Big Boi Details New Album “The Big Sleepover,” Reveals 3 Killer Mike Features

It’s appropriate that the man who once delivered “The Rooster” is determined to wake up the masses. Sitting on the precipice of his upcoming album The Big Sleepover, a joint effort with his longtime collaborator Sleepy Brown, Big Boi has decided that an alarm clock is no longer sufficient. The legendary lyricist is taking matters into his own hand, beginning with a co-headlining concert at the upcoming MLS All-Star Concert presented by Heineken. 

With the show set to take place on Tuesday, August 24th at the Los Angeles Memorial Coliseum — a lead-up to the MLS All-Star Game the following day — we had the opportunity to catch up with Big Boi before the big event. As it happens, this month is looking like a big one for the Atlanta emcee; not only is he set to kill another festival, but he’s also gearing up to release his album’s next single, “The Big Sleep Is Over.” Not long after, Big Boi and Sleepy Brown will deliver the full project, barring any late-game changes of plans.

Big Boi & Kaytranada Live At The LA Memorial Coliseum – Digital Flyer

“‘We’re in a whole other dimension, on a whole other plane,” explains Big Boi, during our Zoom conversation. “And it’s always been like that, to go extremely opposite of wherever the mainstream is going. That’s how you tap into that gold mine. And that’s what we do. It’s a brotherhood. Sleepy Brown was on the first Outkast song, he’s been on some of the Outkast’s biggest records, some of my biggest records. We build as creators and as writers and artists and producers, and we push each other.”

For more insight into Big Boi and Sleepy Brown’s upcoming album The Big Sleepover, check out the full interview below, edited for clarity and length. 

LISTEN: Big Boi, Sleepy Brown, Killer Mike – lowercase (no cap)


HNHH: What’s up Big Boi? 

Big Boi: What up bud?

How are you doing?

I’m super fantastic. 

Thank you so much for taking the time. I’ve been a fan for a long time.

‘Preciate it buddy.

Congrats on the new album that you and Sleepy Brown are working on. The Big Sleepover. I’m really looking forward to hearing that.

Yessir.

When I’m listening to your solo albums, it’s clear that you have a specific vision in mind, both sonically and lyrically. What did you want to accomplish on this project that you guys are cooking up right now?

Every project is about evolution. Challenging and pushing yourself to create something new that you haven’t done before. Once you tap into that, then you got it, you know what I’m sayin? Different rhyme patterns, substance, subjects, melodies, beats, rhymes, and life — like Tribe Called Quest said. This is a whole other chapter, and it’s good to push yourself and feel good about what you created.

In terms of that beats, rhymes, and life element…what’s speaking to you right now creatively and thematically?

The album is The Big Sleepover. It’s Big Boi and Sleepy Brown, but it’s the opposite of a slumber party. The big sleep is over, everybody wake the fuck up. I like that. That’s what we do — wake ’em up.

Working closely with Sleepy on this one, is there a sense of nostalgia in the creation process? 

No, nope, nope. No, no nostalgia. It’s all futuristic shit. We’re in a whole other dimension, on a whole other plane. And it’s always been like that, to go extremely opposite of wherever the mainstream is going. That’s how you tap into that gold mine. And that’s what we do. It’s a brotherhood. Sleepy Brown was on the first Outkast song, he’s been on some of the Outkast’s biggest records, some of my biggest records. We build as creators and as writers and artists and producers, and we push each other.

What’s the songwriting process like? 

First, we go through a beat-harvesting period, where we piece together the soundscape to see what might work. We might let the beat marinate. It might be four years, we just keep the playlist on shuffle. And day-to-day, the vibe might jump out on a different song. You always put your ideas down, no matter if it’s a piece of a hook, a piece of a verse, a whole verse, a sound. You just start building like you’re building a house.

Big Boi Sleepy Brown

Kevin Winter/Getty Images

Organized Noize is producing a lot of the album, correct?

Yes. Organized Noise. Calvo Da Gr8. I got some of my own in-house producers from Boom Boom Room Productions. We got some G’s on here, man.

Any chance you can share a few guest appearances? I know you got Killer Mike on there.

That’s about it! That’s about it. [Laughs]

That’s all you really need. 

Killer Mike is on about three songs, maybe. It don’t take a lot. It don’t take a lot.

Is it a longer album?

It’s about 14-15 tracks. Standard, get in, get out. We ain’t gotta pull the who’s who, and who’s the hottest, to make our sound be what it is. Maybe you might wanna throw somebody on a remix or something like that just for flavor, but we got our own ingredients.

How much thought goes into the arrangement of an album when you’re working on the tracklist and the pacing?

Man, that shit changes a thousand times before I turn it in. One of my strong suits is sequencing. I know how I like to hear it and how it rides from top to bottom when you push play. You become the unskippable. That’s what you want to become – the unskippable. So, anybody looking through that’s going “Oh let’s go to this song with him on this hook”- no. Push play, and ride.

I like that. I used to have a van with a six-CD changer. Sir Lucious Left Foot was one of the mainstays in that van. I played that album a million times from start to finish. Every Summer, it comes back into rotation.

Yes, sir! Timeless, baby!

Moving on to the upcoming All-Star concert — What drew you to that event?

Shit, it’s what drew them to me. They want some of this futuristic funk. The brand speaks for itself. They know when we come in we are the festival killers. We like the special forces of the rap game. When you want some shit destroyed, you know who to call. It’s gonna be top to bottom, high-impact energy, hit after hit after muthafuckin hit. And we gonna spread that new shit in there, which his hit after hit after muthafuckin hit! We ain’t gonna give the crowd a chance to breathe, straight up.

With the state of how things are going on in the world right now, shows haven’t been so frequent. 

We’ve been moving around. I did a whole show at Centennial Park. “Big Boi’s Big Night Out.” With thousands of people. The first socially distanced show I’ve done. It was in the middle of the whole “shabangaboom” — not one incident. But they didn’t record that so you probably didn’t hear about it.

When you’re crafting your setlists, how are you putting that together? 

Everything from Southernplayalistic to the Big Boi solo catalog. I might do some Big Grams. It just depends on what region we’re going to and how I feel. And how long the show is — usually it’s somewhere from 60 to 90 minutes, so there’s a lot to choose from.

Definitely. So I have to ask, knowing that you’re such a fan of hers — Any word on that Kate Bush dream collaboration? 

I did a duet with Kate Bush. I’ma hold it. I’ma hold it. It’s done, it’s in the can. Oh my god, I can’t wait ‘till people hear this. It was a dream come true and the last thing on my bucket list that I wanted to do musically.

I saw you had mentioned that a while ago and I had been rooting for you to get that. So I’m happy you pulled it off!

Goddamnit, I got it!

When can we expect The Big Sleepover?

It’ll be out this month. The next single is called “The Big Sleep Is Over.” The title track for the album should be out in another week or so.

The title track, there’s a lot of significance there-

Yeah. WAKE UP, GODDAMN IT!

Big Boi

Paras Griffin/Getty Images

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Elcamino & Keisha Plum Connect On “Fashionably Late”

Personal adversities forced Elcamino to lay low for a bit. Even still, he’s remained incredibly prolific in his output. Last year, he dropped off seven full length projects, on top of other collaborations and solo releases. He’s already offered fans projects like Block Work and On The 3rd Day with TrickyTrippz with a third project on its way later this year.

Last week, Elcamino came through with a brand new single off of his forthcoming project, Let There Be Light. Tapping Griselda’s Keisha Plum, Elcamino dropped off his latest single, “Fashionably Late.” The single boasts production credits from StreetRunner.

The latest single from Elcamino serves as the follow-up to “My Way” which dropped in July.

Check out Elcamino’s new single, “Fashionably Late” ft. Keisha Plum below and sound off with your thoughts in the comment section.

Quotable Lyrics
I was found in the bushes
Ever since, been cookin’
Started off with juxes
Look how far we took it
We take care of our families
Nominated for Grammys

Dr. Dre Previews “2 Hours Of Unreleased Heat” To Diamond D & Xzibit

Though he has yet to confirm it directly, all signs seem to indicate that Dr. Dre is getting ready to release his fourth studio album. The signs are all there, and if you’re curious to learn more about what the Doc has been cooking up, you can check out our comprehensive guide to Dre’s unreleased project here. 

One key detail: Dre has assembled what sounds like a playlist of sorts, and he’s been making a point to share his work with his fellow hip-hop legends. First, he invited Grandmaster Flash over for a listening session, who teased that Dre’s new music would “change the game.” Now, Dre has brought Diggin’ In The Crates producer slash MC Diamond D into the mix, as well as his own longtime collaborator Xzibit. 

Dr. Dre

 Emma McIntyre/Getty Images  

Taking to Instagram, Diamond D shared a picture of himself and the Good Doctor in the studio, along with a caption destined to spark excitement in Detox enthusiasts. “@drdre played about 2hrs of straight unreleased heat rocks for me and @xzibit today #ondeck shouts out to @focus3dots,” writes D, though alas, none of said “heat rocks” were unveiled in snippet form.

At this point, one has to wonder if Dre is using his peers as a focus (no pun intended, shout out to Focus…) group, gauging their reactions in an effort to further hone and shape his vision. Should that indeed be the case, perhaps we can take solace in knowing that responses, as of yet, have been overwhelmingly positive. Check out Diamond D’s post below (liked by a few notable names like Fat Joe and Busta Rhymes), and keep an eye out for more news on whatever Dre has been working on. 

Boldy James & Alchemist Drop “Turpentine/Steel Wool”

The Alchemist has been on one of the most impressive runs of any producer in the past few years. Numerous collaborative projects alongside hip-hop giants including the Grammy-nominated Alfredo, along with his own solo efforts, have brought some brilliant moments in the culture. His collaborative efforts with Boldy James, specifically, have created a cult-like following. The Price Of Tea In China may have not secured Boldy James a Grammy but it certainly reminded everyone of his brilliance on the mic.

This Friday, The Alchemist and Boldy James will be unleashing a brand new project titled, Bo Jackson. Having already released singles like “First 48 Freestyle” and “Drug Zone,” they slid through with a new offering before the album drops in its entirety with their new single, “Turpentine/Steel Wool.” 

Check it out below.

Quotable Lyrics
Catch a body, no Randy Moss, I hike it off, hut one
These n***as ain’t cut from the cloth a n***a cut from
I run with real wolves, come from the real hood
These n***as ain’t cut from my cloth ’cause I’m steel wool

Biz Markie’s DJ Remembers Him Recording The Iconic ‘Just A Friend’ Hook In Only One Heartwarming Take

Biz Markie’s iconic hit “Just A Friend” is a prime example that technical skill isn’t everything when it comes to music. While the late rapper wouldn’t be considered by many to be a skilled singer in a traditional sense, his passionately sung hook on the song remains one of the most memorable in the history of recorded music. Markie’s producer/cousin DJ Cool V recently spoke about the moment he and Markie recorded that hook, and he paints picture of a heartwarming scene.

He told HipHopDX:

“People called me crazy for letting him do that record. I’m in the studio, he wanted to do it so bad, but I got to get the whole album done before the deadline. I was almost done except for maybe three or four records, because Biz didn’t like to stay in the studio. So, I made him fight and fight and do records and do records. He was coming along so good with the other records. I said, ‘OK, OK, you finally can do it.’

I got him in the booth and he was singing, and even though it might not be perfectly correct to anybody else, the feeling of it was good. He had his fist balled up and he was really trying. He was really, really crooning, and I said, ‘That’s it.’ And he had one take. Then he had another take that was not as good as the first one. So I took the first one and put it with the next one. So it’s the same one, twice. He did both of them and he did them very well and maximized it too. He did it as best he could do it — and it was good enough for me.

Everybody called us crazy, like, ‘Yo, you going to really let him do that?’ I said, ‘Man, he feeling it. I got a good feeling about this record.’ And we did it. It just took off. It morphed into something that we could never imagine.”

Cool V went on to note, however, that neither he nor Markie ever made any money from the song. Citing Markie signing “an incredibly bad contract” and other factors as the reason for that, he said, “The sweetness comes in that we were able to perform it for almost 31 years. And now comes the other side of it — we never made money off the record. I still haven’t got paid for that record. It trickled down. So, we never made money off the record. But, we made the money off the shows and we had a great performing career. But now it gets back to the bittersweet because every time I hear it, it’s going to remind me of Biz, but it’s also going to remind me of how I can’t make more money off of it. Everybody’s feeding their family off our work and we’ve never made money off that record.”

Revisit “Just A Friend” below.

Biz Markie’s DJ Remembers Him Recording The Iconic ‘Just A Friend’ Hook In Only One Heartwarming Take

Biz Markie’s iconic hit “Just A Friend” is a prime example that technical skill isn’t everything when it comes to music. While the late rapper wouldn’t be considered by many to be a skilled singer in a traditional sense, his passionately sung hook on the song remains one of the most memorable in the history of recorded music. Markie’s producer/cousin DJ Cool V recently spoke about the moment he and Markie recorded that hook, and he paints picture of a heartwarming scene.

He told HipHopDX:

“People called me crazy for letting him do that record. I’m in the studio, he wanted to do it so bad, but I got to get the whole album done before the deadline. I was almost done except for maybe three or four records, because Biz didn’t like to stay in the studio. So, I made him fight and fight and do records and do records. He was coming along so good with the other records. I said, ‘OK, OK, you finally can do it.’

I got him in the booth and he was singing, and even though it might not be perfectly correct to anybody else, the feeling of it was good. He had his fist balled up and he was really trying. He was really, really crooning, and I said, ‘That’s it.’ And he had one take. Then he had another take that was not as good as the first one. So I took the first one and put it with the next one. So it’s the same one, twice. He did both of them and he did them very well and maximized it too. He did it as best he could do it — and it was good enough for me.

Everybody called us crazy, like, ‘Yo, you going to really let him do that?’ I said, ‘Man, he feeling it. I got a good feeling about this record.’ And we did it. It just took off. It morphed into something that we could never imagine.”

Cool V went on to note, however, that neither he nor Markie ever made any money from the song. Citing Markie signing “an incredibly bad contract” and other factors as the reason for that, he said, “The sweetness comes in that we were able to perform it for almost 31 years. And now comes the other side of it — we never made money off the record. I still haven’t got paid for that record. It trickled down. So, we never made money off the record. But, we made the money off the shows and we had a great performing career. But now it gets back to the bittersweet because every time I hear it, it’s going to remind me of Biz, but it’s also going to remind me of how I can’t make more money off of it. Everybody’s feeding their family off our work and we’ve never made money off that record.”

Revisit “Just A Friend” below.

Benjamin Earl Turner Releases New Project “Selling Air”

The Bay is filled with musical talent. There are legends and rising stars alike that represent the Bay Area, and Benjamin Earl Turner is one of the up-and-comers that rings bells on his end. The fully-independent rapper was recently cast in the lead role on the new Starz show Blindspotting and he’s been keeping busy on his music too, releasing his latest project SELLING AIR last week.

The groovy new album includes production from TENS, Daoud, and others. Influenced by a number of genres, including house, reggae, indie, and more, Benjamin Earl Turner shows off his range and versatility in his new music. 

If you’re looking for a new sound to dive into, or you’re particularly in tune with Bay Area rap, have a listen to this one today.

Tracklist:

1. CROWS
2. GIG MODE
3. POP OUT
4. TOLD YALL
5. HURT ME
6. LUV2LUV
7. SLUMPED
8. BLADE RUNNERS
9. NEVER BE
10. CHURCH
11. TOAST UP

Benjamin Earl Turner Releases New Project “Selling Air”

The Bay is filled with musical talent. There are legends and rising stars alike that represent the Bay Area, and Benjamin Earl Turner is one of the up-and-comers that rings bells on his end. The fully-independent rapper was recently cast in the lead role on the new Starz show Blindspotting and he’s been keeping busy on his music too, releasing his latest project SELLING AIR last week.

The groovy new album includes production from TENS, Daoud, and others. Influenced by a number of genres, including house, reggae, indie, and more, Benjamin Earl Turner shows off his range and versatility in his new music. 

If you’re looking for a new sound to dive into, or you’re particularly in tune with Bay Area rap, have a listen to this one today.

Tracklist:

1. CROWS
2. GIG MODE
3. POP OUT
4. TOLD YALL
5. HURT ME
6. LUV2LUV
7. SLUMPED
8. BLADE RUNNERS
9. NEVER BE
10. CHURCH
11. TOAST UP