think.

One of the things I am thinking about is what additional steps we can take to further balance creator expression with user safety. I’ve asked our teams to expand the number of outside experts we consult with on these efforts and look forward to sharing more details.

Your passion for this company and our mission has made a difference in the lives of so many listeners and creators around the world. I hope you won’t lose sight of that. It’s that ability to focus and improve Spotify even on some of our toughest days that has helped us build the platform we have. We have a clear opportunity to learn and grow together from this challenge and I am ready to meet it head on.

I know it is difficult to have these conversations play out so publicly, and I continue to encourage you to reach out to your leaders, your HR partners or me directly if you need support or resources for yourself or your team.

Daniel.”

Freddie Gibbs Claims To Have Shot A Crackhead Nine Times — To Very Little Effect

Rappers often make braggadocious claims about their lives from before they picked up the mic. In fact, it could be argued that these claims are a large part of why many rap fans enjoy the genre, whether or not those big fish tales turn out to be true (Jadakiss’ 360-degree walls have become a favorite water cooler talking point on Twitter). However, every so often rappers say these things outside the context of their music, which somehow makes their boasts all the more outrageous and, in some cases, borderline problematic.

One of the kings of such statements is Freddie Gibbs. As a rapper whose primary inspiration seems to be his uninhibited, drug-dealing days in Gary, Indiana, Gibbs’ raps are often packed with shootouts, shady deals, and the sort of details that make US Prosecutors salivate at the thought of introducing lyrics in court (fortunately, they can’t). But during his appearance on the Joe Rogan Experience podcast yesterday, Gibbs casually makes a claim that has fans doing double-takes.

“It’s a crackhead, back in the day,” he recalls. “I shot that n**** nine times with a TEC-9 and he kept running down the alley.”

It’s the sort of story that both begs more context and utter and absolute silence from the storyteller because as badly as we all want to know more, that’s exactly the sort of narrative that should remain on wax — not in a podcast, which isn’t protected by the same rules. Of all the questions that arise from Gibbs cavalier recollection, the one that hovers over the proceedings the lowest might just be:

Freddie Gibbs Reveals His Wild, Secret Instagram On The ‘Joe Rogan Experience’ Podcast

Freddie Gibbs has built a reputation as one of the funniest rappers on Twitter and today, he brought that off-color sense of humor to the Joe Rogan Experience podcast. In the four-hour conversation, Gibbs, Rogan, and comedian Brian Moss talked boxing, Freddie Gibbs’ wild, secret Instagram profile, and more. You can check it out at the link below.

Meanwhile, Gibbs has been promoting his upcoming major-label debut album, dropping the animated video for his first single “Gang Signs” earlier this month. The video transforms Gibbs into a hedonistic white rabbit (a euphemism for his favorite subjects) as he goes about the same activities he generally likes to rap about, mining the juxtaposition for some head-scratching, borderline inappropriate comedy.

In addition to “Gang Signs,” Gibbs recently collaborated with Big Sean and Hit-Boy on “4 Thangs” celebrating LeBron James. Meanwhile, he’s kept fans entertained with his social media antics, which have included freestyling over his Piñata partner Madlib’s new instrumental album Sound Ancestors in an Uber. The one thing fans won’t be able to expect from him is a Verzuz appearance; aside from disapproving of Jeezy’s recent match with Gucci Mane, Gibbs shot down speculation over a potential battle between himself and hip-hop’s other resident coke rap connoisseur, Pusha T.

Freddie Gibbs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.