LL Cool J Honors Hip-Hop With Bars At iHeartRadio Awards

One of hip-hop’s most revered and influential figures just honored the genre yet again on the year of its 50th anniversary. LL Cool J shared a tribute to the rap world during the iHeartRadio Music Awards with some impactful and impressive bars. Moreover, the New York MC honored the art form that made him at the Dolby Theater in Los Angeles on Tuesday (March 28). Furthermore, his content revolved around the power of the art form and that of his own career in an engagingly braggadocious set of lines. While it’s not the same clarity with which people talk about the genre, his metaphors, evocative imagery, and powerful phrasing shows what hip-hop can achieve more fully than a simple anecdote can.

“I just want to keep it real simple, alright?” he expressed to the crowd. “I want you to imagine what I’m saying,” and then proceeded to let the mic talk. “A crowd gathered ’round, throwing punches and elbows. Then his mama arose, and recited a poem. That’s a Hip Hop God, not rock’n’roll. She put the baby in the whip- that’s a car. There was a solar eclipse, then a spirit came down, wrote his name in hieroglyphs.”

LL Cool J Drops Bars In The Name Of Hip-Hop

“Break beats played, he had a speaker for a crib,” the Rock The Bells mogul continued. “She screamed ‘Jack the Rip!’ and ignited his gifts. To the parents, he’s a legend, to the children a myth. Here’s ya firsthand experience with Mr. Smith, alias Mr. ‘Killing-Every-Rapper-In-His-Radius.’ Ciphers like a stadium, bars is vibranium.” After all that barrage, he even managed to throw a Black Panther reference in. As expected, the crowd erupted into excited and passionate cheers.

However, as he closed out his stage time, he told the audience, “A new record is coming!” Moreover, excitement for LL’s next album revolves not just around his legacy, but the people he brought into the fold. For example, he remarked his excitement surrounding his work with fellow rap legend Q-Tip on his next project. Given the perfect storm of the genre’s historical 50-year milestone, this will be emblematic of a lot of hip-hop greatness. Regardless, stick around on HNHH for the latest news and updates on LL Cool J and hip-hop history.

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Ja Rule Discusses Ja Morant, Says Hip-Hop Negatively Influenced His Actions

Ja’s looking out for Ja this week, even though he did so by piggybacking off of a controversial take concerning the basketball player. Moreover, Ja Rule recently agreed with Patrick Beverly that hip-hop and rap culture negatively influenced Ja Morant’s actions. For those not yet caught up, the Grizzlies star faced police investigation and an NBA suspension after a video surfaced of him flashing a gun while going out. After Beverly said that music was partly to blame, many pushed back against conflating art for a co-sign of wrongful behavior. Regardless, Rule is a rapper himself, and a big one at that, so his take was interesting.

When asked by TMZ about the situation, the Queens rapper said that rap music influenced him to go down incorrect paths. For example, he said he started smoking weed because of Redman’s “How To Roll A Blunt.” Also, he pointed to Snoop Dogg’s “Gin and Juice” as the song that drove him to drink alcohol. As such, he believed Morant took note in similar ways, and the 47-year-old said “that ain’t the way.”

Ja Rule Speaks On Ja Morant

“Go play ball, man,” he told the publication when they found him at LAX this week. “The streets ain’t about nothing, man. Go grind on ’em. Keep balling. That’s it, man.” Unfortunately, this is far from the first time that the basketball star in question faced police investigation and brushes with controversy. While he dodged charges on both occasions he faced such in the past calendar year, this instance really blew the lid on his image. However, the 23-year-old recently spoke to Jalen Rose about moving past his missteps.

“I used that as an escape, which I shouldn’t have,” the Grizzlies guard remarked. “I feel like that’s the reason I made many bad decisions in my past, which doesn’t pretty much describe me. [It] doesn’t describe Ja as a person. I’m a totally different person than what’s been shown in the media. That’s my job now. That’s why I took that time away, to become a better Ja. So everybody really can see who Ja really is and you know what he’s about.” Regardless of your take on that, stay logged into HNHH for the latest on Ja Rule and Ja Morant.

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Nav Makes His Way Into “NBA 2K23”

The Canadian rapper, Nav, got his chance to scan his body type into NBA 2K23. The NBA video game dropped on September 8, 2022. Nav isn’t the first artist to scan in on the video game. Both J. Cole and Jack Harlow are basketball fans, and now, the rappers have taken their liking a step further by becoming playable characters in the NBA 2K23 video game.

Even though Nav got his big moment with the 2K23 scan, the rapper said some people aren’t the biggest fan of the way he looks. “The way I look, bro that’s gotta be it,” Nav said when asked why people hate him. “They’re just tight. Yo bro, If I was some light-skinned dude with tattoos, the whole look, NBA 2K player looking type of dude bro, and I saw me, getting more money and having more fun, and getting more females, and clout, and whatever I’d hate me too.”

Nav Shows Off His Scan

Nav admits that when he was first making his way into the music industry a lot of people didn’t know what he looked like, according to HiphopDx. “When Cash met me, I had like 4,000 followers and then he was like, ‘Are you attached to anything on your history?’ I was like, ‘Nah,’ then he just started deleting all the pictures, like archiving them or whatever. Then right after that, I blew up and no one knew what I looked like. Some people thought I was Black, they didn’t know. That was when the hate started coming in.”

Nav is coming to terms with fame and how to deal with it all. “Fame is something I want, it’s a good problem to have,” Nav said. “I’m still not there because when I walk out of the f******* Delilah in L.A. and TMZ will be standing out there with cameras and not even take a picture of me, I get sick.” The Canadian rapper’s first big claim to fame was when he was working behind the scenes in 2015. He was one of four songwriters on Drake’s Grammy-nominated Meek Mill’s diss track, “Back to Back.” Let us know what you think of the new scan, in the comments down below.

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The 50th Anniversary of Hip Hop Celebrated At The 2023 Grammys

On February 5th, 2023 at the 65th annual Grammy awards, in a groundbreaking performance, some of the most profound and influential names in hip hop took to the stage to deliver one of the biggest performances in hip-hop history. Celebrating the 50th anniversary of the genre was a monumental moment for both musicians and fans alike. Why? The inaugural class of hip-hop artists who in 1989 boycotted the first Grammy ceremony to include a rap award, due to the fact that it was not being televised.

Adding to the sting, they referred to it as  “ghettoizing” at the time. Female hip hop supergroup Salt-N-Pepa stated,   Making matters worse, up until 2004 there was no award for best rap song. While the genre of hip hop/ rap has long been established since the 1980’s. To add insult to injury the first award for the best rap song in 2004 at the Grammys was given to Caucasian emcee Eminem for his song “Lose Yourself”. This was seen as a slap in the face to the vast majority of hip hop artists who are black. Therefore this 50th anniversary performance was seen as a full circle moment and a long time coming. “If they don’t want us, we don’t want them,” regarding the boycott back in 1989.

The Night Of The Hip-Hop Tribute

On the night of the hip hop tribute, a number of the performing artists had quite a bit to say regarding the long overdue acknowledgment of the genre and creatives that have built it and kept it around. Rapper turned TV star Ice-T said on the red carpet, “The Grammys didn’t even respect hip-hop for so long, and now to be here, to be honored like this, we’ll take it, absolutely,” to People correspondents Jeremy Parsons and Janine Rubenstein. “It’s only right,” Queen Latifah told Cox and E! on the red carpet before joining the performance. “We had to fight to get on the Grammys quite a long time ago, and so it’s great to be here to celebrate this in front of the entire world with people who were my mentors.”

How It Came Together

Back in December of 2022 The recording academy approached QuestLove about helping to right a long standing wrong. The legendary drummer, DJ, producer, culinary entrepreneur, designer, New York Times best-selling author and member of The Roots was the one who asked to fit 50 years of rap history into 15 minutes. On the Grammys red carpet he described  it as a “family reunion.” According to The New York Times, “for once, the awards show gave the genre a fitting spotlight.”

According to QuestLove he knew, “It was a lot of mountains to move to make this happen.” Mainly because, “It took a lot of cajoling for this particular generation to come to a function that has systematically treated them as stepchildren,” he said. He further explained, “I understand the historical significance of it, but you’ve got to understand that there is a new generation that has a seat at the table. Our job is to make it right. I know this reeks of a lot of overcompensatory acts, but just trust me, the old guard is gone and the new guard is the establishing guard. What should’ve been due to you 35 or 40 years ago is coming to light now.”

The Performances: Chapters One Two and Three

The Grammys performance itself was divided into chapters. Beginning with the start of hip hop in the 1980’s telling the story up to this point in time. The entire performance started with an introduction from LL COOL J . The star acknowledged all those not featured on the telecast. He said, “We wish we could have included every single hip-hop artist from 1973 to 2023 — I know, I know, I know,” as an attempt to get ahead of any criticisms based on the set list. From there the performance began. With narration from legendary frontman for the roots, Black Thought. The performance opened with 80’s great Grandmaster Flash and the Furious Five and the hit, “The Message”. Which seamlessly transitioned into a short yet memorable performance by the forever legendary Run DMC.

Followed by a remixed rendition of “Rock the Bells” by announcer LL Cool J and scratched by the incredible Dj Jazzy Jeff himself. Will Smith was asked to attend and originally was scheduled. But, there was a scheduling conflict with “Bad Boys 4”. Immediately following LL Cool J’s performance, Salt – N-Pepa came out performing their hit, “My Mic Sounds Nice”. Rakim followed up with his verse from the legendary hit, “Eric B. is President”. Chuck D and Flavor Flav slid in next with the 1988 classic, “Rebel Without a Pause”.

To begin the second chapter there was a short intermission of sorts with LL Cool J and Black Thought narrating the short interlude. Upon the beginning of the short second act of the tribute, there was a brief performance by one of the members of De La Soul. He performed his verse of the classic track, “Buddy”. What followed were performances by Scarface, who performed a verse from “My Mind is Playing Tricks On Me”.

The Second Chapter Of The Performance

The second chapter concluded with Ice-T rapping, “New Jack Hustler (Nino’s Theme).  The transition from 80’s to 90’s hip hop continued on with performances by Queen Latifah. She performed, “U.N.I.T.Y. Then, Method Man performed his self titled hit, “M-E-T-H-O-D Man”. Immediately after Method man concluded his set, one half of the iconic southern hip hop duo Outkast, Big Boi, performed “ATLiens”. Hip hop heavyweight Busta Rhymes followed  up by performing not one but two of his hits. He performed the 90’s hit “Put Your Hands Where My Eyes Could See”. Also, he performed his verse the early 2000’s hit,“Look at Me Now”.

The second chapter was concluded by the one and only Missy Elliott. She took to the stage to perform the dance classic “Lose Control”. The Third and final chapter of the performances were narrated by Queen Latifah herself. The performances that followed were by heavy hitters of the most recent generation of hip hop stars. Closing out the early 2000’s era there were performances by Nelly & City Spud’s performance of the hit “Hot in Herre ”.

Followed up by Too Short’s track, “Blow the Whistle ” and then ending the era with a track that summed up a generation; Swizz Beatz & the Lox’s “We Gonna Make It”. The final performances were all newcomers to the hip hop scene. Rapper Lil Baby came out to perform, “Freestyle”. Female emcee GloRilla performed her hit “ F.N.F (Let’s Go)”. Philly rapper Lil Uzi Vert closed out the epic celebration by performing the party anthem “Just Wanna Rock”. 

Hip Hop Is Here to Stay

The conclusion of the epic 15 minute history lesson left attendees and viewers raving about the Grammys performances. Viewers took to social media as soon as the telecast ended. Some comments caught by tweeters said things such as, ‘This hands down the is THE best motherf***ing #grammys show to Air!!! Hip-hop cultureeeee winning.’ according to tweeter @sheisTylerV. @hinadira tweeted, ‘Hip-hop has literally impacted so much. Respect these artists and all of the pioneers. Y’all changed the world forreal.’

A writer for the New York Times who wrote a column on the 50th anniversary of the genre stated, “…the sound came from a people whose voices could never be silenced,”. Granderson continued, “This is why Black music is described as having an ‘uncapturable spirit’ . Hip-hop may be 50, but its lineage stretches back much further.” That Grammys tribute proved and meant a lot to a lot of people. Public Enemy hype man Flavor Flav said on the red carpet prior to the airing of the show,  “This is to all those who said hip-hop wouldn’t last!”